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Set in 1950s Tunisia, the film is about a 25-year-old woman, Alia, who returns to her place of birth—a prince's palace in which her mother, Khedija, worked as a house servant and mistress.<ref>{{Cite web|url = http://www.imdb.com/title/tt0111055/synopsis?ref_=ttpl_pl_syn|title = The Silences Of The Palace|last =|first =|date =|website = IMDB|publisher =|access-date =}}</ref> Alia had fled the palace ten years earlier, at which time she spent burying totured memories of her childhood.<ref name=":0">{{Cite news|url = http://www.nytimes.com/movie/review?res=9900EEDB1F3AF933A0575AC0A962958260|title = Movie Review - The Silences of the Palace (1994)|last = James|first = Caryn|date = September 30, 1994|work =|access-date = March 5th, 2016|via =}}</ref> In her visit to pay respects for the death of the prince, Alia wanders through the largely abandoned palace where she is confronted by these memories represented as detailed flashbacks of her childhood. She begins to piece together a narrative about her mother's sexuality and sexual exploitation in a space ordered by gender and class difference, and against the backdrop of her persistant questioning about her father's identity.<ref name=":0" /><ref>{{Cite web|url = http://www.jadaliyya.com/pages/index/3024/films-for-the-classroom_silences-of-the-palace|title = Films For The Classroom: Silences of the Palace|last = Sedra|first = Paul|date = November 2nd, 2011|website = Jadaliyya|publisher =|access-date = March 5th, 2016}}</ref> As Alia negotiates her past, she also deals with her current relationship to her lover, Lotfi, who has asked her to have what seems to be yet another abortion.<ref name=":0" /> <ref name=":1">{{Cite web|url = http://forgottenclassicsofyesteryear.blogspot.com/2010/02/silences-of-palace.html|title = Forgotten Classics of Yesteryear|last = Hood|first = Nathan|date = February 16, 2010|website = Forgotten Classics of Yesteryear|publisher =|access-date = March 5th, 2016}}</ref> Her development throughout the course of the film is brought about by her awakening to a past of sexual and social servitude which many of the female servants experienced in the palace against her own contested independence fraught with pain, conflict and uncertainty.<ref name=":1" /> It also becomes clear that Alia was the unclaimed daughter of the deceased prince, something that her mother had guarded till her own death at the end of the film<ref name=":12">{{Cite web|url=http://forgottenclassicsofyesteryear.blogspot.com/2010/02/silences-of-palace.html|title=Forgotten Classics of Yesteryear|last=Hood|first=Nathan|date=February 16, 2010|website=Forgotten Classics of Yesteryear|publisher=|access-date=March 5th, 2016}}</ref> |
Set in 1950s Tunisia, the film is about a 25-year-old woman, Alia, who returns to her place of birth—a prince's palace in which her mother, Khedija, worked as a house servant and mistress.<ref>{{Cite web|url = http://www.imdb.com/title/tt0111055/synopsis?ref_=ttpl_pl_syn|title = The Silences Of The Palace|last =|first =|date =|website = IMDB|publisher =|access-date =}}</ref> Alia had fled the palace ten years earlier, at which time she spent burying totured memories of her childhood.<ref name=":0">{{Cite news|url = http://www.nytimes.com/movie/review?res=9900EEDB1F3AF933A0575AC0A962958260|title = Movie Review - The Silences of the Palace (1994)|last = James|first = Caryn|date = September 30, 1994|work =|access-date = March 5th, 2016|via =}}</ref> In her visit to pay respects for the death of the prince, Alia wanders through the largely abandoned palace where she is confronted by these memories represented as detailed flashbacks of her childhood. She begins to piece together a narrative about her mother's sexuality and sexual exploitation in a space ordered by gender and class difference, and against the backdrop of her persistant questioning about her father's identity.<ref name=":0" /><ref>{{Cite web|url = http://www.jadaliyya.com/pages/index/3024/films-for-the-classroom_silences-of-the-palace|title = Films For The Classroom: Silences of the Palace|last = Sedra|first = Paul|date = November 2nd, 2011|website = Jadaliyya|publisher =|access-date = March 5th, 2016}}</ref> As Alia negotiates her past, she also deals with her current relationship to her lover, Lotfi, who has asked her to have what seems to be yet another abortion.<ref name=":0" /> <ref name=":1">{{Cite web|url = http://forgottenclassicsofyesteryear.blogspot.com/2010/02/silences-of-palace.html|title = Forgotten Classics of Yesteryear|last = Hood|first = Nathan|date = February 16, 2010|website = Forgotten Classics of Yesteryear|publisher =|access-date = March 5th, 2016}}</ref> Her development throughout the course of the film is brought about by her awakening to a past of sexual and social servitude which many of the female servants experienced in the palace against her own contested independence fraught with pain, conflict and uncertainty.<ref name=":1" /> It also becomes clear that Alia was the unclaimed daughter of the deceased prince, something that her mother had guarded till her own death at the end of the film<ref name=":12">{{Cite web|url=http://forgottenclassicsofyesteryear.blogspot.com/2010/02/silences-of-palace.html|title=Forgotten Classics of Yesteryear|last=Hood|first=Nathan|date=February 16, 2010|website=Forgotten Classics of Yesteryear|publisher=|access-date=March 5th, 2016}}</ref> |
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'''''The Silences of the Palace''''' ({{lang-aeb|صمت القصور, Samt el qusur}}) is a 1994 Tunisian film co-written and directed by [[Moufida Tlatli]]. Investigating feminist issues in the Arab world, the film looks at i |
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Tlatli wrote the film in response to her own mother's sudden severe illness and her subsequent realization of how little she knew. <ref>{{Cite book|url=http://arcade.nyarc.org/search/?searchscope=8&searchtype=o&searcharg=54966350|title=Postcolonial images: studies in North African film|last=Armes|first=Roy|date=2005-01-01|publisher=Indiana University Press|isbn=0253344441|location=Bloomington}}</ref> |
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The film presents a complelling narrative about female sexual and social servitude against the backdrop of a palace that has fallen into decay <!-- EDIT BELOW THIS LINE --> |
The film presents a complelling narrative about female sexual and social servitude against the backdrop of a palace that has fallen into decay <!-- EDIT BELOW THIS LINE --> |
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Latest revision as of 20:47, 5 March 2016
Set in 1950s Tunisia, the film is about a 25-year-old woman, Alia, who returns to her place of birth—a prince's palace in which her mother, Khedija, worked as a house servant and mistress.[1] Alia had fled the palace ten years earlier, at which time she spent burying totured memories of her childhood.[2] In her visit to pay respects for the death of the prince, Alia wanders through the largely abandoned palace where she is confronted by these memories represented as detailed flashbacks of her childhood. She begins to piece together a narrative about her mother's sexuality and sexual exploitation in a space ordered by gender and class difference, and against the backdrop of her persistant questioning about her father's identity.[2][3] As Alia negotiates her past, she also deals with her current relationship to her lover, Lotfi, who has asked her to have what seems to be yet another abortion.[2] [4] Her development throughout the course of the film is brought about by her awakening to a past of sexual and social servitude which many of the female servants experienced in the palace against her own contested independence fraught with pain, conflict and uncertainty.[4] It also becomes clear that Alia was the unclaimed daughter of the deceased prince, something that her mother had guarded till her own death at the end of the film[5]
The Silences of the Palace (Tunisian Arabic: صمت القصور, Samt el qusur) is a 1994 Tunisian film co-written and directed by Moufida Tlatli. Investigating feminist issues in the Arab world, the film looks at i
Tlatli wrote the film in response to her own mother's sudden severe illness and her subsequent realization of how little she knew. [6]
The film presents a complelling narrative about female sexual and social servitude against the backdrop of a palace that has fallen into decay
Lisa Nakamura is a Gwendolyn Calvert Baker Collegiate Professor of American Culture at the University of Michigan, Ann Arbor [7]
First Contact
[edit]- This is Robert in your sandbox.
- ^ "The Silences Of The Palace". IMDB.
- ^ a b c James, Caryn (September 30, 1994). "Movie Review - The Silences of the Palace (1994)". Retrieved March 5th, 2016.
{{cite news}}: Check date values in:|access-date=(help) - ^ Sedra, Paul (November 2nd, 2011). "Films For The Classroom: Silences of the Palace". Jadaliyya. Retrieved March 5th, 2016.
{{cite web}}: Check date values in:|access-date=and|date=(help) - ^ a b Hood, Nathan (February 16, 2010). "Forgotten Classics of Yesteryear". Forgotten Classics of Yesteryear. Retrieved March 5th, 2016.
{{cite web}}: Check date values in:|access-date=(help) - ^ Hood, Nathan (February 16, 2010). "Forgotten Classics of Yesteryear". Forgotten Classics of Yesteryear. Retrieved March 5th, 2016.
{{cite web}}: Check date values in:|access-date=(help) - ^ Armes, Roy (2005-01-01). Postcolonial images: studies in North African film. Bloomington: Indiana University Press. ISBN 0253344441.
- ^ "American Culture Faculty". University Of Michigan.
{{cite web}}:|access-date=requires|url=(help); Missing or empty|url=(help)