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==Sources==
==Sources==
*[http://translate.google.com/translate?hl=en&sl=pt&u=http://www.arqnet.pt/portal/biografias/gilberto_freyre.html&sa=X&oi=translate&resnum=2&ct=result&prev=/search%3Fq%3D%2522Gilberto%2BFreyre%2522%2B1900%26hl%3Den%26ie%3DUTF-8%26c2coff%3D1%26sa%3DG ''O Portal da História]
*[http://www.arqnet.pt/portal/biografias/gilberto_freyre.html ''O Portal da História] {{ref-pt}}


==External links==
==External links==

Revision as of 13:15, 22 January 2012

Gilberto Freyre. Circa 1975

Gilberto de Mello Freyre (March 15, 1900 – July 18, 1987) was a Brazilian sociologist, anthropologist, historian, writer, painter and congressman. His best-known work is a sociological treatise named Casa-Grande & Senzala (variously translated, but roughly The Masters and the Slaves, as on a traditional plantation). Two sequels followed, The Mansions and the Shanties: the making of modern Brazil and Order and Progress: Brazil from monarchy to republic. The trilogy is generally considered a classic of modern cultural anthropology and social history, although it is not without its critics.

Biography

Gilberto Freyre (born in Recife, Northeast Brazil, 1900–1987) was a well-known Brazilian intellectual, who was a sociologist, writer, journalist, politician and social-theorist. He is commonly associated with other great Brazilian cultural interpreters of the first half of the 20th century, such as Sérgio Buarque de Holanda and Caio Prado Júnior.

Like other Latin-American intellectuals, Freyre had an internationalist and precocious academic career, having studied at Baylor University, Texas from the age of eighteen and then at Columbia University, where he got his master's degree under the tutelage of Willian Shepperd. At Columbia Freyre was a student of the anthropologist Franz Boas, but his ideas were not influential to Freyre's work save after a considerable period of nurturing and studying.

After coming back to Recife in 1923, Freyre spearheaded a handful of writers of the so-called Regionalista Movement. After working extensively as a journalist, he was made Head of Cabinet of the Governor of the State of Pernambuco, Estácio Coimbra. With the 1930 revolution and the rise of Getúlio Vargas, both Coimbra and Freyre went into exile. Freyre went first to Portugal and then to the US, where he worked as Visiting Professor at Stanford.

Freyre's most widely known work is The Masters and the Slaves (Casa-Grande & Senzala, 1933). This is a revolutionary work for the study of races and cultures in Brazil, written in a quite personal and impressionistic tone. The book is a turning point in the analysis of the black heritage in Brazil, which is highly extolled by Gilberto Freyre. His effort both to rehabilitate the black culture and identify Brazil as a conciliatory country is comparable to the ones of other Latin American writers, such as Fernando Ortiz in Cuba (Contrapunteo Cubano de Tobacco y Azúcar, 1940), José Vasconcelos in Mexico (La Raza Cosmica, 1926).

The Masters and the Slaves is the first of a series of three books, that included The Mansions and the Shanties (1938) and Order and Progress (1957). Other very important contributions of Freyre were Northeast (Nordeste) and The English in Brazil (1948).

The actions of Freyre as a public intellectual are rather controversial. Labeled as a communist in the '30s, he was considered a right-wing reactionary thereafter, mainly because of his dubious support of the Salazar Regime in Portugal in the '50s and his embracement of the Brazilian military regime after 1964. Freyre is considered to be the "father" of lusotropicalism: the theory whereby miscegenation had been a positive force in Brazil ("miscegenation" at that time tended to be viewed in a negative way, like in the theories of Eugen Fischer and Charles Davenport.[1]

Gilberto Freyre was also recognised by his literary style. He also wrote poems, his poem "Bahia of all saints and of almost sins" got Manuel Bandeira's enthusiasm. Gilberto Freyre wrote this long poem inspired by his first visit to Salvador: Bahia of all saints and of almost all sins. Manuel Bandeira wrote about it in June 1927: "Your poem, Gilberto, will be an eternal source of jealousy to me"(cf. Manuel Bandeira, Poesia e Prosa. Rio de Janeiro: Aguilar, 1958, v. II: Prose, p. 1398).[2]

A re-evaluation of Freyre's work is timely. Not only is he one of the greatest writers of Portuguese prose, but he also developed pioneering ideas on hybridism, cultural translation, material culture, and many other fields.

Quotes

“Every Brazilian, even the light skinned fair haired one carries about him on his soul, when not on soul and body alike, the shadow or at least the birthmark of the aborigine or the negro, in our affections, our excessive mimicry, our Catholicism which so delights the senses, our music, our gait, our speech, our cradle songs, in everything that is a sincere expression of our lives, we almost all of us bear the mark of that influence.” -The Masters and the Slaves

Select bibliography

  • Brazil: an interpretation
  • The Masters and the Slaves: a study in the development of Brazilian civilization - First published in Portuguese in 1933, under the title "Casa-Grande & Senzala".[3]
  • New World in the Tropics: the culture of modern Brazil
  • The Mansions and the Shanties: the making of modern Brazil - First published in Portuguese in 1936, under the title "Sobrados e Mucambos".[4]
  • Order and Progress: Brazil from monarchy to republic
  • Sugar
  • Olinda
  • Men, engineering and social routes
  • Sociology
  • Brazilian problems of Anthropology
  • Order and Progress: Brazil from monarchy to republic
  • The Northeast: Aspects of Sugarcane Influence on Life and Landscape

Sources

References

  • Isfahani-Hammond, Alexandra (2005). White Negritude: Race, Writing, and Brazilian Cultural Identity (New Concepts in Latino American Cultures). Palgrave Macmillan Press. ISBN 1-4039-7595-7.
  • Joseph A. Page (1995), The Brazilians. Da Capo Press. ISBN 0-201-44191-8.
  • Gilberto Freyre Foundation - Gilberto Freyre's Virtual Library - http://www.bvgf.fgf.org.br
  • Needell, Jeffrey D. "Identity, Race, Gender, and Modernity in the Origins of Gilberto Freyre's Oeuvre." The American Historical Review. 100.1 (February 1995):51-77.
  • Stein, Stanley J. "Freyre's Brazil Revisited: A Review of the New World in the Tropics: The Culture of Modern Brazil." The Hispanic American Historical Review. 41.1 (February 1961):111-113
  • Morrow, Glenn R. "Discussion of Dr. Gilberto Freyre's Paper." Philosophy and Phenomenological Research. 4.2 (December 1943):176-177.
  • Mazzara, Richard A. "Gilberto Freyre and Jose Honorio Rodrigues: Old and New Horizons for Brazil." Hispania. 47.2 (May 1964):316-325.
  • Nery da Fonseca, Edson: Em Torno de Gilberto Freyre. Recife:Editora Massangana, 2007.
  • Pallares-Burke, Maria Lúcia: Um Vitoriano dos Trópicos. São Paulo: Editora da Unesp, 2005.
  • Sanchez-Eppler, Benigno "Telling Anthropology: Zora Neale Hurston Gilberto Freyre Disciplined in their Field-Home-Work." American Literary History. 4.3 (Autumn 1992):464-488.
  • Villon, Victor. O Mundo Português que Gilberto Freyre Criou, seguido de Diálogos com Edson Nery da Fonseca. Rio de Janeiro, Vermelho Marinho, 2010.

See also

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