The Seventh Continent (1989 film): Difference between revisions
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'''''The Seventh Continent''''' (German: '''''Der Siebente Kontinent''''') is a [[1989]] [[Austria]]n [[drama film]] directed by [[Michael Haneke]]. It is Haneke's debut [[feature film]], inspired by a true story of a family that committed [[suicide]]. The film chronicles the last years of the Austrian middle class family. |
'''''The Seventh Continent''''' (German: '''''Der Siebente Kontinent''''') is a [[1989]] [[Austria]]n [[drama film]] directed by [[Michael Haneke]]. It is Haneke's debut [[feature film]], inspired by a true story of a family that committed [[suicide]]. The film chronicles the last years of the Austrian middle class family. |
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⚫ | A family, consisting of an Georg, an engineer, his wife Anna, an [[optician]], and their young daughter, Eva, which seems to lead a routine urban middle-class lives suddenly decides to destroy themselves without any apparent reason. The film only implies some kind of their nervous depression and isolation in modern repetitive life. |
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The film is divided into three parts. The first two, 1987 & 1988, depict a period of about a day in the family's life, showing their daily activities in detail. It strongly conveys a sense of their discomfort with the sterile routines of modern society. Towards the beginning of each part, there is a voice over of the wife reading a letter to the husband's parents informing them of his success at work. Many of the same activities are shown in both parts. |
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The third part, 1989, begins with the family departing the grandparents home after a visit. The husband then narrates a letter, written the next day, informing them he and his wife have quit their jobs and decided "to leave". It plays over clips of them quitting, closing their bank account, telling the clerk they are emigrating to Australia, selling their car, and buying a large variety of cutting tools. He then says it was a very hard decision whether or not to take Eva with them, but she said she was not afraid of death. |
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The film is divided roughly into two parts. The first section is devoted to depict protagonists' sense of discomfort in the urban society. The notable second section contains over 30-minute sequences of exhaustive action of complete destruction. Intertitles at the last of the film suggests all of the story is based on a true event. |
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The family then eats a luxuriously catered meal, and goes about systematically destroying every possession in the house. However, it is done in an automatic and lifeless manner, with barely any speaking (as are almost all of their actions in the movie). It includes a scene of them ripping up all of their money and flushing it down the toilet. The only emotion shown is when Georg shatters their large fish tank, and his daughter screams and cries hysterically. Finally, they commit suicide, first Eva, then Anna, and finally Georg. Just before he dies, Georg is shown methodically writing the names, date, and time of death of all three family members on the wall. There is an envelope addressed to Georg's parents taped to the door. |
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The title "''The Seventh Continent''" stands for an [[imagination|imaginary]] [[continent]] the family envisions in the film. |
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Its image is visualized as a desert and isolated beach, accompanied by discreet sounds of waves in ominous tone. |
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The title "''The Seventh Continent''" stands for an imaginary place the family envisions in the film. Its image is visualized as an isolated beach and desert, with a mountain range on the left border and pool of water with mysterious waves (which are clearly physically impossible) in between, accompanied by discreet sounds of waves in an ominous tone. It appears in the first two parts and as the last image in a series of flashbacks shown right before Georg's death. |
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At the end of the film, there is text saying that, despite the suicide note, Georg's parents thought it may have been a homicide and a police investigation was conducted. However, no evidence of murder was found. In an interview on the DVD, director Michael Haneke said that the movie is based on an newspaper article he read about a family who committed suicide in this manner. The article said the police discovered that the money was flushed because they found little bits of currency stuck in the plumbing. He claimed to have correctly predicted to the producer that audiences would be upset with that scene, and remarked that in today's society the idea of destroying money is more taboo than parents killing their child and themselves. |
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Major themes of this debut film are subsequently detailed in the director Haneke's later works. |
Major themes of this debut film are subsequently detailed in the director Haneke's later works. |
Revision as of 11:19, 12 October 2008
The Seventh Continent (Der Siebente Kontinent) | |
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Directed by | Michael Haneke |
Written by | Michael Haneke Johanna Teicht |
Produced by | Veit Heiduschka |
Starring | Dieter Berner Birgit Doll Leni Tanzer |
Cinematography | Anton Peschke |
Edited by | Marie Homolkova |
Music by | Alban Berg |
Release date | 1989 |
Running time | 104 min. |
Country | Austria |
Language | German |
The Seventh Continent (German: Der Siebente Kontinent) is a 1989 Austrian drama film directed by Michael Haneke. It is Haneke's debut feature film, inspired by a true story of a family that committed suicide. The film chronicles the last years of the Austrian middle class family. A family, consisting of an Georg, an engineer, his wife Anna, an optician, and their young daughter, Eva, which seems to lead a routine urban middle-class lives suddenly decides to destroy themselves without any apparent reason. The film only implies some kind of their nervous depression and isolation in modern repetitive life.
The film is divided into three parts. The first two, 1987 & 1988, depict a period of about a day in the family's life, showing their daily activities in detail. It strongly conveys a sense of their discomfort with the sterile routines of modern society. Towards the beginning of each part, there is a voice over of the wife reading a letter to the husband's parents informing them of his success at work. Many of the same activities are shown in both parts.
The third part, 1989, begins with the family departing the grandparents home after a visit. The husband then narrates a letter, written the next day, informing them he and his wife have quit their jobs and decided "to leave". It plays over clips of them quitting, closing their bank account, telling the clerk they are emigrating to Australia, selling their car, and buying a large variety of cutting tools. He then says it was a very hard decision whether or not to take Eva with them, but she said she was not afraid of death.
The family then eats a luxuriously catered meal, and goes about systematically destroying every possession in the house. However, it is done in an automatic and lifeless manner, with barely any speaking (as are almost all of their actions in the movie). It includes a scene of them ripping up all of their money and flushing it down the toilet. The only emotion shown is when Georg shatters their large fish tank, and his daughter screams and cries hysterically. Finally, they commit suicide, first Eva, then Anna, and finally Georg. Just before he dies, Georg is shown methodically writing the names, date, and time of death of all three family members on the wall. There is an envelope addressed to Georg's parents taped to the door.
The title "The Seventh Continent" stands for an imaginary place the family envisions in the film. Its image is visualized as an isolated beach and desert, with a mountain range on the left border and pool of water with mysterious waves (which are clearly physically impossible) in between, accompanied by discreet sounds of waves in an ominous tone. It appears in the first two parts and as the last image in a series of flashbacks shown right before Georg's death.
At the end of the film, there is text saying that, despite the suicide note, Georg's parents thought it may have been a homicide and a police investigation was conducted. However, no evidence of murder was found. In an interview on the DVD, director Michael Haneke said that the movie is based on an newspaper article he read about a family who committed suicide in this manner. The article said the police discovered that the money was flushed because they found little bits of currency stuck in the plumbing. He claimed to have correctly predicted to the producer that audiences would be upset with that scene, and remarked that in today's society the idea of destroying money is more taboo than parents killing their child and themselves.
Major themes of this debut film are subsequently detailed in the director Haneke's later works.