Jump to content

Luther Blissett (pseudonym): Difference between revisions

From Wikipedia, the free encyclopedia
Browse history interactively
← Previous editNext edit →
Content deleted Content added
VisualWikitext
Line 29: Line 29:
==A limited selection of Blissett's stunts, pranks and media hoaxes==
==A limited selection of Blissett's stunts, pranks and media hoaxes==
{{Unreferenced|date=January 2009}}
{{Unreferenced|date=January 2009}}
'''January 1995'''. [[Harry Kipper]], a British conceptual artist, disappears at the Italo-Slovenian border while touring Europe on a mountain bike, allegedly with the purpose of tracing the word 'ART' on the map of the continent. The victim of the prank is a famous missing persons prime time show on the Italian state television. They send out a crew and spend taxpayers' money to look for a person that never existed. They go as far as London, where novelist [[Stewart Home]] and Richard Essex of the [[London Psychogeographical Association]] pose as close friends of Kipper's. The hoax goes on until "Luther Blissett" claims responsibility for it<ref>Cf. Felix Stalder, [http://felix.openflows.com/html/digital_identity.html "Digital Identities: Patterns in Information Flows"], Talk given at the Intermedia Departement, Academy of Fine Arts, Budapest, February 22, 2000.</ref>
'''January 1995'''. [[Harry Kipper]], a British conceptual artist, disappears at the Italo-Slovenian border while touring Europe on a mountain bike, allegedly with the purpose of tracing the word 'ART' on the map of the continent. The victim of the prank is a famous missing persons prime time show on the Italian state television. They send out a crew and spend taxpayers' money to look for a person that never existed. They go as far as London, where novelist [[Stewart Home]] and Richard Essex of the [[London Psychogeographical Association]] pose as close friends of Kipper's. The hoax goes on until "Luther Blissett" claims responsibility for it<ref>Cf. Felix Stalder, [http://felix.openflows.com/html/digital_identity.html "Digital Identities: Patterns in Information Flows"], Talk given at the Intermedia Departement, Academy of Fine Arts, Budapest, February 22, 2000.</ref><ref>Cf. [http://findarticles.com/p/articles/mi_qn4158/is_/ai_n14132742 "A shopper's guide to cultural terrorism"], The Independent, September 14, 1997.</ref><ref>Cf. Craig McLean, [http://www.wumingfoundation.com/italiano/rassegna/word_magazine_q.html "It's A Funny Old Game: Footballer LUTHER BLISSETT has become a hero to Italian anarchists. Why?"], Word Magazine, April 2003.</ref>


'''June 1995'''. Loota is a female chimpanzee whose paintings are going to be exhibited at the Venice Biennale of Contemporary Arts. Formerly a victim of sadistic experiments in a pharmaceutical lab, Loota was saved by the [[Animal Liberation Front]], then became a talented artist. Some newspapers announce the event. Unfortunately, Loota doesn't exist.
'''June 1995'''. Loota is a female chimpanzee whose paintings are going to be exhibited at the Venice Biennale of Contemporary Arts. Formerly a victim of sadistic experiments in a pharmaceutical lab, Loota was saved by the [[Animal Liberation Front]], then became a talented artist. Some newspapers announce the event. Unfortunately, Loota doesn't exist.

Revision as of 12:23, 16 January 2009

File:Lblissett.jpg
Likeness of Luther Blissett, from wumingfoundation.com

Luther Blissett is a multiple-use name, an "open reputation" informally adopted and shared by hundreds of artists and social activists all over Europe and South America since Summer 1994[citation needed].

On the Usenet, the first reference to the Luther Blissett Project appeared on 7 November 1994. It was a trumped-up report on alleged uses of the multiple name all over the world, and—albeit written in a somewhat clumsy English—it was posted by a "Luther Blissett" from the University of Missouri-Columbia[1]

For reasons that remain unknown, the name was borrowed from a 1980s British football player of Afro-Caribbean origins[2]

In Italy, between 1994 and 1999, the Luther Blissett Project (an organized network within the open community sharing the "Luther Blissett" identity) became an extremely popular phenomenon. Blissett was also active in other countries, especially in Spain and Germany[3]

December 1999 marked the end of the LBP's Five Year Plan. All the "veterans" committed a symbolic Seppuku[4]

The name Alan Smithee has been in use in Hollywood since 1968 by directors who wish to disavow creative credit for a film where control has been taken away from them.

Other multiple identities in use include Geoffrey Cohen, Monty Cantsin and Karen Eliot. These multiple-use names were developed and popularized in the 1970s and 1980s in artistic subcultures like Mail Art and Neoism[5]

The avant-garde pre-texts include the pseudonym Rrose Sélavy jointly used by Dada artist Marcel Duchamp and the surrealist poet Robert Desnos, but references in other realms of culture go back much further, eg Buddha (which is both a proper noun and a condition that may be achieved by anyone), Poor Konrad (the collective name adopted by all Swabian peasants during their rebellion against taxes in 1514), Captain Ludd, and Captain Swing. As to poetry, there are precedents such as Taliesin.

The real Luther Blissett

Main article: Luther Blissett (footballer)

The multiple identity is named after the footballer Luther Blissett who used to play for A.C. Milan amongst other teams. It is particularly popular among Italian subcultural activists and artists, possibly because of the Milan connection.

The reasons why the group chose the name remain unclear to mainstream journalists (e.g. the BBC suggested that Blissett, one of the first black footballers to play in Italy, may have been chosen to make a statement against right-wing extremists in the country).[6] It has also been suggested that when being scouted by A.C. Milan the player they were impressed with was in fact John Barnes and they mistakenly bid for Blissett being one of the two black strikers at the club. If this is the case the group may have taken the name as a reference to a red herring.

Since the beginning of the project the real Blissett was aware of the 'group' taking his name.[7] However, reports differed widely in saying whether he liked the attention he received because of them.

Blissett dispelled all doubts on 30 June 2004, when he appeared on the British television sports show Fantasy Football League - Euro 2004, broadcast on ITV. During the whole show, Blissett intelligently joked and quipped about his own (alleged) involvement in the Luther Blissett Project. After host Frank Skinner read a line from the novel Q's prologue ("The coin of the kingdom of the mad dangles on my chest to remind me of the eternal oscillation of human fortunes"), Blissett produced a copy of Luther Blissett's book Totò, Peppino e la guerra psichica (AAA Edizioni, 1996) and quoted extensively from it in the original Italian: "Chiunque può essere Luther Blissett, semplicemente adottando il nome Luther Blissett" [Anyone can be Luther Blissett simply by adopting the name Luther Blissett]. At the end of the show, hosts and guests all said in unison: "I'm Luther Blissett!". Two years later, highlights of this broadcast were posted on YouTube.

A limited selection of Blissett's stunts, pranks and media hoaxes

January 1995. Harry Kipper, a British conceptual artist, disappears at the Italo-Slovenian border while touring Europe on a mountain bike, allegedly with the purpose of tracing the word 'ART' on the map of the continent. The victim of the prank is a famous missing persons prime time show on the Italian state television. They send out a crew and spend taxpayers' money to look for a person that never existed. They go as far as London, where novelist Stewart Home and Richard Essex of the London Psychogeographical Association pose as close friends of Kipper's. The hoax goes on until "Luther Blissett" claims responsibility for it[8][9][10]

June 1995. Loota is a female chimpanzee whose paintings are going to be exhibited at the Venice Biennale of Contemporary Arts. Formerly a victim of sadistic experiments in a pharmaceutical lab, Loota was saved by the Animal Liberation Front, then became a talented artist. Some newspapers announce the event. Unfortunately, Loota doesn't exist.

Four persons are found ticketless on an Italian train. When asked in court for their names, they all answer 'Luther Blissett'. This story is a highly distorted version of an event that really took place in Rome on June 17, 1995, when a few dozen ravers occupied and "hijacked" a night bus. A rave party took place on the vehicle until the police decided to block the street and stop it. When the ravers came out of the bus, the policemen attacked them, one of them even fired three shots in the air. A journalist from an independent radio station (Radio Citta' Futura) was also on the bus, he was covering the event on the phone for a live chat show, thus the shots were heard by thousands of listeners. Eighteen people were arrested. Some of them said that they were "Luther Blissett", but none of them actually claimed that at the police station, later on.

Luther Blissett's most complex prank was played by dozens of people in Latium, central Italy, in 1997. It lasted a year, involving black masses, satanism, Christian witch-hunters in the backwoods of Viterbo and so on. The local and national media bought everything with no fact-checking at all, politicians jumped on the bandwagon of moral panic, there was even video footage of a (rather clumsy) satanic ritual abuse being broadcast on national TV, until Luther Blissett claimed responsibility for the whole racket and produced a huge mass of evidence. Blissett activists called this "homoepathic counter-information": by injecting a calculated dose of falsehood in the media, they meant to show the unprofessionality of most reporters and the groundlessness of moral panic. The hoax was praised and analyzed by scholars and media experts, and became a case study in several academic texts.

1998-99. Darko Maver is a controversial Serbian sculptor and performance artist. His works are life-size dummies looking very much like brutalized, maimed, blood-covered corpses. His art is the target of state censorship, and he's locked in a Serbian prison for anti-social conduct. In Italy, pictures of Maver's works are exhibited in Bologna and Rome. Prestigious, high-brow art magazines publish a solidarity appeal. Some respected critics even claim to know the artist personally. When "Darko Maver" dies in prison during a NATO bombing, pictures of the body appear on the web. Only, that man isn't "Darko" at all, he's a Sicilian member of the LBP. The truth is revealed a few weeks after the Seppuku. The "works" were pics of actual corpses, found on rotten.com. It's the last big hoax by the LBP, and the debut of a new group, 0100101110101101.org.

2007. A month before the appearance on the bookshelves of Harry Potter and the Deadly Hallows, an e-mail was sent to the Full Disclosure mailing list. In the e-mail, a self-declared group of Catholic hackers purportedly gave away the ending of the book, declaring they violated the computer systems of Bloomsbury (exclusive publisher of the Harry Potter books) to obtain it. The e-mail quoted Joseph Ratzinger's words against Harry Potter.

The news escalated from niche IT security mailing lists to mainstream media outlets, and in about 48 hours it was run by CNN, BBC, Reuters, and over 9000 blogs (declared in the claim).

Three days after, Luther Blisset claimed responsibility for the hoax in a public e-mail in which he described how easily the media could be manipulated and how this could be used for Psyops purposes. The revelation was ignored by most media outlets, with the notable exception of Noticiasdot, that published an interview with Luther Blissett.

The novel Q

The novel Q was written by four Bologna-based members of the LBP as a final contribution to the project, and published in Italy in 1999. So far, it has been translated into English (British and American), Spanish, German, Dutch, French, Portuguese (Brazilian), Danish, Polish, Greek, Czech, Russian and Korean. In August 2003 the book was nominated for the Guardian First Book Prize.[11]

In January 2000, after their "seppuku," the authors of Q formed a new group called Wu Ming, under which name the novel 54 was published in Italy in 2002[citation needed].

Works

References

  1. ^ Cf. "Luther Blissett: State of the Union", misc.activism.progressive, November 7th, 1994.
  2. ^ Cf. "Englishmen Abroad: Luther Blissett", TheFA.com, July 2nd, 2003.
  3. ^ Cf. H. Jenkins, "How Slapshot Inspired A Cultural Revolution", henryjenkins.org, October 5th, 2006.
  4. ^ Cfr. "Seppuku!", lutherblissett.net, September 6th 1999.
  5. ^ Cf. autonome a.f.r.i.k.a gruppe, "All or None? Multiple Names, Imaginary Persons, Collective Myths", eipcp.net.
  6. ^ Cf. "Luther Blissett Anarchist Hero", on BBC News - Football, March 9, 1999.
  7. ^ Cf. "The name of the footballer cited in literary mystery", The London Times, March 9, 1999.
  8. ^ Cf. Felix Stalder, "Digital Identities: Patterns in Information Flows", Talk given at the Intermedia Departement, Academy of Fine Arts, Budapest, February 22, 2000.
  9. ^ Cf. "A shopper's guide to cultural terrorism", The Independent, September 14, 1997.
  10. ^ Cf. Craig McLean, "It's A Funny Old Game: Footballer LUTHER BLISSETT has become a hero to Italian anarchists. Why?", Word Magazine, April 2003.
  11. ^ "From Watford striker to top novelist", The Guardian, August 28 2003.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Luther_Blissett_(pseudonym)&oldid=264450309"