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==Max Saunders== |
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Max Saunders |
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'''Max Saunders''' is Professor of English at [[King’s College London]], where he teaches modern English, European, and American literature. He studied at the universities of [[Cambridge]] and [[Harvard]], and was a Research Fellow and then College Lecturer at [[Selwyn College, Cambridge]]. He is Co-Director (with Professor Clare Brant) of the [[Centre for Life-Writing Research]] at King’s. He wrote the two-volume biography ''[[Ford Madox Ford: A Dual Life]]'' (Oxford University Press, 1996); and ''[[Self Impression: Life-Writing, Autobiografiction, and the Forms of Modern Literature]]'' (Oxford University Press 2010). He has edited several volumes of Ford’s writing for Carcanet Press: ''[[Selected Poems]]'' (1997), ''[[War Prose]]'' (1999), and (with Richard Stang) ''[[Critical Essays]]'' (2002); and most recently, ''[[Some Do Not . . .]]'' (2010), the first volume of ''[[Parade’s End]]'', for the first annotated critical edition of Ford’s sequence of novels about the impact of WW1 on British society. Saunders has also published essays on Life-writing, on Literary Impressionism, and on Conrad, James, Forster, Eliot, Joyce, ''[[Rosamond Lehmann]]'', ''[[Richard Aldington]]'', ''[[May Sinclair]]'', Lawrence, Freud, Pound, Ruskin, ''[[Anthony Burgess]]'' and others. He is the general editor of ''[[International Ford Madox Ford Studies]]''. He was awarded a Leverhulme Major Research Fellowship from 2008-10 to research the To-Day and To-Morrow book series. Saunders is a Fellow of the English Association and a Member of the International Association of University Professors of English. |
'''Max Saunders''' is Professor of English at [[King’s College London]], where he teaches modern English, European, and American literature. He studied at the universities of [[Cambridge]] and [[Harvard]], and was a Research Fellow and then College Lecturer at [[Selwyn College, Cambridge]]. He is Co-Director (with Professor Clare Brant) of the [[Centre for Life-Writing Research]] at King’s. He wrote the two-volume biography ''[[Ford Madox Ford: A Dual Life]]'' (Oxford University Press, 1996); and ''[[Self Impression: Life-Writing, Autobiografiction, and the Forms of Modern Literature]]'' (Oxford University Press 2010). He has edited several volumes of Ford’s writing for Carcanet Press: ''[[Selected Poems]]'' (1997), ''[[War Prose]]'' (1999), and (with Richard Stang) ''[[Critical Essays]]'' (2002); and most recently, ''[[Some Do Not . . .]]'' (2010), the first volume of ''[[Parade’s End]]'', for the first annotated critical edition of Ford’s sequence of novels about the impact of WW1 on British society. Saunders has also published essays on Life-writing, on Literary Impressionism, and on Conrad, James, Forster, Eliot, Joyce, ''[[Rosamond Lehmann]]'', ''[[Richard Aldington]]'', ''[[May Sinclair]]'', Lawrence, Freud, Pound, Ruskin, ''[[Anthony Burgess]]'' and others. He is the general editor of ''[[International Ford Madox Ford Studies]]''. He was awarded a Leverhulme Major Research Fellowship from 2008-10 to research the To-Day and To-Morrow book series. Saunders is a Fellow of the English Association and a Member of the International Association of University Professors of English. |
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For details of his current research, see: [[Max Saunders: Research Profile]] |
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''Parade’s End'' has been adapted for television by ''[[Sir Tom Stoppard]]'', and is due to be broadcast in 2012 by the BBC and HBO. |
''Parade’s End'' has been adapted for television by ''[[Sir Tom Stoppard]]'', and is due to be broadcast in 2012 by the BBC and HBO. |
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Max Saunders
Max Saunders is Professor of English at King’s College London, where he teaches modern English, European, and American literature. He studied at the universities of Cambridge and Harvard, and was a Research Fellow and then College Lecturer at Selwyn College, Cambridge. He is Co-Director (with Professor Clare Brant) of the Centre for Life-Writing Research at King’s. He wrote the two-volume biography Ford Madox Ford: A Dual Life (Oxford University Press, 1996); and Self Impression: Life-Writing, Autobiografiction, and the Forms of Modern Literature (Oxford University Press 2010). He has edited several volumes of Ford’s writing for Carcanet Press: Selected Poems (1997), War Prose (1999), and (with Richard Stang) Critical Essays (2002); and most recently, Some Do Not . . . (2010), the first volume of Parade’s End, for the first annotated critical edition of Ford’s sequence of novels about the impact of WW1 on British society. Saunders has also published essays on Life-writing, on Literary Impressionism, and on Conrad, James, Forster, Eliot, Joyce, Rosamond Lehmann, Richard Aldington, May Sinclair, Lawrence, Freud, Pound, Ruskin, Anthony Burgess and others. He is the general editor of International Ford Madox Ford Studies. He was awarded a Leverhulme Major Research Fellowship from 2008-10 to research the To-Day and To-Morrow book series. Saunders is a Fellow of the English Association and a Member of the International Association of University Professors of English.
For details of his current research, see: Max Saunders: Research Profile
Parade’s End has been adapted for television by Sir Tom Stoppard, and is due to be broadcast in 2012 by the BBC and HBO.
For reviews of Ford Madox Ford: A Dual Life, see:
http://ukcatalogue.oup.com/product/9780192117892.do
http://ukcatalogue.oup.com/product/9780192126085.do
http://users.unimi.it/sidera/biografiaesemplare.php
http://www.ingentaconnect.com/content/mhra/mlr/2011/00000106/00000003/art00036
For reviews of Self Impression, see:
http://ukcatalogue.oup.com/product/9780199579761.do
http://res.oxfordjournals.org/content/early/2011/02/14/res.hgq127.extract
http://muse.jhu.edu/login?uri=/journals/english_literature_in_transition/v054/54.4.duckworth.html
For reviews of Some Do Not . . ., see:
http://www.spectator.co.uk/books/6471568/part_7/books-of-the-year.thtml
http://www.carcanet.co.uk/cgi-bin/scribe?showdoc=917;doctype=review
http://www.nybooks.com/articles/archives/2011/mar/24/panorama-ford-madox-ford/