The Indigenous Curatorial Collective: Difference between revisions
m Added Barry Ace to members |
m Added citations |
||
Line 25: | Line 25: | ||
==History== |
==History== |
||
Established as a [[not-for-profit organization]] in 2006, the Collective's mandate is dedicated to increasing the public profile of Aboriginal art curators and their role in protecting, fostering and extending Aboriginal arts and culture throughout North America. |
Established by [[Barry Ace]], Ryan Rice, Ron Noganosh, and Ahasiw Maskegon-Iskew as a [[not-for-profit organization]] in 2006, the Collective's mandate is dedicated to increasing the public profile of Aboriginal art curators and their role in protecting, fostering and extending Aboriginal arts and culture throughout North America.<ref>{{Cite news|url=https://www.acc-cca.com/about/|title=Aboriginal Curatorial Collective: About - Aboriginal Curatorial Collective / Collectif des commissaires autochtones|work=Aboriginal Curatorial Collective / Collectif des commissaires autochtones|access-date=2018-03-13|language=en-US}}</ref><ref>{{Cite journal|last=McKee|first=Jesse|date=Spring 2010|title=Jesse McKee in Conversation with the Aboriginal Curatorial Collective's Steve Loft, Candice Hopkins and Leanne L'Hirondelle|url=|journal=Fuse Magazine|volume=|pages=15|via=Proquest}}</ref> |
||
The Aboriginal Curatorial Collective supports its [[Mission statement|mandate]] through sponsorship of an annual conference and other professional networking opportunities, including lectures and exhibitions. [[Caucuses]] are the main instrument through which members participate in the direction of the ACC/CCA. Many of the central activities of the ACC/CCA will be determined by the priorities, participation and energy of caucuses. There is an extensive list of objects of the corporation. The establishment of caucuses by members around these objects will help determine their priority for ACC/CCA action. There are also other Aboriginal curatorial community issues that caucuses will address and that the ACC/CCA will put resources behind. Prominent First Nation artists who belong to the Collective include [[Robert Houle |
The Aboriginal Curatorial Collective supports its [[Mission statement|mandate]] through sponsorship of an annual conference and other professional networking opportunities, including lectures and exhibitions. [[Caucuses]] are the main instrument through which members participate in the direction of the ACC/CCA. Many of the central activities of the ACC/CCA will be determined by the priorities, participation and energy of caucuses. There is an extensive list of objects of the corporation. The establishment of caucuses by members around these objects will help determine their priority for ACC/CCA action. There are also other Aboriginal curatorial community issues that caucuses will address and that the ACC/CCA will put resources behind. Prominent First Nation artists who belong to the Collective include [[Robert Houle]], and [[Greg A. Hill (artist)]]. |
||
== References == |
|||
<references /> |
|||
== External links == |
== External links == |
Revision as of 20:18, 13 March 2018
Founded | 2006 |
---|---|
Type | Arts Organization |
Focus | fine arts |
Area served | Canada |
Method | professional development, advocacy |
Website | [1] |
The Aboriginal Curatorial Collective is a Canadian-based fine arts organization that provides professional development opportunities to the Aboriginal peoples in Canada which include, the First Nations, Inuit and Métis artists and curators.
History
Established by Barry Ace, Ryan Rice, Ron Noganosh, and Ahasiw Maskegon-Iskew as a not-for-profit organization in 2006, the Collective's mandate is dedicated to increasing the public profile of Aboriginal art curators and their role in protecting, fostering and extending Aboriginal arts and culture throughout North America.[1][2]
The Aboriginal Curatorial Collective supports its mandate through sponsorship of an annual conference and other professional networking opportunities, including lectures and exhibitions. Caucuses are the main instrument through which members participate in the direction of the ACC/CCA. Many of the central activities of the ACC/CCA will be determined by the priorities, participation and energy of caucuses. There is an extensive list of objects of the corporation. The establishment of caucuses by members around these objects will help determine their priority for ACC/CCA action. There are also other Aboriginal curatorial community issues that caucuses will address and that the ACC/CCA will put resources behind. Prominent First Nation artists who belong to the Collective include Robert Houle, and Greg A. Hill (artist).
References
- ^ "Aboriginal Curatorial Collective: About - Aboriginal Curatorial Collective / Collectif des commissaires autochtones". Aboriginal Curatorial Collective / Collectif des commissaires autochtones. Retrieved 2018-03-13.
- ^ McKee, Jesse (Spring 2010). "Jesse McKee in Conversation with the Aboriginal Curatorial Collective's Steve Loft, Candice Hopkins and Leanne L'Hirondelle". Fuse Magazine: 15 – via Proquest.