To His Coy Mistress: Difference between revisions
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==Synopsis== |
==Synopsis== |
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Written in the point of view of a gentleman, who is trying to persuade a woman to engage in sexual intercourse with him, although she is allegedly acting coy. He attempts to convince her that time is running out and they must seize the day (''Carpe Diem'' a general translation). Its three sections are presented as if a logical argument: if... but... therefore. (Interestingly, the argument is |
Written in the point of view of a gentleman, who is trying to persuade a woman to engage in sexual intercourse with him, although she is allegedly acting coy. He attempts to convince her that time is running out and they must seize the day (''Carpe Diem'' a general translation). Its three sections are presented as if a logical argument: if... but... therefore. (Interestingly, the argument is fallacious: see [[Denying_the_antecedent]].) |
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==Allusions in other works== |
==Allusions in other works== |
Revision as of 17:10, 8 September 2008
To His Coy Mistress
Had we but world enough, and time, |
"To His Coy Mistress" is a witty metaphysical poem written by the British author and statesman Andrew Marvell (1621 – 1678) either during or just before the Interregnum. The poem is often considered one of the finest and most concise carpe diem arguments ever put in verse.
Marvell probably wrote the poem prior to serving in Oliver Cromwell's government as a minister, and the poem was not published in his lifetime.
Synopsis
Written in the point of view of a gentleman, who is trying to persuade a woman to engage in sexual intercourse with him, although she is allegedly acting coy. He attempts to convince her that time is running out and they must seize the day (Carpe Diem a general translation). Its three sections are presented as if a logical argument: if... but... therefore. (Interestingly, the argument is fallacious: see Denying_the_antecedent.)
Allusions in other works
Many authors have borrowed the phrase "World enough and time" from the poem's opening line to use in their book titles. The most famous is Robert Penn Warren's 1950 novel World Enough and Time: A Romantic Novel, about murder in early-1800s Kentucky. With variations, it has also been used for books on the history of physics (World Enough and Space-Time: Absolute versus Rational Theories of Space and Time), geopolitics (World Enough and Time: Successful Strategies for Resource Management), a science-fiction collection (Worlds Enough & Time: Five Tales of Speculative Fiction - Dan Simmons), and, of course, a biography (World Enough and Time: The Life of Andrew Marvell). Also in the field of science fiction, Ursula K. Le Guin wrote a Hugo-nominated short story whose title, "Vaster than Empires and More Slow", is a borrowing. "Ian Watson, in "The Forest as Metaphor for Mind: 'The Word for World is Forest' and 'Vaster Than Empires and More Slow'" (Science Fiction Studies, November 1975) notes the debt of the latter story to the works of a poet, Andrew Marvell, whose complex and allusive poems are of a later form of Pastoral to that which I shall refer, and, like Marvell, Le Guin's nature references are, as I want to argue, "pastoral" in a much more fundamental and interesting way than this simplistic use of the term."[1].
The phrase "there will be time" occurs repeatedly in a section of T. S. Eliot's "The Love Song of J. Alfred Prufrock", and is often said to be an allusion to Marvell's poem.[citation needed] Prufrock says that there will be time "for the yellow smoke that slides along the street", time "to murder and create", and time "for a hundred indecisions ... Before the taking of a toast and tea". As Eliot's hero is, in fact, putting off romance and consummation, he is (falsely) answering Marvell's narrator. Eliot also alludes to the lines near the end of Marvell's poem, "Let us roll all our strength and all / Our sweetness up into one ball," with his lines, "To have squeezed the universe into a ball / To roll it toward some overwhelming question," as Prufrock questions whether or not such an act of daring would have been worth it. Eliot returns to Marvell in The Waste Land with the line "But at my back from time to time I hear / The sound of horns and motors" (Part III, line 196).
In the movie "25th Hour," the last verse of the poem is recited in an English class.
Most recently, Audrey Niffenegger's fiction novel The Time Traveler's Wife borrows heavily from Andrew Marvell's poem. The novel focuses on the main character Henry DeTamble, a reluctant time-traveler who proclaims his love for his lover Clare Abshire through the use of the phrase "World enough and time".[2]
Archibald MacLeish's poem "You, Andrew Marvell", alludes to the passage of time and to the growth and decline of empires. In his poem, the speaker, lying on the ground at sunset, feels "the rising of the night". He visualizes sunset, moving from east to west geographically, overtaking the great civilizations of the past, and feels "how swift how secretly/The shadow of the night comes on."
In the Ernest Hemingway classic A Farewell to Arms, Lt. Henry recites the lines "But at my back I always hear/Time's winged chariot hurrying near" during a scene in chapter 23 where he and Catherine Barkley are eating in a cafe.
Peter S. Beagle has a novel titled A Fine and Private Place in which two ghosts fall in love. Ellery Queen used Fine and Private Place for one of his novels.
K. Eric Drexler has a book on Molecular Nanotechnology titled Engines of Creation. Drexler uses "Worlds Enough and Time" to entitle the section about life extension.
References
- ^ "Ursula Le Guin and Pastoral Mode"; [1] "Note allusion of Andrew Marvell's poem, "To His Coy Mistress," the source of the title to Le Guin's "Vaster than Empires.""
- ^ Niffenegger, Audrey (2003), The Time Traveler's Wife, San Francisco: MacAdam/Cage, p. 499, ISBN 1931561648
External links
- To His Coy Mistress: A Study Guide With an Annotated Copy of the Poem
- "His Coy Mistress to Mr. Marvell" by A. D. Hope – The object of Marvell's attentions replies, a breast-and-a-halfsworth later.