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'''Lawrence''' "'''Larry'''" '''Cecil Adler''' (February 10, 1914<ref name="New Grove">{{cite book|title=The new Grove dictionary of jazz, vol. 1|year=2002|publisher=Grove's Dictionaries Inc.|location=New York|isbn=1-56159-284-6|edition=2nd|editor=Barry Kernfeld|page=16|chapter=Adler, Larry}}</ref> – August 6, 2001) was an [[United States|American]] [[musician]], widely acknowledged as one of the world's most skilled [[harmonica]] players. Composers such as [[Ralph Vaughan Williams]], [[Malcolm Arnold]], [[Darius Milhaud]] and [[Arthur Benjamin]] composed works for him. During the later stage of his career he was known for his collaborations with popular musicians [[Sting (musician)|Sting]], [[Elton John]], [[Kate Bush]], and [[Cerys Matthews]].
'''Lawrence''' "'''Larry'''" '''Cecil Adler''' (February 10, 1914<ref name="New Grove">{{cite book|title=The new Grove dictionary of jazz, vol. 1|year=2002|publisher=Grove's Dictionaries Inc.|location=New York|isbn=1-56159-284-6|edition=2nd|editor=Barry Kernfeld|page=16|chapter=Adler, Larry}}</ref> – August 6, 2001) was an [[United States|American]] [[musician]], one of the world's most skilled [[harmonica]] players. [[Ralph Vaughan Williams]], [[Malcolm Arnold]], [[Darius Milhaud]] and [[Arthur Benjamin]] composed for him. During his later career he collaborated with [[Sting (musician)|Sting]], [[Elton John]], [[Kate Bush]] and [[Cerys Matthews]].


==Biography==
==Biography==
Adler was born in [[Baltimore]], [[Maryland]], into a [[Jew]]ish family and graduated from the [[Baltimore City College]] high school.<ref>{{cite web |url= http://www.nndb.com/people/174/000086913/|title= Larry Adler |accessdate=2008-04-28 |work= NNDB}}</ref> Adler taught himself harmonica (which he preferred to call a mouth-organ)<ref>[http://news.bbc.co.uk/2/hi/entertainment/198252.stm BBC News]</ref> and began playing professionally at the age of 14. In 1927, the harmonica was popular enough that the ''[[Baltimore Sun]]'' newspaper sponsored a contest. His rendering of a [[Ludwig van Beethoven|Beethoven]] [[minuet]] won him the award, and a year later, he ran away from home to New York. After being referred by [[Rudy Vallée]], Adler got his first theatre work, and caught the attention of orchestra leader Paul Ash, who placed Adler in a vaudeville act as "a ragged urchin, playing for pennies".<ref name = "curr">''Current Biography 1944'', pp3-5</ref> From there, he was hired by [[Florenz Ziegfeld]] and then by [[Lew Leslie]] (again as an urchin). Adler finally broke the typecasting and appeared in a dinner jacket in the 1934 Paramount film ''Many Happy Returns'', and was hired by British theatrical producer [[Charles B. Cochran|C. B. Cochran]] to perform in a London revue. Adler found stardom in the United Kingdom and the British Empire, where, it has been written, harmonica sales increased twenty-fold and 300,000 people joined fan clubs.".<ref name = "curr"/>
Adler was born in [[Baltimore]], [[Maryland]], to a [[Jew]]ish family, and graduated from [[Baltimore City College]] high school.<ref>{{cite web |url= http://www.nndb.com/people/174/000086913/|title= Larry Adler |accessdate=2008-04-28 |work= NNDB}}</ref> He taught himself harmonica (which he called a mouth-organ)<ref>[http://news.bbc.co.uk/2/hi/entertainment/198252.stm BBC News]</ref> and played professionally at 14. In 1927, he won a contest sponsored by the ''[[Baltimore Sun]]'', playing a [[Ludwig van Beethoven|Beethoven]] [[minuet]], and a year later he ran away from home to New York. After being referred by [[Rudy Vallée]], Adler got his first theatre work, and caught the attention of orchestra leader Paul Ash, who placed Adler in a vaudeville act as "a ragged urchin, playing for pennies".<ref name = "curr">''Current Biography 1944'', pp3-5</ref> From there, he was hired by [[Florenz Ziegfeld]] and then by [[Lew Leslie]] again as an urchin. He broke the typecasting and appeared in a dinner jacket in the 1934 Paramount film ''Many Happy Returns'', and was hired by theatrical producer [[Charles B. Cochran|C. B. Cochran]] to perform in London. He became a star in the United Kingdom and the Empire, where, it has been written, harmonica sales increased 20-fold and 300,000 people joined fan clubs.".<ref name = "curr"/>


Adler was one of the first harmonica players to perform major works written for the instrument, often written expressly for him: these include [[Jean Berger]]'s ''Concerto for Harmonica and Orchestra "Caribbean"'' (1941), [[Cyril Scott]]'s ''Serenade'' (harmonica and piano, 1936), [[Ralph Vaughan Williams|Vaughan Williams]]' ''Romance in D-flat'' (harmonica, piano and string orchestra; premiered New York, 1952), [[Darius Milhaud|Milhaud]]'s ''Suite Anglais'' (Paris, May 28, 1947), [[Arthur Benjamin]]'s Harmonica Concerto (1953), and [[Malcolm Arnold]]'s [[Concerto for Harmonica and Orchestra (Arnold)|Harmonica Concerto]], Op. 46 (1954, written for [[The Proms]]). He recorded all these pieces (except the Scott ''Serenade''), some more than once. Earlier, Adler had performed transcriptions of pieces written for other instruments, such as [[violin]] concertos by [[Johann Sebastian Bach|Bach]] and [[Antonio Vivaldi|Vivaldi]] - he played his arrangement of Vivaldi's Violin Concerto in A minor with the [[Sydney Symphony]]. Other works he played in harmonica arrangements were by [[Béla Bartók|Bartók]], Beethoven (''Minuet in G''), [[Claude Debussy|Debussy]], [[Manuel de Falla|Falla]], [[George Gershwin|Gershwin]] (''[[Rhapsody in Blue]]''), [[Wolfgang Amadeus Mozart|Mozart]] (slow movement from the Oboe Quartet, K. 470), [[Francis Poulenc|Poulenc]], [[Maurice Ravel|Ravel]] (''[[Boléro]]''), [[Igor Stravinsky|Stravinsky]] and [[William Walton|Walton]].
Adler was one of the first harmonica players to perform major works written for the instrument, often written for him: these include [[Jean Berger]]'s ''Concerto for Harmonica and Orchestra "Caribbean"'' (1941), [[Cyril Scott]]'s ''Serenade'' (harmonica and piano, 1936), [[Ralph Vaughan Williams|Vaughan Williams]]' ''Romance in D-flat'' (harmonica, piano and string orchestra; premiered New York, 1952), [[Darius Milhaud|Milhaud]]'s ''Suite Anglais'' (Paris, May 28, 1947), [[Arthur Benjamin]]'s Harmonica Concerto (1953), and [[Malcolm Arnold]]'s [[Concerto for Harmonica and Orchestra (Arnold)|Harmonica Concerto]], Op. 46 (1954, written for [[The Proms]]). He recorded all except the Scott ''Serenade'', some more than once. Earlier, Adler had performed transcriptions of pieces for other instruments, such as [[violin]] concertos by [[Johann Sebastian Bach|Bach]] and [[Antonio Vivaldi|Vivaldi]] - he played his arrangement of Vivaldi's Violin Concerto in A minor with the [[Sydney Symphony]]. Other works he played in harmonica arrangements were by [[Béla Bartók|Bartók]], Beethoven (''Minuet in G''), [[Claude Debussy|Debussy]], [[Manuel de Falla|Falla]], [[George Gershwin|Gershwin]] (''[[Rhapsody in Blue]]''), [[Wolfgang Amadeus Mozart|Mozart]] (slow movement from the Oboe Quartet, K. 470), [[Francis Poulenc|Poulenc]], [[Maurice Ravel|Ravel]] (''[[Boléro]]''), [[Igor Stravinsky|Stravinsky]] and [[William Walton|Walton]].


During the 1940s, Adler and the American virtuoso dancer, [[Paul Draper (dancer)|Paul Draper]], formed a popular act, touring nationally and internationally. He moved to the [[United Kingdom]] in 1949, and settled in [[London]], where he remained for the remainder of his life.
During the 1940s, Adler and the dancer, [[Paul Draper (dancer)|Paul Draper]], formed an act and toured nationally and internationally. He moved to the United Kingdom in 1949 and settled in [[London]], where he remained the rest of his life.
The 1953 film ''[[Genevieve (film)|Genevieve]]'' brought him an [[Academy Awards|Oscar]] nomination for his work on the [[soundtrack]] (though his name was originally kept off the credits in the United States due to [[Hollywood blacklist|blacklisting]]). He scored a hit with the [[theme song]] of the French [[Jacques Becker]] movie ''[[Touchez pas au grisbi]]'' with [[Jean Gabin]], written by [[Jean Wiener]].
The 1953 film ''[[Genevieve (film)|Genevieve]]'' brought him an [[Academy Awards|Oscar]] nomination for his work on the [[soundtrack]], though his name was originally kept off the credits in the United States due to [[Hollywood blacklist|blacklisting]]. He scored a hit with the [[theme song]] of the French [[Jacques Becker]] movie ''[[Touchez pas au grisbi]]'' with [[Jean Gabin]], written by [[Jean Wiener]].


In 1994 for his 80th birthday Adler, along with [[George Martin]], produced an album of [[George Gershwin]] songs, ''[[The Glory of Gershwin]]'', on which Adler and Martin performed "Rhapsody in Blue." ''The Glory of Gershwin'' reached #2 in the [[UK Albums Chart]] in 1994.<ref name="British Hit Singles & Albums">{{cite book
In 1994 for his 80th birthday Adler and [[George Martin]], produced an album of [[George Gershwin]] songs, ''[[The Glory of Gershwin]]'', on which they performed "Rhapsody in Blue." ''The Glory of Gershwin'' reached number 2 in the [[UK albums chart]] in 1994.<ref name="British Hit Singles & Albums">{{cite book
| first= David
| first= David
| last= Roberts
| last= Roberts
Line 39: Line 39:
| location= London
| location= London
| isbn= 1-904994-10-5
| isbn= 1-904994-10-5
| page= 15}}</ref> Adler was an entertaining performer and showman. The concerts in support of ''The Glory of Gershwin'' also revealed that he was a competent pianist, when he opened each performance with Gershwin's "Summertime", playing piano and harmonica simultaneously. The album featured an all-star lineup of artists, including [[Peter Gabriel]], [[Oleta Adams]], [[Elton John]], [[Sting (musician)|Sting]], [[Jon Bon Jovi]] and [[Richie Sambora]], [[Meat Loaf]], [[Sinéad O'Connor]], [[Robert Palmer (singer)|Robert Palmer]], [[Cher]], [[Kate Bush]], [[Elvis Costello]], [[Courtney Pine]], [[Issy Van Randwyck]], [[Lisa Stansfield]] and [[Carly Simon]], all of whom sang Gershwin tunes live with an orchestra and Adler adding harmonica solos.
| page= 15}}</ref> Adler was a and showman. Concerts to support ''The Glory of Gershwin'' shoed he was a competent pianist. He each performance with Gershwin's "Summertime", playing piano and harmonica simultaneously. The album included [[Peter Gabriel]], [[Oleta Adams]], [[Elton John]], [[Sting (musician)|Sting]], [[Jon Bon Jovi]] and [[Richie Sambora]], [[Meat Loaf]], [[Sinéad O'Connor]], [[Robert Palmer (singer)|Robert Palmer]], [[Cher]], [[Kate Bush]], [[Elvis Costello]], [[Courtney Pine]], [[Issy Van Randwyck]], [[Lisa Stansfield]] and [[Carly Simon]], all of whom sang Gershwin tunes with an orchestra and Adler adding harmonica solos.


He died peacefully in [[St Thomas' Hospital]], [[London]], at the age of 87, on August 7, 2001. He was cremated at the [[Golders Green Crematorium]], where his ashes remain.
He died in [[St Thomas' Hospital]], [[London]], at 87, on August 7, 2001. He was cremated at [[Golders Green Crematorium]], where his ashes remain.


==Other fields==
==Other fields==
Apart from his career as a renowned musician, Adler also made appearances in several movies, including ''[[Sidewalks of London]]'' (1938), in which he played a harmonica virtuoso. He was also known as a prolific letter writer, with his correspondence with the satirical magazine ''[[Private Eye]]'' becoming very popular in the United Kingdom. Adler wrote an autobiography &mdash; entitled ''It Ain't Necessarily So'' &mdash; in 1985, and worked as a food critic for ''[[Harpers & Queen]]'' for some time. Adler also appeared on the [[Jack Benny]] radio program<ref>{{cite episode
Apart from his career a musician, Adler appeared in movies, including ''[[Sidewalks of London]]'' (1938), in which he played a harmonica virtuoso. He was a prolific letter writer, his correspondence with ''[[Private Eye]]'' becoming popular in the United Kingdom. Adler wrote an autobiography &mdash; entitled ''It Ain't Necessarily So'' &mdash; in 1985, and was food critic for ''[[Harpers & Queen]]''. He also appeared on the [[Jack Benny]] radio program<ref>{{cite episode
| title = USO Show
| title = USO Show
| network = [[NBC]]
| network = [[NBC]]
Line 51: Line 51:
| airdate = 1943-09-13
| airdate = 1943-09-13
}}</ref>
}}</ref>
several times, entertaining disabled soldiers stateside during World War II. A further biography, ''Me and My Big Mouth'' appeared in 1994 but, in an interview for The Free-Reed Journal, he made clear that it should not be considered as such: 'That's a lousy book and I don't like it; it's ghosted . ... [It] has a certain amount of factual material but the author completely missed my style and my voice. That's why I hate the book.'<ref>[http://free-reed.net/essays/adler.html](retrieved 6 June 2011).</ref>
several times, entertaining disabled soldiers in the USA during World War II. A further biography, ''Me and My Big Mouth'' appeared in 1994 but he told The Free-Reed Journal: 'That's a lousy book and I don't like it; it's ghosted . ... [It] has a certain amount of factual material but the author completely missed my style and my voice. That's why I hate the book.'<ref>[http://free-reed.net/essays/adler.html](retrieved 6 June 2011).</ref>


==Personal life==
==Personal life==
Adler had four children, two grandchildren and two great grandchildren, one of whom was Peter Adler who fronted a band called the Action and others,<ref>{{cite web|url=http://irishrock.org/irodb/bands/action.html |title=Irish Rock Discography: The Action |publisher=Irishrock.org |date= |accessdate=2011-11-02}}</ref> in Dublin, Ireland in the late 1960s. Adler was an [[atheist]].<ref name="Adler 2001, Pg. 24"/> His brother, [[Jerry Adler (harmonica player)|Jerry Adler]] (1918&ndash;2010) was also an accomplished harmonica player.
Adler had four children, two grandchildren and two great grandchildren, one of whom was Peter Adler who fronted the band, Action, and others,<ref>{{cite web|url=http://irishrock.org/irodb/bands/action.html |title=Irish Rock Discography: The Action |publisher=Irishrock.org |date= |accessdate=2011-11-02}}</ref> in Dublin, Ireland in the late 1960s. Adler was an [[atheist]].<ref name="Adler 2001, Pg. 24"/> His brother, [[Jerry Adler (harmonica player)|Jerry Adler]] (1918&ndash;2010) was also an harmonica player.


==References==
==References==

Revision as of 06:47, 21 December 2014

Larry Adler
City Center NYC (January 1947) photo by William Gottlieb
Born
Lawrence Cecil Adler

(1914-02-10)February 10, 1914
DiedAugust 6, 2001(2001-08-06) (aged 87)
Occupation(s)Composer; actor; musician
Years active1931-2001
Spouse(s)Eileen Walser (1952-1957) (divorced) 2 children
Sally Cline (1959-1963) (divorced) 1 child

Lawrence "Larry" Cecil Adler (February 10, 1914[2] – August 6, 2001) was an American musician, one of the world's most skilled harmonica players. Ralph Vaughan Williams, Malcolm Arnold, Darius Milhaud and Arthur Benjamin composed for him. During his later career he collaborated with Sting, Elton John, Kate Bush and Cerys Matthews.

Biography

Adler was born in Baltimore, Maryland, to a Jewish family, and graduated from Baltimore City College high school.[3] He taught himself harmonica (which he called a mouth-organ)[4] and played professionally at 14. In 1927, he won a contest sponsored by the Baltimore Sun, playing a Beethoven minuet, and a year later he ran away from home to New York. After being referred by Rudy Vallée, Adler got his first theatre work, and caught the attention of orchestra leader Paul Ash, who placed Adler in a vaudeville act as "a ragged urchin, playing for pennies".[5] From there, he was hired by Florenz Ziegfeld and then by Lew Leslie again as an urchin. He broke the typecasting and appeared in a dinner jacket in the 1934 Paramount film Many Happy Returns, and was hired by theatrical producer C. B. Cochran to perform in London. He became a star in the United Kingdom and the Empire, where, it has been written, harmonica sales increased 20-fold and 300,000 people joined fan clubs.".[5]

Adler was one of the first harmonica players to perform major works written for the instrument, often written for him: these include Jean Berger's Concerto for Harmonica and Orchestra "Caribbean" (1941), Cyril Scott's Serenade (harmonica and piano, 1936), Vaughan Williams' Romance in D-flat (harmonica, piano and string orchestra; premiered New York, 1952), Milhaud's Suite Anglais (Paris, May 28, 1947), Arthur Benjamin's Harmonica Concerto (1953), and Malcolm Arnold's Harmonica Concerto, Op. 46 (1954, written for The Proms). He recorded all except the Scott Serenade, some more than once. Earlier, Adler had performed transcriptions of pieces for other instruments, such as violin concertos by Bach and Vivaldi - he played his arrangement of Vivaldi's Violin Concerto in A minor with the Sydney Symphony. Other works he played in harmonica arrangements were by Bartók, Beethoven (Minuet in G), Debussy, Falla, Gershwin (Rhapsody in Blue), Mozart (slow movement from the Oboe Quartet, K. 470), Poulenc, Ravel (Boléro), Stravinsky and Walton.

During the 1940s, Adler and the dancer, Paul Draper, formed an act and toured nationally and internationally. He moved to the United Kingdom in 1949 and settled in London, where he remained the rest of his life.

The 1953 film Genevieve brought him an Oscar nomination for his work on the soundtrack, though his name was originally kept off the credits in the United States due to blacklisting. He scored a hit with the theme song of the French Jacques Becker movie Touchez pas au grisbi with Jean Gabin, written by Jean Wiener.

In 1994 for his 80th birthday Adler and George Martin, produced an album of George Gershwin songs, The Glory of Gershwin, on which they performed "Rhapsody in Blue." The Glory of Gershwin reached number 2 in the UK albums chart in 1994.[6] Adler was a and showman. Concerts to support The Glory of Gershwin shoed he was a competent pianist. He each performance with Gershwin's "Summertime", playing piano and harmonica simultaneously. The album included Peter Gabriel, Oleta Adams, Elton John, Sting, Jon Bon Jovi and Richie Sambora, Meat Loaf, Sinéad O'Connor, Robert Palmer, Cher, Kate Bush, Elvis Costello, Courtney Pine, Issy Van Randwyck, Lisa Stansfield and Carly Simon, all of whom sang Gershwin tunes with an orchestra and Adler adding harmonica solos.

He died in St Thomas' Hospital, London, at 87, on August 7, 2001. He was cremated at Golders Green Crematorium, where his ashes remain.

Other fields

Apart from his career a musician, Adler appeared in movies, including Sidewalks of London (1938), in which he played a harmonica virtuoso. He was a prolific letter writer, his correspondence with Private Eye becoming popular in the United Kingdom. Adler wrote an autobiography — entitled It Ain't Necessarily So — in 1985, and was food critic for Harpers & Queen. He also appeared on the Jack Benny radio program[7] several times, entertaining disabled soldiers in the USA during World War II. A further biography, Me and My Big Mouth appeared in 1994 but he told The Free-Reed Journal: 'That's a lousy book and I don't like it; it's ghosted . ... [It] has a certain amount of factual material but the author completely missed my style and my voice. That's why I hate the book.'[8]

Personal life

Adler had four children, two grandchildren and two great grandchildren, one of whom was Peter Adler who fronted the band, Action, and others,[9] in Dublin, Ireland in the late 1960s. Adler was an atheist.[1] His brother, Jerry Adler (1918–2010) was also an harmonica player.

References

  1. ^ a b I was among friends and family who packed a chapel at Golders Green crematorium on Friday to hear more than two hours of tributes to Adler. In accordance with Adler's wishes - he was an inveterate atheist who refused to recognise the supernatural in any shape or form - there were no religious observances." Richard Ingrams, 'Larry Adler: brilliant musician, formidable campaigner', The Observer, August 12, 2001, Observer News Pages, Pg. 24.
  2. ^ Barry Kernfeld, ed. (2002). "Adler, Larry". The new Grove dictionary of jazz, vol. 1 (2nd ed.). New York: Grove's Dictionaries Inc. p. 16. ISBN 1-56159-284-6.
  3. ^ "Larry Adler". NNDB. Retrieved 2008-04-28.
  4. ^ BBC News
  5. ^ a b Current Biography 1944, pp3-5
  6. ^ Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 15. ISBN 1-904994-10-5.
  7. ^ "USO Show". 1943-09-13. NBC. {{cite episode}}: Missing or empty |series= (help); Unknown parameter |city= ignored (|location= suggested) (help)
  8. ^ [1](retrieved 6 June 2011).
  9. ^ "Irish Rock Discography: The Action". Irishrock.org. Retrieved 2011-11-02.

Further reading

Articles

Wilcock, John. "Night Book for Night Owls: Artist at the Gate". The Village Voice. February 25, 1959.

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