The Hollies discography: Difference between revisions
Appearance
Content deleted Content added
No edit summary |
No edit summary |
||
Line 17: | Line 17: | ||
! width="60"| <small>Ireland</small> |
! width="60"| <small>Ireland</small> |
||
! width="60"| <small>NZ |
! width="60"| <small>NZ |
||
! width="60"| <small>Norway</small> |
! width="60"| <small>Norway<ref>"http://lista.vg.no/artist_info.php?ArtistOp=show&artistId=596"> The Hollies at VG-lista</ref></small> |
||
! width="60"| <small>Sweden< |
! width="60"| <small>Sweden - Tio i topp (voting chart)<ref name="Tio i topp">{{cite book |
||
| first= Eric |
|||
| last= Hallberg |
|||
| year= 1998 |
|||
| title= Tio i topp |
|||
| edition= 1th |
|||
| publisher= Premium |
|||
| location= Sweden |
|||
| isbn= 91-972712-5-X}}</ref></small> |
|||
! width="60"| <small>Sweden - [[Kvällstoppen]] ("The Evening Top" sales chart)<ref name="Kvällstoppen i P3">{{cite book |
|||
| first= Eric |
|||
| last= Hallberg |
|||
| year= 1993 |
|||
| title= Kvällstoppen i P3 |
|||
| edition= 1th |
|||
| publisher= Drift Musik |
|||
| location= Sweden |
|||
| isbn= 91-630-2140-4}}</ref></small> |
|||
! width="60"| <small>[[Billboard Hot 100|US Hot 100]]</small> |
! width="60"| <small>[[Billboard Hot 100|US Hot 100]]</small> |
||
|- |
|- |
||
Line 25: | Line 42: | ||
|UK: Parlophone R5030 |
|UK: Parlophone R5030 |
||
|<center>#25 |
|<center>#25 |
||
|<center>- |
|||
|<center>- |
|<center>- |
||
|<center>- |
|<center>- |
||
Line 39: | Line 57: | ||
|UK: Parlophone R5052 |
|UK: Parlophone R5052 |
||
|<center>#12 |
|<center>#12 |
||
|<center>- |
|||
|<center>- |
|<center>- |
||
|<center>- |
|<center>- |
||
Line 61: | Line 80: | ||
|<center>- |
|<center>- |
||
|<center>#7 |
|<center>#7 |
||
|<center>#20 |
|||
|<center>- |
|<center>- |
||
|- |
|- |
||
Line 75: | Line 95: | ||
|<center>#11 |
|<center>#11 |
||
|<center>#3 |
|<center>#3 |
||
|<center>#8 |
|||
|<center>#98 |
|<center>#98 |
||
|- |
|- |
||
Line 89: | Line 110: | ||
|<center>- |
|<center>- |
||
|<center>#8 |
|<center>#8 |
||
|<center>#17 |
|||
|<center>#107 |
|<center>#107 |
||
|- |
|- |
||
Line 96: | Line 118: | ||
|<center>- |
|<center>- |
||
|<center>#67 |
|<center>#67 |
||
|<center>- |
|||
|<center>- |
|<center>- |
||
|<center>- |
|<center>- |
||
Line 117: | Line 140: | ||
|<center>- |
|<center>- |
||
|<center>#11 |
|<center>#11 |
||
|<center>- |
|||
|<center>- |
|<center>- |
||
|- |
|- |
||
Line 131: | Line 155: | ||
|<center>- |
|<center>- |
||
|<center>#6 |
|<center>#6 |
||
|<center>#11 |
|||
|<center>- |
|<center>- |
||
|- |
|- |
||
Line 145: | Line 170: | ||
|<center>#6 |
|<center>#6 |
||
|<center>#2 |
|<center>#2 |
||
|<center>#4 |
|||
|<center>#103 |
|<center>#103 |
||
|- |
|- |
||
Line 159: | Line 185: | ||
|<center>#8 |
|<center>#8 |
||
|<center>#10 |
|<center>#10 |
||
|<center>- |
|||
|<center>#32 |
|<center>#32 |
||
|- |
|- |
||
Line 165: | Line 192: | ||
|UK: Parlophone R5392 |
|UK: Parlophone R5392 |
||
|<center>#20 |
|<center>#20 |
||
|<center>- |
|||
|<center>- |
|<center>- |
||
|<center>- |
|<center>- |
||
Line 187: | Line 215: | ||
|<center>- |
|<center>- |
||
|<center>#1 |
|<center>#1 |
||
|<center>#3 |
|||
|<center>- |
|<center>- |
||
|- |
|- |
||
Line 201: | Line 230: | ||
|<center>#2 |
|<center>#2 |
||
|<center>#8 |
|<center>#8 |
||
|<center>#10 |
|||
|<center>#42 |
|<center>#42 |
||
|- |
|- |
||
Line 214: | Line 244: | ||
|<center>#3 |
|<center>#3 |
||
|<center>#3 |
|<center>#3 |
||
|<center>#1 |
|||
|<center>#1 |
|<center>#1 |
||
|<center>#5 |
|<center>#5 |
||
Line 220: | Line 251: | ||
|"After the Fox" <br> <small> b/w: (B-side by Burt Bacharach) |
|"After the Fox" <br> <small> b/w: (B-side by Burt Bacharach) |
||
|UK: United Artists UP 1152 <br> US: United Artists 50079 |
|UK: United Artists UP 1152 <br> US: United Artists 50079 |
||
|<center>- |
|||
|<center>- |
|<center>- |
||
|<center>- |
|<center>- |
||
Line 243: | Line 275: | ||
|<center>#4 |
|<center>#4 |
||
|<center>#2 |
|<center>#2 |
||
|<center>#4 |
|||
|<center>#7 |
|<center>#7 |
||
|- |
|- |
||
Line 257: | Line 290: | ||
|<center>- |
|<center>- |
||
|<center>#7 |
|<center>#7 |
||
|<center>#14 |
|||
|<center>- |
|<center>- |
||
|- |
|- |
||
Line 271: | Line 305: | ||
|<center>#10 |
|<center>#10 |
||
|<center>#1 |
|<center>#1 |
||
|<center>#2 |
|||
|<center>#11 |
|<center>#11 |
||
|- |
|- |
||
Line 279: | Line 314: | ||
|<center>- |
|<center>- |
||
|<center>#18 |
|<center>#18 |
||
|<center>- |
|||
|<center>- |
|<center>- |
||
|<center>- |
|<center>- |
||
Line 299: | Line 335: | ||
|<center>#7 |
|<center>#7 |
||
|<center>#1 |
|<center>#1 |
||
|<center>#2 |
|||
|<center>#9 |
|<center>#9 |
||
|- |
|- |
||
Line 307: | Line 344: | ||
|<center>- |
|<center>- |
||
|<center>#30 |
|<center>#30 |
||
|<center>- |
|||
|<center>- |
|<center>- |
||
|<center>- |
|<center>- |
||
Line 327: | Line 365: | ||
|<center>- |
|<center>- |
||
|<center>#11 |
|<center>#11 |
||
|<center>#17 |
|||
|<center>#51 |
|<center>#51 |
||
|- |
|- |
||
Line 341: | Line 380: | ||
|<center>- |
|<center>- |
||
|<center>#1 |
|<center>#1 |
||
|<center>#7 |
|||
|<center>#50 |
|<center>#50 |
||
|- |
|- |
||
Line 355: | Line 395: | ||
|<center>#5 |
|<center>#5 |
||
|<center>#1 |
|<center>#1 |
||
|<center>#6 |
|||
|<center>#40 |
|<center>#40 |
||
|- |
|- |
||
Line 362: | Line 403: | ||
|<center>- |
|<center>- |
||
|<center>#51 |
|<center>#51 |
||
|<center>- |
|||
|<center>- |
|<center>- |
||
|<center>- |
|<center>- |
||
Line 379: | Line 421: | ||
|<center>- |
|<center>- |
||
|<center>#9 |
|<center>#9 |
||
|<center>- |
|||
|<center>- |
|<center>- |
||
|<center>- |
|<center>- |
||
Line 397: | Line 440: | ||
|<center>- |
|<center>- |
||
|<center>#6 |
|<center>#6 |
||
|<center>- |
|||
|<center>#129 |
|<center>#129 |
||
|- |
|- |
||
Line 411: | Line 455: | ||
|<center>#4 |
|<center>#4 |
||
|<center>#4 |
|<center>#4 |
||
|<center>#15 |
|||
|<center>#56 |
|<center>#56 |
||
|- |
|- |
||
Line 425: | Line 470: | ||
|<center>#7 |
|<center>#7 |
||
|<center>#4 |
|<center>#4 |
||
|<center>- |
|||
|<center>#7 |
|<center>#7 |
||
|- |
|- |
||
Line 437: | Line 483: | ||
|<center>#8 |
|<center>#8 |
||
|<center>#12 |
|<center>#12 |
||
|<center>- |
|||
|<center>- |
|<center>- |
||
|<center>- |
|<center>- |
||
Line 451: | Line 498: | ||
|<center>- |
|<center>- |
||
|<center>#1 |
|<center>#1 |
||
|<center>- |
|||
|<center>- |
|<center>- |
||
|<center>- |
|<center>- |
||
Line 465: | Line 513: | ||
|<center>#12 |
|<center>#12 |
||
|<center>#21 |
|<center>#21 |
||
|<center>- |
|||
|<center>- |
|<center>- |
||
|<center>- |
|<center>- |
||
Line 472: | Line 521: | ||
|"Survival Of The Fittest" <br> <small> b/w: "Man Without A Heart" |
|"Survival Of The Fittest" <br> <small> b/w: "Man Without A Heart" |
||
|US: Epic 10716 |
|US: Epic 10716 |
||
|<center>- |
|||
|<center>- |
|<center>- |
||
|<center>- |
|<center>- |
||
Line 493: | Line 543: | ||
|<center>#16 |
|<center>#16 |
||
|<center>#16 |
|<center>#16 |
||
|<center>- |
|||
|<center>- |
|<center>- |
||
|<center>- |
|<center>- |
||
Line 507: | Line 558: | ||
|<center>- |
|<center>- |
||
|<center>#21 |
|<center>#21 |
||
|<center>- |
|||
|<center>- |
|<center>- |
||
|<center>- |
|<center>- |
||
Line 521: | Line 573: | ||
|<center>- |
|<center>- |
||
|<center>#2 |
|<center>#2 |
||
|<center>- |
|||
|<center>- |
|<center>- |
||
|<center>- |
|<center>- |
||
Line 531: | Line 584: | ||
|<center>- |
|<center>- |
||
|<center>#24 |
|<center>#24 |
||
|<center>- |
|||
|<center>- |
|<center>- |
||
|<center>- |
|<center>- |
||
Line 549: | Line 603: | ||
|<center>- |
|<center>- |
||
|<center>#5 |
|<center>#5 |
||
|<center>- |
|||
|<center>- |
|<center>- |
||
|<center>- |
|<center>- |
||
Line 556: | Line 611: | ||
|"Jesus Was A Crossmaker" <br> <small> b/w: "I Had A Dream" |
|"Jesus Was A Crossmaker" <br> <small> b/w: "I Had A Dream" |
||
|US: Epic 10989 |
|US: Epic 10989 |
||
|<center>- |
|||
|<center>- |
|<center>- |
||
|<center>- |
|<center>- |
||
Line 572: | Line 628: | ||
|<center>- |
|<center>- |
||
|<center>#73 |
|<center>#73 |
||
|<center>- |
|||
|<center>- |
|<center>- |
||
|<center>- |
|<center>- |
||
Line 591: | Line 648: | ||
|<center>- |
|<center>- |
||
|<center>#11 |
|<center>#11 |
||
|<center>- |
|||
|<center>- |
|<center>- |
||
|<center>- |
|<center>- |
||
Line 607: | Line 665: | ||
|<center>- |
|<center>- |
||
|<center>#14 |
|<center>#14 |
||
|<center>- |
|||
|<center>#6 |
|<center>#6 |
||
|- |
|- |
||
Line 619: | Line 678: | ||
|<center>- |
|<center>- |
||
|<center>#10 |
|<center>#10 |
||
|<center>- |
|||
|<center>- |
|<center>- |
||
|<center>- |
|<center>- |
||
Line 633: | Line 693: | ||
|<center>- |
|<center>- |
||
|<center>#4 |
|<center>#4 |
||
|<center>- |
|||
|<center>- |
|<center>- |
||
|<center>- |
|<center>- |
||
Line 647: | Line 708: | ||
|<center>- |
|<center>- |
||
|<center>#22 |
|<center>#22 |
||
|<center>- |
|||
|<center>- |
|<center>- |
||
|<center>- |
|<center>- |
||
Line 661: | Line 723: | ||
|<center>- |
|<center>- |
||
|<center>#12 |
|<center>#12 |
||
|<center>- |
|||
|<center>- |
|<center>- |
||
|<center>- |
|<center>- |
||
Line 668: | Line 731: | ||
|"Another Night" <br> <small> b/w: "Time Machine Jive" |
|"Another Night" <br> <small> b/w: "Time Machine Jive" |
||
|US: Epic 50110 |
|US: Epic 50110 |
||
|<center>- |
|||
|<center>- |
|<center>- |
||
|<center>- |
|<center>- |
||
Line 689: | Line 753: | ||
|<center>- |
|<center>- |
||
|<center>#10 |
|<center>#10 |
||
|<center>- |
|||
|<center>- |
|<center>- |
||
|<center>- |
|<center>- |
||
Line 700: | Line 765: | ||
|<center>- |
|<center>- |
||
|<center>#31 |
|<center>#31 |
||
|<center>- |
|||
|<center>- |
|<center>- |
||
|<center>- |
|<center>- |
||
Line 717: | Line 783: | ||
|<center>- |
|<center>- |
||
|<center>#7 |
|<center>#7 |
||
|<center>- |
|||
|<center>- |
|<center>- |
||
|<center>- |
|<center>- |
||
Line 729: | Line 796: | ||
|<center>#36 |
|<center>#36 |
||
|<center>#21 |
|<center>#21 |
||
|<center>- |
|||
|<center>- |
|<center>- |
||
|<center>- |
|<center>- |
||
Line 747: | Line 815: | ||
|<center>- |
|<center>- |
||
|<center>#19 |
|<center>#19 |
||
|<center>- |
|||
|<center>- |
|<center>- |
||
|- |
|- |
||
Line 752: | Line 821: | ||
|"Hello To Romance" <br> <small> b/w: "48 Hour Parole" |
|"Hello To Romance" <br> <small> b/w: "48 Hour Parole" |
||
|UK: Polydor 2058 880 |
|UK: Polydor 2058 880 |
||
|<center>- |
|||
|<center>- |
|<center>- |
||
|<center>- |
|<center>- |
||
Line 766: | Line 836: | ||
|"Amnesty" <br> <small> b/w: "Crossfire" |
|"Amnesty" <br> <small> b/w: "Crossfire" |
||
|UK: Polydor 2058 906 |
|UK: Polydor 2058 906 |
||
|<center>- |
|||
|<center>- |
|<center>- |
||
|<center>- |
|<center>- |
||
Line 780: | Line 851: | ||
|"Something To Live For" <br> <small> b/w: "Song of the Sun" |
|"Something To Live For" <br> <small> b/w: "Song of the Sun" |
||
|UK: Polydor POSP 35 |
|UK: Polydor POSP 35 |
||
|<center>- |
|||
|<center>- |
|<center>- |
||
|<center>- |
|<center>- |
||
Line 795: | Line 867: | ||
|UK: Polydor 2059 246 |
|UK: Polydor 2059 246 |
||
|<center>#58 |
|<center>#58 |
||
|<center>- |
|||
|<center>- |
|<center>- |
||
|<center>- |
|<center>- |
||
Line 808: | Line 881: | ||
|"Heartbeat" <br> <small> b/w: "Take Your Time" |
|"Heartbeat" <br> <small> b/w: "Take Your Time" |
||
|UK: Polydor POSP 175 |
|UK: Polydor POSP 175 |
||
|<center>- |
|||
|<center>- |
|<center>- |
||
|<center>- |
|<center>- |
||
Line 823: | Line 897: | ||
|UK: EMI 5229 |
|UK: EMI 5229 |
||
|<center>#28 |
|<center>#28 |
||
|<center>- |
|||
|<center>- |
|<center>- |
||
|<center>- |
|<center>- |
||
Line 836: | Line 911: | ||
|"Take My Love And Run" <br> <small> b/w: "Driver" |
|"Take My Love And Run" <br> <small> b/w: "Driver" |
||
|UK: Polydor POSP 379 |
|UK: Polydor POSP 379 |
||
|<center>- |
|||
|<center>- |
|<center>- |
||
|<center>- |
|<center>- |
||
Line 853: | Line 929: | ||
|<center>#78 |
|<center>#78 |
||
|<center>#31 |
|<center>#31 |
||
|<center>- |
|||
|<center>- |
|<center>- |
||
|<center>- |
|<center>- |
||
Line 864: | Line 941: | ||
|"Casualty" <br> <small> b/w: "Someone Else's Eyes" |
|"Casualty" <br> <small> b/w: "Someone Else's Eyes" |
||
|US: Atlantic 89768 |
|US: Atlantic 89768 |
||
|<center>- |
|||
|<center>- |
|<center>- |
||
|<center>- |
|<center>- |
||
Line 878: | Line 956: | ||
|"Too Many Hearts Get Broken" <br> <small> b/w: "You're All Woman" |
|"Too Many Hearts Get Broken" <br> <small> b/w: "You're All Woman" |
||
|UK: Columbia DB 9110 |
|UK: Columbia DB 9110 |
||
|<center>- |
|||
|<center>- |
|<center>- |
||
|<center>- |
|<center>- |
||
Line 892: | Line 971: | ||
|"This Is It" <br> <small> b/w: "You Gave Me Strength" |
|"This Is It" <br> <small> b/w: "You Gave Me Strength" |
||
|UK: Columbia DB 9146 |
|UK: Columbia DB 9146 |
||
|<center>- |
|||
|<center>- |
|<center>- |
||
|<center>- |
|<center>- |
||
Line 906: | Line 986: | ||
|"Reunion of the Heart" <br> <small> b/w: "Too Many Hearts Get Broken" |
|"Reunion of the Heart" <br> <small> b/w: "Too Many Hearts Get Broken" |
||
|UK: Columbia DB 9151 |
|UK: Columbia DB 9151 |
||
|<center>- |
|||
|<center>- |
|<center>- |
||
|<center>- |
|<center>- |
||
Line 926: | Line 1,007: | ||
|<center>- |
|<center>- |
||
|<center>#2 |
|<center>#2 |
||
|<center>- |
|||
|<center>- |
|<center>- |
||
|<center>- |
|<center>- |
||
Line 935: | Line 1,017: | ||
|UK: EMI EM80 |
|UK: EMI EM80 |
||
|<center>#60 |
|<center>#60 |
||
|<center>- |
|||
|<center>- |
|<center>- |
||
|<center>- |
|<center>- |
||
Line 949: | Line 1,032: | ||
|UK: EMI EM86 |
|UK: EMI EM86 |
||
|<center>#79 |
|<center>#79 |
||
|<center>- |
|||
|<center>- |
|<center>- |
||
|<center>- |
|<center>- |
||
Line 962: | Line 1,046: | ||
|"Purple Rain" <br> <small> b/w: "Naomi" / "Two Shadows" |
|"Purple Rain" <br> <small> b/w: "Naomi" / "Two Shadows" |
||
|UK: SRT 9OLS 2407 |
|UK: SRT 9OLS 2407 |
||
|<center>- |
|||
|<center>- |
|<center>- |
||
|<center>- |
|<center>- |
||
Line 977: | Line 1,062: | ||
|UK: EMI EM264 |
|UK: EMI EM264 |
||
|<center>#42 |
|<center>#42 |
||
|<center>- |
|||
|<center>- |
|<center>- |
||
|<center>- |
|<center>- |
||
Line 990: | Line 1,076: | ||
|"Hope" <br> <small> b/w: "Shine On Me" |
|"Hope" <br> <small> b/w: "Shine On Me" |
||
|UK: EMI 340 6232 |
|UK: EMI 340 6232 |
||
|<center>- |
|||
|<center>- |
|<center>- |
||
|<center>- |
|<center>- |
||
Line 1,070: | Line 1,157: | ||
* ''[[Reunion (Hollies Album)|Reunion]]'' -- 1983 |
* ''[[Reunion (Hollies Album)|Reunion]]'' -- 1983 |
||
* ''[[Hollies Live]]'' -- 1998 |
* ''[[Hollies Live]]'' -- 1998 |
||
== References == |
|||
<references/> |
|||
Revision as of 17:13, 15 June 2009
This article presents the discography of the British pop group The Hollies.
Singles
Charted singles in bold.
Release Date | Title | Label | Chart Positions | ||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
UK | Australia | Canada | Germany | Holland | Ireland | NZ | Norway[1] | Sweden - Tio i topp (voting chart)[2] | Sweden - Kvällstoppen ("The Evening Top" sales chart)[3] | US Hot 100 | |||
UK: May 1963 | "(Ain't That) Just Like Me" b/w: "Hey What's Wrong With Me" |
UK: Parlophone R5030 | |||||||||||
UK: August 1963 | "Searchin'" b/w: "Whole World Over" |
UK: Parlophone R5052 | |||||||||||
UK: November 1963 US: 1964 |
"Stay" b/w: "Now's The Time" |
UK: Parlophone R5077 US: Liberty 55674 |
|||||||||||
UK: February 1964 US: May 1964 |
"Just One Look" b/w: "Keep Off That Friend Of Mine" |
UK: Parlophone R5104 US: Imperial 66026 |
|||||||||||
UK: May 1964 US: August 1964 |
"Here I Go Again" b/w: "Baby That's All" |
UK: Parlophone R5137 US: Imperial 66044 |
|||||||||||
Australia: August 1964 | "Lucille" b/w: ? |
AUS: ? | |||||||||||
UK: September 1964 US: 1964 |
"We're Through" b/w: "Come On Back" |
UK: Parlophone R5178 US: Imperial 66070 |
|||||||||||
UK: January 1965 US:1965 |
"Yes I Will" b/w: "Nobody" |
UK: Parlophone R5232 US: Imperial 66099 |
|||||||||||
UK: May 1965 US: August 1965 |
"I'm Alive" b/w: "You Know He Did" |
UK: Parlophone R5287 US: Imperial 66119 |
|||||||||||
UK: September 1965 US: November 1965 |
"Look Through Any Window" b/w: "So Lonely" |
UK: Parlophone R5322 US: Imperial 66134 |
|||||||||||
UK: December 1965 | "If I Needed Someone" b/w: "I've Got A Way Of My Own" |
UK: Parlophone R5392 | |||||||||||
Europe: December 1965 | "Very Last Day" b/w: "Too Many People" |
Europe: Parlophone SD5991 | |||||||||||
UK: February 1966 US: March 1966 |
"I Can't Let Go" b/w: "Running Through The Night" (UK), "I've Got A Way Of My Own" (US) |
UK: Parlophone R5409 US: Imperial 66158 |
|||||||||||
UK: June 1966 US: July 1966 |
"Bus Stop" b/w: "Don't Run And Hide" |
UK: Parlophone R5469 US: Imperial 66186 |
|||||||||||
UK/US: September 1966 | "After the Fox" b/w: (B-side by Burt Bacharach) |
UK: United Artists UP 1152 US: United Artists 50079 |
|||||||||||
UK/US: October 1966 | "Stop! Stop! Stop!" b/w: "It's You" |
UK: Parlophone R5508 US: Imperial 66214 |
|||||||||||
Sweden: December 1966 | "What's Wrong With The Way I Live" b/w: ? |
||||||||||||
UK: February 1967 US: March 1967 |
"On a Carousel" b/w: "All The World Is Love" |
UK: Parlophone R5562 US: Imperial 66231 |
|||||||||||
US: May 1967 | "Pay You Back With Interest" b/w: "Whatcha Gonna Do 'Bout It" |
US: Imperial 66240 | |||||||||||
UK/US: June 1967 | "Carrie Anne" b/w: "Signs That Will Never Change" |
UK: Parlophone R5602 US: Epic 10180 |
|||||||||||
US: September 1967 | "Just One Look" (reissue) b/w: "Running Through The Night" |
Imperial 66258 | |||||||||||
UK: September 1967 US: October 1967 |
"King Midas In Reverse" b/w: "Everything Is Sunshine" |
UK: Parlophone R5637 US: Epic 10234 |
|||||||||||
US: November 1967 | "Dear Eloise" b/w: "When Your Light's Turned On" |
US: Epic 10251 | |||||||||||
UK/US: March 1968 | "Jennifer Eccles" b/w: "Open Up Your Eyes" (UK), "Try It" (US) |
UK: Parlophone R5680 US: Epic 10298 |
|||||||||||
US: September 1968 | "Do The Best You Can" b/w: "Elevated Observations" |
US: Epic 10361 | |||||||||||
Europe: Late 1968 | "Blowin' In The Wind" b/w: "Wheel's On Fire" |
Europe: EMI 4137 | |||||||||||
UK: October 1968 US: November 1968 |
"Listen To Me" b/w: "Do The Best You Can" (UK), "Everything Is Sunshine" (US) |
UK: Parlophone R5733 US: Epic 10400 |
|||||||||||
UK: March 1969 US: April 1969 |
"Sorry Suzanne" b/w: "Not That Way At All" |
UK: Parlophone R5765 US: Epic 10454 |
|||||||||||
UK: October 1969 US: December 1969 |
"He Ain't Heavy, He's My Brother" b/w: "Cos You Like To Love Me" |
UK: Parlophone R5806 US: Epic 10532 |
|||||||||||
UK: April 1970 US: May 1970 |
"I Can't Tell the Bottom from the Top" b/w: "Mad Professor Blyth" |
UK: Parlophone R5837 US: Epic 10613 |
|||||||||||
AUS/NZ: 1970 | "Too Young To Be Married" b/w: "Man Without A Heart" |
AUS: Parlophone A9406 | |||||||||||
UK: October 1970 US: 1970 |
"Gasoline Alley Bred" b/w: "Dandelion Wine" |
UK: Parlophone R5862 US: Epic 10677 |
|||||||||||
US: 1971 | "Survival Of The Fittest" b/w: "Man Without A Heart" |
US: Epic 10716 | |||||||||||
UK: May 1971 US: September 1971 |
"Hey Willy" b/w: "Row The Boat Together" |
UK: Parlophone R5905 US: Epic 10754 |
|||||||||||
UK: February 1972 US: 1972 |
"The Baby" b/w: "Oh Granny" |
UK: Polydor 2058 199 US: Epic 10842 |
|||||||||||
UK: September 1972 US: June 1972 |
"Long Cool Woman in a Black Dress" b/w: "Cable Car" (UK), "Look What We've Got" (US) |
UK: Parlophone R5939 US: Epic 10871 |
|||||||||||
US: November 1972 | "Long Dark Road" b/w: "Indian Girl" |
US: Epic 10920 | |||||||||||
UK: November 1972 US: January 1973 |
"Magic Woman Touch" b/w: "Blue In The Morning" |
UK: Polydor 2058 289 US: Epic 10951 |
|||||||||||
US: February 1973 | "Jesus Was A Crossmaker" b/w: "I Had A Dream" |
US: Epic 10989 | |||||||||||
US: April 1973 | "Slow Down" b/w: "Won't We Feel Good" |
US: Epic 11025 | |||||||||||
UK: October 1973 US: 1973 |
"The Day That Curly Billy Shot Down Crazy Sam McGee" b/w: "Born A Man" |
UK: Polydor 2058 403 US: Epic 11051 |
|||||||||||
UK: February 1974 US: April 1974 |
"The Air That I Breathe" b/w: "No More Riders" |
UK: Polydor 2058 435 US: Epic 11100 |
|||||||||||
UK: May 1974 | "Son of a Rotten Gambler" b/w: "Layin' To The Music" |
UK: Polydor 2058 476 | |||||||||||
UK: November 1974 US: October 1975 |
"I'm Down" b/w: "Hello Lady Goodbye" (UK), "Look Out Johnny (There's A Monkey On Your Back)" (US) |
UK: Polydor 2058 289 US: Epic 50144 |
|||||||||||
NZ: 1975 | "Lonely Hobo Lullaby" b/w: ? |
||||||||||||
US: April 1975 UK: May 1975 |
"Sandy" b/w: "Second Hand Hang-Ups" |
US: Epic 50086 UK: Polydor 2058 595 |
|||||||||||
US: June 1975 | "Another Night" b/w: "Time Machine Jive" |
US: Epic 50110 | |||||||||||
UK: February 1976 | "Boulder To Birmingham" b/w: "Crocodile Woman" |
UK: Polydor 2058 694 | |||||||||||
Europe: 1976 | "Write On" b/w: "Stranger" |
Europe: Polydor 2040 145 | |||||||||||
UK: April 1976 | "Star" b/w: "Love Is The Thing" |
UK: Polydor 2058 719 | |||||||||||
UK: September 1976 | "Daddy Don't Mind" b/w: "C'mon" |
UK: Polydor 2058 779 | |||||||||||
UK: October 1976 | "Wiggle That Wotsit" b/w: "Corrine" |
UK: Polydor 2058 799 | |||||||||||
UK: May 1977 | "Hello To Romance" b/w: "48 Hour Parole" |
UK: Polydor 2058 880 | |||||||||||
UK: July 1977 | "Amnesty" b/w: "Crossfire" |
UK: Polydor 2058 906 | |||||||||||
UK: March 1979 | "Something To Live For" b/w: "Song of the Sun" |
UK: Polydor POSP 35 | |||||||||||
UK: June 1980 | "Soldier's Song" b/w: "Draggin' My Heels" |
UK: Polydor 2059 246 | |||||||||||
UK: September 1980 | "Heartbeat" b/w: "Take Your Time" |
UK: Polydor POSP 175 | |||||||||||
UK: August 1981 | "Holliedaze" b/w: "Holliepops" |
UK: EMI 5229 | |||||||||||
UK: November 1981 | "Take My Love And Run" b/w: "Driver" |
UK: Polydor POSP 379 | |||||||||||
US: May 1983 UK: July 1983 |
"Stop In The Name of Love" b/w: "Musical Pictures" |
US: Atlantic 89819 UK: WEA U 9888 |
|||||||||||
US: September 1983 | "Casualty" b/w: "Someone Else's Eyes" |
US: Atlantic 89768 | |||||||||||
UK: May 1985 | "Too Many Hearts Get Broken" b/w: "You're All Woman" |
UK: Columbia DB 9110 | |||||||||||
UK: January 1987 | "This Is It" b/w: "You Gave Me Strength" |
UK: Columbia DB 9146 | |||||||||||
UK: March 1987 | "Reunion of the Heart" b/w: "Too Many Hearts Get Broken" |
UK: Columbia DB 9151 | |||||||||||
UK: September 1988 | "He Ain't Heavy, He's My Brother" (reissue) b/w: "Carrie" |
UK: EMI EM74 | |||||||||||
UK: November 1988 | "The Air That I Breathe" (reissue) b/w: "We're Through" |
UK: EMI EM80 | |||||||||||
UK: January 1989 | "Find Me A Family" b/w: "No Rules" |
UK: EMI EM86 | |||||||||||
UK: March 1990 | "Purple Rain" b/w: "Naomi" / "Two Shadows" |
UK: SRT 9OLS 2407 | |||||||||||
UK: March 1993 | "The Woman I Love" b/w: "Purple Rain" (live) |
UK: EMI EM264 | |||||||||||
UK: September 2005 | "Hope" b/w: "Shine On Me" |
UK: EMI 340 6232 |
UK albums w/chart peak positions
- Stay with the Hollies (#2) -- Parlophone PMC 1220 (Mono) / PCS 3054 (Stereo) -- 1964
- In the Hollies Style -- Parlophone PMC 1235 -- 1964
- Hollies (#8) -- Parlophone PMC 1261 -- 1965
- Would You Believe? (#16) -- Parlophone PMC 7008 (Mono) / PCS 7008 (Stereo) -- 1966
- For Certain Because (#23) -- Parlophone PMC 7011 (Mono) / PCS 7011 (Stereo) -- 1966
- Evolution (#13) -- Parlophone PMC 7022 (Mono) / PCS 7022 (Stereo) -- 1967
- Butterfly -- Parlophone PMC 7039 (Mono) / PCS 7039 (Stereo) -- 1967
- The Hollies' Greatest (1968 compilation album) (#1) -- Parlophone PMC 7057 (Mono) / PCS 7057 (Stereo) -- 1968
- Hollies Sing Dylan (#3) -- Parlphone PMC 7078 (Mono) / PCS 7078 (Stereo) -- 1969
- Hollies Sing Hollies -- Parlophone PCS 7092 -- 1969
- Confessions Of The Mind (#30) -- Parlophone PCS 7116 -- 1970
- Distant Light -- Parlophone PAS 10005 -- 1971
- Romany -- Polydor 2383 144 --1972
- The Hollies' Greatest Vol 2 -- Parlophone:PCS 7148 --1972
- Out On The Road (German only release)-- Hansa 87119IT -- 1973
- Hollies (#38) -- Polydor 2383 262 -- 1974
- Another Night -- Polydor 2442 128 -- 1975
- The History Of The Hollies -- EMI:EMSP 650 -- 1975
- Write On -- Polydor 2442 141 -- 1976
- Russian Roulette -- Polydor 2383 421 -- 1976
- Hollies Live (#4) -- Polydor 2383 428 -- 1977
- A Crazy Steal -- Polydor 2383 474 -- 1978
- The Hollies: 20 Golden Greats (#2) -- EMI ETV 11 -- 1978
- The Best Of The Hollies EP's -- Parlophone: PMC 7174 -- 1978
- The Other Side Of The Hollies -- Parlophone:PMC 7176 -- 1978
- 5317704 -- Polydor 2442 160 (1979)
- Buddy Holly -- Polydor POLTV 12 -- 1980
- What Goes Around -- WEA 250 139-1 -- 1983
- Not The Hits Again -- See For Miles SEE 63 --1986
- All The Hits And More-The Definitive Collection (#51) -- EMI EM 1301 -- 1988
- Rarities -- EMI:EMS 1311 -- 1988
- The Air That I Breathe:The Best Of The Hollies (#15) -- EMI EMTV 74 -- 1993
- The Hollies at Abbey Road 1963-1966 -- EMI ABBEY 103 -- 1997
- The Hollies at Abbey Road 1966-1970 -- EMI 493 45 -- 1998
- The Hollies At Abbey Road 1973-1989 -- EMI 496 4342 -- 1998
- Orchestral Heaven -- EMI UK 526 0912 -- 2000
- Greatest Hits -- EMI UK 582 0122 -- 2003
- The Long Road Home (6 x CD Box Set) -- EMI 02743 584856 -- 2003
- Staying Power -- EMI 355 9832 -- 2006
- The Hollies Finest -- EMI 94639 11272 -- 2007
- Then, Now, Always -- 2009
US Albums w/chart peak positions
- Here I Go Again -- Imperial LP 9266 (Mono)/LP 12266 (Fake Stereo) -- 1964
- Hear! Here! (#145) -- Imperial LP 9299 (Mono)/LP 12299 (Fake Stereo) -- 1965
- Beat Group! -- Imperial LP 9312 (Mono)/LP 12312 (Fake Stereo) -- 1964
- Bus Stop (#75) -- Imperial LP 9330 (Mono)/LP 12330 (Stereo) -- 1966
- Stop! Stop! Stop! (#91) -- Imperial LP 9339 (Mono)/LP 12339 (Stereo) -- 1966
- Evolution (#43) -- Epic LN 24315 (Mono)/BN 26315 (Stereo) -- 1967
- Dear Eloise/King Midas In Reverse -- Epic LN 24344 (Mono)/BN 26344 (Stereo) -- 1967
- The Hollies' Greatest Hits (#11) -- Imperial LP 9350 (Mono)/LP 12350 (Stereo and Fake Stereo) -- 1967
- Words and Music by Bob Dylan -- Epic BN 26447 -- 1969
- He Ain't Heavy, He's My Brother (#32) -- Epic BN 26538 -- 1969
- Moving Finger (#21) -- Epic E 30225 -- 1970
- Distant Light (#21) -- Epic KE 30958 -- 1971
- Romany (#84) -- Epic KE 31992 -- 1972
- The Hollies' Greatest Hits (#157) -- Epic KE 32061 -- 1973
- Hollies (#28) -- Epic KE 32574 -- 1974
- Another Night (#123) -- Epic PE 33387 -- 1975
- Clarke, Hicks, Sylvester, Calvert & Elliott -- Epic PE 34714 -- 1977
- A Crazy Steal -- Epic JE 35334 -- 1978
- What Goes Around (#90) -- Atlantic 80076 -- 1983
- Reunion -- 1983
- Hollies Live -- 1998
References
- ^ "http://lista.vg.no/artist_info.php?ArtistOp=show&artistId=596"> The Hollies at VG-lista
- ^ Hallberg, Eric (1998). Tio i topp (1th ed.). Sweden: Premium. ISBN 91-972712-5-X.
- ^ Hallberg, Eric (1993). Kvällstoppen i P3 (1th ed.). Sweden: Drift Musik. ISBN 91-630-2140-4.