William Forsythe (choreographer): Difference between revisions
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==Awards== |
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Forsythe has been chosen as Choreographer Of The Year several times by international critics’ surveys.{{citation needed|date=January 2013}} Forsythe’s choreography and his companies’ performances have won: |
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*[[The Bessies]] (1988, 1998, 2004, 2007) |
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*[[Laurence Olivier Award]] (1992, 1999) |
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*[[Commandeur des Arts et Lettres]] (1999) |
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* [[Federal Cross of Merit|Federal Cross of Merit First Class]] (1997) |
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* [[Prix Benois de la Danse]] (2002) |
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* the [[Wexner Prize]] (2002) |
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* Nijinsky Award (2002) |
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*[[Dance Magazine]] Award (2003) |
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* Nijinsky Award in the category ''Best Play'' for "Decreation" (2004) |
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* German Theater Prize (Faust-Theaterpreis: ''Best Choreography'' for "Yes we can’t") (2008) |
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==References== |
==References== |
Revision as of 01:54, 15 February 2013
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William Forsythe (born December 30, 1949 in New York City) is an American dancer and choreographer resident in Frankfurt am Main in Hessen. He is known internationally for his work with the Ballet Frankfurt (1984–2004) and The Forsythe Company (2005–present). His early works attempt to link the principals and practice of ballet in its classical identity to a more modern, 21st century form. Forsythe creates his work with a high regard to the principles of organization; Forsythe often incorporates installations, film, and other modern technological venues into his work.
Forsythe began his professional career as a dancer with the Joffrey Ballet, and later he joined the Stuttgart Ballet. After choreographing ballets around the world in major markets such as New York City, London, and San Francisco, Forsythe became the director of the Ballet Frankfurt. For twenty years, he created major ballet works, including Artifact in 1984 and Endless House in 1999. During this first part of his career, Forsythe created ballets that major ballet companies around the world have frequently included in their seasonal repertoire. These companies include The Kirov Ballet, San Francisco Ballet, The Paris Opera Ballet, and The New York City Ballet.
Forsythe has since continued his choreographic career by creating his own independent ensemble, the Forsythe Company. Based in Germany, the company frequently and consistently tours internationally. Whereas Forsythe's earlier ballets have been featured frequently in repertoires of several ballet companies, his works created during this latter, independent portion of his career have only been performed by the Forsythe Company.
In addition, Forsythe has further developed methods of dance documentation and research. In 1994, he created a computer application entitled "Improvisation Technologies: A Tool for the Analytical Dance Eye." According to the Forsythe Company website, this revolutionary computer program for dance, "developed with the Zentrum für Kunst und Medientechnologie, is used as a teaching tool by professional companies, dance conservatories, universities, postgraduate architecture programs, and secondary schools worldwide."
Forsythe has produced and collaborated on numerous installation works, including White Bouncy Castle (1997, in collaboration with Dana Caspersen and Joel Ryan), City of Abstracts (2000), Scattered Crowd (2002), airdrawing|whenever on on on nohow on (2004, collaborating with Peter Welz), and You made me a monster (2005). Installation works by Forsythe have been shown at the Louvre Museum, Venice Biennale, Artangel in London, Creative Time in New York, the Renaissance Society in Chicago,[1] and other prominent locations. His short film Solo was presented at the 1997 Whitney Biennial. In 2006, a major exhibition of his performance, film and installation work was presented at the Pinakothek der Moderne in Munich.
Selected works
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References
- ^ William Forsythe at the Renaissance Society
- ^ Rockwell, John (4 May 2006). "Forsythe Company: Desire, Loss, Many Rooms and Catherine Deneuve". New York Times. Retrieved 1 July 2011. A review of Forsythe's Kammer/Kammer.
{{cite web}}
: CS1 maint: postscript (link)
External links
- The Forsythe Company
- “Yes we can’t” by William Forsythe, a podcast from ar2com (architecture to communications), which links ballet and architecture
- William Forsythe: 50 Choreographers of Contemporary Dance. Goethe-Instituts Website
- Ballet Magazine interview with William Forsythe
- Nederlands Dans Theater Biography on William Forsythe
- "I can dance again", Sylvia Staude interviews Frankfurt-based choreographer William Forsythe, Sign and Sight dated 21 April 2005 accessed 22 June 2007
- William Forsythe and the Practice of Choreography: It Starts From Any Point (Steven Spier, ed., Routledge, forthcoming February 2011)
- Choreography by William Forsythe on Jacob's Pillow Dance Interactive accessed 16 July 2011
- Use dmy dates from November 2011
- All articles with faulty authority control information
- Contemporary dance choreographers
- Ballet choreographers
- Dance in Germany
- Prix Benois de la Danse winners
- Jacksonville University alumni
- Officers Crosses of the Order of Merit of the Federal Republic of Germany
- 1949 births
- Living people
- New York City Ballet Diamond Project choreographers
- Choreographers of New York City Ballet