Marian Goodman: Difference between revisions
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'''Marian Goodman Gallery''' is the [[eponymous]] contemporary art gallery of owner Marian Goodman. Goodman opened the Marian Goodman Gallery on East Fifty-seventh Street in 1977 and relocated to its current address on West Fifty-seventh Street in 1981.<ref name="dealership" > |
'''Marian Goodman Gallery''' is the [[eponymous]] contemporary art gallery of owner Marian Goodman. Goodman opened the Marian Goodman Gallery on East Fifty-seventh Street in 1977 and relocated to its current address on West Fifty-seventh Street in 1981.<ref name="dealership" >Schjeldahl, Peter. [http://www.newyorker.com/archive/2004/02/02/040202fa_fact_schjeldahl?currentPage=all "Dealership"]. The New Yorker. February 2, 2004.</ref> |
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In an article in the [[The New Yorker|''New Yorker'']], art critic [[Peter Schjeldahl]] said "Goodman may be the most respected contemporary dealer in New York, for her taste, standards, and loyalty to her artists." Michael Govan, director of [[Dia Art Foundation]], describes her one of the most powerful and influential dealers of the [[Twentieth century]]. Raised a [[liberal]], Goodman's friend German theorist and critic [[Benjamin H. D. Buchloh]] says, “Her judgment is ultimately aesthetic, but she has a broad understanding of what a privileged existence allows and requires one to do. Her gallery has a certain subtle social horizon of responsibility.”<ref name="dealership"/> Marian Goodman was ranked 22 in ArtReview's guide to the 100 most powerful figures in contemporary art: Power 100, 2010.<ref>http://www.artreview100.com/people/672/</ref> |
In an article in the [[The New Yorker|''New Yorker'']], art critic [[Peter Schjeldahl]] said "Goodman may be the most respected contemporary dealer in New York, for her taste, standards, and loyalty to her artists." Michael Govan, director of [[Dia Art Foundation]], describes her one of the most powerful and influential dealers of the [[Twentieth century]]. Raised a [[liberal]], Goodman's friend German theorist and critic [[Benjamin H. D. Buchloh]] says, “Her judgment is ultimately aesthetic, but she has a broad understanding of what a privileged existence allows and requires one to do. Her gallery has a certain subtle social horizon of responsibility.”<ref name="dealership"/> Marian Goodman was ranked 22 in ArtReview's guide to the 100 most powerful figures in contemporary art: Power 100, 2010.<ref>http://www.artreview100.com/people/672/</ref> |
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Revision as of 20:21, 1 September 2011
Marian Goodman Gallery is the eponymous contemporary art gallery of owner Marian Goodman. Goodman opened the Marian Goodman Gallery on East Fifty-seventh Street in 1977 and relocated to its current address on West Fifty-seventh Street in 1981.[1]
In an article in the New Yorker, art critic Peter Schjeldahl said "Goodman may be the most respected contemporary dealer in New York, for her taste, standards, and loyalty to her artists." Michael Govan, director of Dia Art Foundation, describes her one of the most powerful and influential dealers of the Twentieth century. Raised a liberal, Goodman's friend German theorist and critic Benjamin H. D. Buchloh says, “Her judgment is ultimately aesthetic, but she has a broad understanding of what a privileged existence allows and requires one to do. Her gallery has a certain subtle social horizon of responsibility.”[1] Marian Goodman was ranked 22 in ArtReview's guide to the 100 most powerful figures in contemporary art: Power 100, 2010.[2]
Goodman has stated that she believes a dealer should be committed to working with an artist for fifteen to twenty years. The gallery represents leading foreign artists, including the painter Gerhard Richter, the photographer Thomas Struth, the sculptor Thomas Schütte, and the mixed-media documenter Lothar Baumgarten, of Germany; the sculptors Tony Cragg and Richard Deacon and the video artists Steve McQueen and Tacita Dean, of England; the installation-makers Christian Boltanski and Annette Messager, the filmmaker Chantal Ackerman, the site-specific painter Niele Toroni, and the digital animator Pierre Huyghe, of France; the Mexican aesthetic gamesman Gabriel Orozco; the sculptor and provocateur Maurizio Cattelan and the arte povera worthies Giuseppe Penone and Giovanni Anselmo, of Italy; the Canadian creator of staged light-box photographs Jeff Wall; the Irish maker of gnomic slide shows James Coleman; the Dutch photographer Rineke Dijkstra; and the South African film animator and puppeteer William Kentridge. Goodman also represents American artists Dan Graham, Lawrence Weiner and John Baldessari.
Walter Robinson, editor of the online Artnet Magazine, estimates Goodman’s annual gross to be in the low eight figures. [1]
References
- ^ a b c Schjeldahl, Peter. "Dealership". The New Yorker. February 2, 2004.
- ^ http://www.artreview100.com/people/672/