Exiting the Vampire Castle: Difference between revisions
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=== Defence and admiration of Russell Brand === |
=== Defence and admiration of Russell Brand === |
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About a third of the essay is a discussion of the controversial comedian and activist [[Russell Brand]]. Fisher admired Brand. In the essay, he said Brand's stand-up show was "communism as something cool, sexy and proletarian, instead of a finger-wagging sermon". Fisher defended Brand against criticism by what he called "posh lefties". He wrote: "In the febrile McCarthyite atmosphere fermented by the moralising left, remarks that could be construed as sexist mean that Brand is a sexist, which also meant that he is a misogynist. Cut and dried, finished, condemned." |
About a third of the essay is a discussion of the controversial comedian and activist [[Russell Brand]]. (This was a decade before and and no link with accusations of sexual misconduct by Brand, which he denied, made by the Sunday Times and Channel 4 television). Fisher admired Brand. In the essay, he said Brand's stand-up show was "communism as something cool, sexy and proletarian, instead of a finger-wagging sermon". Fisher defended Brand against criticism by what he called "posh lefties". He wrote: "In the febrile McCarthyite atmosphere fermented by the moralising left, remarks that could be construed as sexist mean that Brand is a sexist, which also meant that he is a misogynist. Cut and dried, finished, condemned." |
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== Reception == |
== Reception == |
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Revision as of 07:22, 1 January 2024
"Exiting the Vampire Castle" is an essay written by the English theorist Mark Fisher for the online publication The North Star in 2013. It argues for increased leftist solidarity by departing from the phenomenon of online callout culture to instead orient activity around organization of efforts around the accountability of one's economic class, rather than around traits in identity and culture.
Synopsis
Fisher argues that a largely online style of identity-based leftist discourse grounded in "witch-hunting moralism" halts productive leftist discourse and undermines class politics.[1] In particular, the combination of a primary focus on identity and the policing of others' speech is deleterious.[2] Fisher saw the turn from class and materialism towards identity as a move from objective outward-facing goals to subjective inward goals that result in fragmentation of the left's efforts and community.[3]
Defence and admiration of Russell Brand
About a third of the essay is a discussion of the controversial comedian and activist Russell Brand. (This was a decade before and and no link with accusations of sexual misconduct by Brand, which he denied, made by the Sunday Times and Channel 4 television). Fisher admired Brand. In the essay, he said Brand's stand-up show was "communism as something cool, sexy and proletarian, instead of a finger-wagging sermon". Fisher defended Brand against criticism by what he called "posh lefties". He wrote: "In the febrile McCarthyite atmosphere fermented by the moralising left, remarks that could be construed as sexist mean that Brand is a sexist, which also meant that he is a misogynist. Cut and dried, finished, condemned."
Reception
Jacobin magazine described "Exiting the Vampire Castle" as Fisher's "most loved and hated essay".[3]
Influence
In her book Kill All Normies, Angela Nagle grounds her critique of the left on Fisher's essay. She uses the essay to diagnose the political situation of the 2016 United States presidential election in particular and leftist use of social media platforms in general.[2]
Michael Brooks' book Against the Web uses concepts from "Exiting the Vampire Castle" to describe the limits Brooks observes in leftist tactics. Noting the condemnation and alienation common among leftists of the Castle, Brooks proposes a "cosmopolitan socialism" alternative built on the works of Cornel West, Amartya Sen, and C. L. R. James.[4]
Marc James Léger references Fisher's essay in his introduction to the book Identity Trumps Socialism: The Class and Identity Debate after Neoliberalism under the concept of "decadent Marxism," which marks the decline of the petty-bourgeois and counter-cultural tendencies that became dominant after the postwar era and the problems that this poses for the renewal of socialism.[5]
References
- ^ Frost, Amber A’Lee (5 June 2017). "All Worked Up and Nowhere to Go". The Baffler.
- ^ a b Weatherby, Leif (29 June 2017). "Posting Left and Right". Jacobin Magazine.
- ^ a b Day, Meagan (13 November 2018). "The Gospel According to Mark Fisher". Jacobin Magazine.
- ^ McManus, Matt (31 March 2020). "Critiquing the Intellectual Dark Web: Michael Brooks' 'Against the Web'". Merion West.
- ^ Léger, Marc James, ed. Identity Trumps Socialism: The Class and Identity Debate after Neoliberalism (2023). https://www.routledge.com/Identity-Trumps-Socialism-The-Class-and-Identity-Debate-after-Neoliberalism/Leger/p/book/9781032341804
External links
- Fisher, Mark (22 November 2013). "Exiting the Vampire Castle". The North Star. Archived from the original on 29 November 2013.