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{{Infobox person
{{Infobox person
| name = Yinka Elujoba
| name = Yinka Elujoba
Line 5: Line 4:
| nationality = [[Nigerian people|Nigerian]]
| nationality = [[Nigerian people|Nigerian]]
| education = [[Obafemi Awolowo University]] [[School of Visual Arts]]
| education = [[Obafemi Awolowo University]] [[School of Visual Arts]]
| occupation = [[Writer]], editor, [[art critic]]
| occupation = [[Writer]], Editor, [[art critic]]
| notable_works = Collective Truth, Re-Imaging Futures: A Trans-Nigerian Conversation
| notable_works = Collective Truth, Re-Imaging Futures: A Trans-Nigerian Conversation
| awards = Rabkin Prize
| awards = Rabkin Prize
| website = {{URL|https://www.elujoba.com/}}
| website = https://www.elujoba.com/
⚫
}}'''Yinka Elujoba''' is a Nigerian Writer <ref>https://www.worldliteraturetoday.org/author/yinka-elujoba</ref>, and Editor<ref name=":3" /> who currently works as Art Critic for the [[New York Times]].<ref>https://www.nytimes.com/2021/05/06/arts/design/lonnie-holley.html</ref> He lives in Brooklyn, New York.
}}


⚫
In 2018, he won the Apexart International Exhibition Grant<ref name=":0">https://apexart.org/ekejiuba-elujoba.php</ref> as one-half of a curatorial team with Innocent Ekejiuba.
⚫
'''Yinka Elujoba''' is a Nigerian writer<ref>{{Cite web|url=https://www.worldliteraturetoday.org/author/yinka-elujoba|title=Yinka Elujoba|website=World Literature Today}}</ref> and editor<ref name=":3" /> who currently works as an art critic for ''[[The New York Times]]''.<ref>{{Cite web|url=https://www.nytimes.com/2021/05/06/arts/design/lonnie-holley.html|title=Lonnie Holley’s Life of Perseverance, and Art of Transformation|first=Yinka|last=Elujoba|date=May 6, 2021|via=NYTimes.com}}</ref> He lives in Brooklyn, New York.


⚫
He was awarded the Rabkin Prize in 2021.<ref name=":4" />
⚫
In 2018, he won the Apexart International Exhibition Grant<ref name=":0">{{Cite web|url=https://apexart.org/ekejiuba-elujoba.php|title=apexart Exhibition: Re-Imaging Futures|website=apexart.org}}</ref> as one-half of a curatorial team with Innocent Ekejiuba.


⚫
== Personal Life and Education ==
⚫
He was awarded the Rabkin Prize in 2021.<ref name=":4" />
⚫
Elujoba was born and raised in Lagos, Nigeria to civil servant parents.

⚫
He has an Engineering degree from [[Obafemi Awolowo University]], Ile-Ife, and an MFA in Art Writing & Criticism from the [[School of Visual Arts]], New York.<ref>https://sva.edu/alumni/alumni-society/award-recipients</ref>
⚫
== Personal life and education ==
⚫
Elujoba was born and raised in Lagos, Nigeria to civil-servant parents.
⚫
He has an engineering degree from [[Obafemi Awolowo University]], Ile-Ife, and an MFA in art writing and criticism from the [[School of Visual Arts]], New York.<ref>{{Cite web|url=https://sva.edu/alumni/alumni-society/award-recipients,%20https://sva.edu/alumni/alumni-society/award-recipients|title=Award Recipients - SVA|website=School of Visual Arts &#124; SVA &#124; New York City}}</ref>


== Career ==
== Career ==
Elujoba has worked extensively as a writer, editor, and art critic since 2010.<ref name="auto1">{{Cite web|date=2016-04-19|title=Yinka Elujoba|url=https://invisible-borders.com/artist/yinka-elujoba/|access-date=2021-07-18|website=Invisible Borders}}</ref>
Elujoba has worked extensively as a writer, editor, and art critic since 2010.<ref>{{Cite web|date=2016-04-19|title=Yinka Elujoba|url=https://invisible-borders.com/artist/yinka-elujoba/|access-date=2021-07-18|website=Invisible Borders}}</ref>


Elujoba has written two chapbooks, ''Collective Truth (2016)'', which is permanently collected at the [[Smithsonian Institution|Smithsonian Institute]]<ref name=":1">{{Cite web|title=Collective truth / Yinka Elujoba|url=https://www.si.edu/object/siris_sil_1111317|access-date=2021-07-18|website=Smithsonian Institution|language=en}}</ref> and ''Images of the Disconsolate (2017)'' as part of his work with the [[Invisible Borders Trans-African Photographers Organisation|Invisible Borders]]' Trans-African Project<ref name=":2">{{Cite web|title=Chapbooks – Invisible Borders Store|url=https://store.invisible-borders.com/product-category/chapbooks/|access-date=2021-07-18|language=en-US}}</ref><ref name="auto1"/>
Elujoba has written two chapbooks, ''Collective Truth (2016)'', which is permanently collected at the [[Smithsonian Institution|Smithsonian Institute]]<ref name=":1">{{Cite web|title=Collective truth / Yinka Elujoba|url=https://www.si.edu/object/siris_sil_1111317|access-date=2021-07-18|website=Smithsonian Institution|language=en}}</ref> and ''Images of the Disconsolate (2017)'' as part of his work with the [[Invisible Borders Trans-African Photographers Organisation|Invisible Borders]]' Trans-African Project<ref name=":2">{{Cite web|title=Chapbooks – Invisible Borders Store|url=https://store.invisible-borders.com/product-category/chapbooks/|access-date=2021-07-18|language=en-US}}</ref><ref>{{Cite web|date=2016-04-19|title=Yinka Elujoba|url=https://invisible-borders.com/artist/yinka-elujoba/|access-date=2021-07-18|website=Invisible Borders}}</ref>


In 2018, Elujoba and Innocent Ekejiuba won the Apexart International Exhibition grant, with their exhibition "''Re-imaging Futures: A Trans-Nigerian Conversation"''<ref name="auto2">{{Cite web|title=apexart Exhibition: Re-Imaging Futures|url=https://apexart.org/ekejiuba-elujoba.php|access-date=2021-07-18|website=apexart.org}}</ref> selected out of 538 eligible entries from 66 countries, their work was selected by an international panel of over 300 jurors and subsequently also selected by a nomination of over 13,000 public votes, as the best entry to receive the grant.<ref name="auto2"/>
In 2018, Elujoba and Innocent Ekejiuba won the Apexart International Exhibition grant, with their exhibition "''Re-imaging Futures: A Trans-Nigerian Conversation"''<ref>{{Cite web|title=apexart Exhibition: Re-Imaging Futures|url=https://apexart.org/ekejiuba-elujoba.php|access-date=2021-07-18|website=apexart.org}}</ref> selected out of 538 eligible entries from 66 countries, their work was selected by an international panel of over 300 jurors and subsequently also selected by a nomination of over 13,000 public votes, as the best entry to receive the grant.<ref>{{Cite web|title=apexart Exhibition: Re-Imaging Futures|url=https://apexart.org/ekejiuba-elujoba.php|access-date=2021-07-18|website=apexart.org}}</ref>


The Exhibition, which took place from February 9 to March 9, 2019, at the Old Engine Test House, Nigeria Railway Corporation Compound, Ebute-Metta, Lagos<ref>{{Cite web|title=Lagos Railway Station · Cooper Street, Lagos Mainland, Lagos, Nigeria|url=https://www.google.com/maps/place/Lagos+Railway+Station/@6.4864987,3.3726915,15z/data=!4m5!3m4!1s0x103b8c805eccc3fb:0xc83a2d874470d3a9!8m2!3d6.4843335!4d3.3810908|access-date=2021-07-18|website=Lagos Railway Station · Cooper Street, Lagos Mainland, Lagos, Nigeria|language=en}}</ref><ref name="auto">{{Cite web|title=apexart :: Public Program :: Re-Imaging Futures: Legacy|url=https://apexart.org/events/riflegacy.php|access-date=2021-07-18|website=apexart.org}}</ref><ref>{{Cite web|title=apexart :: Public Program :: Re-Imaging Futures: Future Images|url=https://apexart.org/events/riffuture.php|access-date=2021-07-18|website=apexart.org}}</ref> was described as ''"explor(ing) the concept of Nigeria as a cartographic construct by colonial forces and its implications in contemporary Nigeria"''<ref>{{Cite web|last=Editors|first=T. S. A.|date=2019-03-19|title=Re-imaging Futures: A Trans-Nigerian Conversation {{!}} By adeoluwa oluwajoba|url=https://thesoleadventurer.com/re-imaging-futures-a-trans-nigerian-conversation-by-adeoluwa-oluwajoba/|access-date=2021-07-18|website=The Sole Adventurer|language=en-US}}</ref>
The Exhibition, which took place from February 9 - March 9, 2019, at the Old Engine Test House, Nigeria Railway Corporation Compound, Ebute-Metta, Lagos<ref>{{Cite web|title=Lagos Railway Station · Cooper Street, Lagos Mainland, Lagos, Nigeria|url=https://www.google.com/maps/place/Lagos+Railway+Station/@6.4864987,3.3726915,15z/data=!4m5!3m4!1s0x103b8c805eccc3fb:0xc83a2d874470d3a9!8m2!3d6.4843335!4d3.3810908|access-date=2021-07-18|website=Lagos Railway Station · Cooper Street, Lagos Mainland, Lagos, Nigeria|language=en}}</ref><ref>{{Cite web|title=apexart :: Public Program :: Re-Imaging Futures: Legacy|url=https://apexart.org/events/riflegacy.php|access-date=2021-07-18|website=apexart.org}}</ref><ref>{{Cite web|title=apexart :: Public Program :: Re-Imaging Futures: Future Images|url=https://apexart.org/events/riffuture.php|access-date=2021-07-18|website=apexart.org}}</ref> was described as ''"explor(ing) the concept of Nigeria as a cartographic construct by colonial forces and its implications in contemporary Nigeria"''<ref>{{Cite web|last=Editors|first=T. S. A.|date=2019-03-19|title=Re-imaging Futures: A Trans-Nigerian Conversation {{!}} By adeoluwa oluwajoba|url=https://thesoleadventurer.com/re-imaging-futures-a-trans-nigerian-conversation-by-adeoluwa-oluwajoba/|access-date=2021-07-18|website=The Sole Adventurer|language=en-US}}</ref>


His essays and art criticism has been published on Harper's,<ref>{{Cite web|last=Yu|first=Charles|last2=Jaccarino|first2=Mike|last3=Hamrah|first3=A. S.|last4=Myles|first4=Eileen|last5=Martin|first5=Judith|last6=Laing|first6=Olivia|last7=Elujoba|first7=Yinka|last8=Oyler|first8=Lauren|last9=Hu|first9=Jane|title=Yinka Elujoba {{!}} Harper's Magazine|url=https://harpers.org/author/yinkaelujoba/|access-date=2021-07-18|website=harpers.org|language=en}}</ref> Art Review,<ref>{{Cite web|title=David Goldblatt’s Way of Seeing|url=https://artreview.com/david-goldblatt-way-of-seeing/|access-date=2021-07-18|website=artreview.com|language=en}}</ref> [[Saraba Magazine]]<ref>{{Cite web|last=Magazine|first=Saraba|title=The Poetry of Places {{!}} Saraba Magazine|url=https://www.sarabamag.com/the-poetry-of-places-by-yinka-elujoba/|access-date=2021-07-18|language=en-GB}}</ref> Brooklyn Rail<ref>{{Cite web|title=Yinka Elujoba {{!}} Contributor|url=https://brooklynrail.org/contributor/Yinka-Elujba|url-status=live|access-date=2021-07-18|website=The Brooklyn Rail|language=en-US}}</ref> and [[The New York Times|The New York TImes]].<ref>{{Cite news|last=Elujoba|first=Yinka|date=2020-09-17|title=Jacob Lawrence, Peering Through History’s Cracks|language=en-US|work=The New York Times|url=https://www.nytimes.com/2020/09/17/arts/design/jacob-lawrence-metropolitan-museum.html|access-date=2021-07-18|issn=0362-4331}}</ref> where he writes Art Criticism.
His Essays and Art Criticism has been published on Harper's,<ref>{{Cite web|last=Yu|first=Charles|last2=Jaccarino|first2=Mike|last3=Hamrah|first3=A. S.|last4=Myles|first4=Eileen|last5=Martin|first5=Judith|last6=Laing|first6=Olivia|last7=Elujoba|first7=Yinka|last8=Oyler|first8=Lauren|last9=Hu|first9=Jane|title=Yinka Elujoba {{!}} Harper's Magazine|url=https://harpers.org/author/yinkaelujoba/|access-date=2021-07-18|website=harpers.org|language=en}}</ref> Art Review,<ref>{{Cite web|title=David Goldblatt’s Way of Seeing|url=https://artreview.com/david-goldblatt-way-of-seeing/|access-date=2021-07-18|website=artreview.com|language=en}}</ref> [[Saraba Magazine]]<ref>{{Cite web|last=Magazine|first=Saraba|title=The Poetry of Places {{!}} Saraba Magazine|url=https://www.sarabamag.com/the-poetry-of-places-by-yinka-elujoba/|access-date=2021-07-18|language=en-GB}}</ref> Brooklyn Rail<ref>{{Cite web|title=Yinka Elujoba {{!}} Contributor|url=https://brooklynrail.org/contributor/Yinka-Elujba|url-status=live|access-date=2021-07-18|website=The Brooklyn Rail|language=en-US}}</ref> and [[The New York Times|The New York TImes]].<ref>{{Cite news|last=Elujoba|first=Yinka|date=2020-09-17|title=Jacob Lawrence, Peering Through History’s Cracks|language=en-US|work=The New York Times|url=https://www.nytimes.com/2020/09/17/arts/design/jacob-lawrence-metropolitan-museum.html|access-date=2021-07-18|issn=0362-4331}}</ref> where he writes Art Criticism.


In 2020, Elujoba cofounded A Long House with Kechi [[Kechi Nomu|Nomu]] and Gbenga Adesina.<ref name=":3">{{Cite web|title=Masthead|url=https://alonghouse.com/masthead/|access-date=2021-07-18|website=A Long House|language=en-US}}</ref>
In 2020, Elujoba cofounded A Long House with Kechi [[Kechi Nomu|Nomu]] and Gbenga Adesina.<ref name=":3">{{Cite web|title=Masthead|url=https://alonghouse.com/masthead/|access-date=2021-07-18|website=A Long House|language=en-US}}</ref>


== Works ==
== Works ==
⚫
* 2016 – ''Collective Truth''<ref name=":1" /><ref name=":2" />
* 2017 – ''Images of the Disconsolate''<ref>{{Cite web|title=Images of the Disconsolate|url=https://www.fortunatetraveller.com/tag/images-of-the-disconsolate/|access-date=2021-07-18|website=Fortunate Traveller|language=en-GB}}</ref><ref name=":2" />
⚫
* 2017 – ''In History to My Barest Marrows''<ref>{{Cite web|date=2016-11-09|title=“In History to My Barest Marrows”: A Conversation Between Yinka Elujoba and Emmanuel Iduma|url=https://www.worldliteraturetoday.org/blog/interviews/history-my-barest-marrows-conversation-between-yinka-elujoba-and-emmanuel-iduma|access-date=2021-07-18|website=World Literature Today|language=en}}</ref> conversation with [[Emmanuel Iduma]] for World Literature Today<ref>{{Cite journal|last=Simon|first=Daniel|date=2017|title=Table of Contents, Masthead, and Editor's Note|url=https://www.jstor.org/stable/10.7588/worllitetoda.91.1.fm|journal=World Literature Today|volume=91|issue=1|pages=1–4|doi=10.7588/worllitetoda.91.1.fm|issn=0196-3570}}</ref>
* 2019 – ''Re-imaging Futures: A Trans-Nigerian Conversation''<ref name="auto"/><ref name=":0" />


⚫
* 2016| Collective Truth <ref name=":1" /><ref name=":2" />
⚫
== Awards and recognition ==
* 2021 – Rabkin Prize<ref name=":4">{{Cite web|title=AWARDS|url=https://www.rabkinfoundation.org/awards|access-date=2021-07-18|website=THE DOROTHEA AND LEO RABKIN FOUNDATION|language=en-US}}</ref> from the ''Dorothea and Leo Rabkin Foundation''.<ref>{{Cite web|title=THE DOROTHEA AND LEO RABKIN FOUNDATION|url=https://www.rabkinfoundation.org/|access-date=2021-07-18|website=THE DOROTHEA AND LEO RABKIN FOUNDATION|language=en-US}}</ref>
* 2017| Images of the Disconsolate <ref>{{Cite web|title=Images of the Disconsolate|url=https://www.fortunatetraveller.com/tag/images-of-the-disconsolate/|access-date=2021-07-18|website=Fortunate Traveller|language=en-GB}}</ref><ref name=":2" />
⚫
* 2017| In History to My Barest Marrows<ref>{{Cite web|date=2016-11-09|title=“In History to My Barest Marrows”: A Conversation Between Yinka Elujoba and Emmanuel Iduma|url=https://www.worldliteraturetoday.org/blog/interviews/history-my-barest-marrows-conversation-between-yinka-elujoba-and-emmanuel-iduma|access-date=2021-07-18|website=World Literature Today|language=en}}</ref> conversation with [[Emmanuel Iduma]] for World Literature Today<ref>{{Cite journal|last=Simon|first=Daniel|date=2017|title=Table of Contents, Masthead, and Editor's Note|url=https://www.jstor.org/stable/10.7588/worllitetoda.91.1.fm|journal=World Literature Today|volume=91|issue=1|pages=1–4|doi=10.7588/worllitetoda.91.1.fm|issn=0196-3570}}</ref>
⚫
* 2020 – [[School of Visual Arts]] Faculty Award for MFA Thesis<ref>{{Cite web|title=Award Recipients - SVA|url=https://sva.edu/alumni/alumni-society/award-recipients,%20https://sva.edu/alumni/alumni-society/award-recipients|access-date=2021-07-18|website=School of Visual Arts {{!}} SVA {{!}} New York City|language=en}}</ref>
* 2019| ''Re-imaging Futures: A Trans-Nigerian Conversation''<ref>{{Cite web|title=apexart :: Public Program :: Re-Imaging Futures: Legacy|url=https://apexart.org/events/riflegacy.php|access-date=2021-07-18|website=apexart.org}}</ref><ref name=":0" />
* 2018 – Apexart International Exhibition Grant<ref name="auto2"/> (with Innocent Ekejiuba) for "Re-imaging Futures"<ref name="auto2"/>

⚫
== Awards and Recognition ==

* 2021| Rabkin Prize<ref name=":4">{{Cite web|title=AWARDS|url=https://www.rabkinfoundation.org/awards|access-date=2021-07-18|website=THE DOROTHEA AND LEO RABKIN FOUNDATION|language=en-US}}</ref> from the ''Dorothea and Leo Rabkin Foundation''.<ref>{{Cite web|title=THE DOROTHEA AND LEO RABKIN FOUNDATION|url=https://www.rabkinfoundation.org/|access-date=2021-07-18|website=THE DOROTHEA AND LEO RABKIN FOUNDATION|language=en-US}}</ref>
⚫
* 2020| [[School of Visual Arts]] Faculty Award for MFA Thesis <ref>{{Cite web|title=Award Recipients - SVA|url=https://sva.edu/alumni/alumni-society/award-recipients,%20https://sva.edu/alumni/alumni-society/award-recipients|access-date=2021-07-18|website=School of Visual Arts {{!}} SVA {{!}} New York City|language=en}}</ref>
* 2018| Apexart International Exhibition Grant<ref>{{Cite web|title=apexart Exhibition: Re-Imaging Futures|url=https://apexart.org/ekejiuba-elujoba.php|access-date=2021-07-18|website=apexart.org}}</ref> (with Innocent Ekejiuba) for "Re-imaging Futures"<ref>{{Cite web|title=apexart Exhibition: Re-Imaging Futures|url=https://apexart.org/ekejiuba-elujoba.php|access-date=2021-07-18|website=apexart.org}}</ref>


== References ==
== References ==

Revision as of 21:41, 18 July 2021

Yinka Elujoba
File:Yinka Elujoba.jpg
NationalityNigerian
EducationObafemi Awolowo University School of Visual Arts
Occupation(s)Writer, Editor, art critic
Notable workCollective Truth, Re-Imaging Futures: A Trans-Nigerian Conversation
AwardsRabkin Prize
Websitehttps://www.elujoba.com/

Yinka Elujoba is a Nigerian Writer [1], and Editor[2] who currently works as Art Critic for the New York Times.[3] He lives in Brooklyn, New York.

In 2018, he won the Apexart International Exhibition Grant[4] as one-half of a curatorial team with Innocent Ekejiuba.

He was awarded the Rabkin Prize in 2021.[5]

Personal Life and Education

Elujoba was born and raised in Lagos, Nigeria to civil servant parents. He has an Engineering degree from Obafemi Awolowo University, Ile-Ife, and an MFA in Art Writing & Criticism from the School of Visual Arts, New York.[6]

Career

Elujoba has worked extensively as a writer, editor, and art critic since 2010.[7]

Elujoba has written two chapbooks, Collective Truth (2016), which is permanently collected at the Smithsonian Institute[8] and Images of the Disconsolate (2017) as part of his work with the Invisible Borders' Trans-African Project[9][10]

In 2018, Elujoba and Innocent Ekejiuba won the Apexart International Exhibition grant, with their exhibition "Re-imaging Futures: A Trans-Nigerian Conversation"[11] selected out of 538 eligible entries from 66 countries, their work was selected by an international panel of over 300 jurors and subsequently also selected by a nomination of over 13,000 public votes, as the best entry to receive the grant.[12]

The Exhibition, which took place from February 9 - March 9, 2019, at the Old Engine Test House, Nigeria Railway Corporation Compound, Ebute-Metta, Lagos[13][14][15] was described as "explor(ing) the concept of Nigeria as a cartographic construct by colonial forces and its implications in contemporary Nigeria"[16]

His Essays and Art Criticism has been published on Harper's,[17] Art Review,[18] Saraba Magazine[19] Brooklyn Rail[20] and The New York TImes.[21] where he writes Art Criticism.

In 2020, Elujoba cofounded A Long House with Kechi Nomu and Gbenga Adesina.[2]

Works

  • 2016| Collective Truth [8][9]
  • 2017| Images of the Disconsolate [22][9]
  • 2017| In History to My Barest Marrows[23] conversation with Emmanuel Iduma for World Literature Today[24]
  • 2019| Re-imaging Futures: A Trans-Nigerian Conversation[25][4]

Awards and Recognition

  • 2021| Rabkin Prize[5] from the Dorothea and Leo Rabkin Foundation.[26]
  • 2020| School of Visual Arts Faculty Award for MFA Thesis [27]
  • 2018| Apexart International Exhibition Grant[28] (with Innocent Ekejiuba) for "Re-imaging Futures"[29]

References

  1. ^ https://www.worldliteraturetoday.org/author/yinka-elujoba
  2. ^ a b "Masthead". A Long House. Retrieved 2021-07-18.
  3. ^ https://www.nytimes.com/2021/05/06/arts/design/lonnie-holley.html
  4. ^ a b https://apexart.org/ekejiuba-elujoba.php
  5. ^ a b "AWARDS". THE DOROTHEA AND LEO RABKIN FOUNDATION. Retrieved 2021-07-18.
  6. ^ https://sva.edu/alumni/alumni-society/award-recipients
  7. ^ "Yinka Elujoba". Invisible Borders. 2016-04-19. Retrieved 2021-07-18.
  8. ^ a b "Collective truth / Yinka Elujoba". Smithsonian Institution. Retrieved 2021-07-18.
  9. ^ a b c "Chapbooks – Invisible Borders Store". Retrieved 2021-07-18.
  10. ^ "Yinka Elujoba". Invisible Borders. 2016-04-19. Retrieved 2021-07-18.
  11. ^ "apexart Exhibition: Re-Imaging Futures". apexart.org. Retrieved 2021-07-18.
  12. ^ "apexart Exhibition: Re-Imaging Futures". apexart.org. Retrieved 2021-07-18.
  13. ^ "Lagos Railway Station · Cooper Street, Lagos Mainland, Lagos, Nigeria". Lagos Railway Station · Cooper Street, Lagos Mainland, Lagos, Nigeria. Retrieved 2021-07-18.
  14. ^ "apexart :: Public Program :: Re-Imaging Futures: Legacy". apexart.org. Retrieved 2021-07-18.
  15. ^ "apexart :: Public Program :: Re-Imaging Futures: Future Images". apexart.org. Retrieved 2021-07-18.
  16. ^ Editors, T. S. A. (2019-03-19). "Re-imaging Futures: A Trans-Nigerian Conversation | By adeoluwa oluwajoba". The Sole Adventurer. Retrieved 2021-07-18. {{cite web}}: |last= has generic name (help)
  17. ^ Yu, Charles; Jaccarino, Mike; Hamrah, A. S.; Myles, Eileen; Martin, Judith; Laing, Olivia; Elujoba, Yinka; Oyler, Lauren; Hu, Jane. "Yinka Elujoba | Harper's Magazine". harpers.org. Retrieved 2021-07-18.
  18. ^ "David Goldblatt's Way of Seeing". artreview.com. Retrieved 2021-07-18.
  19. ^ Magazine, Saraba. "The Poetry of Places | Saraba Magazine". Retrieved 2021-07-18.
  20. ^ "Yinka Elujoba | Contributor". The Brooklyn Rail. Retrieved 2021-07-18.{{cite web}}: CS1 maint: url-status (link)
  21. ^ Elujoba, Yinka (2020-09-17). "Jacob Lawrence, Peering Through History's Cracks". The New York Times. ISSN 0362-4331. Retrieved 2021-07-18.
  22. ^ "Images of the Disconsolate". Fortunate Traveller. Retrieved 2021-07-18.
  23. ^ ""In History to My Barest Marrows": A Conversation Between Yinka Elujoba and Emmanuel Iduma". World Literature Today. 2016-11-09. Retrieved 2021-07-18.
  24. ^ Simon, Daniel (2017). "Table of Contents, Masthead, and Editor's Note". World Literature Today. 91 (1): 1–4. doi:10.7588/worllitetoda.91.1.fm. ISSN 0196-3570.
  25. ^ "apexart :: Public Program :: Re-Imaging Futures: Legacy". apexart.org. Retrieved 2021-07-18.
  26. ^ "THE DOROTHEA AND LEO RABKIN FOUNDATION". THE DOROTHEA AND LEO RABKIN FOUNDATION. Retrieved 2021-07-18.
  27. ^ "Award Recipients - SVA". School of Visual Arts | SVA | New York City. Retrieved 2021-07-18.
  28. ^ "apexart Exhibition: Re-Imaging Futures". apexart.org. Retrieved 2021-07-18.
  29. ^ "apexart Exhibition: Re-Imaging Futures". apexart.org. Retrieved 2021-07-18.
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