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Reviewing a 2000 recital at the Regent Hall, [[Malcolm Miller]] wrote of Portugheis' "arresting and resonant tone", describing it as being "somewhat reminiscent of the school of Myra Hess or DinuLipati".<ref>[[Musical Opinion January 1, 2000]]</ref>
Reviewing a 2000 recital at the Regent Hall, [[Malcolm Miller]] wrote of Portugheis' "arresting and resonant tone", describing it as being "somewhat reminiscent of the school of Myra Hess or DinuLipati".<ref>[[Musical Opinion January 1, 2000]]</ref>


Applauding Portugheis in Recital at a December 31, 2002 Concert of "Latin American Blend", Miller commented that his playing demonstrated "especially crystalline articulation and beautifully supple phrasing", adding that "in Portugheis's hands, the music overflowed with vitality, its myriad of colours, rhythmic lilt and syncopated energy radiating a Latin American blend of joy and longing."<ref>[www.mvdaily.com/articles/2002/12/]</ref>
Applauding Portugheis in Recital at a December 31, 2002 Concert of "Latin American Blend", Miller commented that his playing demonstrated "especial crystalline articulation and beautifully supple phrasing", adding that "in Portugheis's hands, the music overflowed with vitality, its myriad of colours, rhythmic lilt and syncopated energy radiating a Latin American blend of joy and longing."<ref name="mvdaily">[http://www.mvdaily.com/articles/2002/12/blend.htm Malcom Miller applauds Alberto Portugheis in recital]</ref>


==Professional associations==
==Professional associations==

Revision as of 21:47, 19 August 2011

Alberto Portugheis is a pianist, born on December 31, 1940 in La Plata, Argentina, to parents of Russian and Romanian descent. He is an international pianist and teacher, now living in London. After winning first prize at the Geneva Concours de Virtuosité, Portugheis embarked on an international career, visiting almost 50 countries across the world. His recordings include masterpieces from a repertoire ranging from the Baroque to contemporary. He played his 70th birthday concert in London in January 2011, following his birthday on December 31.[1]

Biography

Alberto Portugheis is an Argentine pianist and teacher. He was born in La Plata, but now lives in London. He has three children.

His mother was born in Argentina of Romanian and Russian decent, from her mother and father, respectively. Her family was originally German, but emigrated from Eastern Europe during World War I. Several of Alberto Portugheis' family members perished in the two World Wars.

His father, Simon Portugheis, was a Romanian[2] of Portuguese origin, hence the family name. His side of the family, all living siblings included, had arrived in Argentina from Romania just before World War II. Historically, ancestors on his father's side of the family had lived in Holland and Portugal.[2] Through marriages, Alberto Portugheis has Polish, Lithuanian, Israeli, Brazilian and American relatives.[2] Thus, he grew up in a family that was a mix of various nationalities and origins.

Since his early childhood, Portugheis showed a talent for, and a great interest in music. By the age of three, he was picking out instrumental, vocal and orchestral music on the piano and by six and a half, he had learned to read music. His enthusiasm for music ultimately led to dedicated study of the piano and a life as an international concert pianist, while the horrors experienced by his family led to his work for peace. He tells in his book, Dear Ahed: the Game of War and a Path to Peace[3] that his family "escaped from Eastern Europe between 1935 and 1940" and that not one day of his childhood passed without hearing of the horrors they experienced. Now, in addition to his career on the concert platform, he works for peace. As a direct result of this work, he was nominated for the Nobel Peace Prize in 2008.[2]

Study

His enthusiasm for music ultimately led to dedicated study of the piano and a life as an international concert pianist.

Howard Smith records, in Music Vision Daily, May 2009:

While preparing for life as an assiduous musician, Portugheis first studied in Buenos Aires with Vincenzo Scaramuzza, who also taught Martha Argerich; in Geneva with Madeleine Lipatti, Louis Hiltbrand and Youra Güller. In London he also had the occasional lesson (before she moved to New York) with the Hungarian Ilona Kabos and attended a Masterclass at Dartington Summer School, with Polish pianist, Andre Tchaikowsky, who did not usually give lessons. When based in London he also had occasional lessons from Glock and Maria Curio, playing the Classical repertoire to them – both of whom were disciples of Artur Schnabel.

Alberto Portugheis was the only Europe-based pianist to play in the concert "Homage to V Scaramuzza" at the Colon Theatre on August 14, 2002. He features in a film on DVD, The Work of the Master (Scaramuzza's teaching life) directed by Nicolás Borenstein, to be released in 2011.

Career

After winning first prize at the Geneva Concours de Virtuosité in June of 1964, Portugheis embarked upon an international career, visiting nearly 50 countries, performing in solo and chamber music concerts as well as a being a a soloist with many international orchestras, including the Royal Philharmonic, London Symphony, London Mozart Players, English Chamber, Suisse Romande, Lausanne Chamber, Paris and Israel Sinfoniettas, Filarmónica de Buenos Aires, Nacional de Argentina, and Sofia Philharmonic, among others.

Recent engagements have included performances in Britain, Hungary, Greece, Switzerland, Cyprus, France, Serbia, Argentina, Nigeria, Canada and the USA.

Portugheis has also studied the violin and conducting. He conducted the London Mozart Players in 1985 and the Philharmonia in December 1985.

Master classes

Portugheis' annual master classes at Steinway Hall attract a wealth of talent from many countries in the world. Several of Alberto Portugheis' students have gone on to win important international prizes.[who?]

Professor Hovhanness I. Pilikian wrote of his approach:

"Cultured and compassionate, the Maestro is a gentle soul, always with a smile, an unassuming human being—Like Jesus washing the desert-worn feet of his disciples, it is rather moving to witness Maestro Portugheis sitting next to his piano students as a page-turner... turning the pages of their musical scores with a profound paternal affection".[4]

Repertoire and recordings

Portugheis' repertoire is very wide, extending from the Baroque—including his own transcriptions—to the music of today: several compositions have been specially written for him.

His recordings include:

Reception

In May of 1982, a review by Hector Coda, in La Nacion, writes:

The spirits of the entire audience were raised with Chopin's Polonaise in A flat Op.53, with moments of real identification with the epic exaltation of the Genius of Poland. Very much applauded, Portugheis offered as an encore a Mazurka by his much remembered teacher, Vincenzo Scaramuzza.

Musical Opinion reviewed his 70th Birthday concert, speaking of "Portugheis' searching and highly characterised performance, rife with mercurial shifts of mood". [5] The reviewer comments that "Portugheis has a strong affinity for the Romantics" while pointing out that he is "best known for his championing of Latin American composers like Ginestera and recent contemporary figures". On July 4, 2010, for instance, Portugheis had demonstrated his "championing of Latin American Music" in an acclaimed concert, where Martha Argerich joined him at the King's Place, London. There an array of world class musicians from Britain, America, Croatia, Hungary, Romania, Israel and Lebanon paid tribute to Argentina and its music. Most of the programme consisted of works with a strong Argentine flavour.

Dr. David McAughtry reviewed lunchtime concert, at St James’s Piccadilly, in London on July 27,2011, saying, "Portugheis, at 70 is a serious man—a piano virtuoso, teacher, and tireless antiwar campaigner, a Nobel peace prize nominee. He played "Claire de Lune" with huge tenderness as the expression of a lifetime of experience, not all of it good. I found it inexpressibly moving. I could have died then, and felt I understood something, and at the end of the piece my eyes were filled with tears. The pianist sat for a few seconds, shook his head slightly, and got up to receive the applause. I wondered as he stood, if he really had the ability to evoke great emotions in his listeners, while being dispassionate himself. He sat down again, and as he wiped his eyes before starting the next piece, I realized that he had been crying too".[6]


Reviewing a 2000 recital at the Regent Hall, Malcolm Miller wrote of Portugheis' "arresting and resonant tone", describing it as being "somewhat reminiscent of the school of Myra Hess or DinuLipati".[7]

Applauding Portugheis in Recital at a December 31, 2002 Concert of "Latin American Blend", Miller commented that his playing demonstrated "especial crystalline articulation and beautifully supple phrasing", adding that "in Portugheis's hands, the music overflowed with vitality, its myriad of colours, rhythmic lilt and syncopated energy radiating a Latin American blend of joy and longing."[8]

Professional associations

Alberto Portugheis is co-Founder and vice-chairman of the Beethoven Piano Society of Europe, vice-chairman of the International Society for the Study of Tension in Performance, vice-president of the European Piano Teachers' Association, co-founder of the Asociación Latinoamericana de Pianistas y Pedagogos, founder and artistic director of the Dorothea Law Piano Centre, and founder and director of Opus Musica and Opus Musica's sister organisation, Opus Books. Opus Books has published two music books:

  • The Enigma of Atlántida[9]
  • The Last Journey of Enrique Granados[10]

In 1997, Alberto Portugheis co-founded theIberian & Latin American Music Society (ILAMS) and was its chairman for ten years, though he has now stepped down from the chair and is no longer directly associated with ILAMS. ILAMS was established in London in 1998 with the aim to promote the music of Spain, Portugal and the whole of Latin America. The Society's aim is to raise awareness of the cultures involved, in particular, their classical repertoires with a variety of activities every year.

Philanthropy

Having heard, since early childhood, stories of the horrors of war, Alberto Portugheis became a committed anti-war campaigner, persistently writing and speaking against militarism. His vision is set out in his book, Dear Ahed: The Game of War and a Path to Peace.[2] The book is dedicated to his late father, Simon Portugheis, who fueled his son's disapproval of war and militarism and inspired his quest for a way to achieve lasting world-wide peace.

Alberto Portugheis has combined his world travels with an active pursuit of peace. At the basis of his vision is tolerance of all people throughout the world. He stresses that every human being has a right to a world free from war, pointing out that this is inscribed in the Universal Declaration of Human Rights, but not observed by any of the countries that signed the Declaration. He argues that there is no solution to conflict while we continue to accept a militarized world, stressing that "weapons for peace do not exist". He wants to see the abolition of weapons, and as a consequence, the universal disbanding of all Armed Forces.

The way forward to peace, he writes, is to understand that those in power have a vested interest in conflict. He demonstrates how experts in "mind control" help politicians organize chaos, violence and war as they create techniques to arouse epidemic fear in the population before offering protection from what they have themselves created. He says, "my interest lies in educating people, in making them think and understand why we do not have a world at Peace. Together we can create a new economic system for the world that will not depend on the weapon business."

John Leech, a leading member of the Federal Trust and author of Asymmetries of Conflict: War Without Death,[11] writes, "The whole book, Dear Ahed: The Game of War and a Path to Peace, is a testament of love. It speaks of the wounds Portugheis has suffered by taking all the world's anguish and misery into his enormously receptive heart. The map of suffering created and 'contrived' by giant adversaries is also the chart of his own calvary among millions of afflicted people. It is not necessary to agree with every word of his homilies to understand and be pierced by his chilling message."

Other passions

For many years, Portugheis practised his passion for cooking, becoming not only the head chef of various restaurants,[citation needed] but also presenting international gastronomic festivals. Together with his colleague, friend and compatriot, Martha Argerich, he opened a successful restaurant in London, known as "Rhapsody". This activity has now ceased, but Alberto Portugheis keeps his interest alive with his recipe writing.

References

  1. ^ Encyclopedia Britannica: Alberto Portugheis 70th birthday recital
  2. ^ a b c d e [1], ISBN 978-0-9561536-1-6
  3. ^ Dear Ahed: The Game of War and a Path to Peace, page 363 ISBN 978-0-9561536-1-6
  4. ^ Professor Hovhanness I. Pilikian on Exceptional Music Concerts. Nov. 2008.
  5. ^ Musical Opinion Limited May/Jun 2011
  6. ^ [2]
  7. ^ Musical Opinion January 1, 2000
  8. ^ Malcom Miller applauds Alberto Portugheis in recital
  9. ^ The Enigma of Atlántida, by Andrés Ruiz Tarazona; ISBN 978-0-9561536-4-7
  10. ^ The Last Journey of Enrique Granados, by David Walton; ISBN 978-0-9561536-3-0
  11. ^ Asymmetries of Conflict: War without Death, by John Leech; ISBN 978-0-7146826-0-0

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