Swadesh Deepak: Difference between revisions
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Deepak holds masters degrees in both [[Hindi]] and [[English language|English]]. For twenty-six years, he taught [[English literature]] at [[Ambala]]'s [[Gandhi]] Memorial College. |
Deepak holds masters degrees in both [[Hindi]] and [[English language|English]]. For twenty-six years, he taught [[English literature]] at [[Ambala]]'s [[Gandhi]] Memorial College. |
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=Writings= |
==Writings== |
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Swadesh Deepak found his literary expression first as a [[short story]] writer and then as a [[novelist]] and [[playwright]]. He has experimented with many forms of [[prose]], and is well-known for his unique style. |
Swadesh Deepak found his literary expression first as a [[short story]] writer and then as a [[novelist]] and [[playwright]]. He has experimented with many forms of [[prose]], and is well-known for his unique style. |
||
==Short stories |
===Short stories=== |
||
The first collection of stories that Deepak published in the 1973 was ''Ashwarohi'' (The Rider), which marks the birth of his grim, dark storytelling style on the literary scene. Over the next few years, Deepak wrote some of his most popular stories--''Aheri, Mara Hua Pakshi, Maatam, Jaihind, Kyunki Main Use Jaanta Nahin, Kisi Ek Ped Ka Naam Lo, Kyunki Hawa Padh Nahin Sakti, Tamaasha'' and ''Paapi Pet'', to name just a few. Deepak also published two [[novels]] in Hindi, ''Number 57 [[Squadron]]'' and ''Mayapot'' (The Phantom Ship). The latter evoked mixed response from readers and critics. A collection of the finest stories of Swadesh Deepak, titled ''Pratinidhi Kahaniyan'' (Representative Stories) was published in the mid 1980s. |
The first collection of stories that Deepak published in the 1973 was ''Ashwarohi'' (The Rider), which marks the birth of his grim, dark storytelling style on the literary scene. Over the next few years, Deepak wrote some of his most popular stories--''Aheri, Mara Hua Pakshi, Maatam, Jaihind, Kyunki Main Use Jaanta Nahin, Kisi Ek Ped Ka Naam Lo, Kyunki Hawa Padh Nahin Sakti, Tamaasha'' and ''Paapi Pet'', to name just a few. Deepak also published two [[novels]] in Hindi, ''Number 57 [[Squadron]]'' and ''Mayapot'' (The Phantom Ship). The latter evoked mixed response from readers and critics. A collection of the finest stories of Swadesh Deepak, titled ''Pratinidhi Kahaniyan'' (Representative Stories) was published in the mid 1980s. |
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==Plays== |
===Plays=== |
||
Swadesh Deepak was widely recognized as one of the finest [[playwrights]] in the country after the publication of ''[[Court Martial]]''. The play hits hard the roots of [[casteism]] in the [[Indian Army]]. ''Court Martial'' has been staged close to 2000 times in India by well-known [[Indian theatre]] directors [[Ranjeet Kapoor]], [[Arvind Gaur]] and [[Usha Ganguli]]. It has been translated into many [[Indian languages]] and has won Deepak many an award. Deepak regards ''Court Martial'' as his best-known work, but not the best. His other prominent [[plays]] include ''Sabse Udaas Kavita'' premiered by Asmita Theatre group directed by Arvind gaur (The Saddest [[Poem]]), ''Jalta Hua Rath'' (The [[Chariot]] in Flames) and Kal Kothari ( first productin by Arvind gaur of asmita Theatre, Delhi,The Dark [[Cellar]]). |
Swadesh Deepak was widely recognized as one of the finest [[playwrights]] in the country after the publication of ''[[Court Martial]]''. The play hits hard the roots of [[casteism]] in the [[Indian Army]]. ''Court Martial'' has been staged close to 2000 times in India by well-known [[Indian theatre]] directors [[Ranjeet Kapoor]], [[Arvind Gaur]] and [[Usha Ganguli]]. It has been translated into many [[Indian languages]] and has won Deepak many an award. Deepak regards ''Court Martial'' as his best-known work, but not the best. His other prominent [[plays]] include ''Sabse Udaas Kavita'' premiered by Asmita Theatre group directed by Arvind gaur (The Saddest [[Poem]]), ''Jalta Hua Rath'' (The [[Chariot]] in Flames) and Kal Kothari ( first productin by Arvind gaur of asmita Theatre, Delhi,The Dark [[Cellar]]). |
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==Memoirs== |
===Memoirs=== |
||
In the early 1990s, Deepak showed severe [[symptoms]] of [[Bipolar disorder]], a condition that was diagnosed only a couple of [[suicide]] attempts and many frightful months later. He was under medication for a long time, and took many years to recover. Around 2001, he began documenting these fateful years spent ''in the darkroom of his mind.'' These memoirs were first [[serialized]] in ''Kathadesh'', a leading [[Hindi]] [[monthly]], and later published as a book, ''Maine Mandu Nahin Dekha'' ([[Rajkamal Prakashan]]). Deepak's memoirs triggered widespread debate--both for their innovative form, and their depiction of the way in which [[mental illness]] is perceived in India. The book won Deepak as many admirers as foes, with many putting even the suffering behind the book under scanner. |
In the early 1990s, Deepak showed severe [[symptoms]] of [[Bipolar disorder]], a condition that was diagnosed only a couple of [[suicide]] attempts and many frightful months later. He was under medication for a long time, and took many years to recover. Around 2001, he began documenting these fateful years spent ''in the darkroom of his mind.'' These memoirs were first [[serialized]] in ''Kathadesh'', a leading [[Hindi]] [[monthly]], and later published as a book, ''Maine Mandu Nahin Dekha'' ([[Rajkamal Prakashan]]). Deepak's memoirs triggered widespread debate--both for their innovative form, and their depiction of the way in which [[mental illness]] is perceived in India. The book won Deepak as many admirers as foes, with many putting even the suffering behind the book under scanner. |
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Despite the volley of sharp-edged comments that it ensued, ''Maine Maandu Nahin Dekha'' is a work unlike any other published in recent times. It is special because it is a grotesque first-hand account of how this disorder destroys logic in a systematic fashion. And it is Deepak's precise, bare-bones language--almost [[poetical]] in most portions--that lends authenticity to the text. |
Despite the volley of sharp-edged comments that it ensued, ''Maine Maandu Nahin Dekha'' is a work unlike any other published in recent times. It is special because it is a grotesque first-hand account of how this disorder destroys logic in a systematic fashion. And it is Deepak's precise, bare-bones language--almost [[poetical]] in most portions--that lends authenticity to the text. |
||
==The Loaded Gun== |
===The Loaded Gun=== |
||
Deepak's works are characterized by their tragic, dark endings. His characters find death as a constant companion, and often succumb to it. Often, [[critics]] have suggested that Deepak walks alongside his characters with a loaded gun--recoiled and ready to fire. Maybe, one can trace the beginnings of Deepak's present mental ordeal to the dark stories that he was writing even in the early 1970s. Perhaps, it is no coincidence that Deepak's favourite authors are [[Sylvia Plath]] and [[Virginia Woolf]], who succumbed to mental agony themselves. |
Deepak's works are characterized by their tragic, dark endings. His characters find death as a constant companion, and often succumb to it. Often, [[critics]] have suggested that Deepak walks alongside his characters with a loaded gun--recoiled and ready to fire. Maybe, one can trace the beginnings of Deepak's present mental ordeal to the dark stories that he was writing even in the early 1970s. Perhaps, it is no coincidence that Deepak's favourite authors are [[Sylvia Plath]] and [[Virginia Woolf]], who succumbed to mental agony themselves. |
||
==The Return of the Storyteller== |
===The Return of the Storyteller=== |
||
After a self-proclaimed abstinence from writing short stories lasting many years, Deepak returned to the form in the early 2000s. Some of his stories written during the period carry the echo of ''Maine Mandu Nahin Dekha''. ''Bagugoshe'' was a fine story that he published a few years back. |
After a self-proclaimed abstinence from writing short stories lasting many years, Deepak returned to the form in the early 2000s. Some of his stories written during the period carry the echo of ''Maine Mandu Nahin Dekha''. ''Bagugoshe'' was a fine story that he published a few years back. |
||
=Awards and honours= |
==Awards and honours== |
||
Swadesh Deepak has won many awards for his powerful writings. Recently, he won the ''Sur Puraskar,'' the highest literary award conferred by the [[Government]] of [[Haryana]], the state of his residence. He participated in the [[World Hindi Conference]] organized in [[Suriname]]. |
Swadesh Deepak has won many awards for his powerful writings. Recently, he won the ''Sur Puraskar,'' the highest literary award conferred by the [[Government]] of [[Haryana]], the state of his residence. He participated in the [[World Hindi Conference]] organized in [[Suriname]]. |
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Deepak is one of the few playwrights to win the ''[[Sangeet Natak Akademi]] Award'', the most prestigious award conferred to a [[performing artist]] in India. He is, undoubtedly, the best-known writer that [[Haryana]] has produced, and one of finest in his generation. |
Deepak is one of the few playwrights to win the ''[[Sangeet Natak Akademi]] Award'', the most prestigious award conferred to a [[performing artist]] in India. He is, undoubtedly, the best-known writer that [[Haryana]] has produced, and one of finest in his generation. |
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=Tragic developments= |
==Tragic developments== |
||
In early 2006, Deepak showed symptoms of acute [[Clinical depression|depression]] related to [[Bipolar disorder]]. He had suffered a [[cardiac attack]] in 2004, but had shown considerable improvement eversince. On June 2 2006, Deepak left home for his routine [[morning walk]], and went missing. All attempts to trace him have shown little results. |
In early 2006, Deepak showed symptoms of acute [[Clinical depression|depression]] related to [[Bipolar disorder]]. He had suffered a [[cardiac attack]] in 2004, but had shown considerable improvement eversince. On June 2 2006, Deepak left home for his routine [[morning walk]], and went missing. All attempts to trace him have shown little results. |
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=Books by Swadesh Deepak= |
==Books by Swadesh Deepak== |
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These titles are arranged in [[chronological order]]. |
These titles are arranged in [[chronological order]]. |
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==Collections of short stories== |
===Collections of short stories=== |
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* ''Ashwarohi (1973)'' |
* ''Ashwarohi (1973)'' |
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* ''Nirvachit Kahaniyan (2003)'' |
* ''Nirvachit Kahaniyan (2003)'' |
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==Novels== |
===Novels=== |
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* ''Number 57 Squadron (1973)'' |
* ''Number 57 Squadron (1973)'' |
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* ''Mayapot (1985)'' |
* ''Mayapot (1985)'' |
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==Plays== |
===Plays=== |
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* ''Natak Bal Bhagwan (1989)'' |
* ''Natak Bal Bhagwan (1989)'' |
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* ''Kaal Kothari (1999)'' |
* ''Kaal Kothari (1999)'' |
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==Memoirs== |
===Memoirs=== |
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* ''Maine Mandu Nahin Dekha (2003)'' |
* ''Maine Mandu Nahin Dekha (2003)'' |
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=External links= |
==External links== |
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* [http://www.littlemag.com/hunger/swadesh.html Translation of a Short Story by Swadesh Deepak (from ''The Little Magazine'')] |
* [http://www.littlemag.com/hunger/swadesh.html Translation of a Short Story by Swadesh Deepak (from ''The Little Magazine'')] |
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Revision as of 15:18, 19 June 2007
Swadesh Deepak (1942- ) is a popular Indian playwright, novelist and short-story writer. Deepak has been active on the Hindi literary scene since the mid 1960s and is best known for Court Martial, a pathbreaking play that he published in 1991. Deepak's most recent book is Maine Mandu Nahin Dekha, a volume of memoirs. Deepak's work has appeared in all major literary periodicals of India, and he has more than 15 published titles to his credit. Several of his works have been staged and made into television programmes.
Deepak holds masters degrees in both Hindi and English. For twenty-six years, he taught English literature at Ambala's Gandhi Memorial College.
Writings
Swadesh Deepak found his literary expression first as a short story writer and then as a novelist and playwright. He has experimented with many forms of prose, and is well-known for his unique style.
Short stories
The first collection of stories that Deepak published in the 1973 was Ashwarohi (The Rider), which marks the birth of his grim, dark storytelling style on the literary scene. Over the next few years, Deepak wrote some of his most popular stories--Aheri, Mara Hua Pakshi, Maatam, Jaihind, Kyunki Main Use Jaanta Nahin, Kisi Ek Ped Ka Naam Lo, Kyunki Hawa Padh Nahin Sakti, Tamaasha and Paapi Pet, to name just a few. Deepak also published two novels in Hindi, Number 57 Squadron and Mayapot (The Phantom Ship). The latter evoked mixed response from readers and critics. A collection of the finest stories of Swadesh Deepak, titled Pratinidhi Kahaniyan (Representative Stories) was published in the mid 1980s.
Plays
Swadesh Deepak was widely recognized as one of the finest playwrights in the country after the publication of Court Martial. The play hits hard the roots of casteism in the Indian Army. Court Martial has been staged close to 2000 times in India by well-known Indian theatre directors Ranjeet Kapoor, Arvind Gaur and Usha Ganguli. It has been translated into many Indian languages and has won Deepak many an award. Deepak regards Court Martial as his best-known work, but not the best. His other prominent plays include Sabse Udaas Kavita premiered by Asmita Theatre group directed by Arvind gaur (The Saddest Poem), Jalta Hua Rath (The Chariot in Flames) and Kal Kothari ( first productin by Arvind gaur of asmita Theatre, Delhi,The Dark Cellar).
Memoirs
In the early 1990s, Deepak showed severe symptoms of Bipolar disorder, a condition that was diagnosed only a couple of suicide attempts and many frightful months later. He was under medication for a long time, and took many years to recover. Around 2001, he began documenting these fateful years spent in the darkroom of his mind. These memoirs were first serialized in Kathadesh, a leading Hindi monthly, and later published as a book, Maine Mandu Nahin Dekha (Rajkamal Prakashan). Deepak's memoirs triggered widespread debate--both for their innovative form, and their depiction of the way in which mental illness is perceived in India. The book won Deepak as many admirers as foes, with many putting even the suffering behind the book under scanner.
Despite the volley of sharp-edged comments that it ensued, Maine Maandu Nahin Dekha is a work unlike any other published in recent times. It is special because it is a grotesque first-hand account of how this disorder destroys logic in a systematic fashion. And it is Deepak's precise, bare-bones language--almost poetical in most portions--that lends authenticity to the text.
The Loaded Gun
Deepak's works are characterized by their tragic, dark endings. His characters find death as a constant companion, and often succumb to it. Often, critics have suggested that Deepak walks alongside his characters with a loaded gun--recoiled and ready to fire. Maybe, one can trace the beginnings of Deepak's present mental ordeal to the dark stories that he was writing even in the early 1970s. Perhaps, it is no coincidence that Deepak's favourite authors are Sylvia Plath and Virginia Woolf, who succumbed to mental agony themselves.
The Return of the Storyteller
After a self-proclaimed abstinence from writing short stories lasting many years, Deepak returned to the form in the early 2000s. Some of his stories written during the period carry the echo of Maine Mandu Nahin Dekha. Bagugoshe was a fine story that he published a few years back.
Awards and honours
Swadesh Deepak has won many awards for his powerful writings. Recently, he won the Sur Puraskar, the highest literary award conferred by the Government of Haryana, the state of his residence. He participated in the World Hindi Conference organized in Suriname.
Deepak is one of the few playwrights to win the Sangeet Natak Akademi Award, the most prestigious award conferred to a performing artist in India. He is, undoubtedly, the best-known writer that Haryana has produced, and one of finest in his generation.
Tragic developments
In early 2006, Deepak showed symptoms of acute depression related to Bipolar disorder. He had suffered a cardiac attack in 2004, but had shown considerable improvement eversince. On June 2 2006, Deepak left home for his routine morning walk, and went missing. All attempts to trace him have shown little results.
Books by Swadesh Deepak
These titles are arranged in chronological order.
Collections of short stories
- Ashwarohi (1973)
- Maatam (1978)
- Tamaasha (1979)
- Pratinidhi Kahaniyan (1985)
- Bal Bhagwaan (1986)
- Kisi Apriya Ghatna Ka Samachar Nahin (1990)
- Maskhare Kabhi Nahin Rote (1997)
- Nirvachit Kahaniyan (2003)
Novels
- Number 57 Squadron (1973)
- Mayapot (1985)
Plays
- Natak Bal Bhagwan (1989)
- Court Martial (1991)
- Jalta Hua Rath (1998)
- Sabse Udaas Kavita (1998)
- Kaal Kothari (1999)
Memoirs
- Maine Mandu Nahin Dekha (2003)