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[[File:Faith47, the taming of the beasts.jpg|thumb|alt=Faith47 artwork.|The Taming of the Beasts, Shanghai, China. 2012]]
[[File:Faith47, the taming of the beasts.jpg|thumb|alt=Faith47 artwork.|The Taming of the Beasts, Shanghai, China. 2012]]


'''Faith47''' (born [[Cape Town]], 1979) is a [[South African]] [[artist]] who has held solo exhibitions in [[New York City|New York]] (2015),<ref name="juxtapoz.com">[http://www.juxtapoz.com/news/faith47-s-new-exhibition-aqua-regalia-chapter-two/ "Faith47's New Exhibition "Aqua Regalia – Chapter Two""]. ''Juxtapoz Magazine''.</ref> [[London]] (2014)<ref name="arrestedmotion.com">[http://arrestedmotion.com/2014/10/previews-faith47-aqua-regalia-moniker-projects/ "Previews: Faith47 – “Aqua Regalia” @ Moniker Projects"]. ''ArrestedMotion''.</ref> and [[Johannesburg]] (2012).<ref>[http://artthrob.co.za/Listings/Faith47_at_David_Krut_Projects_in__November_2012.aspx "Faith47 at David Krut Projects in November 2012"]. ''Artthrob''.</ref> Using a wide range of media, her approach is explorative and substrate appropriate – from found and rescued objects, to time-layered and history-textured city walls, to studio-prepared canvas and wood.<ref name="juxtapoz.com"/>
'''Faith47''' (born [[Cape Town]], 1979) is a [[South African]] [[artist]] who has held solo exhibitions in [[New York City|New York]] (2015),<ref name="juxtapoz.com">[http://www.juxtapoz.com/news/faith47-s-new-exhibition-aqua-regalia-chapter-two/ "Faith47's New Exhibition "Aqua Regalia – Chapter Two""]. ''Juxtapoz Magazine''.</ref> [[London]] (2014)<ref name="arrestedmotion.com">[http://arrestedmotion.com/2014/10/previews-faith47-aqua-regalia-moniker-projects/ "Previews: Faith47 – “Aqua Regalia” @ Moniker Projects"]. ''ArrestedMotion''.</ref> and [[Johannesburg]] (2012).<ref>[http://artthrob.co.za/Listings/Faith47_at_David_Krut_Projects_in__November_2012.aspx "Faith47 at David Krut Projects in November 2012"]. ''Artthrob''.</ref> Using a wide range of media, her approach is explorative and substrate appropriate – from found and rescued objects, to time-layered and history-textured city walls, to studio-prepared canvas and wood.<ref name="juxtapoz.com"/> Faith47 is widely regarded as one of the most famous South African street artists, although her art has reached international fame.<ref>[http://we-are-awesome.com/update-faith47-3/ "Update: faith47 - we-are-awesome."]. ''we-are-awesome.''.</ref><ref>[http://www.financialmail.co.za/life/art/2014/04/23/graffiti-art-faith47 "Graffiti art: Faith47"]. ''Financial Mail''.</ref> Common themes across her work include sacred and mundane spaces as well as polticial problems, from environmental destruction,<ref name=":0" /><ref name=":1" /> border abolition,<ref name=":2" /> and humanitarian issues.<ref name="woostercollective.com" /><ref name=":3" /> Her art and rich [[Symbolism (arts)|symbolism]] speaks to South American political issues, especially in regard to injustice, poverty, and inequality.<ref>[http://www.thisiscolossal.com/2014/06/new-work-by-faith47-on-the-streets-of-london-and-cape-town/ "New Work by Faith47 on the Streets of London and Cape Town"]. ''Colossal''.</ref>


==Studio==
==Studio==
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Faith47’s first solo exhibition, ''Fragments of a Burnt History'' (2012, David Krut Gallery, Johannesburg), considered the transformation of Johannesburg into a more representative African city, exposing the harsh realities of day-to-day life and capturing the remnants of South Africa’s complex history in a personal and symbolic manner. Through the creation of an immersive environment in the gallery space, this work challenged the viewer’s detachment.<ref>[http://www.designindaba.com/profiles/faith47 "Faith47"]. ''Design Indaba''.</ref>
Faith47’s first solo exhibition, ''Fragments of a Burnt History'' (2012, David Krut Gallery, Johannesburg), considered the transformation of Johannesburg into a more representative African city, exposing the harsh realities of day-to-day life and capturing the remnants of South Africa’s complex history in a personal and symbolic manner. Through the creation of an immersive environment in the gallery space, this work challenged the viewer’s detachment.<ref>[http://www.designindaba.com/profiles/faith47 "Faith47"]. ''Design Indaba''.</ref>


''Aqua Regalia - Chapter One'' (2014, Moniker Projects, London), further extended the possibilities of immersive spaces, enveloping the viewer into a sacred ‘room’ filled with collected objects and other intricacies from everyday life that – together with figurative paintings – explore the notion of the mundane as sacred, celebrating the discarded and unwanted as holy.<ref>[http://www.brooklynstreetart.com/theblog/events/moniker-projects-present-faith47-aqua-regalia-london-uk/ "Moniker Projects Present: Faith47 'Aqua Regalia' (London, UK)"]. ''Brooklyn Street Art''. 9 October 2014.</ref>
''Aqua Regalia - Chapter One'' (2014, Moniker Projects, London), further extended the possibilities of immersive spaces, enveloping the viewer into a sacred ‘room’ filled with collected objects and other intricacies from everyday life that – together with [[Figurative art|figurative paintings]] – explore the notion of the [[mundane]] as [[sacred]], celebrating the discarded and unwanted as holy.<ref>[http://www.brooklynstreetart.com/theblog/events/moniker-projects-present-faith47-aqua-regalia-london-uk/ "Moniker Projects Present: Faith47 'Aqua Regalia' (London, UK)"]. ''Brooklyn Street Art''. 9 October 2014.</ref>


"Aqua Regalia – Chapter Two" (2015, Jonathan Levine Gallery, New York) was a continuation of this, again exploring the dichotomy between the sacred and the mundane by enveloping viewers in a space with figurative paintings, as well as intricacies from everyday life in shrine-like artworks. The two exhibitions were named after a highly corrosive mixture of nitric and hydrochloric acid that has the ability to dissolve gold.<ref name="juxtapoz.com"/>
"Aqua Regalia – Chapter Two" (2015, Jonathan Levine Gallery, New York) was a continuation of this, again exploring the dichotomy between the sacred and the mundane by enveloping viewers in a space with figurative paintings, as well as intricacies from everyday life in [[shrine]]-like artworks. The two exhibitions were named after a highly corrosive mixture of nitric and [[hydrochloric acid]] that has the ability to dissolve [[gold]].<ref name="juxtapoz.com"/>


==Street==
==Street==
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;'''The Freedom Charter ([[South Africa]], 2010)'''
;'''The Freedom Charter ([[South Africa]], 2010)'''
Taking her inspiration from the old political slogans and stencils that were used during the struggle against [[apartheid]], Faith47 brought to life sentences from the [[Freedom Charter]] document that she felt were still pressing in South Africa.<ref>[http://www.designindaba.com/articles/creative-work/fighting-freedom "Fighting for freedom"]. ''Design Indaba''.</ref>
Taking her inspiration from the old political slogans and stencils that were used during the struggle against [[apartheid]], Faith47 brought to life sentences from the [[Freedom Charter]] document that she felt were still pressing in South Africa.<ref name=":3">[http://www.designindaba.com/articles/creative-work/fighting-freedom "Fighting for freedom"]. ''Design Indaba''.</ref>


;'''The Taming of the Beasts ([[Shanghai]], 2012)'''
;'''The Taming of the Beasts ([[Shanghai]], 2012)'''
Faith47 painted ghostly [[rhinos]] on Shanghai walls at a time when the number of rhinos being [[Poaching|poached]] for their horns was rising rapidly to meet demand from Asia.<ref>[http://www.unurth.com/Faith47-The-Taming-of-the-Beasts-Shanghai "Faith47, 'The Taming of the Beasts', Shanghai"]. ''Unurth''.</ref>
Faith47 painted ghostly [[rhinos]] on Shanghai walls at a time when the number of rhinos being [[Poaching|poached]] for their horns was rising rapidly to meet demand from Asia.<ref name=":0">[http://www.unurth.com/Faith47-The-Taming-of-the-Beasts-Shanghai "Faith47, 'The Taming of the Beasts', Shanghai"]. ''Unurth''.</ref>


;'''The Long Wait (Johannesburg, 2012)'''
;'''The Long Wait (Johannesburg, 2012)'''
These murals, of groups of men in various postures of waiting, reference photographs from Alexia Webster’s photographic series, ''Waiting for Work''.<ref name="woostercollective.com">[http://www.woostercollective.com/post/the-long-wait-by-faith47 "The Long Wait - by Faith47"]. ''Wooster Collective''.</ref> The works imply different kinds of waiting particular to a contemporary South African context.
These murals, of groups of men in various postures of waiting, reference photographs from Alexia Webster’s photographic series, ''Waiting for Work''.<ref name="woostercollective.com">[http://www.woostercollective.com/post/the-long-wait-by-faith47 "The Long Wait - by Faith47"]. ''Wooster Collective''.</ref> The works imply different kinds of waiting particular to a contemporary South African context. As Faith47 told [[Wooster Collective]], “Miners are waiting for justice. Workers are waiting for a living wage. People are waiting for service delivery. Refugees are waiting for assistance. Men are waiting for jobs. We are all waiting for an honest politician. So many people are waiting for others to do things first. To take the blame. To do things for them. To take the fall. To build the country. To admit defeat. There has been so much waiting in this country that much time has been lost.”<ref name="woostercollective.com" />

As Faith47 told [[Wooster Collective]], “Miners are waiting for justice. Workers are waiting for a living wage. People are waiting for service delivery. Refugees are waiting for assistance. Men are waiting for jobs. We are all waiting for an honest politician. So many people are waiting for others to do things first. To take the blame. To do things for them. To take the fall. To build the country. To admit defeat. There has been so much waiting in this country that much time has been lost.”<ref name="woostercollective.com"/>


;'''Harvest (Cape Town, 2014)'''
;'''Harvest (Cape Town, 2014)'''
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;'''The Psychic Power of Animals (New York, 2015)'''
;'''The Psychic Power of Animals (New York, 2015)'''
With this series, Faith47 reintroduced the energy of nature back into the urban metropolis, softening the harsh city architecture with the gracefulness and spirit-like presence of swans. “There’s an inherent irony in recreating nature on cement, so the series is a nostalgic reminder of what we’ve lost but also an attempt to reintegrate that into the present,” Faith47 said. “We have become so distanced from nature, so these murals are an attempt to reconnect us with the natural world.”<ref>[http://www.visi.co.za/faith47-in-nyc/ "Faith47 In NYC"]. ''Visi''.</ref>
With this series, Faith47 reintroduced the energy of nature back into the urban metropolis, softening the harsh city architecture with the gracefulness and spirit-like presence of swans. “There’s an inherent irony in recreating nature on cement, so the series is a nostalgic reminder of what we’ve lost but also an attempt to reintegrate that into the present,” Faith47 said. “We have become so distanced from nature, so these murals are an attempt to reconnect us with the natural world.”<ref name=":1">[http://www.visi.co.za/faith47-in-nyc/ "Faith47 In NYC"]. ''Visi''.</ref>


;'''Estamos Todos Los Que Cabemos ([[Harlem]], 2015)'''
;'''Estamos Todos Los Que Cabemos ([[Harlem]], 2015)'''
Painted as part of the Monument Art NYC project's focus on immigration, ''Estamos Todos Los Que Cabemos'' speaks of the migratory patterns of birds, observing that nature ignores human borders on a map.
Painted as part of the Monument Art NYC project's focus on immigration, ''Estamos Todos Los Que Cabemos'' speaks of the migratory patterns of birds, observing that nature ignores human borders on a map.
“We forget that the dividing lines specifying countries were merely drawn by politically hungry men. In reality, the earth is open. There are no countries, no borders, it belongs to no one. We are transient visitors and should travel as we please," Faith47 told Arrested Motion.<ref>[http://arrestedmotion.com/2015/10/streets-faith47-new-york/ "Streets: Faith47 (New York)"]. ''ArrestedMotion''.</ref>
“We forget that the dividing lines specifying countries were merely drawn by politically hungry men. In reality, the earth is open. There are no countries, no borders, it belongs to no one. We are transient visitors and should travel as we please," Faith47 told Arrested Motion.<ref name=":2">[http://arrestedmotion.com/2015/10/streets-faith47-new-york/ "Streets: Faith47 (New York)"]. ''ArrestedMotion''.</ref>


== Reception==
== Reception==
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"Transformative work... concerned with the valuation and transformation of things that have been lost or overlooked." ''Booooooom''<ref>[http://www.booooooom.com/2015/11/18/artist-spotlight-faith47/ "Artist Spotlight: Faith47"]. ''Booooooom''.</ref>
"Transformative work... concerned with the valuation and transformation of things that have been lost or overlooked." ''Booooooom''<ref>[http://www.booooooom.com/2015/11/18/artist-spotlight-faith47/ "Artist Spotlight: Faith47"]. ''Booooooom''.</ref>

"Known for her use of existential symbolism to comment on nature and the human condition, specifically the struggle of many South Africans who grapple with injustice, poverty, and inequality.” ''Colossal''<ref>[http://www.thisiscolossal.com/2014/06/new-work-by-faith47-on-the-streets-of-london-and-cape-town/ "New Work by Faith47 on the Streets of London and Cape Town"]. ''Colossal''.</ref>

“A national cult figure with a rapidly growing global prominence.” ''Financial Mail''<ref>[http://www.financialmail.co.za/life/art/2014/04/23/graffiti-art-faith47 "Graffiti art: Faith47"]. ''Financial Mail''.</ref>


"Deeply profound visions existing as physical aesthetic gifts for other viewers." ''Supersonic Art''<ref>[http://supersonicart.com/post/133405830792/faith47 "Faith47′s “Aqua Regalia - Chapter Two” at Jonathan..."]. ''Supersonic Art''.</ref>
"Deeply profound visions existing as physical aesthetic gifts for other viewers." ''Supersonic Art''<ref>[http://supersonicart.com/post/133405830792/faith47 "Faith47′s “Aqua Regalia - Chapter Two” at Jonathan..."]. ''Supersonic Art''.</ref>

"South Africa’s best loved street artist.” ''We Are Awesome''<ref>[http://we-are-awesome.com/update-faith47-3/ "Update: faith47 - we-are-awesome."]. ''we-are-awesome.''.</ref>

"One of South Africa’s most unflinching and overtly political artistic voices." ''Mahala''<ref>[http://www.mahala.co.za/art/we-close-our-eyes-to-stay-blind/ "Faith47 | We Close Our Eyes to Stay Blind"]. ''Mahala''.</ref>


"Equally at home in grimy alleys as she is in a studio, she creates murals that are both breathtaking and poignant. I challenge anyone to look at her work and not feel a little overawed by her talent.” ''Carte Blanche''<ref>[http://carteblanche.dstv.com/faith47-walls-speak "Faith47: When Walls Speak"]. ''Carte Blanche''.</ref>
"Equally at home in grimy alleys as she is in a studio, she creates murals that are both breathtaking and poignant. I challenge anyone to look at her work and not feel a little overawed by her talent.” ''Carte Blanche''<ref>[http://carteblanche.dstv.com/faith47-walls-speak "Faith47: When Walls Speak"]. ''Carte Blanche''.</ref>
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2012
2012
* Fragments of a Burnt History Solo Exhibition – David Krut Gallery, Johannesburg, South Africa
* Fragments of a Burnt History Solo Exhibition – David Krut Gallery, Johannesburg, South Africa<ref name=":4">{{Cite web|url=http://www.artnet.com/artists/faith47/biography|title=Faith47 Biography – Faith47 on artnet|website=www.artnet.com|access-date=2017-04-04}}</ref>
* Antenna Garden Dal & Faith47 exhibition – Rtist Gallery, Melbourne, Australia
* Antenna Garden Dal & Faith47 exhibition – Rtist Gallery, Melbourne, Australia<ref name=":4" />
* International Women, Warrington Museum Group Exhibition – London, UK
* International Women, Warrington Museum Group Exhibition – London, UK<ref name=":4" />
* Mural Project – Tel Aviv, Israel
* Mural Project – Tel Aviv, Israel<ref name=":4" />
* Aarhus International Mural Project – Aarhus, Denmark
* Aarhus International Mural Project – Aarhus, Denmark
* Group Show, Kulturhuset – Stockholm, Sweden
* Group Show, Kulturhuset – Stockholm, Sweden<ref name=":4" />
* Mural Project – Sion, Switzerland
* Mural Project – Sion, Switzerland<ref name=":4" />
* Mural Project – Melun, France
* Mural Project – Melun, France<ref name=":4" />
* Wall Therapy Mural Project – Rochester, New York, USA
* Wall Therapy Mural Project – Rochester, New York, USA<ref name=":4" />
* Wynood Walls – Miami, USA
* Wynood Walls – Miami, USA


2011
2011
* Urban Painting Group Show – Milan, Italy
* Urban Painting Group Show – Milan, Italy<ref name=":4" />
* Group Exhibition – Wuppertal Museum, Germany
* Group Exhibition – Wuppertal Museum, Germany<ref name=":4" />
* Group Exhibition – Warrington Museum, London, UK
* Group Exhibition – Warrington Museum, London, UK<ref name=":4" />
* Gossip Well Told Group Show – Blackall Studio, London, UK
* Gossip Well Told Group Show – Blackall Studio, London, UK<ref name=":4" />
* Les murs litinerrance Group Show – Paris, France
* Les murs litinerrance Group Show – Paris, France<ref name=":4" />
* Urban Mural Project – Greece
* Urban Mural Project – Greece<ref name=":4" />
* City Leaks Mural Project – Cologne, Germany
* City Leaks Mural Project – Cologne, Germany<ref name=":4" />
* Inner Walls Mural Project – Milan, Italy
* Inner Walls Mural Project – Milan, Italy<ref name=":4" />
* Batelier Mural Project – Slovakia
* Batelier Mural Project – Slovakia<ref name=":4" />


2010
2010
* Moniker Art Fair – London, UK
* Moniker Art Fair – London, UK <ref name=":4" />
* Design For Humanity Group Exhibition – Thinkspace, Los Angeles, USA
* Design For Humanity Group Exhibition – Thinkspace, Los Angeles, USA<ref name=":4" />
* For Those Who Live In It Group Exhibition – Mu Gallery, Eindhoven, Netherlands
* For Those Who Live In It Group Exhibition – Mu Gallery, Eindhoven, Netherlands<ref name=":4" />
* Le Salon Du Cercle De La Culture Group Show – Circle Culture Gallery, Berlin, Germany
* Le Salon Du Cercle De La Culture Group Show – Circle Culture Gallery, Berlin, Germany<ref name=":4" />
* Stroke03 Art Fair – Berlin, Germany
* Stroke03 Art Fair – Berlin, Germany<ref name=":4" />
* Escape Art Fair – Vienna, Austria
* Escape Art Fair – Vienna, Austria<ref name=":4" />
* Biennial – São Paulo, Brazil
* Biennial – São Paulo, Brazil<ref name=":4" />
* Focus10 Art Fair – Switzerland
* Focus10 Art Fair – Switzerland<ref name=":4" />
* Urbanus International Mural Project – China
* Urbanus International Mural Project – China<ref name=":4" />
* Muao Mural Project – A Coruna, Spain
* Muao Mural Project – A Coruna, Spain<ref name=":4" />


2009
2009
* The Generations Group Show – The Showroom Gallery, New York, USA
* The Generations Group Show – The Showroom Gallery, New York, USA<ref name=":4" />
* Epitaph Solo Show – Mrego, Brussels, Belgium
* Epitaph Solo Show – Mrego, Brussels, Belgium<ref name=":4" />
* Four Group Show – 34 Long Fine Art Gallery, Cape Town, South Africa
* Four Group Show – 34 Long Fine Art Gallery, Cape Town, South Africa<ref name=":4" />
* Artotale International Mural Project – Lueneberg, Germany
* Artotale International Mural Project – Lueneberg, Germany<ref name=":4" />


2008
2008
* The Restless Debt Of Third World Beauty Solo Show – Atm Gallery, Berlin, Germany
* The Restless Debt Of Third World Beauty Solo Show – Atm Gallery, Berlin, Germany<ref name=":4" />
* 1st Internationale Graffiti Bienale – Belo Horizonte, Brazil
* 1st Internationale Graffiti Bienale – Belo Horizonte, Brazil<ref name=":4" />
* Anything Could Happen Group Exhibition – Carmichael Gallery, Los Angeles, USA
* Anything Could Happen Group Exhibition – Carmichael Gallery, Los Angeles, USA<ref name=":4" />


2007
2007
* Be Girl Be Mural Project – Intermedia Arts, Minneapolis, USA
* Be Girl Be Mural Project – Intermedia Arts, Minneapolis, USA<ref name=":4" />
* Pick Of The Harvest Group Exhibition – Thinkspace Gallery, Los Angeles, USA
* Pick Of The Harvest Group Exhibition – Thinkspace Gallery, Los Angeles, USA<ref name=":4" />


2006
2006
* Lines Of Attitude Group Exhibition and Mural Project – South Africa And Kenya
* Lines Of Attitude Group Exhibition and Mural Project – South Africa And Kenya<ref name=":4" />


2005
2005
* Subglob Group Exhibition – Orebro, Sweden
* Subglob Group Exhibition – Orebro, Sweden<ref name=":4" />
* Go Gallery Group Exhibition – Amsterdam
* Go Gallery Group Exhibition – Amsterdam


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[[Category:South African women artists]]
[[Category:South African women artists]]
[[Category:1979 births]]
[[Category:1979 births]]
[[Category:Women graffiti artists]]

Revision as of 00:36, 4 April 2017

Shrine, Aqua Regalia - Chapter Two, 2015
Escaping Fragility, Aqua Regalia - Chapter Two, 2015
Estamos Todos Los Que Cabemos, Harlem, 2015
Faith47 artwork.
The Taming of the Beasts, Shanghai, China. 2012

Faith47 (born Cape Town, 1979) is a South African artist who has held solo exhibitions in New York (2015),[1] London (2014)[2] and Johannesburg (2012).[3] Using a wide range of media, her approach is explorative and substrate appropriate – from found and rescued objects, to time-layered and history-textured city walls, to studio-prepared canvas and wood.[1] Faith47 is widely regarded as one of the most famous South African street artists, although her art has reached international fame.[4][5] Common themes across her work include sacred and mundane spaces as well as polticial problems, from environmental destruction,[6][7] border abolition,[8] and humanitarian issues.[9][10] Her art and rich symbolism speaks to South American political issues, especially in regard to injustice, poverty, and inequality.[11]

Studio

Faith47’s first solo exhibition, Fragments of a Burnt History (2012, David Krut Gallery, Johannesburg), considered the transformation of Johannesburg into a more representative African city, exposing the harsh realities of day-to-day life and capturing the remnants of South Africa’s complex history in a personal and symbolic manner. Through the creation of an immersive environment in the gallery space, this work challenged the viewer’s detachment.[12]

Aqua Regalia - Chapter One (2014, Moniker Projects, London), further extended the possibilities of immersive spaces, enveloping the viewer into a sacred ‘room’ filled with collected objects and other intricacies from everyday life that – together with figurative paintings – explore the notion of the mundane as sacred, celebrating the discarded and unwanted as holy.[13]

"Aqua Regalia – Chapter Two" (2015, Jonathan Levine Gallery, New York) was a continuation of this, again exploring the dichotomy between the sacred and the mundane by enveloping viewers in a space with figurative paintings, as well as intricacies from everyday life in shrine-like artworks. The two exhibitions were named after a highly corrosive mixture of nitric and hydrochloric acid that has the ability to dissolve gold.[1]

Street

Following an active street art career spanning more than fifteen years, Faith47's work can now be found in major cities around the world.[14] Notable works include:

The Freedom Charter (South Africa, 2010)

Taking her inspiration from the old political slogans and stencils that were used during the struggle against apartheid, Faith47 brought to life sentences from the Freedom Charter document that she felt were still pressing in South Africa.[10]

The Taming of the Beasts (Shanghai, 2012)

Faith47 painted ghostly rhinos on Shanghai walls at a time when the number of rhinos being poached for their horns was rising rapidly to meet demand from Asia.[6]

The Long Wait (Johannesburg, 2012)

These murals, of groups of men in various postures of waiting, reference photographs from Alexia Webster’s photographic series, Waiting for Work.[9] The works imply different kinds of waiting particular to a contemporary South African context. As Faith47 told Wooster Collective, “Miners are waiting for justice. Workers are waiting for a living wage. People are waiting for service delivery. Refugees are waiting for assistance. Men are waiting for jobs. We are all waiting for an honest politician. So many people are waiting for others to do things first. To take the blame. To do things for them. To take the fall. To build the country. To admit defeat. There has been so much waiting in this country that much time has been lost.”[9]

Harvest (Cape Town, 2014)

A partnership between Faith47, Design Indaba and ThingKing, the multi-story artwork lit up at night each time enough money was raised for one new light to be installed on a pathway in the informal settlement of Monwabisi Park, Khayelitsha, through the organisation VPUU (Violence Prevention through Urban Upgrading). The intricate lighting pattern was an artistic endeavour that also served as a reminder that there were communities in the city that lack the luxury of light, which is a major public safety concern.[15]

The Psychic Power of Animals (New York, 2015)

With this series, Faith47 reintroduced the energy of nature back into the urban metropolis, softening the harsh city architecture with the gracefulness and spirit-like presence of swans. “There’s an inherent irony in recreating nature on cement, so the series is a nostalgic reminder of what we’ve lost but also an attempt to reintegrate that into the present,” Faith47 said. “We have become so distanced from nature, so these murals are an attempt to reconnect us with the natural world.”[7]

Estamos Todos Los Que Cabemos (Harlem, 2015)

Painted as part of the Monument Art NYC project's focus on immigration, Estamos Todos Los Que Cabemos speaks of the migratory patterns of birds, observing that nature ignores human borders on a map. “We forget that the dividing lines specifying countries were merely drawn by politically hungry men. In reality, the earth is open. There are no countries, no borders, it belongs to no one. We are transient visitors and should travel as we please," Faith47 told Arrested Motion.[8]

Reception

Faith47’s work has been featured everywhere from The Guardian[16] to The New York Times,[17][18] from Huffington Post[19] to The Independent.[19]

"Faith47 celebrates the commonplace as holy in an attempt to disarm strategies of global realpolitik and advance the expression of personal truth. In this way her work is both an internal and spiritual release that speaks to the complexities of the human condition, its deviant histories and existential search.” Juxtapoz[1]

"Using different mediums, including graphite, spray paint, oil paint, ink, photography and collage, she usually paints on found objects or discarded documents, transferring the feel of her mural works. The transparency of her mark making and the texture of finished works give them a sense of age and spirituality. Often mixing religious iconography with ordinary, everyday elements and geometrical objects, her paintings, drawings and sketches seem to have an almost sacramental importance.” Arrested Motion[2]

“A South African artist whose textured imagery brings spirituality and nature to the foreground of urban environments.” Huffington Post[19]

"A rare incantation of both the earthly and the transcendent." Mass Appeal[20]

"Transformative work... concerned with the valuation and transformation of things that have been lost or overlooked." Booooooom[21]

"Deeply profound visions existing as physical aesthetic gifts for other viewers." Supersonic Art[22]

"Equally at home in grimy alleys as she is in a studio, she creates murals that are both breathtaking and poignant. I challenge anyone to look at her work and not feel a little overawed by her talent.” Carte Blanche[23]

Exhibition and Project History

2015

  • Aqua Regalia Solo Exhibition – Jonathan Levine Gallery, New York,USA
  • Pow Wow Taiwan – Taipei, Taiwan
  • Art Liberté Group Exhibition, Du Mur de Berlin – Gare de l’Est, Paris, France
  • Dragon Tiger Mountain Mural Project – Nanachang, China
  • Ono’u Mural Project – Tahiti
  • Festival Mural – Montreal, Canada
  • Murals for Oceans Expedition Mural Project – Cozumel, Mexico

2014

  • Aqua Regalia Solo Exhibition – London, UK
  • Berlin Wall 25th Anniversary Group Show – Paris, France
  • Library Street Collective Group Show – Basel, Miami, USA
  • Redux Group Show – Inoperable Gallery, Vienna, Austria
  • Artscape Mural Project – Malmo, Sweden
  • 5 Sector Mural Project – Glasgow, Scotland
  • Djerbahood – Djerba, Tunisia
  • Forest for the Trees Mural Project – Portland, USA
  • Rencontres Australes d’Imaitsoanala – Antananaraivo, Madagascar
  • Outdoor Urban Art Festival – Rome, Italy
  • The Art of Collaboration Wynwood Walls, Basel – Miami, USA
  • Artesano Mural Project – Rio San Juan, Dominican Republic

2013

  • Women on the Walls Group Exhibition, Jeffrey Deitch and Wynwood Walls – Miami, USA
  • Wooster Collective 10 Year Anniversary Show, Jonathan Levine Gallery – New York, USA
  • XII. Into the Dark Group Exhibition – Unit44, The Victoria Tunnel, Newcastle, UK
  • Brotkunsthalle Group Show – Vienna, Austria
  • Beyond Eden Group Exhibition – Thinkspace Gallery, Los Angeles, USA
  • Anniversary Group Show – White Walls Gallery, San Francisco, USA
  • Memorie Urbane Mural Project – Gaeta, Italy
  • Sculptura Viva International Symposium – San Benedetto del Tronto, Italy
  • Nuart Mural Project – Stavanger, Norway
  • MAUS Mural Project – Malaga, Spain
  • Avant-Garde Urbano Mural Project – Tudela de Navarra, Spain
  • Los Muros Hablan Mural Project – San Juan, Puerto Rico
  • Pow Wow Mural Project – Hawaii

2012

  • Fragments of a Burnt History Solo Exhibition – David Krut Gallery, Johannesburg, South Africa[24]
  • Antenna Garden Dal & Faith47 exhibition – Rtist Gallery, Melbourne, Australia[24]
  • International Women, Warrington Museum Group Exhibition – London, UK[24]
  • Mural Project – Tel Aviv, Israel[24]
  • Aarhus International Mural Project – Aarhus, Denmark
  • Group Show, Kulturhuset – Stockholm, Sweden[24]
  • Mural Project – Sion, Switzerland[24]
  • Mural Project – Melun, France[24]
  • Wall Therapy Mural Project – Rochester, New York, USA[24]
  • Wynood Walls – Miami, USA

2011

  • Urban Painting Group Show – Milan, Italy[24]
  • Group Exhibition – Wuppertal Museum, Germany[24]
  • Group Exhibition – Warrington Museum, London, UK[24]
  • Gossip Well Told Group Show – Blackall Studio, London, UK[24]
  • Les murs litinerrance Group Show – Paris, France[24]
  • Urban Mural Project – Greece[24]
  • City Leaks Mural Project – Cologne, Germany[24]
  • Inner Walls Mural Project – Milan, Italy[24]
  • Batelier Mural Project – Slovakia[24]

2010

  • Moniker Art Fair – London, UK [24]
  • Design For Humanity Group Exhibition – Thinkspace, Los Angeles, USA[24]
  • For Those Who Live In It Group Exhibition – Mu Gallery, Eindhoven, Netherlands[24]
  • Le Salon Du Cercle De La Culture Group Show – Circle Culture Gallery, Berlin, Germany[24]
  • Stroke03 Art Fair – Berlin, Germany[24]
  • Escape Art Fair – Vienna, Austria[24]
  • Biennial – São Paulo, Brazil[24]
  • Focus10 Art Fair – Switzerland[24]
  • Urbanus International Mural Project – China[24]
  • Muao Mural Project – A Coruna, Spain[24]

2009

  • The Generations Group Show – The Showroom Gallery, New York, USA[24]
  • Epitaph Solo Show – Mrego, Brussels, Belgium[24]
  • Four Group Show – 34 Long Fine Art Gallery, Cape Town, South Africa[24]
  • Artotale International Mural Project – Lueneberg, Germany[24]

2008

  • The Restless Debt Of Third World Beauty Solo Show – Atm Gallery, Berlin, Germany[24]
  • 1st Internationale Graffiti Bienale – Belo Horizonte, Brazil[24]
  • Anything Could Happen Group Exhibition – Carmichael Gallery, Los Angeles, USA[24]

2007

  • Be Girl Be Mural Project – Intermedia Arts, Minneapolis, USA[24]
  • Pick Of The Harvest Group Exhibition – Thinkspace Gallery, Los Angeles, USA[24]

2006

  • Lines Of Attitude Group Exhibition and Mural Project – South Africa And Kenya[24]

2005

  • Subglob Group Exhibition – Orebro, Sweden[24]
  • Go Gallery Group Exhibition – Amsterdam

Publications

See also

References

  1. ^ a b c d "Faith47's New Exhibition "Aqua Regalia – Chapter Two"". Juxtapoz Magazine.
  2. ^ a b "Previews: Faith47 – “Aqua Regalia” @ Moniker Projects". ArrestedMotion.
  3. ^ "Faith47 at David Krut Projects in November 2012". Artthrob.
  4. ^ "Update: faith47 - we-are-awesome.". we-are-awesome..
  5. ^ "Graffiti art: Faith47". Financial Mail.
  6. ^ a b "Faith47, 'The Taming of the Beasts', Shanghai". Unurth.
  7. ^ a b "Faith47 In NYC". Visi.
  8. ^ a b "Streets: Faith47 (New York)". ArrestedMotion.
  9. ^ a b c "The Long Wait - by Faith47". Wooster Collective.
  10. ^ a b "Fighting for freedom". Design Indaba.
  11. ^ "New Work by Faith47 on the Streets of London and Cape Town". Colossal.
  12. ^ "Faith47". Design Indaba.
  13. ^ "Moniker Projects Present: Faith47 'Aqua Regalia' (London, UK)". Brooklyn Street Art. 9 October 2014.
  14. ^ "An interview with Artist Faith47". Instagrafite.
  15. ^ "#ANOTHERLIGHTUP by Design Indaba Trust, Faith47 and Thingking". Design Indaba.
  16. ^ "The insider's guide to Johannesburg: 'Gold, blood, work, dance, faster'". The Guardian. 27 April 2015.
  17. ^ "The Writing Is on the Wall". The New York Times. 28 May 2014.
  18. ^ "In Brooklyn, a Protest Mural Draws Its Own Protest". The New York Times. 26 September 2015.
  19. ^ a b c "10 Women Street Artists Who Are Better Than Banksy". The Huffington Post. 4 September 2014.
  20. ^ Jamie Maleszka (18 November 2015). "Mass Appeal — Since '96". Mass Appeal.
  21. ^ "Artist Spotlight: Faith47". Booooooom.
  22. ^ "Faith47′s “Aqua Regalia - Chapter Two” at Jonathan...". Supersonic Art.
  23. ^ "Faith47: When Walls Speak". Carte Blanche.
  24. ^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad ae af ag ah ai aj ak al "Faith47 Biography – Faith47 on artnet". www.artnet.com. Retrieved 2017-04-04.

External links