Antonio Stradivari: Difference between revisions
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Stradivari is believed to have been born in the year 1644, although his exact birth date is not documented. His father was Alessandro Stradivari and his mother was Anna Moroni. He was born in [[Cremona]], a small city of Italy, to Alessandro Stradivari and [[Moroni (family)|Anna Moroni]]. It is possible that in the years 1658 through to 1664 he served as a pupil in workshops of [[Nicolò Amati]], though there is much evidence to dispute this fact.{{Fact|date=April 2008}} |
Stradivari is believed to have been born in the year 1644, although his exact birth date is not documented. His father was Alessandro Stradivari and his mother was Anna Moroni. He was born in [[Cremona]], a small city of Italy, to Alessandro Stradivari and [[Moroni (family)|Anna Moroni]]. It is possible that in the years 1658 through to 1664 he served as a pupil in workshops of [[Nicolò Amati]], though there is much evidence to dispute this fact.{{Fact|date=April 2008}} |
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Stradivari married in July 1667 to Francesca Feraboschim. Feraboschim was a young widow. Together, they had six children. In 1698 Feraboschim died. He remarried in |
Stradivari married in July 1667 to Francesca Feraboschim. Feraboschim was a young widow. Together, they had six children. In 1698 Feraboschim died. He remarried in 1699 to Antonia Maria Zambelli. He had five more children with Zambelli. |
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In 1680 Stradivari settled himself in the Piazza San Domenico, [[Cremona]], and his fame as an instrument-maker was quickly established. His originality began to show through his alterations of Amati's models. The arching was changed, the various degrees of thickness in the wood were more exactly determined, the formation of the scroll was altered, and the varnish was more highly coloured. His instruments are recognized by a characteristic inscription in [[Latin]]: ''Antonius Stradivarius Cremonensis Faciebat Anno [date]'' (This was made by Antonio Stradivari of Cremona, in the year...) It is generally acknowledged that his finest instruments were manufactured from 1698 to 1725 (peaking around 1715), exceeding in quality those manufactured between 1725 and 1730. After 1730, some of the instruments are signed ''Sotto la Desciplina d'Antonio Stradivari F. in Cremona [date]'' and were probably made by his sons, Omobono and Francesco. |
In 1680 Stradivari settled himself in the Piazza San Domenico, [[Cremona]], and his fame as an instrument-maker was quickly established. His originality began to show through his alterations of Amati's models. The arching was changed, the various degrees of thickness in the wood were more exactly determined, the formation of the scroll was altered, and the varnish was more highly coloured. His instruments are recognized by a characteristic inscription in [[Latin]]: ''Antonius Stradivarius Cremonensis Faciebat Anno [date]'' (This was made by Antonio Stradivari of Cremona, in the year...) It is generally acknowledged that his finest instruments were manufactured from 1698 to 1725 (peaking around 1715), exceeding in quality those manufactured between 1725 and 1730. After 1730, some of the instruments are signed ''Sotto la Desciplina d'Antonio Stradivari F. in Cremona [date]'' and were probably made by his sons, Omobono and Francesco. |
Revision as of 13:52, 19 December 2008
![](http://upload.wikimedia.org/wikipedia/commons/thumb/c/cd/Antonio_stradivari.jpg/350px-Antonio_stradivari.jpg)
Antonio Stradivari (1644 – December 18, 1737) was an Italian luthier, a crafter of stringed instruments such as violins, cellos, guitars and harps. Stradivari is generally considered the most significant artisan in this field. The Latinized form of his surname, Stradivarius, as well as the colloquial, "Strad", is often used to refer to his instruments.
Biography
![](http://upload.wikimedia.org/wikipedia/commons/thumb/6/6b/PalacioReal_Stradivarius1.jpg/250px-PalacioReal_Stradivarius1.jpg)
Stradivari is believed to have been born in the year 1644, although his exact birth date is not documented. His father was Alessandro Stradivari and his mother was Anna Moroni. He was born in Cremona, a small city of Italy, to Alessandro Stradivari and Anna Moroni. It is possible that in the years 1658 through to 1664 he served as a pupil in workshops of Nicolò Amati, though there is much evidence to dispute this fact.[citation needed]
Stradivari married in July 1667 to Francesca Feraboschim. Feraboschim was a young widow. Together, they had six children. In 1698 Feraboschim died. He remarried in 1699 to Antonia Maria Zambelli. He had five more children with Zambelli.
In 1680 Stradivari settled himself in the Piazza San Domenico, Cremona, and his fame as an instrument-maker was quickly established. His originality began to show through his alterations of Amati's models. The arching was changed, the various degrees of thickness in the wood were more exactly determined, the formation of the scroll was altered, and the varnish was more highly coloured. His instruments are recognized by a characteristic inscription in Latin: Antonius Stradivarius Cremonensis Faciebat Anno [date] (This was made by Antonio Stradivari of Cremona, in the year...) It is generally acknowledged that his finest instruments were manufactured from 1698 to 1725 (peaking around 1715), exceeding in quality those manufactured between 1725 and 1730. After 1730, some of the instruments are signed Sotto la Desciplina d'Antonio Stradivari F. in Cremona [date] and were probably made by his sons, Omobono and Francesco.
Apart from violins, Stradivari also made guitars, violas, cellos, and at least one harp — more than 1,101 instruments in all, by current estimates. Approximately 650 of these instruments survive today.
Antonio Stradivari died in Cremona, Italy on December 18, 1737 and was buried in the Basilica of San Domenico, in Cremona. The church was demolished in 1868, During this time, the removal of later pavement resulted in the discovery of the stone lid to the Stradivari family vault in the Chapel of the Rosary. It appears from contemporary accounts (Mandelli) that Antonio Stradivari's remains were unidentifiable.[citation needed]
Stradivarius instruments
Stradivari's instruments are regarded as amongst the finest bowed stringed instruments ever created, are highly prized, and still played by professionals today. Only one other maker, Giuseppe Guarneri del Gesù, commands the similar respect among violinists. Fashions in music, as in other things, have changed over the centuries, and the accepted supremacy of Stradivari's and del Gesù's instruments is only true today. In the past, instruments by Nicolò Amati and Jacob Stainer were preferred for their subtle sweetness of tone.
On May 16, 2006, Christie's auctioned a Stradivarius called The Hammer for a record US$3,544,000. It was, at that time, the most paid at public auction for any musical instrument.[1] It was purchased by an anonymous telephone bidder. The previous record price paid at a public auction for a Stradivarius was US$2,032,000 for the Lady Tennant at Christie's in New York, April 2005.[2] On April 2, 2007 Christie's sold a Stradivari violin for more than US$2.7 million, well above its estimate. The 1729 instrument, known as the Solomon, Ex-Lambert, went to an anonymous bidder in the auction house's fine musical instruments sale. Its price, US$2,728,000 including the Christie's commission, far outdid its estimated value: US$1 million to US$1.5 million.[3] Private sales are often more accurate examples.
Other famous Stradivarius instruments are the Davidov Stradivarius, a cello currently played by Yo-Yo Ma, and the Duport Stradivarius cello owned by Mstislav Rostropovich until his death in 2007. The Soil of 1714 is owned by virtuoso Itzhak Perlman. The Countess Polignac is currently played by Gil Shaham. The Vienna Philharmonic Orchestra uses several Stradivarius instruments that were purchased by the Österreichische Nationalbank (Austrian National Bank) and other sponsors: Chaconne, 1725; ex-Hämmerle, 1709; ex-Smith-Quersin, 1714; ex-Arnold Rose, ex-Viotti, 1718; and ex-Halphen, 1727.
While the usual label for a Stradivarius instrument, whether genuine or false, uses the traditional Latin inscription, after the McKinnley Tariff Act of 1891, copies were also inscribed with the country of origin. Since thousands of instruments are based on Stradivari's models and bear the same name as his models, many unwary people are deceived into purchasing forged Stradivarius instruments, although this can be avoided by having an instrument authenticated.
The world's two largest publicly accessible collections of Stradivari instruments are those of the U.S. Library of Congress with three violins, a viola, and a cello, and the Agency of National Estates of Spain, with a quartet of two violins, the Spanish I and II, the Spanish Court cello, and the Spanish Court viola, exhibited in the Music Museum at the Palacio Real de Madrid (Royal Palace).[4] The collection of the The New Jersey Symphony Orchestra had the largest number of Stradivari in its string section, purchased in 2003 from the collection of Herbert R. Axelrod, until it recently decided to sell them off. A collection assembled by Rodman Wanamaker in the 1920s contained as many as 65 stringed instruments by such masters as Stradiveri, Gofriller, Baptiste and Giuseppe Guarneri del Gesu. Included was "The Swan," the last violin made by Stradivari. The collection, known as The Cappella, was used in concerts with the Philadelphia Orchestra and Leopold Stokowski before being dispersed after Wanamaker's death. The Vienna Philharmonic uses four violins and one cello. The University of South Dakota, in Vermillion, South Dakota, has in its collection one of two known Stradivari guitars, one of eleven known viola de gambas, later modified into a cello form, one of two known choral mandolins, and one of six Stradivari violins that still retain their original neck. In the interests of conservation, the Messiah Stradivarius violin—on display in the Ashmolean Museum in Oxford, England—has not been played at all in recent years.[5]
See also
References
- ^ "Stradivarius tops auction record". BBC News. 2006-05-17. Retrieved 2007-04-07.
- ^ Julie Carlson (2005). "Strad Mad". Artfact. Retrieved 2007-04-07.
{{cite web}}
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ignored (help) - ^ Associate Press (April 2007). "Stradivari violin goes for $2.7M". Yahoo! News. Retrieved 2007-04-07.
- ^ "Violins, violas, cellos & double basses owned by Royal Palace in Madrid". Cozio. 2008. Retrieved 2008-03-26.
- ^ "Violin: Antonio Stradivari". Highlights of the Ashmolean. Ashmolean Museum. Retrieved 2008-07-04.
In recent years, it has not been played at all owing to the demands of conservation.
- public domain: Chisholm, Hugh, ed. (1911). Encyclopædia Britannica (11th ed.). Cambridge University Press.
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This article incorporates text from a publication now in the This article incorporates text from a publication now in the public domain: Herbermann, Charles, ed. (1913). Catholic Encyclopedia. New York: Robert Appleton Company.
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External links
- Nippon Music Foundation
- Stradivari Society
- Violin Making at The Violin Site
- The National Music Museum
- Real Conservatorio Superior de Música, Madrid
- Information on Antonio Stradivari
- Secrets of the Stradivari
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