List of musical pieces which use extended techniques: Difference between revisions
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*[[Hans Werner Henze]] |
*[[Hans Werner Henze]] |
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::''[[El Cimarrón (musical work)|El Cimarrón]]'', which requires the [[baritone]] soloist to laugh, whistle, shout, scream and use [[falsetto]] |
::''[[El Cimarrón (musical work)|El Cimarrón]]'', which requires the [[baritone]] soloist to laugh, whistle, shout, scream and use [[falsetto]] |
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*[[Gustav Holst]] |
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::″Mars, Bringer of War" from ''[[The Planets]].'' The strings play ''col legno,'' striking the wood of their bows on the strings. |
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*[[Charles Ives]] |
*[[Charles Ives]] |
Revision as of 20:16, 29 December 2010
- Sequenzas I-XIV
- ″Dream of Witches' Sabbath" from Symphonie Fantastique. The violins play col legno, striking the wood of their bows on the strings.
- The Serpent's Kiss piano rag from the Garden of Eden suite (requires the pianist to slap the piano, stamp their feet and click their tongue to emphasise the piece's syncopated rhythm)
- prepared piano pieces (1938)
- One8 (1991), for curved bow
- Tides of Manaunaun (1915), large tone-clusters
- The Banshee, Aeolian Harp, and Sinister Resonance, played inside the piano
- Black Angels, extended string techniques, including bowing with glass rods
- Makrokosmos (1972), prepared and amplified piano
- Vox Balaenae (1971), harmonic glissando (gull effect)
- Miqi'nahual (1993) from his modular composition Doloritas (1992), stringed instrument with two right hand bows
- Più Mesto (2003), for 2-bow cello
- Rosenleben (2006), for clarinet, cello and piano
- Lauda (2009), cello concerto (for Anssi Karttunen)
- En la soledat i el silenci (2008), for hyper-tempered koto and guitar
- Boethius (2008), for biwa
- String quartets
- Imaginings (1994), stringed instrument with two right hand bows
- El Cimarrón, which requires the baritone soloist to laugh, whistle, shout, scream and use falsetto
- ″Mars, Bringer of War" from The Planets. The strings play col legno, striking the wood of their bows on the strings.
- Concord Sonata, use of a 14 3/4 inch long piece of wood to create a cluster chord
- Holophony, for amplified string quartet. Scream sounds, duck sounds, saw sounds, reversed attack, energy control, oscillations.
- Paranormal, for three amplified snaredrums. Wire brushes (Jazz rake, Dreadlock), metallic sweeping, granular sound, strumming, friction, slap.
- Piece with Clocks, for prepared guitar using cork, matches and a foam mute
- The Prince's Toys - Suite for Guitar, cross string "snare" technique, string scraped with thumbnail, percussion (striking of the guitar), playing behind the nut or saddle
- Aventures
- Nouvelles Aventures
- Études pour piano: Toches bloquées, piano keys are depressed (blocked) by one hand and 'played' by another, thus not sounding but creating a sound gap.
- Anaklasis (1959), extended string techniques
- Polymorphia (1961), extended string techniques
- Threnody for the Victims of Hiroshima (1960), extended string techniques
- Metal Machine Music, album made completely with audio feedback of guitars
- Ogoun Badagris (1976), for 5 percussionists, innovative percussion techniques
- Ku-Ka-Ilimoku (1978), for 4 percussionists, innovative percussion techniques
- Rotae Passionis (1982), for small ensemble, woodwinds and piano double on percussion, extended percussion, flute and clarinet techniques
- Bonham (1988), for 8 percussionists
- Rouse makes constant use of extended techniques for percussion and other instruments
- For Magister Zacharias, the mechanism of lifting the dampers without the hammers touching the keys is highly-amplified
- Gurrelieder (1911), and
- Pierrot Lunaire Op. 21 (1912) which make the use of sprechstimme
- The World Looks Red (on Confusion is Sex) on which Lee Ranaldo plays 3rd Bridge guitar
- Flute Concerto No.1, Op.17 for Flute and Orchestra (2004-2006), and
- Violin Concerto No.1, Op.17b for Violin and Orchestra (2004-2006): both works make use of glissando in both the flute and violin as well as string harmonics
- Nomos Alpha (1966), for solo cello, uses harmonic glissando
- Chronos Kristalla (1990), for string quartet using a special tuning and only natural harmonics