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For the German playwright (1896-1977), see Carl Zuckmayer.

Carl Mayer (20 November 1894, Graz, Austria - 1 July 1944, London) was an Austrian screenplay writer who wrote or co-wrote the screenplays to The Cabinet of Dr. Caligari (1920), Der Letzte Mann (1924), Tartuffe (1926), and Sunrise (1927), the last three being films directed by F. W. Murnau.

Mayer was the son of a stock speculator who committed suicide, forcing the young Carl to leave school at 15, and go to work as a secretary. Mayer moved from Graz to Innsbruck and then Vienna, where he worked as a dramatist. The events of the World War I turned him into a pacifist.

In 1917, Mayer went to Berlin, where he worked at the small Residenztheater. He befriended Gilda Langer, a leading actress of the theater and fell in love with her. He wrote the script for Dr. Caligari (1920) with Hans Janowitz, and planned to have Langer star in the movie. However, Langer became engaged to director Paul Czinner, then Langer died unexpectedly early in 1920. (The role went to famous actress Lil Dagover instead.) Mayer paid for Langer's tombstone and had notes from Wagner's Tristan und Isolde engraved on it.

Kabinett made Mayer famous and soon he was a leading screenplay writer, working with many leading directors in Germany. He worked with F. W. Murnau on Der Letzte Man (1924, known as The Last Laugh in the USA) in Germany, and he also wrote the scenario for Murnau's Sunrise (1927), made during Murnau's stay in Hollywood.

Shortly after working with Béla Balázs on the script for The Blue Light (1932) -- directed by Leni Riefenstahl -- Mayer moved to London in 1933 to escape the Nazi regime. Being a Jew as well as a pacifist, he had to flee Germany when the Nazis came to power. In London, he worked as an adviser to the British film industry, and became friends with British film figures such as director and film writer Paul Rotha.

In 1942, Mayer was diagnosed with cancer. Near the end of his life, he wanted to make a documentary film on London, but due to anti-German sentiment and difficult economic conditions, he was unable to find a producer. His illness was treated somewhat ineptly due to war conditions and he died on July 1, 1944, poor and almost forgotten, having only 23 pounds in cash and two books. He was buried at Highgate Cemetery in London and his epitaph reads "Pioneer in the art of the cinema. Erected by his friends and fellow workers". The city of Graz has named a prize after him.

Bibliography

Michael Omasta, Brigitte Mayr, Christian Cargnelli (eds.): Carl Mayer: Ein Script von ihm war schon ein Film (A Script by Carl Mayer Was Already a Film), Vienna: Synema, 2003, ISBN 3-901644-10-5 (German/English)

External links

Carl Mayer at IMDb

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 ''Kabinett'' made Mayer famous and soon he was a leading screenplay writer, working with many leading directors in Germany. He worked with F. W. Murnau on ''Der Letzte Man'' (1924, known as ''The Last Laugh'' in the USA) in Germany, and he also wrote the scenario for Murnau's ''Sunrise'' (1927), made during Murnau's stay in [[Hollywood]].
-Shortly after working with [[Béla Balázs]] on the script for ''[[The Blue Light (film)|The Blue Light]]'' (1932) -- directed by the infamous [[Leni Riefenstahl]] -- Mayer moved to [[London]] in 1933 to escape the [[Nazi]] regime. Being a [[Jew]] as well as a pacifist, he had to flee Germany when the Nazis came to power. In London, he worked as an adviser to the British film industry, and became friends with British film figures such as director and film writer [[Paul Rotha]].
+Shortly after working with [[Béla Balázs]] on the script for ''[[The Blue Light (film)|The Blue Light]]'' (1932) -- directed by [[Leni Riefenstahl]] -- Mayer moved to [[London]] in 1933 to escape the [[Nazi]] regime. Being a [[Jew]] as well as a pacifist, he had to flee Germany when the Nazis came to power. In London, he worked as an adviser to the British film industry, and became friends with British film figures such as director and film writer [[Paul Rotha]].
 In 1942, Mayer was diagnosed with cancer. Near the end of his life, he wanted to make a [[documentary film]] on London, but due to anti-German sentiment and difficult economic conditions, he was unable to find a producer. His illness was treated somewhat ineptly due to war conditions and he died on [[July 1]], [[1944]], poor and almost forgotten, having only 23 [[British pound|pounds]] in cash and two books. He was buried at [[Highgate Cemetery]] in London and his epitaph reads "Pioneer in the art of the cinema. Erected by his friends and fellow workers". The city of [[Graz]] has named a prize after him.