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C'e nel tuo sguardo - Parole di R. Cotugno
C'e nel tuo sguardo - Parole di R. Cotugno
C'est bien toi - Parole di Alfred De Musset
C'est bien toi - Parole di Alfred De Musset
C'est le renouveau, ma Suzon - Parole di Dor�mi
C'est le renouveau, ma Suzon - Parole di Doremi
C'est l'heure mysterieuse
C'est l'heure mysterieuse
C'etai un reve - Parole di E. Collet
C'etai un reve - Parole di E. Collet
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Marcia Yankee - Pianoforte
Marcia Yankee - Pianoforte
Marcixce dei Messicani - Parole di Ruggero Leoncavallo
Marcixce dei Messicani - Parole di Ruggero Leoncavallo
Mattinata - Parole di Ruggero Leoncavallo (Dedicata a Teresa Arckel)
Mattinata - Parole di Ruggero Leoncavallo (Dedicata a Teresa Ar[c]kel)
Mattinata - Parole di Giosu� Carducci
Mattinata - Parole di Giosu� Carducci
Melodia Elegiaca
Melodia Elegiaca

Revision as of 16:51, 30 May 2008

Ruggero Leoncavallo

Ruggero (Ruggiero) Leoncavallo (April 23, 1857- August 9, 1919) was an Italian opera composer. His opera, Pagliacci, was and remains one of the most popular works in the operatic repertory, currently appearing as number 14 on Opera America's list of the 20 most-performed operas in North America.[1]


Biography

The son of a police magistrate, Leoncavallo was born in Naples on April 23, 1857 and educated at the city's Conservatorio San Pietro a Majella. (The date March 8, 1857 or 1858, given for his birth in some older histories of music, is incorrect.[2]). After some years spent teaching and in ineffective attempts to obtain the production of more than one opera, he saw the enormous success of Mascagni's Cavalleria rusticana in 1890, and he wasted no time in producing his own verismo hit, Pagliacci. (According to Leoncavallo, the plot of this work had a real-life origin: he claimed it derived from a murder trial over which his father had presided.)

Pagliacci was performed in Milan in 1892 with immediate success; today it is the only work by Leoncavallo in the standard operatic repertory.[3] Its most famous aria Vesti la giubba ("Put on the trappings" or, in the better-known older translation, "On with the motley") was recorded by Enrico Caruso and laid claim to being the world's first record to sell a million copies (although this is probably a total of Caruso's various versions made in 1902, 1904 and 1907)

The next year his I Medici was also produced in Milan, but neither it nor Chatterton (1896)—both early works—obtained any favour, and it was not until La bohème was performed in 1897 in Venice that his talent obtained public confirmation. (Its two tenor arias are still occasionally performed, especially in Italy, yet it was outshone by Puccini's opera of the same name and on the same subject (albeit a better libretto), which was premiered in 1896.) Subsequent operas by Leoncavallo were Zazà (1900) (the opera of Geraldine Farrar's famous farewell performance at the Met, and Der Roland Von Berlin (1904). He had a brief success with Zingari which premiered in Italian in London in 1912. (Zingari had a long run at the Hippodrome Theatre). Zingari even reached the United States but soon after disappeared from the repertoire.[4]

After a series of operettas (whose titles, below, perhaps suggest much of their depth), Leoncavallo tried for one last 'serious' effort (Edipo Re), but he died before he could finish the orchestration which was completed by Giovanni Pennacchio. From the 1970's the opera has had a surprisingly high number of revivals, both as concert performances (Amsterdam 1977 and Vienna 1998) as well as a fully staged production in Turin in 2002.[5] In Edipo Re (a short one act work) the composer uses exactly the same melody for the final scene Miei poveri fior, per voi non più sole...(with the blinded Edipo) as he had for the Act IV Soprano aria from Der Roland von Berlin. It has been assumed (see The New Grove Dictionary of Opera) that Leoncavallo left the opera more or less complete (except for the orchestration), but Pennacchio may have had to do more and may have 'filled in the gaps' using Leoncavallo's earlier music.[6]

Little or nothing from Leoncavallo's 'other' operas is heard today, but the baritone arias from Zazà were great concert and recording favourites among baritones and Zazà as a whole is sometimes revived, as is his La bohème. The tenor arias from La bohème remain recording favourites.

Leoncavallo also composed songs, most famously Mattinata, which he wrote for the Gramophone Company (which became HMV) with Caruso in mind. In April 1904 Leoncavallo accompanied the tenor at the piano as the tenor sang and recorded the song.

He was the librettist for most of his own operas. Many considered him the greatest Italian librettist of his time after Boito. Among Leoncavallo's libretti for other composers is his contribution to the libretto for Puccini's Manon Lescaut.

Ruggero Leoncavallo died in Montecatini, Tuscany, on August 19, 1919.

Operas

Operettas

Other Works (selected)

  • La Nuit de Mai -Poème Symphonique after Alfred de Musset, Paris 1886 (In French). (Has been performed and recorded 1990)
  • Séraphitus Séraphita - Poema Sinfonico after H. de Balzac, Teatro alla Scala, Milan 1894


Songs

   A Ninon - Parole di Alfred De Musset
   Addio - Parole di Victor Hugo
   Addio Suzon - Parole di Alfred De Musset
   Album Spagnolo - Sevillana/Tango Gitano/Playeras ancienne/ Granadinas
   Amore - Parole del Baron de Vaux
   Anelito d'amore - Parole di M. Arensberg
   Aprile - Parole di Annie Vivanti
   Ave Maria - Dedicata al Sommo Pontefice Pio X
   Barcarola Veneziana
   Berceuse
   Bohemienne
   Brezza di mare
   Canta Pierrot
   Canzone d'amore - Parole di Angelo Nessi
   Canzone d'autunno - Parole di Ruggero Leoncavallo
   Canzonetta di stile antico - Parole di Matthert
   Caraban - Fox Trot per Orchestra
   C'e nel tuo sguardo - Parole di R. Cotugno
   C'est bien toi - Parole di Alfred De Musset
   C'est le renouveau, ma Suzon - Parole di Doremi
   C'est l'heure mysterieuse
   C'etai un reve - Parole di E. Collet
   Chanson Serenade
   Chitarretta - Parole di M. Von Borch
   Cortege de Pulcinella
   Dance ancienne
   Declaration - Parole di Armand Silvestre
   Delivrance (Inno alla Francia) - Parole di Gustave Rivette
   Dolce Notte
   Donna vorrei morire - Parole di Lorenzo Stecchetti
   Era d'inverno - Parole di Lorenzo Stecchetti
   Et nuc et semper - Parole di Fr. Copp�e
   Foglie d'autunno - Parole di Ruggero Leoncavallo
   Fox Trot
   Gagliarda - Pianoforte
   Gavotta
   Gondola - Barcarola per pianoforte
   Hue! Dia!
   Hymne a la Lyre - Parole di Armand Silvestre
   Inno alla Croce Rossa
   Inno alla Lega Nazionale (Viva Dante) - Coro - Parole di Riccardo Pitteri
   Invocation a la Muse
   Je n'ai rien su - Parole di Armand Silvestre
   Je ne sais pas ton nom - Parole di E. Collet
   La victoire est a nous - Parole di Paul Choudens
   Lasciati amar - Per violino, canto e pianoforte - Parole di Ruggero Leoncavallo
   Le Baiser Ma Suzon - Parole di Emil Cecil
   Madame Avisez-y - Parole di Malherbe
   Mai Fleuri - Parole di Dor�mi
   Mandolinata - Parole di Ruggero Leoncavallo
   Maniquenne
   Marcia Nuziale - Pianoforte
   Marcia Yankee - Pianoforte
   Marcixce dei Messicani - Parole di Ruggero Leoncavallo
   Mattinata - Parole di Ruggero Leoncavallo (Dedicata a Teresa Ar[c]kel)
   Mattinata - Parole di Giosu� Carducci
   Melodia Elegiaca
   Menuet d' Arlequin - Parole di Ruggero Leoncavallo
   Meriggiata - Parole di Ruggero Leoncavallo
   Napuletanata - Parole di Ruggero Leoncavallo
   Ne m'oubliez pas
   Ninna nanna - Parole di Ruggero Leoncavallo
   Nuit de decembre - Parole di Alfred De Musset
   Ottobre - Parole di Lorenzo Stecchetti
   Pantins vivants - Pianoforte a 4 mani
   Pensiero - Parole di Lorenzo Stecchetti
   Pensiero d'autunno
   Pierrot innamorato - Parole di Ruggero Leoncavallo
   Prenez garde a mon oiseau - Parole di Emil Cecil
   Qu'a jamais le soleil se voile - Da un frammento di A. Dumas
   Rapsodia primaverile - Parole di F. Corder
   Reverie - Pianoforte
   Romanesca - Pianoforte
   Serenade - Pianoforte
   Serenade valze - Pianoforte
   Serenata Francese - Parole di E. Collet
   Serenata Napoletana - Parole di E. Collet
   Serenatella - Parole di Ruggero Leoncavallo
   Se c'est aimer - Parole di Emil Cecil
   Sue les palmirs
   Sussurravano le mille aure del bosco - Parole di Giovanni Pascoli
   Tarentella - Pianoforte Valse blonde
   Tarantella No. 2 - Parole di Ruggero Leoncavallo
   Tema di Marcia Trionfale per l'eroica armata Italiana di Tripoli
   Tutto tace
   Tonight and tomorrow - Parole di Frederic E. Weatherly
   Valse a la luna - Pianoforte
   Valse blonde
   Valse capriccioso
   Valse Coquette - Pianoforte a 4 mani
   Valse melanconique - Pianoforte
   Valse mignonne - Pianoforte
   Valse passionee - Pianoforte
   Veux - tu - Parole di Maurice Vaucaire
   Vieni amore mio
   Viva l'America - Pianoforte (Dedicato al Presidente T. Roosevelt)

Media

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Notes and references

  1. ^ Opera America's "The Top 20" list of most-performed operas. Accessed 3 December 2007
  2. ^ Works referencing the established date, April 23, 1857, include The New Grove Dictionary of Opera (1992), p. 1148; The New Penguin Opera Guide (2001) p. 487; The Oxford Dictionary of Musical Works (2004), p. 201; Sansone, Matteo (1989) The Verismo of Ruggero Leoncavallo: A Source Study of Pagliacci, Music & Letters, Vol. 70, No. 3 (Aug., 1989), pp. 342-362.
  3. ^ Stanley Sadie and Christina Bashford (eds.), 1992, p. 1148
  4. ^ See ForumOpera for a review of a modern recording of Zingari and a musical analysis (in French)
  5. ^ Luraghi, Sylivia Review of the 2002 Turin performance, Opera Japonica
  6. ^ Chillemi, Carmelo 'Giovanni Pennacchio' (in Italian).
  7. ^ See Le Opere di Leoncavallo, Fondazione Leoncavallo (in Italian).
  • 'Leoncavallo, Ruggero', in Stanley Sadie and Christina Bashford (eds.) The New Grove Dictionary of Opera, 1992, Macmillan, pp. 1148-1149. ISBN 0935859926
  • 'Leoncavallo, Ruggero' in Rosenthal, H. and Warrack, J., 1979, The Concise Oxford Dictionary of Opera, 2nd Edition, Oxford University Press pp. 278-279.

Further Reading

  • Konrad Dryden, 2007, Ruggiero Leoncavallo, Life and Works, Scarecrow Press.