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'''Roberto McCausland-Dieppa''', also known as "'''Dieppa"''', is a Colombian pianist, composer, and conductor, specializing in [[Classical music|classical]], [[jazz]] and Hungarian music. "Dieppa" is the first Colombian born pianist to have performed successfully in worldwide venues.<ref name=":4" /> "Dieppa" is the conductor of [[Sinfonia Latina]]''.'' and helped start the Santa Fe-Barlovento Orchestra.<ref name=":5" /> His performances at various venues across the United States, Asia, Australia, and Europe, are noted such as [[Carnegie Hall]], [[Frédéric Chopin|Ostrogskich-Chopin Hall]], and the [[United Nations]].<ref name=":28">{{Cite news|url=https://www.elheraldo.co/tendencias/roberto-mccausland-en-tiempo-de-beethoven-158070|title=Roberto McCausland, en tiempo de Beethoven|last=Rodriguez|first=Martha Guarin|date=July 3, 2014|work=El Heraldo|access-date=November 20, 2018|language=es}}</ref><ref name=":6">{{Cite news|url=https://www.elheraldo.co/entretenimiento/la-epoca-dorada-del-rock-en-barranquilla-381563|title=La época dorada del rock en Barranquilla|last=Naizzir|first=Lorayne Solano|date=July 13, 2017|work=El Harado|access-date=November 20, 2018}}</ref><ref>{{Cite book|title=Berry College: A Century of Making Music|last=Petrel|first=Mary Ellen|publisher=Arcadia Publishing|year=2010|isbn=9780738585635}}</ref><ref name=":5">{{Cite news|url=https://laolacaribe.com/sinfonia-latina/|title=Sinfonía Latina|last=Zapata|first=Mauricio|date=June 26, 2018|work=La Ola Caribe|access-date=November 20, 2018}}</ref><ref name=":7">{{Cite news|title=Todo un exito la Sinfonia Latina|last=Arguelles|first=Gloria|work=El Heraldo|publisher=El Heraldo|date=May 1976|location=Barranquilla Colombia|page=5}}</ref><ref name=":0">{{Cite news|url=https://www.yumpu.com/en/document/view/46015241/roberto-mccausland-dieppa-81c-berry-college|title=Bravo!|last=Woodall|first=Rick|work=Berry Magazine|access-date=November 20, 2018|pages=10–12}}</ref><ref name=":8">{{Cite web|url=https://www.concertzender.nl/programma_componist/roberto-mccausland-dieppa-en/|title=Composer Roberto McCausland Dieppa|website=Concert Zender Radio|access-date=November 20, 2018}}</ref><ref>{{Cite web|url=https://www.robertomccauslanddieppa.com/|title=Dieppa|website=Roberto McCausland Dieppa|access-date=November 20, 2018}}</ref><ref name=":9">{{Cite web|url=https://www.amazon.com/kindle-dbs/entity/author/B01JDN90ZU|title=Roberto McCausland-Dieppa|website=Amazon|access-date=November 20, 2018}}</ref><ref name=":1">{{Cite web|url=https://www.robertomccauslanddieppa.com/about/|title=About|website=Roberto McCausland Dieppa|access-date=November 20, 2018}}</ref><ref name=":2">{{Cite news|url=http://agoraclassica.com/reviews/absolute_magazine/-1/2734/edvard-grieglate-night-encores-iiroberto-mccausland-dieppa-pf|title=Review - Late Night: Encores II|last=Wulf|first=Franz|work=Agora Classica|access-date=November 20, 2018}}</ref><ref name=":3" /><ref name=":10">{{Cite web|url=http://dev.fanfarearchive.com|title=BEETHOVEN Piano Sonatas: No. 23, "Appassionata;" No. 8, "Pathétique;" No. 14, "Moonlight;" No. 26, "Les Adieux": Andante and Finale|last=Dubins|first=Jerry|website=dev.fanfarearchive.com|access-date=2019-06-27}}</ref><ref name=":11">{{Cite journal|last=Shulslapper|first=Robert|title=Sound Above All|journal=Fanfare Magazine|volume=38|pages=3}}</ref><ref name=":12">{{Cite journal|last=Renne Bayley|first=Lynn|date=January–February 2015|title=BEETHOVEN Piano Sonatas Nos. 23, 8 & 14. Piano Sonata No. 26|journal=Fanfare Magazine|volume=38|pages=3}}</ref><ref name=":13">{{Cite journal|last=Huntley|first=Dent|title=BEETHOVEN Piano Sonatas: No. 8, "Pathetique"; No. 14, "Moonlight"; No. 23, "Appassionata"; No. 26, "Les Adieux," mvts. 2 & 3|journal=Fanfare Magazine|volume=38|pages=3}}</ref><ref name=":14">{{Cite web|url=http://fanfarearchive.com|title=Fanfare Magazine Archive of CD Reviews|website=fanfarearchive.com|access-date=2019-06-27}}</ref><ref>{{Cite web|last=Alexander|date=2019-09-04|title=Sinfonia Latina Historical Bibliographic Archive|url=https://sinfonialatinahistoricalbibliographicalarchive.com/2019/09/04/sinfonia-latina-historical-bibliographic-archive/|access-date=2021-06-28|website=sinfonialatinahistoricalbibliographicalarchive.com|language=en-US}}</ref>
'''Roberto McCausland-Dieppa''', also known as "'''Dieppa"''', is a Colombian pianist, composer, and conductor, specializing in [[Classical music|classical]], [[jazz|jazz,]] and Hungarian music. "Dieppa" is the first Colombian-born pianist to have performed successfully in worldwide venues.<ref name=":4" /> "Dieppa" is the conductor of [[Sinfonia Latina]]''.'' and helped start the Santa Fe-Barlovento Orchestra.<ref name=":5" /> His performances at various venues across the United States, Asia, Australia, and Europe, are noted such as [[Carnegie Hall]], [[Frédéric Chopin|Ostrogskich-Chopin Hall]], and the [[United Nations]].<ref name=":28">{{Cite news|url=https://www.elheraldo.co/tendencias/roberto-mccausland-en-tiempo-de-beethoven-158070|title=Roberto McCausland, en tiempo de Beethoven|last=Rodriguez|first=Martha Guarin|date=July 3, 2014|work=El Heraldo|access-date=November 20, 2018|language=es}}</ref><ref name=":6">{{Cite news|url=https://www.elheraldo.co/entretenimiento/la-epoca-dorada-del-rock-en-barranquilla-381563|title=La época dorada del rock en Barranquilla|last=Naizzir|first=Lorayne Solano|date=July 13, 2017|work=El Harado|access-date=November 20, 2018}}</ref><ref>{{Cite book|title=Berry College: A Century of Making Music|last=Petrel|first=Mary Ellen|publisher=Arcadia Publishing|year=2010|isbn=9780738585635}}</ref><ref name=":5">{{Cite news|url=https://laolacaribe.com/sinfonia-latina/|title=Sinfonía Latina|last=Zapata|first=Mauricio|date=June 26, 2018|work=La Ola Caribe|access-date=November 20, 2018}}</ref><ref name=":7">{{Cite news|title=Todo un exito la Sinfonia Latina|last=Arguelles|first=Gloria|work=El Heraldo|publisher=El Heraldo|date=May 1976|location=Barranquilla Colombia|page=5}}</ref><ref name=":0">{{Cite news|url=https://www.yumpu.com/en/document/view/46015241/roberto-mccausland-dieppa-81c-berry-college|title=Bravo!|last=Woodall|first=Rick|work=Berry Magazine|access-date=November 20, 2018|pages=10–12}}</ref><ref name=":8">{{Cite web|url=https://www.concertzender.nl/programma_componist/roberto-mccausland-dieppa-en/|title=Composer Roberto McCausland Dieppa|website=Concert Zender Radio|access-date=November 20, 2018}}</ref><ref>{{Cite web|url=https://www.robertomccauslanddieppa.com/|title=Dieppa|website=Roberto McCausland Dieppa|access-date=November 20, 2018}}</ref><ref name=":9">{{Cite web|url=https://www.amazon.com/kindle-dbs/entity/author/B01JDN90ZU|title=Roberto McCausland-Dieppa|website=Amazon|access-date=November 20, 2018}}</ref><ref name=":1">{{Cite web|url=https://www.robertomccauslanddieppa.com/about/|title=About|website=Roberto McCausland Dieppa|access-date=November 20, 2018}}</ref><ref name=":2">{{Cite news|url=http://agoraclassica.com/reviews/absolute_magazine/-1/2734/edvard-grieglate-night-encores-iiroberto-mccausland-dieppa-pf|title=Review - Late Night: Encores II|last=Wulf|first=Franz|work=Agora Classica|access-date=November 20, 2018}}</ref><ref name=":3" /><ref name=":10">{{Cite web|url=http://dev.fanfarearchive.com|title=BEETHOVEN Piano Sonatas: No. 23, "Appassionata;" No. 8, "Pathétique;" No. 14, "Moonlight;" No. 26, "Les Adieux": Andante and Finale|last=Dubins|first=Jerry|website=dev.fanfarearchive.com|access-date=2019-06-27}}</ref><ref name=":11">{{Cite journal|last=Shulslapper|first=Robert|title=Sound Above All|journal=Fanfare Magazine|volume=38|pages=3}}</ref><ref name=":12">{{Cite journal|last=Renne Bayley|first=Lynn|date=January–February 2015|title=BEETHOVEN Piano Sonatas Nos. 23, 8 & 14. Piano Sonata No. 26|journal=Fanfare Magazine|volume=38|pages=3}}</ref><ref name=":13">{{Cite journal|last=Huntley|first=Dent|title=BEETHOVEN Piano Sonatas: No. 8, "Pathetique"; No. 14, "Moonlight"; No. 23, "Appassionata"; No. 26, "Les Adieux," mvts. 2 & 3|journal=Fanfare Magazine|volume=38|pages=3}}</ref><ref name=":14">{{Cite web|url=http://fanfarearchive.com|title=Fanfare Magazine Archive of CD Reviews|website=fanfarearchive.com|access-date=2019-06-27}}</ref><ref>{{Cite web|last=Alexander|date=2019-09-04|title=Sinfonia Latina Historical Bibliographic Archive|url=https://sinfonialatinahistoricalbibliographicalarchive.com/2019/09/04/sinfonia-latina-historical-bibliographic-archive/|access-date=2021-06-28|website=sinfonialatinahistoricalbibliographicalarchive.com|language=en-US}}</ref>


"Dieppa" became known after composing and conducting ‘'[[Sinfonia Latina]]’' at age seventeen in1976, the composition fused Rock, Jazz, Salsa and Spanish music into a symphonic format.<ref name=":5" /><ref name=":15" /><ref name=":16" /><ref name=":17" /><ref name=":18" /> The event "Sinfonía Latina" denominated ‘Super Show’ over-exceeded expected attendance,<ref name=":7" /><ref name=":6" /><ref name=":5" /> Noted as ‘avant-guarde’ and ‘revolutionary’, it pushed the boundaries of popular salsa, autochthonous dance rhythms, rock, and jazz with a classical frame work into the modern concert hall, with poetic (protest) lyrics in Spanish.<ref name=":5" /><ref name=":7" />
"Dieppa" became known after composing and conducting ‘'[[Sinfonia Latina]]’' at age seventeen in1976, the composition fused Rock, Jazz, Salsa, and Spanish music into a symphonic format.<ref name=":5" /><ref name=":15" /><ref name=":16" /><ref name=":17" /><ref name=":18" /> The event "Sinfonía Latina" denominated ‘Super Show’ over-exceeded expected attendance,<ref name=":7" /><ref name=":6" /><ref name=":5" /> Noted as ‘Avant-garde’ and ‘revolutionary’, it pushed the boundaries of popular salsa, autochthonous dance rhythms, rock, and jazz with a classical framework into the modern concert hall, with poetic (protest) lyrics in Spanish.<ref name=":5" /><ref name=":7" />


Following the Sinfonia Latina event he moved on to classical performances, composing and conducting becoming a critical figure in music education for children, disseminating caribbean music using ‘folk idioms’ and "dance" rhythm, espousing Hungarian music and culture particularly the music of [[Franz Liszt]] , [[Béla Bartók]] which he is most passionately interested.<ref name=":8" /><ref name=":9" /><ref name=":1" /><ref name=":2" /><ref name=":3" /><ref name=":10" /><ref name=":11" /><ref name=":12" /><ref name=":13" /><ref name=":14" /><ref name=":15" /><ref name=":16" /><ref name=":17" /><ref name=":18" /><ref name=":19" /><ref name=":20" /><ref name=":21" /><ref name=":22" /><ref name=":23" /><ref name=":24" /><ref>{{Cite journal|date=January 2011|title=January/February Issue|journal=CFA Magazine|volume=22|issue=1|pages=1–74|doi=10.2469/cfm.v22.n1|doi-broken-date=31 October 2021|issn=1543-1398}}</ref><ref>{{Cite book|last1=Beethoven|first1=Ludwig van|title=Sonatas op. 13, Pathétique, 22 & 101 Sonatas op. 14, op. 78 & 53, Waldstein ; Sonatas op. 90, 79 & 106, Hammerklavier|last2=Beethoven|first2=Ludwig van|last3=Beethoven|first3=Ludwig van|last4=Beethoven|first4=Ludwig van|last5=Beethoven|first5=Ludwig van|last6=Beethoven|first6=Ludwig van|last7=Beethoven|first7=Ludwig van|last8=Beethoven|first8=Ludwig van|last9=Beethoven|first9=Ludwig van|date=2006|publisher=Harmonia Mundi France|location=Arles|doi=10.5962/bhl.title.62762}}</ref>
Following the Sinfonia Latina event, he moved on to classical performances, composing and conducting becoming a critical figure in music education for children, disseminating Caribbean music using ‘folk idioms’ and "dance" rhythm, espousing Hungarian music and culture, particularly the music of [[Franz Liszt]], [[Béla Bartók]] which he is most passionately interested.<ref name=":8" /><ref name=":9" /><ref name=":1" /><ref name=":2" /><ref name=":3" /><ref name=":10" /><ref name=":11" /><ref name=":12" /><ref name=":13" /><ref name=":14" /><ref name=":15" /><ref name=":16" /><ref name=":17" /><ref name=":18" /><ref name=":19" /><ref name=":20" /><ref name=":21" /><ref name=":22" /><ref name=":23" /><ref name=":24" /><ref>{{Cite journal|date=January 2011|title=January/February Issue|journal=CFA Magazine|volume=22|issue=1|pages=1–74|doi=10.2469/cfm.v22.n1|doi-broken-date=31 October 2021|issn=1543-1398}}</ref><ref>{{Cite book|last1=Beethoven|first1=Ludwig van|title=Sonatas op. 13, Pathétique, 22 & 101 Sonatas op. 14, op. 78 & 53, Waldstein ; Sonatas op. 90, 79 & 106, Hammerklavier|last2=Beethoven|first2=Ludwig van|last3=Beethoven|first3=Ludwig van|last4=Beethoven|first4=Ludwig van|last5=Beethoven|first5=Ludwig van|last6=Beethoven|first6=Ludwig van|last7=Beethoven|first7=Ludwig van|last8=Beethoven|first8=Ludwig van|last9=Beethoven|first9=Ludwig van|date=2006|publisher=Harmonia Mundi France|location=Arles|doi=10.5962/bhl.title.62762}}</ref>


== Career ==
== Career ==
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=== Characteristics ===
=== Characteristics ===
“Dieppa” looks the part of a fantastic character not far removed from Willie Wonka.<ref name=":13" /> He wears tresses that confer a young Einstein expression, intoxicated with music.<ref name=":32" /> The pianist accentuates a peculiar manifestation by wearing rounded glasses a la Franz Schubert and vibrant scarves like Glenn Gould.<ref name=":12" /> “Dieppa” makes fundamental advancements in music imparting to Barranquilla and Colombia a composer considered necessary flanking the other two iconic resident's laureate Noble prize winner Gabriel Garcia Marquez and the Painter Alejandro Obregon.<ref name=":32" /><ref name=":12" />
“Dieppa” looks like the part of a fantastic character not far removed from Willie Wonka.<ref name=":13" /> He wears tresses that confer a young Einstein expression, intoxicated with music.<ref name=":32" /> The pianist accentuates a peculiar manifestation by wearing rounded glasses a la Franz Schubert and vibrant scarves like [[Glenn Gould]].<ref name=":12" /> “Dieppa” makes fundamental advancements in music imparting to Barranquilla and Colombia a composer considered necessary flanking the other two iconic resident's laureate Noble prize winner [[Gabriel García Márquez|Gabriel Garcia Marquez]] and the Painter [[Alejandro Obregón|Alejandro Obregon]].<ref name=":32" /><ref name=":12" />


=== Pianism ===
=== Pianism ===
In the review of Autumn Passion Four Great Sonatas;Ludwig van Beethoven. reviewer Jerry Dubbins wrote:" ''This is a serious and significant release by a serious and significant performing artist far from what's often described depreciatingly as a vanity release.'' <ref name=":10" />''The result is performances of clarity,transparency and revelation of felicitous details that allow the notes to speak for themselves,one of the countless points at which "Dieppa's" respectful approach to these works yields a refreshing perspective on Beethoven's vision, cleansed of the interpretive accretions of 200 years of performance practices.'' <ref name=":10" />''"Dieppa's" Beethoven comes about as close to "echt" as I've heard. In whatever form you find it,it is an experience not to be missed.'' <ref name=":10" /> In classical repertoire whether it is Liszt, Ravel, Debussy, Chopin, Mozart, or Beethoven, the music is about the composer.<ref name=":2" /> There is fluidity to his pianism with sensitivity to dynamics.  <ref name=":0" />  <ref name=":8" /><ref name=":2" /><ref name=":3" /><ref name=":10" /><ref name=":11" /><ref name=":14" />
In the review of Autumn Passion Four Great Sonatas; Ludwig van Beethoven. reviewer Jerry Dubbins wrote:" ''This is a serious and significant release by a serious and significant performing artist far from what's often described depreciatingly as a vanity release.'' <ref name=":10" />''The result is performances of clarity, transparency, and revelation of felicitous details that allow the notes to speak for themselves, one of the countless points at which "Dieppa's" respectful approach to these works yields a refreshing perspective on Beethoven's vision, cleansed of the interpretive accretions of 200 years of performance practices.'' <ref name=":10" />''"Dieppa's" Beethoven comes about as close to "echt" as I've heard. In whatever form you find it, it is an experience not to be missed.'' <ref name=":10" /> In classical repertoire, whether it is Liszt, Ravel, Debussy, Chopin, Mozart, or Beethoven, the music is about the composer.<ref name=":2" /> There is fluidity to his pianism with sensitivity to dynamics.  <ref name=":0" />  <ref name=":8" /><ref name=":2" /><ref name=":3" /><ref name=":10" /><ref name=":11" /><ref name=":14" />


''Beethoven Piano Sonatas Nos.23, 8,14, 26,11 & 111 Appassionata, Pathetique, Kuupaistesonaat,'' <ref>Klassik Radio Estonia translation [https://robertomccauslanddieppa.com/literature/experience/radio-notes/ 4.12.2014]</ref>
''Beethoven Piano Sonatas Nos.23, 8,14, 26,11 & 111 Appassionata, Pathetique, Kuupaistesonaat,'' <ref>Klassik Radio Estonia translation [https://robertomccauslanddieppa.com/literature/experience/radio-notes/ 4.12.2014]</ref>
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are distinguished by poetic and sensitive interpretation.
are distinguished by poetic and sensitive interpretation.


Huntley Dent in reviewing "Dieppa's" interpretations of "Moonlight" Sonata, "Pathetique", and "Appassionata" states; "''none come festooned with such an exotic pedigree.''"<ref name=":13" /> The reviewer makes comparisons to three top interpreters; Michelangeli, Claudio Arrau, and implies he surpassed Serkin,asking where was he?, when the intoxicating music of the Colombian Caribbean coast beckoned or Beethoven for kids was in the studio, Michelangeli was nowhere to be found, and if Claudio Arrau was sent a pair of glowing yellow spectacles he promptly returned them.<ref name=":13" /> These readings are more than adept far from academic,he conveys what he feels about each sonata.<ref name=":13" />
Huntley Dent in reviewing "Dieppa's" interpretations of "Moonlight" Sonata, "Pathetique", and "Appassionata" states; "''none come festooned with such an exotic pedigree.''"<ref name=":13" /> The reviewer makes comparisons to three top interpreters; Michelangeli, Claudio Arrau, and implies he surpassed [[Rudolf Serkin|Serkin]], asking where was he?, when the intoxicating music of the Colombian Caribbean coast beckoned or Beethoven for kids was in the studio, [[Arturo Benedetti Michelangeli|Michelangeli]] was nowhere to be found, and if [[Claudio Arrau]] was sent a pair of glowing yellow spectacles he promptly returned them.<ref name=":13" /> These readings are more than adept far from academic, he conveys what he feels about each sonata.<ref name=":13" />


“''Roberto McCausland “Dieppa” performs a compelling account of Notturno from Liebesträume. In his own works Inspiracion, Besame mucho and Insensetaz he displays a Lisztian virtuosity.”''   <ref name=":2" />
“''Roberto McCausland “Dieppa” performs a compelling account of Notturno from Liebesträume. In his own works Inspiracion, Besame mucho and Insensetaz he displays a Lisztian virtuosity.”''   <ref name=":2" />
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===== Conducting style =====
===== Conducting style =====
A noted feature of the conductor's style is his ability to conduct without a baton. This eccentricity was observed by Juan B. Fernandez author and editor of El Heraldo comparing him to a young Arturo Toscanini. It is generally considered of great importance to a conductor's ability to communicate with the orchestra.<ref name=":32">{{Cite journal|last=Ferndez Renowitzky|first=Juan B.|date=May 7, 1976|title=McCausland" Musico con mas talento que caballera|journal=El Heraldo|pages=1, 5}}</ref>  
A noted feature of the conductor's style is his ability to conduct without a baton. This eccentricity was observed by Juan B. Fernandez author and editor of El Heraldo comparing him to a young [[Arturo Toscanini]]. It is generally considered of great importance to a conductor's ability to communicate with the orchestra.<ref name=":32">{{Cite journal|last=Ferndez Renowitzky|first=Juan B.|date=May 7, 1976|title=McCausland" Musico con mas talento que caballera|journal=El Heraldo|pages=1, 5}}</ref>  


As Igor Stravinsky “Dieppa’s” conducting style came about as a necessity to  disseminate the  music and expanding the  Orchestra beyond traditional boundaries.<ref name=":11" />
As [[Igor Stravinsky]] “Dieppa’s” conducting style came about as a necessity to disseminate the music and expand the  Orchestra beyond traditional boundaries.<ref name=":11" />


== Literature ==
== Literature ==


=== Author ===
=== Author ===
Author of over 30 articles about classical music and Caribbean culture, published in journals and periodicals.<ref>{{Cite web|date=2019-05-01|title=El rey del carnaval|url=https://revistas.elheraldo.co/latitud/el-rey-del-carnaval-130327|access-date=2021-05-01|website=Revistas {{!}} EL HERALDO|language=es}}</ref><ref>{{Cite web|title=Jornal Del Caribe: Ciclo: La orquesta|url=https://robertomccauslanddieppa.com/literature/journey/jornal-del-caribe-ciclo-la-orquesta/|access-date=2021-05-01|website=DIEPPA|language=en-US}}</ref> “Dieppa” is the creator of Beethoven for kids and teens, and Beethoven for kids. A series of books in various formats presented in both narrative audio and CD's for children and young people.<ref>{{Citation|title=Beethoven for Kids - Roberto McCausland-Dieppa {{!}} Songs, Reviews, Credits {{!}} AllMusic|url=https://www.allmusic.com/album/beethoven-for-kids-mw0000408906|language=en|access-date=2021-04-30}}</ref><ref>{{Cite web|title=Roberto McCausland-Dieppa {{!}} Album Discography|url=https://www.allmusic.com/artist/roberto-mccausland-dieppa-mn0002237473/discography|access-date=2021-04-30|website=AllMusic|language=en}}</ref>
Author of over 30 articles about classical music and Caribbean culture, published in journals and periodicals.<ref>{{Cite web|date=2019-05-01|title=El rey del carnaval|url=https://revistas.elheraldo.co/latitud/el-rey-del-carnaval-130327|access-date=2021-05-01|website=Revistas {{!}} EL HERALDO|language=es}}</ref><ref>{{Cite web|title=Jornal Del Caribe: Ciclo: La orquesta|url=https://robertomccauslanddieppa.com/literature/journey/jornal-del-caribe-ciclo-la-orquesta/|access-date=2021-05-01|website=DIEPPA|language=en-US}}</ref> “Dieppa” is the creator of Beethoven for kids and teens, and Beethoven for kids. A series of books in various formats presented in both narrative audio and CDs for children and young people.<ref>{{Citation|title=Beethoven for Kids - Roberto McCausland-Dieppa {{!}} Songs, Reviews, Credits {{!}} AllMusic|url=https://www.allmusic.com/album/beethoven-for-kids-mw0000408906|language=en|access-date=2021-04-30}}</ref><ref>{{Cite web|title=Roberto McCausland-Dieppa {{!}} Album Discography|url=https://www.allmusic.com/artist/roberto-mccausland-dieppa-mn0002237473/discography|access-date=2021-04-30|website=AllMusic|language=en}}</ref>


=== Writings ===
=== Writings ===
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Caribe al Mundo  was released on the Scruffy records label in 2013 catalog # 67129.<ref name=":29">{{Citation|title=Music from Documentary - Roberto McCausland-Dieppa {{!}} Songs, Reviews, Credits {{!}} AllMusic|url=https://www.allmusic.com/album/music-from-documentary-mw0003126201|language=en|access-date=2021-05-01}}</ref> The disc features Tres Piezas  Encantadas para Orquesta  composed in  “Noveau” Caribe genre  1. Inspiracion- De un Tema sobre el Rio Magdalena, 2. Fuga Rítmica Flamenca Caribe sobre la Pollera Colora 3. Cancion del Amor MisteriosoDanza- Requiem a Joe Arroyo.<ref name=":29" />
Caribe al Mundo  was released on the Scruffy records label in 2013 catalog # 67129.<ref name=":29">{{Citation|title=Music from Documentary - Roberto McCausland-Dieppa {{!}} Songs, Reviews, Credits {{!}} AllMusic|url=https://www.allmusic.com/album/music-from-documentary-mw0003126201|language=en|access-date=2021-05-01}}</ref> The disc features Tres Piezas  Encantadas para Orquesta  composed in  “Noveau” Caribe genre  1. Inspiracion- De un Tema sobre el Rio Magdalena, 2. Fuga Rítmica Flamenca Caribe sobre la Pollera Colora 3. Cancion del Amor MisteriosoDanza- Requiem a Joe Arroyo.<ref name=":29" />


A champion of Liszt's there are three recordings of Sonata in B minor; 1.Liszt and more... September 15, 1997 catalog # 67122.<ref>{{Citation|title=Liszt and More … - Roberto McCausland-Dieppa {{!}} Songs, Reviews, Credits {{!}} AllMusic|url=https://www.allmusic.com/album/liszt-and-more-%25A6-mw0003126200|language=en|access-date=2021-05-01}}</ref> 2. Music from the Documentary 2013catalog # 67226.<ref name=":29"/> 3. Summer Le Chaluer Estivale, Liszt 2014 catalog # 020568658.<ref>{{Citation|title=Summer: Le Chaleur Estivale, Liszt - Roberto McCausland-Dieppa {{!}} Songs, Reviews, Credits {{!}} AllMusic|url=https://www.allmusic.com/album/summer-le-chaleur-estivale-liszt-mw0003123368|language=en|access-date=2021-05-01}}</ref> There is a YouTube video recording, Sonata in B Minor, S.178.<ref>{{Citation|title=Roberto McCausland Dieppa -D- Liszt Sonata in b minor Part I|url=https://www.youtube.com/watch?v=i8hvKJg5RM4|language=en|access-date=2021-05-01}}</ref>
A champion of Liszt's there are three recordings of [[Piano Sonata in B minor (Liszt)|Sonata in B minor]]; 1. Liszt and more... September 15, 1997 catalog # 67122.<ref>{{Citation|title=Liszt and More … - Roberto McCausland-Dieppa {{!}} Songs, Reviews, Credits {{!}} AllMusic|url=https://www.allmusic.com/album/liszt-and-more-%25A6-mw0003126200|language=en|access-date=2021-05-01}}</ref> 2. Music from the Documentary 2013catalog # 67226.<ref name=":29"/> 3. Summer Le Chaluer Estivale, Liszt 2014 catalog # 020568658.<ref>{{Citation|title=Summer: Le Chaleur Estivale, Liszt - Roberto McCausland-Dieppa {{!}} Songs, Reviews, Credits {{!}} AllMusic|url=https://www.allmusic.com/album/summer-le-chaleur-estivale-liszt-mw0003123368|language=en|access-date=2021-05-01}}</ref> There is a YouTube video recording, Sonata in B Minor, S.178.<ref>{{Citation|title=Roberto McCausland Dieppa -D- Liszt Sonata in b minor Part I|url=https://www.youtube.com/watch?v=i8hvKJg5RM4|language=en|access-date=2021-05-01}}</ref>


Other well-known recordings are Autumn: Passion- Beethoven Three Great Sonatas 2014 catalog #020567,<ref>{{Citation|title=Autumn Passion: Beethoven - Three Great Sonatas - Roberto McCausland-Dieppa {{!}} Songs, Reviews, Credits {{!}} AllMusic|url=https://www.allmusic.com/album/autumn-passion-beethoven-three-great-sonatas-mw0003123370|language=en|access-date=2021-05-01}}</ref> Beethoven for kids and teens released in 2003 catalog # 634479694622,<ref>{{Citation|title=Beethoven for Kids - Roberto McCausland-Dieppa {{!}} Songs, Reviews, Credits {{!}} AllMusic|url=https://www.allmusic.com/album/beethoven-for-kids-mw0000408906|language=en|access-date=2021-05-01}}</ref> Beethoven for kids released on May 23, 2006catalog#376642H1,<ref>{{Citation|title=Beethoven for Kids and Teens - Roberto McCausland-Dieppa {{!}} Songs, Reviews, Credits {{!}} AllMusic|url=https://www.allmusic.com/album/beethoven-for-kids-and-teens-mw0001851693|language=en|access-date=2021-05-01}}</ref> and Late Night: Encores II 2014 catalog# 020566658<ref>{{Citation|title=Late Night: Encores II - Roberto McCausland-Dieppa {{!}} Songs, Reviews, Credits {{!}} AllMusic|url=https://www.allmusic.com/album/late-night-encores-ii-mw0003123371|language=en|access-date=2021-05-01}}</ref>
Other well-known recordings are Autumn: Passion- [[Ludwig van Beethoven|Beethoven]] Three Great Sonatas 2014 catalog #020567,<ref>{{Citation|title=Autumn Passion: Beethoven - Three Great Sonatas - Roberto McCausland-Dieppa {{!}} Songs, Reviews, Credits {{!}} AllMusic|url=https://www.allmusic.com/album/autumn-passion-beethoven-three-great-sonatas-mw0003123370|language=en|access-date=2021-05-01}}</ref> Beethoven for kids and teens released in 2003 catalog # 634479694622,<ref>{{Citation|title=Beethoven for Kids - Roberto McCausland-Dieppa {{!}} Songs, Reviews, Credits {{!}} AllMusic|url=https://www.allmusic.com/album/beethoven-for-kids-mw0000408906|language=en|access-date=2021-05-01}}</ref> Beethoven for kids released on May 23, 2006catalog#376642H1,<ref>{{Citation|title=Beethoven for Kids and Teens - Roberto McCausland-Dieppa {{!}} Songs, Reviews, Credits {{!}} AllMusic|url=https://www.allmusic.com/album/beethoven-for-kids-and-teens-mw0001851693|language=en|access-date=2021-05-01}}</ref> and Late Night: Encores II 2014 catalog# 020566658<ref>{{Citation|title=Late Night: Encores II - Roberto McCausland-Dieppa {{!}} Songs, Reviews, Credits {{!}} AllMusic|url=https://www.allmusic.com/album/late-night-encores-ii-mw0003123371|language=en|access-date=2021-05-01}}</ref>


The public associates “Dieppa” with the works of Beethoven, Liszt, and Bartok.<ref name=":2" />
The public associates “Dieppa” with the works of Beethoven, Liszt, and Bartok.<ref name=":2" />
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=== Sinfonia Latina Festival and orchestral residency ===
=== Sinfonia Latina Festival and orchestral residency ===
The Inter-American Development Bank sponsors the music education area program for Sinfonia Latina music Festival Orchestral Residency in Barranquilla, Colombia.<ref name=":25">{{Cite web|title=Roberto McCausland Dieppa Trae su Sinfonia Latina|url=https://issuu.com/diarioadn.co/docs/adn_barranquilla_-_20210420|url-status=live|website=www.isuu.com}}</ref><ref name=":26">{{Cite web|last=|title=En El mes de nino, BID patrocina programa de ensenanza musical en Barranquilla|url=https://www.lametronoticias.com|url-status=live|website=La Metro Noticias|location=Colombia}}</ref><ref name=":27">{{Cite news|year=2021|title=El Tiempo|work=El Tiempo de Bogota|publisher=El Tiempo de Bogota|location=Bogota, Colombia|url=https://www.eltiempo.com}}</ref><ref name=":30">{{Cite web|last=Heraldo|first=El|title=Programa musical Sinfonía Latina: arte para el cambio social|url=https://www.elheraldo.co/sociedad/programa-sinfonia-latina-para-ninos-y-jovenes-811861|access-date=2021-05-03|website=EL HERALDO|language=es}}</ref> The IDB and IDB Invest assembly of governors 2021, gifts children, and young people of Barranquilla, and its metropolitan area the application, operation, and practice of the festival an orchestral residency program.<ref name=":25" /><ref name=":26" /><ref name=":30" /> The Festival's mission is excellence in performance, education and social work through the arts for community development.<ref name=":26" /><ref name=":30" /> Scheduled annually, the event takes place two weeks after the cities carnival.<ref name=":25" /><ref name=":26" /><ref name=":27" /><ref name=":30" /> Puerto Colombia Foundation, of Barranquilla, Colombia, is the executing entity using the arts for education and social development. Initially planned for March 2020, the event was postponed to March 2022 due to the COVID-19 pandemic.<ref name=":25" /><ref name=":26" /><ref name=":27" /><ref name=":30" /> Beethoven's fifth Symphony and autochthonous based work composed by Mr. Dieppa are part of the program.<ref name=":30" /> The Festival and Residency include the donation of musical instruments, lectures in universities, conservatories, and schools; accompanied by a series of workshops on music instruction and training for teachers attached to the youth orchestra system.<ref name=":25" /><ref name=":26" /><ref name=":27" /><ref name=":30" />
The Inter-American Development Bank sponsors the music education area program for Sinfonia Latina music Festival Orchestral Residency in Barranquilla, Colombia.<ref name=":25">{{Cite web|title=Roberto McCausland Dieppa Trae su Sinfonia Latina|url=https://issuu.com/diarioadn.co/docs/adn_barranquilla_-_20210420|url-status=live|website=www.isuu.com}}</ref><ref name=":26">{{Cite web|last=|title=En El mes de nino, BID patrocina programa de ensenanza musical en Barranquilla|url=https://www.lametronoticias.com|url-status=live|website=La Metro Noticias|location=Colombia}}</ref><ref name=":27">{{Cite news|year=2021|title=El Tiempo|work=El Tiempo de Bogota|publisher=El Tiempo de Bogota|location=Bogota, Colombia|url=https://www.eltiempo.com}}</ref><ref name=":30">{{Cite web|last=Heraldo|first=El|title=Programa musical Sinfonía Latina: arte para el cambio social|url=https://www.elheraldo.co/sociedad/programa-sinfonia-latina-para-ninos-y-jovenes-811861|access-date=2021-05-03|website=EL HERALDO|language=es}}</ref> The IDB and IDB Invest assembly of governors 2021, gifts children, and young people of Barranquilla, and its metropolitan area the application, operation, and practice of the festival an orchestral residency program.<ref name=":25" /><ref name=":26" /><ref name=":30" /> The Festival's mission is excellence in performance, education, and social work through the arts for community development.<ref name=":26" /><ref name=":30" /> Scheduled annually, the event takes place two weeks after the cities carnival.<ref name=":25" /><ref name=":26" /><ref name=":27" /><ref name=":30" /> Puerto Colombia Foundation, of Barranquilla, Colombia, is the executing entity using the arts for education and social development. Initially planned for March 2020, the event was postponed to March 2022 due to the COVID-19 pandemic.<ref name=":25" /><ref name=":26" /><ref name=":27" /><ref name=":30" /> Beethoven's Fifth Symphony and autochthonous-based work composed by Mr. Dieppa are part of the program.<ref name=":30" /> The Festival and Residency include the donation of musical instruments, lectures in universities, conservatories, and schools; accompanied by a series of workshops on music instruction and training for teachers attached to the youth orchestra system.<ref name=":25" /><ref name=":26" /><ref name=":27" /><ref name=":30" />


The resident ensemble is the Orchestra of Saint Luke's, New York City, conducted by Roberto McCausland "Dieppa".<ref name=":25" /><ref name=":26" /><ref name=":27" />
The resident ensemble is the Orchestra of Saint Luke's, New York City, conducted by Roberto McCausland "Dieppa".<ref name=":25" /><ref name=":26" /><ref name=":27" />
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In 2006, he was awarded the Pro-Arte Hungarica prize by the [[Hungary|Hungarian]] government's Ministry of Culture for his work and performances of Hungarian composers [[Franz Liszt]] and [[Béla Bartók|Bela Bartok]].<ref name=":1" /><ref name=":2" /><ref name=":19">{{Cite web|url=http://www.gimagine.com/gimagine/hungarian_consulate_and_un_mission/2006/2006-03-03-moholy-nagy/default.htm|title=Moholy-Nagy, Hungarian Consulate General, NY - March 3, 2006|website=www.gimagine.com|access-date=2019-03-08}}</ref><ref name=":20">{{Cite web|url=http://www.nefmi.gov.hu/nemzetkozi-kapcsolatok/2006/new-york-moholy-nagy|title=Nemzeti Erőforrás Minisztérium {{!}} New York: Moholy-Nagy kiállítás, magyar fesztivál és kulturális kapcsolatépítés|last=Sajtóiroda|first=NEFMI|date=2006-03-02|website=www.nefmi.gov.hu|language=hu|access-date=2019-03-08}}</ref><ref name=":15">{{Cite web|url=http://www.epa.oszk.hu/00000/00014/00085/index_elemei/lap.html|title=Nyugati Hírlevél 85. sz. 2006. március 1.|website=www.epa.oszk.hu|access-date=2019-03-08}}</ref><ref name=":21">{{Cite web|url=http://www.epa.oszk.hu/00000/00014/00085/index_elemei/lap.html|title=Nyugati Hírlevél 85. sz. 2006. március 1.|website=www.epa.oszk.hu|access-date=2019-03-08}}</ref><ref name=":22">{{Cite web|url=http://www.muzsikalendarium.hu/koncertkalendarium/index.php?area=events&mode=detail&page=960|title=Muzsikalendárium|website=www.muzsikalendarium.hu|access-date=2019-03-09}}</ref><ref name=":16">{{Cite web|url=http://www.muzsikalendarium.hu/koncertkalendarium/index.php?area=events&id_event=2032&b=detail|title=Muzsikalendárium|website=www.muzsikalendarium.hu|access-date=2019-03-09}}</ref><ref name=":17">{{Cite web|url=http://fidelio.hu/klasszikus/tavaszi-festival-sztarokkal-tancestekkel-es-templomi-knoncertekkel-131440.html|title=Tavaszi fesztivál sztárokkal, táncestekkel és templomi koncertekkel|website=Fidelio.hu|language=hu-HU|access-date=2019-03-09}}</ref><ref name=":18">{{Cite web|url=https://www.semana.com/cultura/articulo/la-reconquista/22275-3|title=LA RECONQUISTA|last=Semana|website=LA RECONQUISTA, Sección Cultura, edición 621, Apr 25 1994|date=25 April 1994|language=es|access-date=2019-03-09}}</ref><ref>{{Citation|title=Pro Cultura Hungarica díj|date=2020-09-28|url=https://hu.wikipedia.org/w/index.php?title=Pro_Cultura_Hungarica_d%C3%ADj&oldid=23082150|work=Wikipédia|language=hu|access-date=2021-08-20}}</ref>
In 2006, he was awarded the Pro-Arte Hungarica prize by the [[Hungary|Hungarian]] government's Ministry of Culture for his work and performances of Hungarian composers [[Franz Liszt]] and [[Béla Bartók|Bela Bartok]].<ref name=":1" /><ref name=":2" /><ref name=":19">{{Cite web|url=http://www.gimagine.com/gimagine/hungarian_consulate_and_un_mission/2006/2006-03-03-moholy-nagy/default.htm|title=Moholy-Nagy, Hungarian Consulate General, NY - March 3, 2006|website=www.gimagine.com|access-date=2019-03-08}}</ref><ref name=":20">{{Cite web|url=http://www.nefmi.gov.hu/nemzetkozi-kapcsolatok/2006/new-york-moholy-nagy|title=Nemzeti Erőforrás Minisztérium {{!}} New York: Moholy-Nagy kiállítás, magyar fesztivál és kulturális kapcsolatépítés|last=Sajtóiroda|first=NEFMI|date=2006-03-02|website=www.nefmi.gov.hu|language=hu|access-date=2019-03-08}}</ref><ref name=":15">{{Cite web|url=http://www.epa.oszk.hu/00000/00014/00085/index_elemei/lap.html|title=Nyugati Hírlevél 85. sz. 2006. március 1.|website=www.epa.oszk.hu|access-date=2019-03-08}}</ref><ref name=":21">{{Cite web|url=http://www.epa.oszk.hu/00000/00014/00085/index_elemei/lap.html|title=Nyugati Hírlevél 85. sz. 2006. március 1.|website=www.epa.oszk.hu|access-date=2019-03-08}}</ref><ref name=":22">{{Cite web|url=http://www.muzsikalendarium.hu/koncertkalendarium/index.php?area=events&mode=detail&page=960|title=Muzsikalendárium|website=www.muzsikalendarium.hu|access-date=2019-03-09}}</ref><ref name=":16">{{Cite web|url=http://www.muzsikalendarium.hu/koncertkalendarium/index.php?area=events&id_event=2032&b=detail|title=Muzsikalendárium|website=www.muzsikalendarium.hu|access-date=2019-03-09}}</ref><ref name=":17">{{Cite web|url=http://fidelio.hu/klasszikus/tavaszi-festival-sztarokkal-tancestekkel-es-templomi-knoncertekkel-131440.html|title=Tavaszi fesztivál sztárokkal, táncestekkel és templomi koncertekkel|website=Fidelio.hu|language=hu-HU|access-date=2019-03-09}}</ref><ref name=":18">{{Cite web|url=https://www.semana.com/cultura/articulo/la-reconquista/22275-3|title=LA RECONQUISTA|last=Semana|website=LA RECONQUISTA, Sección Cultura, edición 621, Apr 25 1994|date=25 April 1994|language=es|access-date=2019-03-09}}</ref><ref>{{Citation|title=Pro Cultura Hungarica díj|date=2020-09-28|url=https://hu.wikipedia.org/w/index.php?title=Pro_Cultura_Hungarica_d%C3%ADj&oldid=23082150|work=Wikipédia|language=hu|access-date=2021-08-20}}</ref>


In 2006, "Dieppa" was invited by the [[United Nations]] to perform at commemorative event marking the 50th anniversary of the [[1956 Hungarian revolution|1956 Hungarian Revolution]].<ref name=":1" /><ref name=":3">{{Cite news|url=https://www.berry.edu/alumni/accent/Oct06.htm|title=All the world is his stage|work=Alumni Accent|access-date=November 20, 2018}}</ref><ref name=":23">{{Cite web|url=https://internationalpress.jp/2010/11/24/concierto-de-piano-por-mccausland-dieppa-en-tokio/|title=McCausland Dieppa Piano concert in Tokyo|date=24 November 2010}}</ref><ref name=":24">{{Cite web|url=https://www.uninorte.edu.co/documents/73923/2707906/Bolet%C3%ADn+Uninorte+Ed.+90/216aef5f-8588-46db-997f-a7501bb4e438?version=1.0|title=25 year Celebration of Uninorte radio station|date=December 2008|year=2008|publisher=Uninorte}}</ref><ref name=":4">{{Cite web|title=UN_Mission/2006/2006-03-03|url=http://www.gimagine.com/gimagine/Hungarian_Consulate_and_UN_Mission/2006/2006-03-03-Moholy-Nagy/default.htm}}</ref>
In 2006, "Dieppa" was invited by the [[United Nations]] to perform at the commemorative event marking the 50th anniversary of the [[1956 Hungarian revolution|1956 Hungarian Revolution]].<ref name=":1" /><ref name=":3">{{Cite news|url=https://www.berry.edu/alumni/accent/Oct06.htm|title=All the world is his stage|work=Alumni Accent|access-date=November 20, 2018}}</ref><ref name=":23">{{Cite web|url=https://internationalpress.jp/2010/11/24/concierto-de-piano-por-mccausland-dieppa-en-tokio/|title=McCausland Dieppa Piano concert in Tokyo|date=24 November 2010}}</ref><ref name=":24">{{Cite web|url=https://www.uninorte.edu.co/documents/73923/2707906/Bolet%C3%ADn+Uninorte+Ed.+90/216aef5f-8588-46db-997f-a7501bb4e438?version=1.0|title=25 year Celebration of Uninorte radio station|date=December 2008|year=2008|publisher=Uninorte}}</ref><ref name=":4">{{Cite web|title=UN_Mission/2006/2006-03-03|url=http://www.gimagine.com/gimagine/Hungarian_Consulate_and_UN_Mission/2006/2006-03-03-Moholy-Nagy/default.htm}}</ref>


== References ==
== References ==

Revision as of 02:19, 10 January 2022

Roberto McCausland Dieppa
BornJuly 6, 1959 (1959-07-06) (age 65)
Barranquilla, Colombia
Alma materBerry College
Occupation(s)Pianist, composer, conductor, author
Years active1997-present
Notable workSinfonia Latina
StyleClassical, contemporary, Nouveau Caribe
RelativesPaulina Vega Dieppa (cousin)
AwardsPro arte Hungarica prize 2006
Musical career
LabelseOne Music International Classics, Scruffy, Roberto McCausland-Dieppa
Websiterobertomccauslanddieppa.com

Roberto McCausland-Dieppa, also known as "Dieppa", is a Colombian pianist, composer, and conductor, specializing in classical, jazz, and Hungarian music. "Dieppa" is the first Colombian-born pianist to have performed successfully in worldwide venues.[1] "Dieppa" is the conductor of Sinfonia Latina. and helped start the Santa Fe-Barlovento Orchestra.[2] His performances at various venues across the United States, Asia, Australia, and Europe, are noted such as Carnegie Hall, Ostrogskich-Chopin Hall, and the United Nations.[3][4][5][2][6][7][8][9][10][11][12][13][14][15][16][17][18][19]

"Dieppa" became known after composing and conducting ‘'Sinfonia Latina’' at age seventeen in1976, the composition fused Rock, Jazz, Salsa, and Spanish music into a symphonic format.[2][20][21][22][23] The event "Sinfonía Latina" denominated ‘Super Show’ over-exceeded expected attendance,[6][4][2] Noted as ‘Avant-garde’ and ‘revolutionary’, it pushed the boundaries of popular salsa, autochthonous dance rhythms, rock, and jazz with a classical framework into the modern concert hall, with poetic (protest) lyrics in Spanish.[2][6]

Following the Sinfonia Latina event, he moved on to classical performances, composing and conducting becoming a critical figure in music education for children, disseminating Caribbean music using ‘folk idioms’ and "dance" rhythm, espousing Hungarian music and culture, particularly the music of Franz Liszt, Béla Bartók which he is most passionately interested.[8][10][11][12][13][14][15][16][17][18][20][21][22][23][24][25][26][27][28][29][30][31]

Career

Dieppa's career began with the successful composition and performances of the Sinfonia Latina concert in 1976.[2][3][4][6] Franz Liszt and Bela Bartok became the primary classical music influences.[12] His presentation at the Budapest Spring Festival launched programs at Bern, Madrid, Vienna, and many other important musical centers including New York's, Carnegie Weill Hall, where he was asked eight times back on stage, Sydney- Melbourne, Australia, and New Delhi, India. Following were performances in Rome, London, Washington, DC.  Paris, and Warsaw.[12][13][20]

Characteristics

“Dieppa” looks like the part of a fantastic character not far removed from Willie Wonka.[17] He wears tresses that confer a young Einstein expression, intoxicated with music.[32] The pianist accentuates a peculiar manifestation by wearing rounded glasses a la Franz Schubert and vibrant scarves like Glenn Gould.[16] “Dieppa” makes fundamental advancements in music imparting to Barranquilla and Colombia a composer considered necessary flanking the other two iconic resident's laureate Noble prize winner Gabriel Garcia Marquez and the Painter Alejandro Obregon.[32][16]

Pianism

In the review of Autumn Passion Four Great Sonatas; Ludwig van Beethoven. reviewer Jerry Dubbins wrote:" This is a serious and significant release by a serious and significant performing artist far from what's often described depreciatingly as a vanity release. [14]The result is performances of clarity, transparency, and revelation of felicitous details that allow the notes to speak for themselves, one of the countless points at which "Dieppa's" respectful approach to these works yields a refreshing perspective on Beethoven's vision, cleansed of the interpretive accretions of 200 years of performance practices. [14]"Dieppa's" Beethoven comes about as close to "echt" as I've heard. In whatever form you find it, it is an experience not to be missed. [14] In classical repertoire, whether it is Liszt, Ravel, Debussy, Chopin, Mozart, or Beethoven, the music is about the composer.[12] There is fluidity to his pianism with sensitivity to dynamics.  [7]  [8][12][13][14][15][18]

Beethoven Piano Sonatas Nos.23, 8,14, 26,11 & 111 Appassionata, Pathetique, Kuupaistesonaat, [33]

are distinguished by poetic and sensitive interpretation.

Huntley Dent in reviewing "Dieppa's" interpretations of "Moonlight" Sonata, "Pathetique", and "Appassionata" states; "none come festooned with such an exotic pedigree."[17] The reviewer makes comparisons to three top interpreters; Michelangeli, Claudio Arrau, and implies he surpassed Serkin, asking where was he?, when the intoxicating music of the Colombian Caribbean coast beckoned or Beethoven for kids was in the studio, Michelangeli was nowhere to be found, and if Claudio Arrau was sent a pair of glowing yellow spectacles he promptly returned them.[17] These readings are more than adept far from academic, he conveys what he feels about each sonata.[17]

Roberto McCausland “Dieppa” performs a compelling account of Notturno from Liebesträume. In his own works Inspiracion, Besame mucho and Insensetaz he displays a Lisztian virtuosity.”   [12]

Composing style

In orchestral chamber and small ensembles the composer employs a synesthetic approach bringing together autochthonous elements of Caribbean folk rhythms prevalent in Salsa, Merengue, and Cumbia into Rock, and Jazz in classical architecture, thus, creating the genre style “Noveau” Caribe.  However, the piano compositional writing displays Lisztian virtuosity.[7][8][12][13][15][29]

Conducting style

A noted feature of the conductor's style is his ability to conduct without a baton. This eccentricity was observed by Juan B. Fernandez author and editor of El Heraldo comparing him to a young Arturo Toscanini. It is generally considered of great importance to a conductor's ability to communicate with the orchestra.[32]  

As Igor Stravinsky “Dieppa’s” conducting style came about as a necessity to disseminate the music and expand the  Orchestra beyond traditional boundaries.[15]

Literature

Author

Author of over 30 articles about classical music and Caribbean culture, published in journals and periodicals.[34][35] “Dieppa” is the creator of Beethoven for kids and teens, and Beethoven for kids. A series of books in various formats presented in both narrative audio and CDs for children and young people.[36][37]

Writings

Beethoven's friends published in Latitude on August 3, 2014.[38]Jornal del Caribe :about our culture, world music and good espresso coffee (No.1).[38]Jornal del Caribe: Franz Liszt and the music of the Caribbean: rhythm, dance and language, love is a rebellious bird and good espresso coffee (No. 2)[38] Jornal del Caribe  (No. 3)The Caribbean and World Culture: music, rhythm, dance and language[39] V. Jornal del Caribe: Pod, Al Carnaval, Carla Celia y Guillo Carbo[40] VI. Jornal del Caribe: Pod Ciclo Mujeres en las Artes [41] VII. Cleopatra, Philosopher[42] VIII. La Seducción Artística Femenina[43] IX. La Seduccion de Bolivar[44] X. Así hablo Zarathustra[45] XI. Carmen Magdalena, Frida Kahlo, Isabel Allende Llona[46] XII. Pasión Caribe y Latino Americana[47] XIII. Beethoven: Sonatas, Concertí y Sinfonías[48]

Select discography

Caribe al Mundo  was released on the Scruffy records label in 2013 catalog # 67129.[49] The disc features Tres Piezas  Encantadas para Orquesta  composed in  “Noveau” Caribe genre  1. Inspiracion- De un Tema sobre el Rio Magdalena, 2. Fuga Rítmica Flamenca Caribe sobre la Pollera Colora 3. Cancion del Amor MisteriosoDanza- Requiem a Joe Arroyo.[49]

A champion of Liszt's there are three recordings of Sonata in B minor; 1. Liszt and more... September 15, 1997 catalog # 67122.[50] 2. Music from the Documentary 2013catalog # 67226.[49] 3. Summer Le Chaluer Estivale, Liszt 2014 catalog # 020568658.[51] There is a YouTube video recording, Sonata in B Minor, S.178.[52]

Other well-known recordings are Autumn: Passion- Beethoven Three Great Sonatas 2014 catalog #020567,[53] Beethoven for kids and teens released in 2003 catalog # 634479694622,[54] Beethoven for kids released on May 23, 2006catalog#376642H1,[55] and Late Night: Encores II 2014 catalog# 020566658[56]

The public associates “Dieppa” with the works of Beethoven, Liszt, and Bartok.[12]

Legacy

Sinfonia Latina Festival and orchestral residency

The Inter-American Development Bank sponsors the music education area program for Sinfonia Latina music Festival Orchestral Residency in Barranquilla, Colombia.[57][58][59][60] The IDB and IDB Invest assembly of governors 2021, gifts children, and young people of Barranquilla, and its metropolitan area the application, operation, and practice of the festival an orchestral residency program.[57][58][60] The Festival's mission is excellence in performance, education, and social work through the arts for community development.[58][60] Scheduled annually, the event takes place two weeks after the cities carnival.[57][58][59][60] Puerto Colombia Foundation, of Barranquilla, Colombia, is the executing entity using the arts for education and social development. Initially planned for March 2020, the event was postponed to March 2022 due to the COVID-19 pandemic.[57][58][59][60] Beethoven's Fifth Symphony and autochthonous-based work composed by Mr. Dieppa are part of the program.[60] The Festival and Residency include the donation of musical instruments, lectures in universities, conservatories, and schools; accompanied by a series of workshops on music instruction and training for teachers attached to the youth orchestra system.[57][58][59][60]

The resident ensemble is the Orchestra of Saint Luke's, New York City, conducted by Roberto McCausland "Dieppa".[57][58][59]

Awards and honors

In 2002, "Dieppa" was awarded the Merrill Lynch Prize for teaching piano while instructing at the School of Fine Arts in Cleveland.[11][7]

In 2006, he was awarded the Pro-Arte Hungarica prize by the Hungarian government's Ministry of Culture for his work and performances of Hungarian composers Franz Liszt and Bela Bartok.[11][12][24][25][20][26][27][21][22][23][61]

In 2006, "Dieppa" was invited by the United Nations to perform at the commemorative event marking the 50th anniversary of the 1956 Hungarian Revolution.[11][13][28][29][1]

References

  1. ^ a b "UN_Mission/2006/2006-03-03".
  2. ^ a b c d e f Zapata, Mauricio (June 26, 2018). "Sinfonía Latina". La Ola Caribe. Retrieved November 20, 2018.
  3. ^ a b Rodriguez, Martha Guarin (July 3, 2014). "Roberto McCausland, en tiempo de Beethoven". El Heraldo (in Spanish). Retrieved November 20, 2018.
  4. ^ a b c Naizzir, Lorayne Solano (July 13, 2017). "La época dorada del rock en Barranquilla". El Harado. Retrieved November 20, 2018.
  5. ^ Petrel, Mary Ellen (2010). Berry College: A Century of Making Music. Arcadia Publishing. ISBN 9780738585635.
  6. ^ a b c d Arguelles, Gloria (May 1976). "Todo un exito la Sinfonia Latina". El Heraldo. Barranquilla Colombia: El Heraldo. p. 5.
  7. ^ a b c d Woodall, Rick. "Bravo!". Berry Magazine. pp. 10–12. Retrieved November 20, 2018.
  8. ^ a b c d "Composer Roberto McCausland Dieppa". Concert Zender Radio. Retrieved November 20, 2018.
  9. ^ "Dieppa". Roberto McCausland Dieppa. Retrieved November 20, 2018.
  10. ^ a b "Roberto McCausland-Dieppa". Amazon. Retrieved November 20, 2018.
  11. ^ a b c d e "About". Roberto McCausland Dieppa. Retrieved November 20, 2018.
  12. ^ a b c d e f g h i j Wulf, Franz. "Review - Late Night: Encores II". Agora Classica. Retrieved November 20, 2018.
  13. ^ a b c d e f "All the world is his stage". Alumni Accent. Retrieved November 20, 2018.
  14. ^ a b c d e f Dubins, Jerry. "BEETHOVEN Piano Sonatas: No. 23, "Appassionata;" No. 8, "Pathétique;" No. 14, "Moonlight;" No. 26, "Les Adieux": Andante and Finale". dev.fanfarearchive.com. Retrieved 2019-06-27.
  15. ^ a b c d e Shulslapper, Robert. "Sound Above All". Fanfare Magazine. 38: 3.
  16. ^ a b c d Renne Bayley, Lynn (January–February 2015). "BEETHOVEN Piano Sonatas Nos. 23, 8 & 14. Piano Sonata No. 26". Fanfare Magazine. 38: 3.
  17. ^ a b c d e f Huntley, Dent. "BEETHOVEN Piano Sonatas: No. 8, "Pathetique"; No. 14, "Moonlight"; No. 23, "Appassionata"; No. 26, "Les Adieux," mvts. 2 & 3". Fanfare Magazine. 38: 3.
  18. ^ a b c "Fanfare Magazine Archive of CD Reviews". fanfarearchive.com. Retrieved 2019-06-27.
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  23. ^ a b c Semana (25 April 1994). "LA RECONQUISTA". LA RECONQUISTA, Sección Cultura, edición 621, Apr 25 1994 (in Spanish). Retrieved 2019-03-09.
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  25. ^ a b Sajtóiroda, NEFMI (2006-03-02). "Nemzeti Erőforrás Minisztérium | New York: Moholy-Nagy kiállítás, magyar fesztivál és kulturális kapcsolatépítés". www.nefmi.gov.hu (in Hungarian). Retrieved 2019-03-08.
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  29. ^ a b c "25 year Celebration of Uninorte radio station". Uninorte. December 2008.{{cite web}}: CS1 maint: date and year (link)
  30. ^ "January/February Issue". CFA Magazine. 22 (1): 1–74. January 2011. doi:10.2469/cfm.v22.n1 (inactive 31 October 2021). ISSN 1543-1398.{{cite journal}}: CS1 maint: DOI inactive as of October 2021 (link)
  31. ^ Beethoven, Ludwig van; Beethoven, Ludwig van; Beethoven, Ludwig van; Beethoven, Ludwig van; Beethoven, Ludwig van; Beethoven, Ludwig van; Beethoven, Ludwig van; Beethoven, Ludwig van; Beethoven, Ludwig van (2006). Sonatas op. 13, Pathétique, 22 & 101 Sonatas op. 14, op. 78 & 53, Waldstein ; Sonatas op. 90, 79 & 106, Hammerklavier. Arles: Harmonia Mundi France. doi:10.5962/bhl.title.62762.
  32. ^ a b c Ferndez Renowitzky, Juan B. (May 7, 1976). "McCausland" Musico con mas talento que caballera". El Heraldo: 1, 5.
  33. ^ Klassik Radio Estonia translation 4.12.2014
  34. ^ "El rey del carnaval". Revistas | EL HERALDO (in Spanish). 2019-05-01. Retrieved 2021-05-01.
  35. ^ "Jornal Del Caribe: Ciclo: La orquesta". DIEPPA. Retrieved 2021-05-01.
  36. ^ Beethoven for Kids - Roberto McCausland-Dieppa | Songs, Reviews, Credits | AllMusic, retrieved 2021-04-30
  37. ^ "Roberto McCausland-Dieppa | Album Discography". AllMusic. Retrieved 2021-04-30.
  38. ^ a b c "Universidad del Norte - Universidad del Norte". www.uninorte.edu.co. Retrieved 2021-05-03.
  39. ^ "IIb. Jornal del Caribe: Pod Clasico Caribe Jazz". DIEPPA. Retrieved 2021-05-03.
  40. ^ "V. Jornal del Caribe: Pod, Al Carnaval, Carla Celia y Guillo Carbo". DIEPPA. Retrieved 2021-05-04.
  41. ^ Dávila Molina, Jacoba Del Carmen (2018-06-29). "Experiencia del CEIMM en Las Minas: Acompañamiento a las mujeres en los territorios indígenas". Revista Universitaria del Caribe. 20 (1): 42–48. doi:10.5377/ruc.v1i1.6764. ISSN 2311-7346.
  42. ^ "VII. Cleopatra, Philosopher". DIEPPA. Retrieved 2021-05-04.
  43. ^ "VIII. La Seducción Artística Femenina". DIEPPA. Retrieved 2021-05-04.
  44. ^ "IX. La Seduccion de Bolivar". DIEPPA. Retrieved 2021-05-04.
  45. ^ "X. Así hablo Zarathustra". DIEPPA. Retrieved 2021-05-04.
  46. ^ "XI. Carmen Magdalena, Frida Kahlo, Isabel Allende Llona". DIEPPA. Retrieved 2021-05-04.
  47. ^ "XII. Pasión Caribe y Latino Americana". DIEPPA. Retrieved 2021-05-04.
  48. ^ "XIII. Beethoven: Sonatas, Concertí y Sinfonías". DIEPPA. Retrieved 2021-05-04.
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  51. ^ Summer: Le Chaleur Estivale, Liszt - Roberto McCausland-Dieppa | Songs, Reviews, Credits | AllMusic, retrieved 2021-05-01
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  53. ^ Autumn Passion: Beethoven - Three Great Sonatas - Roberto McCausland-Dieppa | Songs, Reviews, Credits | AllMusic, retrieved 2021-05-01
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  56. ^ Late Night: Encores II - Roberto McCausland-Dieppa | Songs, Reviews, Credits | AllMusic, retrieved 2021-05-01
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  59. ^ a b c d e "El Tiempo". El Tiempo de Bogota. Bogota, Colombia: El Tiempo de Bogota. 2021.
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