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Fugue in G minor, BWV 578: Difference between revisions

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Score: Removed "This piece is mathematical and precise." This is a matter of opinion--without a relevant source, it shouldn't be here.
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==Score==
==Score==
The fugue's four-and-a-half measure subject is one of Bach's most recognizable tunes. The fugue is in four voices. During the episodes, Bach uses one of [[Arcangelo Corelli|Arcangelo Corelli's]] most famous techniques: imitation between two voices on an eighth note upbeat figure that first leaps up a fourth and then falls back down one step at a time. This piece is mathematical and precise.
The fugue's four-and-a-half measure subject is one of Bach's most recognizable tunes. The fugue is in four voices. During the episodes, Bach uses one of [[Arcangelo Corelli|Arcangelo Corelli's]] most famous techniques: imitation between two voices on an eighth note upbeat figure that first leaps up a fourth and then falls back down one step at a time.


== Appearances in Media ==
== Appearances in Media ==

Revision as of 21:58, 26 April 2009

Little Fugue in G minor, BWV 578 is a piece of organ music written by Johann Sebastian Bach sometime around his years at Arnstadt (1703-1707). A common misconception is that the Little fugue in G minor is Little in importance, but actually Bach titled the piece Little to avoid confusion between this piece, and the later Great Fantasia and Fugue in G minor, BWV 542, which is longer in duration.

Score

The fugue's four-and-a-half measure subject is one of Bach's most recognizable tunes. The fugue is in four voices. During the episodes, Bach uses one of Arcangelo Corelli's most famous techniques: imitation between two voices on an eighth note upbeat figure that first leaps up a fourth and then falls back down one step at a time.

Appearances in Media