Jump to content

The Foundation Pit: Difference between revisions

From Wikipedia, the free encyclopedia
Content deleted Content added
No edit summary
No edit summary
Line 32: Line 32:
==Plot summary==
==Plot summary==


Voschev, a machine factory worker, is berated by management for sitting around on the job. When asked why he stands idly for hours when he should be working, Voschev responds that he is trying to find the true meaning of life and that, if he succeeds, his happiness will raise productivity. They don't buy the excuse. Management asks rhetorically, “What if we all get lost in thought—who’ll be left to act? Voschev is subsequently fired. He leaves the factory in search of new work.
Voschev, a machine factory worker, is berated by management for sitting around on the job. When asked why he stands idly for hours when he should be working, Voschev responds that he is trying to find the true meaning of life and that, if he succeeds, his happiness will raise productivity. They don't buy the excuse. Management asks rhetorically, "What if we all get lost in thought—who'll be left to act?" Voschev is subsequently fired. He leaves the factory in search of new work.


Along the way, Voschev comes across a couple fighting in front of their children. He yells at them for not respecting the ideals of youth, but they tell him to go away. He then sees a cripple named Zhachev, who Voschev thinks is about to harass a group of [[Pioneer movement|Pioneer]] girls. Zhachev responds, “I look at children for memory. He claims that Voschev is “soft in the head” due to never having been at war.
Along the way, Voschev comes across a couple fighting in front of their children. He yells at them for not respecting the ideals of youth, but they tell him to go away. He then sees a cripple named Zhachev, who Voschev thinks is about to harass a group of [[Pioneer movement|Pioneer]] girls. Zhachev responds, "I look at children for memory." He claims that Voschev is "soft in the head" due to never having been at war.


Eventually Voschev joins a group of workers, all of whom are much stronger than him, a fact that Voschev attributes to his exhausting quest for truth. He learns that the group will be building digging an enormous foundation pit in which they will later construct a housing complex for the country’s proletarians. Voschev also works at a slower pace than everyone else except for one man, Kozlov, whom the others make fun of for masturbating so often. Safronov, the most politically active worker at the foundation pit, complains when managements tells them to stop working for the day.
Eventually Voschev joins a group of workers, all of whom are much stronger than him, a fact that Voschev attributes to his exhausting quest for truth. He learns that the group will be building digging an enormous foundation pit in which they will later construct a housing complex for the country's proletarians. Voschev also works at a slower pace than everyone else except for one man, Kozlov, whom the others make fun of for masturbating so often. Safronov, the most politically active worker at the foundation pit, complains when managements tells them to stop working for the day.


The group’s supervisor quietly climbs out of bed in order to take a walk outside. His name is Prushevsky and, like Voschev, he feels that something is missing in his life. “People make use of me, he says to himself, “but no one is glad of me. He contemplates suicide but determines he will first write a letter to his sister.
The group’s supervisor quietly climbs out of bed in order to take a walk outside. His name is Prushevsky and, like Voschev, he feels that something is missing in his life. "People make use of me," he says to himself, "but no one is glad of me." He contemplates suicide but determines he will first write a letter to his sister.

Chiklin, a typical worker at the site, discovers a gully that he feels the group can use for the foundation pit without having to dig so far into the earth. However, Safronov condemns him for thinking outside of the box and asks whether he received "a special kiss in infancy" that allows him to make better decisions than the government's experts back in Moscow. Prushevsky orders the men to take soil samples, but, after they are returned to him, he sadly admits that he doesn’t know anything about soil analysis because no one ever taught him how to look at the inside of things.

Prushevsky and Chiklin have a conversation about the days before the [[Russian Revolution]]. He tells Chiklin about a girl who spontaneously kissed him. She was the factory owner's daughter, and, while he regrets not stopping to talk to her, he's sure that she has grown old by now. Safronov and Kozlov begin to fight. Both claim that the other is trying to undermine the workers' goals, but Safronov leaves when Kozlov recalls the time he "incited a certain poor peasant to slaughter a cock and eat it."

Voschev continues to spend his days picking up leaves and other pieces of nature as proof that the world was created without purpose. He then recycles an old excuse, telling Safronov that he would like to take some paid time off in order to search for the meaning of life, which will increase productivity. Safronov counters that proletarians live for the enthusiasm to work. Chiklin walks through an old tile factory and finds Julia, the boss's daughter whom Prushevsky — and he, too, it is realized — kissed so many years earlier. She is about to die and is being taken care of by her daughter, Nastya. Julia tells her daughter to never reveal her family's wealthy origins, lest she be punished by class enemies. Chiklin kisses Julia one more time before she dies and then brings Nastya back to the barracks. He returns to the factor with Prushevsky, who does not recognize the dead woman. "I've always not recognized people I love," he explains, "though in the distance I’ve yearned for them." They leave her body in the room. Chiklin blocks the doorway with heavy bricks and tells Prushevsky that her death has given his life a new meaning.


==Main characters==
==Main characters==

Revision as of 02:50, 26 April 2013

The Foundation Pit
File:TheFoundationPit.jpg
AuthorAndrei Platonov
Original titleКотлован
LanguageRussian
GenreHistorical fiction
Publisher
Publication date
1987
Publication placeSoviet Union
Media typePrint (Paperback)
Pages150
ISBN978-1590173053

The Foundation Pit (Russian: Котлован) is a gloomy symbolical and semi-satirical novel by Andrei Platonov. The plot of the novel concerns a group of workers living in the early Soviet Union. They attempt to dig out a huge foundation pit on the base of which a gigantic house will be built for the country's proletarians. The workers dig each day but slowly cease to understand the meaning of their work. The enormous foundation pit sucks out all of their physical and mental energy.

In terms of creative works, Platonov depicted one of the first state-controlled dystopias of the 20th century. The novel is often compared to George Orwell's Nineteen Eighty-Four and Aldous Huxley's Brave New World. However, both English novels were published long before a translation of The Foundation Pit became available.

Platonov's work is a representation of the conflict that arose between Russian individuals and the increasingly collectivized Soviet state in the late 1920s. The Foundation Pit critiques Joseph Stalin's domestic policies and questions the validity of any regime advocating the belief that the only existence a person can have is being one part of a whole. The novel was not published in the Soviet Union until 1987 due to censorship.

Plot summary

Voschev, a machine factory worker, is berated by management for sitting around on the job. When asked why he stands idly for hours when he should be working, Voschev responds that he is trying to find the true meaning of life and that, if he succeeds, his happiness will raise productivity. They don't buy the excuse. Management asks rhetorically, "What if we all get lost in thought—who'll be left to act?" Voschev is subsequently fired. He leaves the factory in search of new work.

Along the way, Voschev comes across a couple fighting in front of their children. He yells at them for not respecting the ideals of youth, but they tell him to go away. He then sees a cripple named Zhachev, who Voschev thinks is about to harass a group of Pioneer girls. Zhachev responds, "I look at children for memory." He claims that Voschev is "soft in the head" due to never having been at war.

Eventually Voschev joins a group of workers, all of whom are much stronger than him, a fact that Voschev attributes to his exhausting quest for truth. He learns that the group will be building digging an enormous foundation pit in which they will later construct a housing complex for the country's proletarians. Voschev also works at a slower pace than everyone else except for one man, Kozlov, whom the others make fun of for masturbating so often. Safronov, the most politically active worker at the foundation pit, complains when managements tells them to stop working for the day.

The group’s supervisor quietly climbs out of bed in order to take a walk outside. His name is Prushevsky and, like Voschev, he feels that something is missing in his life. "People make use of me," he says to himself, "but no one is glad of me." He contemplates suicide but determines he will first write a letter to his sister.

Chiklin, a typical worker at the site, discovers a gully that he feels the group can use for the foundation pit without having to dig so far into the earth. However, Safronov condemns him for thinking outside of the box and asks whether he received "a special kiss in infancy" that allows him to make better decisions than the government's experts back in Moscow. Prushevsky orders the men to take soil samples, but, after they are returned to him, he sadly admits that he doesn’t know anything about soil analysis because no one ever taught him how to look at the inside of things.

Prushevsky and Chiklin have a conversation about the days before the Russian Revolution. He tells Chiklin about a girl who spontaneously kissed him. She was the factory owner's daughter, and, while he regrets not stopping to talk to her, he's sure that she has grown old by now. Safronov and Kozlov begin to fight. Both claim that the other is trying to undermine the workers' goals, but Safronov leaves when Kozlov recalls the time he "incited a certain poor peasant to slaughter a cock and eat it."

Voschev continues to spend his days picking up leaves and other pieces of nature as proof that the world was created without purpose. He then recycles an old excuse, telling Safronov that he would like to take some paid time off in order to search for the meaning of life, which will increase productivity. Safronov counters that proletarians live for the enthusiasm to work. Chiklin walks through an old tile factory and finds Julia, the boss's daughter whom Prushevsky — and he, too, it is realized — kissed so many years earlier. She is about to die and is being taken care of by her daughter, Nastya. Julia tells her daughter to never reveal her family's wealthy origins, lest she be punished by class enemies. Chiklin kisses Julia one more time before she dies and then brings Nastya back to the barracks. He returns to the factor with Prushevsky, who does not recognize the dead woman. "I've always not recognized people I love," he explains, "though in the distance I’ve yearned for them." They leave her body in the room. Chiklin blocks the doorway with heavy bricks and tells Prushevsky that her death has given his life a new meaning.

Main characters

  • Voshchev — Protagonist who is introduced in the novel immediately after being fired from a machine factory. Management claimed he did not work hard enough. He arrives at the foundation pit with the same work ethic problem. Voshchev has a soft spot in his heart for children and does not believe they have a bright future in the Soviet Union.
  • Safronov — Most politically active worker at the foundation pit. He opposes the time limits that management places on workers’ schedules and condemns other workers’ attempts to contribute anything other than manual labor to the project. Safronov also dislikes Voschev’s necessity for truth. He deeply hates Kozlov.
  • Prushevsky — Supervisor who, like Voshchev, feels that he does not understand the meaning of life. He contemplates suicide due to this feeling and spends one night sleeping in the barracks with regular workers.
  • Pashkin — Chairman of the local trade union. He frequently urges the group to work harder and later brings in former bureaucrats to pick up the slack. Pashkin once went through a long court trial in which his patriotism and ethnicity, specifically due to the name of his father, Leon Ilych, were questioned.
  • Kozlov — Worker who deeply hates Safronov and whom others make fun of for masturbating under the covers at night. He recites memorized quotations and slogans in order to instill fear in villages and to climb the ranks within the local trade union.
  • Chiklin — Worker who feels no guilt about killing a random peasant while searching for the murderer of Safronov and Kozlov.
  • Nastya — Daughter of Julia. She is brought to live with the workers and is treated as a special guest. She feigns loyalty to Vladimir Lenin, keeping the promise to her mother that she would not reveal her family roots.
  • Julia — Mother of Nastya. She makes Nastya promise not to reveal her wealthy roots, lest she be punished as a member of the upper class. Julia is the woman who kissed Prushevsky many years earlier.
  • Activist — Unnamed organizer who maintains a great deal of enthusiasm. The activist is not too intelligent. He is constantly worried about management’s opinion of him.
  • Bear — Anthropomorphic bear who works as a blacksmith’s hammerer. He is talented at sniffing out kulaks, the members of a farming class whom the activist and others want to exterminate.
  • Zhachev — Cripple whom Voshchev passes at the beginning of the novel and berates for allegedly harassing young girls. He also abuses Pashkin’s wife, knowing that Pashkin, who doesn’t want to return to court, won’t hurt him. At one point in the novel, a peasant refers to Zhachev as “comrade cripple.”

References