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For other uses, see Atropos (disambiguation).

File:Atropos.JPG

Bas relief of Atropos cutting the thread of life

In Greek mythology, Atropos (Template:PronEng) (from Greek Άτροπος, "without turn") was one of the three Moirae, Goddesses of fate and destiny. Her Roman equivalent was Morta. Atropos was the oldest of the Three Fates, and was known as the "inflexible" or "inevitable." It was Atropos who chose the mechanism of death and ended the life of each mortal by cutting their thread with her "abhorred shears." She worked along with her two sisters Clotho, who spun the thread, and Lachesis, who measured the length. Her origin, along with the other two fates, is uncertain, although some called them the daughters of the night. It is clear, however, that at a certain period they ceased to be only concerned with death and also became those powers who decided what may happen to individuals. Although Zeus was the chief Greek god and their father, he was still subject to the decisions of the Fates, and thus the executor of destiny rather than its source. According to Hesiod's Theogony, Atropos and her sisters (Clotho and Lachesis) were the daughters of Nyx (Night). Atropos also received acclaim in Henry David Thoreau's, Walden, as being compared to the railroad of the 19th century.

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 :''For other uses, see [[Atropos (disambiguation)]]''.
 [[Image:Atropos.JPG|thumb|right|[[Bas relief]] of Atropos cutting the thread of life]]
-In [[Greek mythology]], '''Atropos''' ({{pronEng|ˈætrəˌpɒs}}) (from [[Greek language|Greek]] Άτροπος, "without turn") was one of the three [[Moirae]], Goddesses of [[wikt:fate|fate]] and [[destiny]]. Her Roman equivalent was [[Morta (deity)|Morta]]. Atropos was the oldest of the Three Fates, and was known as the "inflexible" or "inevitable." It was Atropos who chose the mechanism of death and ended the life of each mortal by cutting their thread with her "abhorred shears." She worked along with her two sisters [[Clotho]], who spun the thread, and [[Lachesis (mythology)|Lachesis]], who measured the length. Her origin, along with the other two fates, is uncertain, although some called them the daughters of the night. It is clear, however, that at a certain period they ceased to be only concerned with death and also became those powers who decided what may happen to individuals. Although [[Zeus]] was the chief Greek god and their father, he was still subject to the decisions of the Fates, and thus the executor of destiny rather than its source. According to [[Hesiod]]'s ''[[Theogony]],'' Atropos and her sisters (Clotho and Lachesis) were the daughters of [[Nyx (mythology)|Nyx]] (Night). Atropos also received acclaim in Henry David Thoreau's, ''Walden'', as being compared to the railroad of the 19th century. She was known as very evil.
+In [[Greek mythology]], '''Atropos''' ({{pronEng|ˈætrəˌpɒs}}) (from [[Greek language|Greek]] Άτροπος, "without turn") was one of the three [[Moirae]], Goddesses of [[wikt:fate|fate]] and [[destiny]]. Her Roman equivalent was [[Morta (deity)|Morta]]. Atropos was the oldest of the Three Fates, and was known as the "inflexible" or "inevitable." It was Atropos who chose the mechanism of death and ended the life of each mortal by cutting their thread with her "abhorred shears." She worked along with her two sisters [[Clotho]], who spun the thread, and [[Lachesis (mythology)|Lachesis]], who measured the length. Her origin, along with the other two fates, is uncertain, although some called them the daughters of the night. It is clear, however, that at a certain period they ceased to be only concerned with death and also became those powers who decided what may happen to individuals. Although [[Zeus]] was the chief Greek god and their father, he was still subject to the decisions of the Fates, and thus the executor of destiny rather than its source. According to [[Hesiod]]'s ''[[Theogony]],'' Atropos and her sisters (Clotho and Lachesis) were the daughters of [[Nyx (mythology)|Nyx]] (Night). Atropos also received acclaim in Henry David Thoreau's, ''Walden'', as being compared to the railroad of the 19th century.
 {{wikisource|Theogony}}