Antoine schmitt

Antoine Schmitt (bon in 1961 in Strasbourg, France) is a french contemporary artist, programming engineer and designer.

Biography

Antoine Schmitt is a self-made programmer at the age of 16.

After his engineer diploma of the Telecom Paris in 1984, he works as programming engineer specialized in artificial intelligence and human-machine interactions, in Paris, especially for the company Act Informatique for 5 years (1985-1991), and in the Silicon Valley as R&D engineer for the NeXT company with Steve Jobs for 3 years (1991-1994). He has been technical assistant to the film-maker Chris Marker, and collaborated with the companies Hyptique, Incandescence, Virtools, the BBC and more recently with violet. He creates specialized software, especially Xtras (plugins) of Adobe Director, like the asFFT Xtra.

Since 1994, he works as a visual artist, recognized by numerous awards and exhibitions. Artist of the movement, digital artist, Antoine Schmitt develops his work around the notion of shapes "programmed to be free". His artworks, minimal, abstract and efficient, tackle contemporary or intemporal themes like the condition of being free, the systems of reality or the forces and their shape. He places programming, an artistic medium that he considers as radically new because of its active dimension, at the heart of the majority of his creations. Using techniques coming from artificial life and intelligence, influenced by philosophical and psychanalytical approaches, Antoine Schmitt crafts objects or situations, generative or interactive physical, visual or audio systems, which question the modalities of the free human being in a complex world. Also, alone or though collaborations, Antoine Schmitt confronts his approach with more established artistic fields like dance, music, cinema, architecture or literature, and revisits their codes.

In 1995, he publishes "puppetsprite 1", first artistic CD-Rom, with the visual artist Alberto Sorbelli.

In 1997, under the pseudo Georges Victor, he launches the olalaParis mailing-list of artistic events, the first, still active, mailing-list of contemporary art in France.

In 1998, he publishes with Jean-Jacques Birgé, "Machiavel", interactive behavioral CD-Rom.

In 1999, he is the author with Vincent Epplay of the "infinite CD for unlimited music", first CD-Rom of generative music.

In 2000, he founds the web portal gratin.org, Groupe de Recherche en Art et Technologies Interactives et/ou Numériques, a reference in programmed art.

In 2003, the company violet handles him the design of the behavior of the Dal lamp. Since then, he designs the infra-verbal behavior and the visual languages of all the objects of the violet company : the Nabaztag rabbit, the mir:ror, dal:dal, etc...

In 2004, he launches with Adrian Johnson the sonicobject label, first label of oroginal mobile phone ringtones, gathering 16 contemporary composers and 200 ringtones downloadable under Creative Commons licence.

Art Works (selection)

• 1995 : puppetsprite 1, with Alberto Sorbelli, interactive CD-Rom
• 1996 : Le Pixel Blanc, minimal behavioral installation
• 1998 : Machiavel, with Jean-Jacques Birgé, behavioral CD-Rom, nominated Prix Moebius
• 1999 : Les Lignes-mobiles, installation, 1rst prize Interférences 2000 (Belfort, France)
• 2000 : Avec détermination, installation Net Art - 1rst prize video-dance Unesco (Paris), Honorary Mention VIDA5.0 2002 (Madrid)
• 2000 : Vexation 1, générative installation, honorary mention in software art at transmediale 2001 (Berlin).
• 2001 : Display Pixel, with Vincent Epplay, audio-visual performance
• 2002 : nanomachine, custom software musical instrument and audio-visual performance, Honorary Mention CynetArt 2004 (Dresden)
• 2004 : puppetpresident, net art
• 2005 : Gameplay, interactive contemporary dance, with Anne Holst and Jean-Marc Matos (companie K.Danse)
• 2006 : Christ Mourant, installation not interactive
• 2006 : Nabaz'mob, Opéra pour 100 lapins communicants, avec Jean-Jacques Birgé, Ars Electronica Award of Distinction Digital Musics 2009
• 2006 : still living, installations, second prize transmediale.07 2007 (Berlin)
• 2007 : Facade Life, in situ installation on architecture
• 2008 : TIME SLIP, real time installation

Exhibitions (selection)

• Musée d'art contemporain de Lyon (1997)
• Musée d'art moderne de la Ville de Paris (1999)
• transmediale festival, Berlin, (2001, 2003, 2005, 2007, 2009)
• Centre national d'art et de culture Georges-Pompidou, Paris, (2004, 2006)
• Sónar Festival, Barcelona, (2002, 2004, 2005)
• iMal, Bruxelles (2003, 2004, 2007, 2008, 2009)
• Ars Electronica, Linz, (2003, 2009)
• Siana Contemporary Art Center, Italy (2004)
• Villette Numérique, Paris (2004)
• Scopitone Festival, Nantes, France (2004, 2007, 2008)
• Ososphère Festival, Strasbourg, France (2005, 2007, 2008)

Awards (Selection)

• transmediale.01 (Berlin 2001), honorary mention
• Vida 5.0 (Madrid 2002) : honorary mention
• CYNETArt (Dresden, DE, 2004) : honorary mention
• transmediale.07 (Berlin, DE, 2007) : second prize
• Ars Electronica 2009 (Linz, Austria) : Award of Distinction Digital Musics

References

Bibliographie

• (french) De l’Intelligence Artificielle à l’Inconscient Artificiel L’objet petit a : une exposition d’Antoine Schmitt, Franck Renucci et Hervé Zénouda, UFR Ingémédia, Université Toulon Var, Actes du colloque SIANA09, 2009
• (french) Les images et les sons dans les hypermédias artistiques contemporains, Chapitre 5 : Antoine Schmitt, Hervé Zénouda, Éditions L'Harmattan, Paris, France, 2008
• (french) Schmitt et Birgé, des lapins communicants, Françis Marmande - Le Monde, 19sept07
• (french) Du pinceau à la souris, Olivier Le Floc'h - La Tribune - 2mar07
• (french) L'art programmé selon Antoine Schmitt, Dominique Moulon, Images Magazine Mensuel, mars 2006
• (french) Article sur la nanomachine, Marie Lechner, Libération, 2003
• (german) article sur avec determination, Die Tageszeitung, 2000

Sources

• (french) Video interview Magnetic Room Magazine, 2008
• (italian) article on Gameplay, Neural.it, 2005
• (french) Nanomachine, une perfomance autonome, visuelle et sonore sur écran, Marie Beloeil, transfert.net, 2003
• (english) Article and Interview on turbulence.org, Jim Andrews, 2003
• (french) Le travail du temps : programmer un mode d'être, Samuel Bianchini, Parpaings n°32, Éd. Jean-Michel Place, Paris, avril 2002
• (english) Interview, Jose Luis de Vicente, SonarOnLine, 2002

Liens externes

• Official Site of Antoine Schmitt
• Consultant Site of Antoine Schmitt
• site of the mailing-list olalaParis
• site of the G.R.A.T.I.N. portal
• site of the artwork puppetpresident
• site of the label sonicobject