Cher effect: Difference between revisions
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The technique was made popular by the 1998 [[Cher]] song "[[Believe (Cher song)|Believe]]"<ref name="SOS" />, and has since become prevalent to more obvious or more subtle degrees throughout electronic-oriented popular music. The effect has been closely associated with the [[Antares Audio Technologies|Antares]] [[Auto-Tune]] audio effect software, which is reputed to have been used on "Believe", although competing products are available today as well. |
The technique was made popular by the 1998 [[Cher]] song "[[Believe (Cher song)|Believe]]"<ref name="SOS" />, and has since become prevalent to more obvious or more subtle degrees throughout electronic-oriented popular music. The effect has been closely associated with the [[Antares Audio Technologies|Antares]] [[Auto-Tune]] audio effect software, which is reputed to have been used on "Believe", although competing products are available today as well. |
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Even though the effect is most popularly used in Believe, the first time it was heard used was in [[Kid Rock]]'s [[Only God Knows Why]]. |
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== Uses of the effect == |
== Uses of the effect == |
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Revision as of 02:59, 21 June 2008
The Cher effect is an informal term used to describe extreme digital pitch correction of singing to produce a semi-artificial voice sound effect[1]. In its typical application, the natural small variations of pitch in human singing are flattened to exact notes, with a noticeable gliding between the notes. The sound is comparable to certain effects that can be produced with a vocoder, but is closer to a natural human voice.
The technique was made popular by the 1998 Cher song "Believe"[1], and has since become prevalent to more obvious or more subtle degrees throughout electronic-oriented popular music. The effect has been closely associated with the Antares Auto-Tune audio effect software, which is reputed to have been used on "Believe", although competing products are available today as well.
Even though the effect is most popularly used in Believe, the first time it was heard used was in Kid Rock's Only God Knows Why.
Uses of the effect
The effect has been employed in recent years by artists such as Daft Punk[2] (who also use vocoders and talk boxes).
The effect was referenced for comedic effect in episode "New Kids on the Blecch" of the animated series The Simpsons when Bart formed a boy band named the "Party Posse". Ralph Wiggum had the effect applied to his voice when singing the phrase "love formation" in the song "Drop da Bomb!".
List of songs utilizing the effect
- "Believe" by Cher[1]
- "Lollipop" by Lil Wayne[3]
- "Only God Knows Why" by Kid Rock[2]
- "One More Time" by Daft Punk[2]
- "Too Little Too Late" by JoJo[3]
References
- ^ a b c Sue Sillitoe, Sound On Sound, February, 1999. "Recording Cher's 'Believe'". Accessed 12 February 2008.
- ^ a b c Treacy, Christopher John. "Pitch-adjusting software brings studio tricks". The Boston Herald, February 19, 2007, The Edge, Pg. 032
- ^ a b Frere-Jones, Sasha (2008-06-09). "The Gerbil's Revenge". The New Yorker. Retrieved 2008-06-02.
See also
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