Future Shock: Difference between revisions
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Future shock is also a term for a certain psychological state of individuals and entire societies, introduced by Toffler in his book of the same name. Toffler's shortest definition of future shock is a personal perception of "''too much change in too short a period of time''". The concept of future shock bears resemblance to the late 20th/early 21st century concept of "the [[technological singularity]]", and may have been influenced by Kuhn's concept of a technological [[paradigm shift]]. |
Future shock is also a term for a certain psychological state of individuals and entire societies, introduced by Toffler in his book of the same name. Toffler's shortest definition of future shock is a personal perception of "''too much change in too short a period of time''". The concept of future shock bears resemblance to the late 20th/early 21st century concept of "the [[technological singularity]]", and may have been influenced by Kuhn's concept of a technological [[paradigm shift]]. |
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A documentary film based on the |
A documentary film based on the book was released in 1972 with [[Orson Welles]] as on-screen narrator. |
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==Term== |
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Revision as of 03:44, 26 July 2007
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| Author | Alvin Toffler |
|---|---|
| Language | English |
| Genre | Futurology |
| Publisher | Random House |
Publication date | 1970 |
| Publication place | United States |
| Media type | Print (Hardback & Paperback) |
| ISBN | ISBN 0-394-42586-3 (Original hardcover) Parameter error in {{ISBNT}}: invalid character |
Future Shock is a book written by the sociologist and futurologist Alvin Toffler in 1970. The book is actually an extension of an article of the same name that Toffler wrote for the February 1970 issue of Playboy. The book has sold over 6 million copies and has been widely translated.
Future shock is also a term for a certain psychological state of individuals and entire societies, introduced by Toffler in his book of the same name. Toffler's shortest definition of future shock is a personal perception of "too much change in too short a period of time". The concept of future shock bears resemblance to the late 20th/early 21st century concept of "the technological singularity", and may have been influenced by Kuhn's concept of a technological paradigm shift.
A documentary film based on the book was released in 1972 with Orson Welles as on-screen narrator.
Term
Toffler argues that society is undergoing an enormous structural change, a revolution from an industrial society to a "super-industrial society". This change will overwhelm people, the accelerated rate of technological and social change will leave them disconnected, suffering from "shattering stress and disorientation" – future shocked. Toffler stated that the majority of social problems were symptoms of the future shock. In his discussion of the components of such shock, he also coined the term "information overload".
His analysis of that phenomenon is continued in his later publications, especially The Third Wave and Powershift.
In popular culture
Curtis Mayfield's song "Future Shock" on the album "Back to the World" took its name from this book, and was in turn covered by Herbie Hancock as the title track for his 1983 recording Future Shock. That album was considered groundbreaking for fusing jazz and funk with electronic music. At least two more releases have been named for the book, a 1981 album by Gillan and a 1988 single by Stratovarius. Other works taking their title from the book include a segment on the Daily Show starring Samantha Bee, Kevin Goldstein's recurring column on the Baseball Prospectus website, a Magic The Gathering pre-constructed deck, and the 1989 edition of the National Wrestling Alliance's Starrcade event.
Some works used similar titles with a twist, including the third season Futurama episode "Future Stock" (episode 21) and the comic Future Shocks.
Works deriving themes and elements from Future Shock include the science fiction novels The Forever War (1974) by Joe Haldeman and The Shockwave Rider (1975) by John Brunner.
The Baltimore music scene centered around Dan Deacon and the Wham City collective calls its spaztic brand of electro pop "Future Shock".
Reprints
The book has been reprinted several times. ISBNs include:
- ISBN 0-394-42586-3 (hardcover, Random House, 1970)
- ISBN 0-8488-0645-X (hardcover, Amereon Ltd, 1970)
- ISBN 0-553-20626-5 (mass market paperback, 1981)
- ISBN 0-553-27737-5 (mass market paperback, 1984)
- ISBN 0-553-24649-6 (paperback, 1984)
- ISBN 5-553-85765-1 (mass market paperback, 1991)
- ISBN 0-8085-0152-6 (mass market paperback in library binding, 1999)
See also
Further reading
External links
- Discussion the impact of language on Future Shock (Streaming audio & mp3)