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{{nihongo|'''''The Downfall of Osen'''''|折鶴お千|Orizuru Osen}} is a 1935 black and white Japanese silent film directed by [[Kenji Mizoguchi]], starring [[Isuzu Yamada]].<ref>Alastair Phillips, Julian Stringer Japanese Cinema: Texts And Contexts - 2007 Page 49 "The White Threads of the Waterfall (Taki no shiraito, 1933) Gion Festival (Gion matsuri, 1933) The Shinpu Group (Shinpu ̄ ren, 1934) The Mountain Pass of Love and Hate (Aizo ̄ to ̄ge, 1934) The Downfall of Osen (Orizuru Osen, 1935) ...</ref><ref>Eric Michael Mazur Encyclopedia of Religion and Film - 2011 - Page 326 "A decade later, during a time of growing nationalism and state control, Orizuru Osen (Downfall of Osen , 1935) depicts a ..."</ref> It is based on [[Kyōka Izumi]]'s novel ''Baishoku Kamo Nanban''."<ref>Keiko I. McDonald From Book to Screen: Modern Japanese Literature in Films 2000 - Page 16 "For example, Mizoguchi's major adaptations of Kyoka's works in shimpa mold include Shin onoga tsumi (My sin, new version), Nihonbashi (1929), The White Threads of 'the Cascade (1933), and Orizuru Osen (The downfall of Osen, 1935)."</ref>
{{nihongo|'''''The Downfall of Osen'''''|折鶴お千|Orizuru Osen}} is a 1935 black and white Japanese silent film directed by [[Kenji Mizoguchi]], starring [[Isuzu Yamada]].<ref>{{audie-bock-directors|page=65}}</ref> It is based on [[Kyōka Izumi]]'s novel ''Baishoku Kamo Nanban''.<ref>{{cite book|first=Keiko|last=McDonald |title=From Book to Screen: Modern Japanese Literature in Films |year=2000|page=16}}</ref>


Like most Japanese silent films, it played with ''[[benshi]]'' accompaniment. The film centers on the theme of the strength of a woman who gives everything to the man she loves; a theme which Mizoguchi explored his whole life. The moving camera technique and bold retrospective scenes greatly reflect Mizoguchi's experimental approach.{{citation needed|date=January 2013}}
Like most Japanese silent films, it played with ''[[benshi]]'' accompaniment. The film centers on the theme of the strength of a woman who gives everything to the man she loves; a theme which Mizoguchi explored his whole life. The moving camera technique and bold retrospective scenes greatly reflect Mizoguchi's experimental approach.{{citation needed|date=January 2013}}
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==Reception==
==Reception==
Japanese film critic Chika Kinoshita noted that the film occupies a special place within the critical reception of [[Kenji Mizoguchi]]'s oeuvre and it has been signed out as one of the earliest embodiments of his style in the late 1930s.<ref>{{cite book|first=Chika|last=Kinoshita|chapter=The Benshi Track: Mizoguchi Kenji's The Downfall of Osen and the Sound Transition|title=[[Cinema Journal]]|volume=50|version=3|publisher=[[Society for Cinema and Media Studies]]|year=Spring 2011|pages=1}}</ref><ref>New York Magazine - 1 June 1981 - Vol. 14, n° 22 Page 64 "May 25, 12 p.m.: Three short films; 2:30 p.m.: "The Downfall of Osen" (1935) by Kenji Mizoguchi; 6 p.m.: "The Lady of Musashino" (1951) by Mizoguchi. May 26, 12 p.m.: ..."</ref>
Japanese film critic Chika Kinoshita noted that the film occupies a special place within the critical reception of [[Kenji Mizoguchi]]'s oeuvre and it has been signed out as one of the earliest embodiments of his style in the late 1930s.<ref>{{cite book|first=Chika|last=Kinoshita|chapter=The Benshi Track: Mizoguchi Kenji's The Downfall of Osen and the Sound Transition|title=[[Cinema Journal]]|volume=50|version=3|publisher=[[Society for Cinema and Media Studies]]|year=Spring 2011|pages=1}}</ref>
==References==
==References==
{{reflist}}
{{reflist}}

Revision as of 10:00, 4 May 2013

The Downfall of Osen
File:Orizuru Osen DVD cover.jpg
DVD cover of 2009 release
Directed byKenji Mizoguchi
Written byTatsunosuke Takashima
Produced byMasaichi Nagata
StarringIsuzu Yamada
Daijiro Natsukawa
Ichiro Yoshizawa
Narrated bySuisei Matsui
Midori Sawato
CinematographyMinoru Miki
Production
company
Daiichi Eiga
Distributed byShochiku
Release date
  • January 20, 1935 (1935-01-20) (Japan)
Running time
90 minutes
CountryJapan
LanguageJapanese

The Downfall of Osen (折鶴お千, Orizuru Osen) is a 1935 black and white Japanese silent film directed by Kenji Mizoguchi, starring Isuzu Yamada.[1] It is based on Kyōka Izumi's novel Baishoku Kamo Nanban.[2]

Like most Japanese silent films, it played with benshi accompaniment. The film centers on the theme of the strength of a woman who gives everything to the man she loves; a theme which Mizoguchi explored his whole life. The moving camera technique and bold retrospective scenes greatly reflect Mizoguchi's experimental approach.[citation needed]

Cast

  • Isuzu Yamada as Osen
  • Daijiro Natsukawa as Sokichi Hata
  • Ichiro Yoshizawa as Ukiki
  • Shin Shibata as Kumazawa
  • Genichi Fujii as Matsuda

Reception

Japanese film critic Chika Kinoshita noted that the film occupies a special place within the critical reception of Kenji Mizoguchi's oeuvre and it has been signed out as one of the earliest embodiments of his style in the late 1930s.[3]

References

  1. ^ Bock, Audie (1978). Japanese Film Directors. Kodansha. p. 65. ISBN 0-87011-304-6.
  2. ^ McDonald, Keiko (2000). From Book to Screen: Modern Japanese Literature in Films. p. 16.
  3. ^ Kinoshita, Chika (Spring 2011). "The Benshi Track: Mizoguchi Kenji's The Downfall of Osen and the Sound Transition". Cinema Journal. 3. Vol. 50. Society for Cinema and Media Studies. p. 1.{{cite book}}: CS1 maint: year (link)