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*''An Extraordinary Town, How one of America's smallest towns shaped the world - A Historical Marketing Book'' by A. J. Bastarache. Featuring a comprehensive section on Clarence Brown.
*''An Extraordinary Town, How one of America's smallest towns shaped the world - A Historical Marketing Book'' by A. J. Bastarache. Featuring a comprehensive section on Clarence Brown.


http://www.bfi.org.uk/sightandsound/feature/94
==External links==
http://www.metropulse.com/news/2008/mar/06/clarence-brown-forgotten-director/

*{{imdb name|0113284}}
*{{imdb name|0113284}}
*[http://www.extraordinarytown.com "An Extraordinary Town, How one of America's smallest towns shaped the world"] A book on Clarence Brown's home town with an extensive section on the life and contributions of Clarence Brown.
*[http://www.extraordinarytown.com "An Extraordinary Town, How one of America's smallest towns shaped the world"] A book on Clarence Brown's home town with an extensive section on the life and contributions of Clarence Brown.

Revision as of 16:52, 26 October 2009

Clarence Brown
File:ClarenceBrown.jpg
Born
Clarence Leon Brown
Spouse(s)Mona Maris
Alice Joyce
Marian Spies

Clarence Brown (May 10, 1890 – August 17, 1987) was an American film director.

Early life

Born in Clinton, Massachusetts, to a cotton manufacturer, Brown moved to the South when he was eleven. He attended the University of Tennessee, graduating at the age of 19 with two degrees in engineering. An early fascination in automobiles led Brown to a job with the Stevens-Duryea Company, then to his own Brown Motor Car Company in Alabama. He later abandoned the car dealership after developing an interest in motion pictures around 1913. He was hired by the Peerless Studio at Fort Lee, New Jersey, and became an assistant to the great French-born director Maurice Tourneur.

Career

After serving in World War I, Brown was given his first co-directing credit (with Tourneur) for 1920s The Great Redeemer. Later that year, he directed a major portion of The Last of the Mohicans after Tourneur was injured in a fall.

Brown moved to Universal in 1924, and then to MGM, where he stayed until the mid-1950s. At MGM he was one of the main directors of their female stars–he directed both Joan Crawford and Greta Garbo five times. Garbo referred to Brown as her favorite director.

He not only made the difficult transition from silent cinema to sound cinema, but thrived there, proving himself to be a "actor's director": listening to his actors', respecting their instincts, and often incorporating their suggestions into scenes. In doing so, Brown created believable, under-played, naturalistic dialogue scenes stripped of melodrama, pulsing with the honest rhythms of real-life conversation. He was nominated five times (see below) for the Academy Award as a director, and once as a producer, but never received an Oscar. However, he did win Best Foreign Film for Anna Karenina at the 1935 Venice International Film Festival.

Brown retired a wealthy man due to his real estate investments, but refused to watch new movies, as he feared they might cause him to restart his career. In the 1970s, Brown became a much-sought guest lecturer on the film-festival circuit, thanks in part to his connection with Garbo.

The Clarence Brown Theater, on the campus of the University of Tennessee, is named in his honor.

Filmography

NOTE: In 1929/1930, Brown received one Academy Award nomination for two films. According to the Academy of Motion Picture Arts and Sciences, "As allowed by the award rules for this year, a single nomination could honor work in one or more films."

References

  • An Extraordinary Town, How one of America's smallest towns shaped the world - A Historical Marketing Book by A. J. Bastarache. Featuring a comprehensive section on Clarence Brown.

http://www.bfi.org.uk/sightandsound/feature/94 http://www.metropulse.com/news/2008/mar/06/clarence-brown-forgotten-director/


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