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==Production==
==Production==
Principal photography started in New York in August of 1986, but location scouting began almost a year before. "Since the story called for a solitary building amidst rubble," explained producer Ronald Schwary, "we had to find a vacant lot with burned-out buildings all around it. We finally settled on an actual building on 5th Street between Avenues B and C on New York's [[Lower East Side]]. Production designer Ted Haworth designed a three-sided, four-story [[tenement]] facade and oversaw its construction on a location that covered most of a city block. In the name of authenticity, he brought 50 to 60 truckloads of rubble to cover the one vacant lot. It was so remarkably realistic that the Sanitation Department came by and took away prop garbage one morning, potential customers stopped by to eat in the diner, and the business agent for the Plumber's Local of New York visited, demanding to know why there wasn't a permit down at City Hall for the construction." [info from DVD Production Notes]
Principal photography started in New York in August of 1986, but location scouting began almost a year before. "Since the story called for a solitary building amidst rubble," explained producer Ronald Schwary, "we had to find a vacant lot with burned-out buildings all around it. We finally settled on an actual building on 5th Street between Avenues B and C on New York's [[Lower East Side]]. Production designer Ted Haworth designed a three-sided, four-story [[tenement]] facade and oversaw its construction on a location that covered most of a city block. In the name of authenticity, he brought 50 to 60 truckloads of rubble to cover the one vacant lot. It was so remarkably realistic that the Sanitation Department came by and took away prop garbage one morning, potential customers stopped by to eat in the diner, and the business agent for the Plumber's Local of New York visited, demanding to know why there wasn't a permit down at City Hall for the construction." [info from DVD Production Notes]

==Trivia==


==References==
==References==

Revision as of 08:52, 24 February 2008

  • batteries not included
original movie poster
Directed byMatthew Robbins
Written byMick Garris (story)
Brad Bird (screenplay)
Matthew Robbins (screenplay)
Brent Maddock (screenplay)
S.S. Wilson (screenplay)
Produced byKathleen Kennedy
Frank Marshall
Steven Spielberg
StarringHume Cronyn
Jessica Tandy
Frank McRae
Elizabeth Peña
Michael Carmine
Dennis Boutsikaris
Music byJames Horner
Distributed byUniversal Pictures
Amblin Entertainment
Release dates
December 18, 1987
Running time
106 min.
CountryUnited States
LanguageEnglish

*batteries not included is a 1987 family film directed by Matthew Robbins about an apartment block under threat from property development which is saved by cute extraterrestrial living machines dubbed "fix-its".

The story was originally intended to be featured in the TV series Amazing Stories, but Steven Spielberg liked the idea so much that he decided to make it a theatrical release.

Many of the film's foreign releases (including at least French, German, Italian and Portuguese) used the title Miracle on 8th Street.

Plot

The film is set in a (then) modern-day New York. Frank and Faye Riley, an elderly couple who run an apartment and restaurant in the run-down East Village neighborhood, come under threat by a nearby property development. The development manager, Mr. Lacey, sends a hoodlum named Carlos and his gang to "pay off" the couple and their boarders to move out. When Frank and Faye Riley refuse to move Carlos damages the building.

Things look bleak until the appearance of a pair of living machines (later titled "fix-its" by Faye) descend into the apartment of Frank and Faye Riley one evening, restoring the cafe. The two extraterrestrial fix-its then take residence in the apartment building, give birth to three baby fix-its, and later invite countless other fix-its to the apartment they have made their home for a mass restoration project after the building burns down.

The machines sometimes appear to display emotional reactions. Though their origins remain a mystery, they share some features of von Neumann probes; they are apparently independent of external control, and they have the ability to assimilate scrap metal from various sources to replicate and repair themselves. Early in the movie, Frank insists they are, most obviously spaceships, "from a very small planet...very small." However, in one scene where Mason examines a fix-it with a magnifying glass, what appear to be micromachines can be seen flying through or scuttling across it, implying that they are living beings in and of themselves.

Cast

*batteries not included is a notably character-driven movie. The science-fiction plotline, though coherent, is mainly used as a backdrop for the development of its main characters.

Hume Cronyn plays Frank Riley the owner of Riley's Cafe, as well as the apparent landlord of the attached apartment building. In contrast with his wife, he is a down-to-earth man who seems to be crumbling under the pressure of upholding both his businesses and the delusions of his wife when the story opens. As the story progresses, he becomes increasingly optimistic, and is the first to call the arrival of the fix-its a miracle.

Jessica Tandy plays Frank's wife, Faye Riley, who appears to be somewhat senile and living in her own world, in which the car accident that killed her beloved son Bobby never occurred (even going so far as to mistake Carlos for Bobby). However, she lets on in several places that she is not as helpless as her loved ones would believe, and seems to serve as a matchmaker for Mason and Marisa.

Frank McRae plays a handyman, Harry Noble, one of the boarders in Riley's apartment. Formerly known as The Human Locomotive, Harry was once a professional boxer with a wonderful right hook. When the story opens, he is retired and appears to have suffered brain damage. The few lines of dialogue he speaks in the movie are jingles from various commercials. He appears to have a love of machinery, which comes in handy late in the film as he uses his talent for tinkering to bring a stillborn fix-it back to life.

Elizabeth Peña is Marisa Esteval, a pregnant woman who patiently waits for the return of her boyfriend Hector, the father of the child. As the story progresses, she falls in love with artist and fellow boarder Mason (eventually choosing him over the negligent Hector), and appears to identify with both Faye and the female fix-it on a mother-to-mother basis.

Dennis Boutsikaris takes the part of Mason Baylor, a model of the starving artist. Mason at the beginning of the film is left by his girlfriend, who has grown tired of his obsession with the decaying apartment. As the story progresses, he falls in love with Marisa, who appreciates his art, and he eventually gets the building noticed by a restoration society at the end of the film after a previous attempt failed (ironically, after the entire tenement had burned to the ground and was rebuilt by the fix-its). Mason appears to be a problem drinker, and is prone to mood swings.

Michael Carmine plays Carlos the leader of Lacey's thugs. Carlos is an ambitious young man who believes he will move on to bigger and better things if he succeeds in getting Riley and his boarders to move out. Though a thug, Carlos has serious compunctions against murder, and shows his nobler side by rescuing Faye as the apartment building burns near the end of the movie. Although he is no longer working for Lacey at the end of the film, he appears to be the only one of the main characters that finds no resolution due to the arrival of the fix-its.

Hume Cronyn and Jessica Tandy, who play Mr. and Mrs. Frank Riley, were in fact married in real life and also starred together in Cocoon (1985), among other films.

The baby robots are called Wheems, Jetsom and Flotsom. Created by ILM.

Production

Principal photography started in New York in August of 1986, but location scouting began almost a year before. "Since the story called for a solitary building amidst rubble," explained producer Ronald Schwary, "we had to find a vacant lot with burned-out buildings all around it. We finally settled on an actual building on 5th Street between Avenues B and C on New York's Lower East Side. Production designer Ted Haworth designed a three-sided, four-story tenement facade and oversaw its construction on a location that covered most of a city block. In the name of authenticity, he brought 50 to 60 truckloads of rubble to cover the one vacant lot. It was so remarkably realistic that the Sanitation Department came by and took away prop garbage one morning, potential customers stopped by to eat in the diner, and the business agent for the Plumber's Local of New York visited, demanding to know why there wasn't a permit down at City Hall for the construction." [info from DVD Production Notes]

References