Edward Thomas (poet): Difference between revisions
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==Quotations== |
==Quotations== |
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*"The past is the only dead thing that smells sweet." |
*"The past is the only dead thing that smells sweet." |
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==Works== |
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===Poems (selection)=== |
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*"As the team's head-brass" |
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*"The Unknown" |
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*"But These Things Also" |
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*"Tears" |
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*"The Lane" |
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*"And You, Helen" |
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*"This Is No Case of Petty Right or Wrong" |
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*"The Other" |
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*"March The Third" |
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*"Out In The Dark" |
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*"The New House" |
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*"When First" |
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*"[[Adlestrop]]" |
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*"Celandine" |
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*"The Manor Farm" |
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*"Melancholy" |
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*"A Private" |
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*"Lob" |
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*"Tall Nettles" |
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*"When First I Came Here" |
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*"A Cat" |
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*"Gone, Gone Again" |
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*"Up In The Wind" |
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*"Rain" |
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*"The Owl" |
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*"Old Man" |
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*" 'Home' " |
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*" lights out"* |
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===Poetry=== |
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*''Six Poems'', under pseudonym Edward Eastaway, Pear Tree Press, 1916. |
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*''Poems'', Holt, 1917. |
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*''Last Poems'', Selwyn & Blount, 1918. |
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*''Collected Poems'', Selwyn & Blount, 1920. |
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*''Two Poems'', Ingpen & Grant, 1927. |
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*''The Poems of Edward Thomas'', R. George Thomas (ed), Oxford University Press, 1978 |
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*''Poemoj'', ([[Esperanto]] translation) Kris Long (ed), Kris Long (pub), Burleigh Print, Bracknell, Berks, 1979. |
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*''Edward Thomas: A Mirror of England'', Elaine Wilson (ed), Paul & Co., 1985. |
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*''The Poems of Edward Thomas'', Peter Sacks (ed), Handsel Books, 2003. |
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*''The Annotated Collected Poems'', Edna Longley (ed), [[Bloodaxe Books]], 2008. |
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===Fiction=== |
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*''The Happy-Go-Lucky Morgans'' (novel), 1913 |
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===Essays=== |
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*''Horae Solitariae'', Dutton, 1902. |
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*''Oxford'', A & C Black, 1903. |
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*''Beautiful Wales'', Black, 1905. |
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*''The Heart of England'', Dutton, 1906. |
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*''The South Country'', Dutton, 1906, Tuttle, 1993. |
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*''Rest and Unrest'', Dutton, 1910. |
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*''Light and Twilight'', Duckworth, 1911. |
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*''The Last Sheaf'', Cape, 1928. |
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==References to Thomas by other writers== |
==References to Thomas by other writers== |
Revision as of 11:15, 3 March 2011
Philip Edward Thomas | |
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File:Thomasportrait.jpg | |
Pen name | Edward Thomas, Edward Eastaway |
Occupation | Journalist and poet |
Nationality | British |
Genre | War poetry |
Philip Edward Thomas (3 March 1878 – 9 April 1917) was an Anglo-Welsh writer of prose and poetry. He is commonly considered a war poet, although few of his poems deal directly with his war experiences. Already an accomplished writer, Thomas turned to poetry only in 1914. He enlisted in the army in 1915, and was killed in action during the Battle of Arras in 1917, soon after he arrived in France.
Early life
Thomas was born in Lambeth, London. He was educated at Battersea Grammar School, St Paul's School and Lincoln College, Oxford. His family were mostly Welsh. Unusually, he married while still an undergraduate and determined to live his life by the pen. He then worked as a book reviewer, reviewing up to 15 books every week.[1] He was already a seasoned writer by the outbreak of war, having published widely as a literary critic and biographer, as well as a writer on the countryside. He also wrote a novel The Happy-Go-Lucky Morgans (1913).
He became a close friend of Welsh tramp poet W. H. Davies whose career he almost single-handedly developed.[2] From 1905 Thomas lived, with his wife Helen and their family, at Elses Farm near Sevenoaks, Kent. Thomas rented a tiny nearby cottage for Davies and nurtured his writing as best he could. On one occasion Thomas even had to arrange for the manufacture, by a local wheelwright, of a makeshift wooden leg for Davies.
Even though Thomas thought that poetry was the highest form of literature and regularly reviewed it, he only became a poet at the end of 1914.[1] Living at Steep, in East Hampshire, he initially published some poetry under the name Edward Eastaway.
By August 1914, the village of Dymock in Gloucestershire had become the residence of a number of literary figures including Lascelles Abercrombie, Wilfrid Gibson and American poet Robert Frost. Edward Thomas was a visitor at this time.[3]
The railway station at Adlestrop was immortalised by Thomas when his train made an unscheduled stop there shortly before the First World War.[4]
War service
![](http://upload.wikimedia.org/wikipedia/commons/thumb/5/5e/Edward_Thomas_memorial_stone.jpg/300px-Edward_Thomas_memorial_stone.jpg)
Thomas enlisted in the Artists' Rifles in July 1915, despite being a mature married man who could have avoided enlisting. He was promoted Corporal and in November 1916 was commissioned into the Royal Garrison Artillery. He was killed in action soon after he arrived in France at Arras on Easter Monday, 9 April 1917. Although he survived the actual battle, he was killed by the concussive blast wave of one of the last shells fired as he stood to light his pipe.[5]
Close friend W. H. Davies was devastated by the death and his commemorative poem "Killed In Action (Edward Thomas)" was included in Davies' 1918 collection "Raptures".[2]
Thomas is buried in the Military Cemetery at Agny in France (Row C, Grave 43).[6]
Family life
Thomas was survived by his wife, Helen, his son Merfyn and his two daughters Bronwen and Myfanwy.
After the war, Helen wrote about her courtship and early married life with Edward in the autobiography, As it Was (1926); later she added a second volume, World Without End (1931). Their daughter, Myfanwy, claims the books were written by her mother as a form of therapy to help lift her out of a deep depression to which she succumbed following the death of Edward. My Memory of W. H. Davies was published in 1973. Under Storm's Wing was published in 1997 and is a collection of writings including the two earlier autobiographies along with various other writings and letters.
Commemorations
Thomas is commemorated in Poets’ Corner, Westminster Abbey in London and by memorial windows in the churches at Steep and at Eastbury in Berkshire.
East Hampshire District Council have created a "literary walk" at Shoulder of Mutton Hill in Steep dedicated to Thomas.[7] which includes the memorial stone erected in 1935. The inscription includes the final line of his essays: "And I rose up and knew I was tired and I continued my journey."
As "Philip Edward Thomas poet-soldier" he is commemorated with "Reginald Townsend Thomas actor-soldier died 1918" (who is buried at the spot) and other family members at the North East Surrey (Old Battersea) Cemetery.
Poetry
Thomas's poems are noted for their attention to the English countryside and a certain colloquial style. A short poem of Thomas's serves as an example of how he blends war and countryside throughout his poetry:
In Memoriam
- The flowers left thick at nightfall in the wood
- This Eastertide call into mind the men,
- Now far from home, who, with their sweethearts, should
- Have gathered them and will do never again.
On 11 November 1985, Thomas was among 16 Great War poets commemorated on a slate stone unveiled in Westminster Abbey's Poet's Corner.[8] The inscription, written by fellow Great War poet Wilfred Owen, reads: "My subject is War, and the pity of War. The Poetry is in the pity."[9]
Thomas was described by poet laureate Ted Hughes as ".. the father of us all."[10]
Quotations
- "The past is the only dead thing that smells sweet."
Works
Poems (selection)
- "As the team's head-brass"
- "The Unknown"
- "But These Things Also"
- "Tears"
- "The Lane"
- "And You, Helen"
- "This Is No Case of Petty Right or Wrong"
- "The Other"
- "March The Third"
- "Out In The Dark"
- "The New House"
- "When First"
- "Adlestrop"
- "Celandine"
- "The Manor Farm"
- "Melancholy"
- "A Private"
- "Lob"
- "Tall Nettles"
- "When First I Came Here"
- "A Cat"
- "Gone, Gone Again"
- "Up In The Wind"
- "Rain"
- "The Owl"
- "Old Man"
- " 'Home' "
- " lights out"*
Poetry
- Six Poems, under pseudonym Edward Eastaway, Pear Tree Press, 1916.
- Poems, Holt, 1917.
- Last Poems, Selwyn & Blount, 1918.
- Collected Poems, Selwyn & Blount, 1920.
- Two Poems, Ingpen & Grant, 1927.
- The Poems of Edward Thomas, R. George Thomas (ed), Oxford University Press, 1978
- Poemoj, (Esperanto translation) Kris Long (ed), Kris Long (pub), Burleigh Print, Bracknell, Berks, 1979.
- Edward Thomas: A Mirror of England, Elaine Wilson (ed), Paul & Co., 1985.
- The Poems of Edward Thomas, Peter Sacks (ed), Handsel Books, 2003.
- The Annotated Collected Poems, Edna Longley (ed), Bloodaxe Books, 2008.
Fiction
- The Happy-Go-Lucky Morgans (novel), 1913
Essays
- Horae Solitariae, Dutton, 1902.
- Oxford, A & C Black, 1903.
- Beautiful Wales, Black, 1905.
- The Heart of England, Dutton, 1906.
- The South Country, Dutton, 1906, Tuttle, 1993.
- Rest and Unrest, Dutton, 1910.
- Light and Twilight, Duckworth, 1911.
- The Last Sheaf, Cape, 1928.
References to Thomas by other writers
- In 1918, W. H. Davies published his poem Killed In Action (Edward Thomas) to mark the personal loss of his close friend and mentor.[11]
- Many poems about Edward Thomas by other poets can be found in the books Elected Friends: Poems For and About Edward Thomas, edited by Anne Harvey, and Branch-Lines: Edward Thomas and Contemporary Poetry, edited by Guy Cuthbertson and Lucy Newlyn.
- In his 1980 autobiography, Ways of Escape, Graham Greene references Thomas's poem "The Other" (about a man who seems to be following his own double from hotel to hotel) in describing his own experience of being bedeviled by an imposter.
- Edward Thomas's Collected Poems was one of Andrew Motion's ten picks for the poetry section of the "Guardian Essential Library" in October 2002.[12]
- In his 2002 novel Youth, J.M. Coetzee has his main character, intrigued by the survival of pre-modernist forms in British poetry, ask himself: "What happened to the ambitions of poets here in Britain? Have they not digested the news that Edward Thomas and his world are gone for ever?"[13] In contrast, Irish critic Edna Longley writes that Thomas's Lob, a 150-line poem, "strangely preempts The Waste Land through verses like: "This is tall Tom that bore / The logs in, and with Shakespeare in the hall / Once talked".[14]
- In his 1995 novel, Borrowed Time, the author Robert Goddard bases the home of the main character at Greenhayes in the village of Steep, where Thomas lived from 1913. Goddard weaves some of the feeling from Thomas's poems into the mood of the story and also uses some quotes from Thomas's works.
- Will Self's 2006 novel, The Book of Dave, has a quote from The South Country as the book's epigraph:
- I like to think how easily Nature will absorb London as she absorbed the mastodon, setting her spiders to spin the winding sheet and her worms to fill in the graves, and her grass to cover it pitifully up, adding flowers — as an unknown hand added them to the grave of Nero.
- The children's author Linda Newbery has published a novel, "Lob" (David Fickling Books, 2010, illustrated by Pam Smy) inspired by the Edward Thomas poem of the same name and containing oblique references to other work by Thomas.
- Woolly Wolstenholme, formerly of Barclay James Harvest, has used a humorous variation of Thomas' poem Adlestrop on the first song of his 2004 live album, Fiddling Meanly, where he images himself in a retirement home and remembers "the name" of the location where the album was recorded. The poem was read at Wolstenholme's funeral on 19 January 2011.
References
- ^ a b Abrams, M. H. (1986). The Norton Anthology of English Literature. New York: W. W. Norton & Company. p. 1893. ISBN 0-393-95472-2.
- ^ a b Stonesifer, R.J. (1963), W. H. Davies - A Critical Biography, London, Jonathan Cape. ISBN B0000CLPA3
- ^ Dymock Poets Archive at University of Gloucestershire Archives
- ^ The poem "Adlestrop" by Edward Thomas
- ^ France: First World War poetry at telegraph.co.uk
- ^ Commonwealth War Graves Commission. "Casualty Details: THOMAS, PHILIP EDWARD". Debt of Honour Register. Retrieved 2008-02-02.
- ^ Walking in East Hampshire at easthants.gov.uk
- ^ http://net.lib.byu.edu/english/wwi/poets/poets.html
- ^ http://net.lib.byu.edu/english/wwi/poets/Preface.html
- ^ The timeless ldscape of Edward Thomas, from The Telegraph, at pubwithnoname.co.uk
- ^ Davies, W.H. (1918), Forty New Poems, A.C. Fifield. ASIN: B000R2BQIG
- ^ Motion, Andrew (2002-10-19). "Guardian Essential Library: Poetry". Books to furnish a room... and enrich a mind. Guardian News and Media. Retrieved 2008-02-02.
- ^ Coetzee, J. M. (2002). Youth. London: Secker & Warburg. p. 58. ISBN 0436205823.
- ^ Longley, Edna (2005). "The Great War, history, and the English lyric". In Vincent Sherry (ed.) (ed.). The Cambridge Companion to the Literature of the First World War. Cambridge: Cambridge University Press. p. 67.
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External links
![](http://upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/30px-Commons-logo.svg.png)
![](http://upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Wikiquote-logo.svg/34px-Wikiquote-logo.svg.png)
- The Edward Thomas Collection in The First World War Poetry Digital Archive by Oxford University contains images of Thomas' War poetry manuscripts, letters, war diary, plus a searchable full text corpora.
- Thomas' poems at poemhunter.com
- Works by Edward Thomas at Project Gutenberg
- Works by Edward Thomas at the Internet Archive
- Edward Thomas' Grave
- Lost Poets of the Great War, a hypertext document on the poetry of World War I by Harry Rusche, of the English Department, Emory University, Atlanta GA. It contains a bibliography of related materials.
- The Edward Thomas Fellowship
- Dymock Poets Archive University of Gloucestershire Archives and Special Collections
- Philip Edward Thomas (I10377) at clan-davies.org