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==Works==
==Works==
[[File:Hockney, A Bigger Grand Canyon.jpg|thumb|One of the works displayed, ''A Bigger Grand Canyon'']]
[[File:Hockney, A Bigger Grand Canyon.jpg|thumb|One of the works displayed, ''A Bigger Grand Canyon'']]
In 2007 the [[Royal Academy of Arts]] and the [[Guggenheim Museum Bilbao]] stated<ref>{{cite web|url=http://www.elmundo.es/elmundo/2012/05/14/paisvasco/1336999218.html// |title=El color y los paisajes de Hockney llenan el Guggenheim &#124; País Vasco |publisher=elmundo.es |date=2012-05-14 |accessdate=2013-08-15}}</ref> they had no desire to do a [[retrospective]] of [[David Hockney|Hockney]]’s works, instead the focus was to be on his current work. The artist’s return to Britain (specifically his [[Bradford|natal]] [[Yorkshire]]) after a long stay in [[California]].
In 2007 the [[Royal Academy of Arts]] and the [[Guggenheim Museum Bilbao]] stated<ref>{{cite web|url=http://www.elmundo.es/elmundo/2012/05/14/paisvasco/1336999218.html// |title=El color y los paisajes de Hockney llenan el Guggenheim &#124; País Vasco |publisher=elm-undo.es |date=2012-05-14 |access date=2013-08-15}}</ref> they had no desire to do a [[retrospective]] of [[David Hockney|Hockney]]’s works, instead, the focus was to be on his current work. The artist’s return to Britain specifically his [[Bradford|natal]] [[Yorkshire]]) after a long stay in [[California]].
The exhibit included o[[Oil painting|il painting]]s, [[Charcoal#Art|charcoal]] drawings, [[Sketch (drawing)|sketches]], [[digital video]]s and [[iPad-made painting]]s the core of which concerning landscapes depicting Hockney's native county of Yorkshire.
The exhibit included [[Oil painting|oil painting]]s, [[Charcoal#Art|charcoal]] drawings, [[Sketch (drawing)|sketches]], [[digital video]]s and [[i Pad-made painting]]s the core of which concerning landscapes depicting Hockney's native county of Yorkshire.


===Oil Paintings===
===Oil Paintings===
The exhibit focused on n[[Nature|ature]]’s development throughout the [[year|year.]] This was especially noted in the masterpiece, ''[[Spring’s Arrival In Woldgate, East Yorkshire in 2011|Spring’s arrival in Woldgate]];'' a huge work composed of 32 [[canvas]]es showing a road amongst trees. This work is noted for Hockney’s [[Polychrome|polychromatic]] style expressed in the diversity of colours.
The exhibit focused on [[Nature|nature]]’s development throughout the [[year|year.]] This was especially noted in the masterpiece, ''[[Spring’s Arrival In Wold gate, East Yorkshire in 2011|Spring’s arrival in Wold gate]];'' a huge work composed of 32 [[canvas]]es showing a road amongst trees. This work is noted for Hockney’s [[Polychrome|polychromatic]] style expressed in the diversity of colors.


===iPad Paintings===
===i Pad Paintings===
51 [[iPad paintings]] were displayed showing the transition from [[winter]] to [[summer]] on a small path in [[East Yorkshire]]. Using the [[Mobile app|app]] ''Brushes'' [[David Hockney|the artist]] replaced the traditional [[sketch-notebook]] with a digital medium.
51 [[i Pad paintings]] were displayed showing the transition from [[winter]] to [[summer]] on a small path in [[East Yorkshire]]. Using the [[Mobile app|app]] ''Brushes'' [[David Hockney|the artist]] replaced the traditional [[sketch-notebook]] with a digital medium.


==Activities==
==Activities==

Revision as of 14:36, 18 September 2013

David Hockney: A Bigger Picture (Spanish David Hockney: Una Visión Más Amplia, Basque David Hockney:Since 1960 David Hockney has charmed the world with his Pop-primitivist paintings, which, never taking themselves too seriously, evoke true feelings of nostalgia, tranquility and the propensity to daydream. His exhibition 'A Bigger Picture,' focusing on the East Yorkshire landscape, is spending the summer at the Guggenheim in Bilbao after a successful run at the Royal Academy of Arts.

Hockney, considered by many to be Britain's most famous living painter, has become somewhat of a rebel from his refusal to rebel. As hip artistic themes turned conceptual and hip artistic aesthetics turned abstract, Hockney continued pursuing his passion for representational landscapes, albeit with a twist. Fearlessly combining Cubism and cartooning, art historical tradition and the latest Apple product, Hockney's work is infused with tradition, yet he the cannon like a box of crayons to be mixed and matched at will. His fearlessness and capriciousness has kept his work informed and innovative for over 40 years. ikuspegi zabalago bat) was an art exhibition held in the Guggenheim Museum Bilbao from the 15th of May to the 30th of September 2012. All works shown were paintings, collages and electronically-produced art by the English artist David Hockney and the exhibition - a collaboration between the Royal Academy of Arts and the Guggenheim Museum Bilbao - was based on the acclaimed show at London's Royal Academy from 21 January 2012 to 9 April 2012. The show was one of the most popular ever held in the museum, drawing over 296,000 visitors over the course of the summer. It also received generally favourable reviews from both critics and visitors.

Guggenheim Museum Bilbao

The title of the show is inspired by one of Hockney's most iconic works, 1967's A Bigger Splash.

Works

One of the works displayed, A Bigger Grand Canyon

In 2007 the Royal Academy of Arts and the Guggenheim Museum Bilbao stated[1] they had no desire to do a retrospective of Hockney’s works, instead, the focus was to be on his current work. The artist’s return to Britain specifically his natal Yorkshire) after a long stay in California. The exhibit included oil paintings, charcoal drawings, sketches, digital videos and i Pad-made paintings the core of which concerning landscapes depicting Hockney's native county of Yorkshire.

Oil Paintings

The exhibit focused on nature’s development throughout the year. This was especially noted in the masterpiece, Spring’s arrival in Wold gate; a huge work composed of 32 canvases showing a road amongst trees. This work is noted for Hockney’s polychromatic style expressed in the diversity of colors.

i Pad Paintings

51 i Pad paintings were displayed showing the transition from winter to summer on a small path in East Yorkshire. Using the app Brushes the artist replaced the traditional sketch-notebook with a digital medium.

Activities

During the exhibition there were some related activities organized by the museum; these included a conference on East Yorkshire’s landscapes and a workshop on painting with the iPad.

Conference

The conference was delivered by Edith Devaney, commissioner of the exhibition, where the main aspects of the displayed works were explained and analyzed. Moreover, she went on to teach the public on Hockney’s work with new technologies, especially the iPad.

All participants were required to bring their own iPad

Workshop

The workshop’s intention was to show the public the benefits of working with an iPad, not only for artistic creation but for graphic entertainment as well. It was delivered by Óscar Ciencia.

Critical Response

The exhibition was one of the most popular in Spain in the summer of 2012. On December 29, 2012 El País released their annual Top 10 exhibitions of the year[2] (the most important in the Spanish art world). It came second only to Edward Hopper’s exhibition that same summer in the Thyssen-Bornemisza Museum. The Guggenheim’s exhibition was first in El Mundo’s list of 12 exhibitions to see that summer.[3]

See also

References

  1. ^ "El color y los paisajes de Hockney llenan el Guggenheim | País Vasco". elm-undo.es. 2012-05-14. {{cite web}}: Unknown parameter |access date= ignored (|access-date= suggested) (help)
  2. ^ "Las 10 exposiciones más votadas por los críticos de arte | Cultura | EL PAÍS". Cultura.elpais.com. Retrieved 2013-08-15.
  3. ^ "¿Hambre de arte?". elmundo.es. 2012-08-17. Retrieved 2013-08-15.