Simulacron-3: Difference between revisions
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==Like-subject works== |
==Like-subject works== |
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The short story |
The short story ''[[The Tunnel Under the World]]'' (1955), by [[Frederik Pohl]], deals with like philosophic themes and satirical criticism of marketing research, although the described [[simulated reality]] is mechanical — an intricate scale-model whose inhabitants’ consciousnesses reside in a computer, rather than being solely electronic. The American novel ''[[Time Out of Joint]]'' (1959), by [[Philip K. Dick]], describes a man unaware of living his life in a physically simulated environment, until changes in his (apparent) reality begin to manifest themselves. The short story ''[[They_(Heinlein)|They]]'' by [[Robert Heinlein]] has a similar theme. The Polish short story ''Skrzynie profesora Corcorana'' (''[[Professor Corcoran’s Boxes]]'') (1960), by [[Stanisław Lem]], deals with scientists building a machine to simulate a complete reality for a human mind (consciousness) trapped in a computer. |
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Some forty-odd years later, ''[[The Matrix]]'' (1999) and ''[[The Thirteenth Floor]]'' (1999) describe worlds whose populations are unaware that the world containing their minds is a virtual reality simulacrum. |
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==See also== |
==See also== |
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Revision as of 21:22, 29 November 2011
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| Author | Daniel F. Galouye |
|---|---|
| Language | English |
| Genre | Science fiction novel |
| Publisher | Bantam Books |
Publication date | 1964 |
| Publication place | United States |
| Media type | Print (Paperback) |
| ISBN | 2290007781 |
Simulacron-3 (1964) (also published as Counterfeit World), by Daniel F. Galouye, is an American science fiction novel featuring an early literary description of virtual reality.
Plot summary
Simulacron 3 is the story of a virtual city (total environment simulator) for marketing research, developed by a scientist to reduce the need for opinion polls. The computer-generated city simulation is so well-programmed, that, although the inhabitants have their own consciousness, they are unaware, except for one, that they are only electronic impulses in a computer.
The simulator’s lead scientist, Hannon Fuller, dies mysteriously, and a co-worker, Morton Lynch, vanishes. The protagonist, Douglas Hall, is with Lynch when he vanishes, and Hall subsequently struggles to suppress his inchoate madness. As time and events unwind, he progressively grasps that his own world likely is not “real” and might be only a computer-generated simulation.
Symbolically, the title term "Simulacron-3" refers to the just-built virtual reality simulator and ostensibly references a third attempt at "simulectronics" (the reality-simulating technology), however, the "3" also refers to the novel’s three levels of "reality," or three levels of computer simulation — if the final, "real" world is simulated. Moreover, "simulacron" is closely derivative of simulacrum, a superficial image representing a non-existent original.
To date, the novel Simulacron-3, about a counterfeit world, has twice been adapted, first as the two-part German television play Welt am Draht (1973) (World on a Wire), by Rainer Werner Fassbinder; second, cinematically, as The Thirteenth Floor (1999), by Josef Rusnak.
Like-subject works
The short story The Tunnel Under the World (1955), by Frederik Pohl, deals with like philosophic themes and satirical criticism of marketing research, although the described simulated reality is mechanical — an intricate scale-model whose inhabitants’ consciousnesses reside in a computer, rather than being solely electronic. The American novel Time Out of Joint (1959), by Philip K. Dick, describes a man unaware of living his life in a physically simulated environment, until changes in his (apparent) reality begin to manifest themselves. The short story They by Robert Heinlein has a similar theme. The Polish short story Skrzynie profesora Corcorana (Professor Corcoran’s Boxes) (1960), by Stanisław Lem, deals with scientists building a machine to simulate a complete reality for a human mind (consciousness) trapped in a computer.
Some forty-odd years later, The Matrix (1999) and The Thirteenth Floor (1999) describe worlds whose populations are unaware that the world containing their minds is a virtual reality simulacrum.
