User:Hlqu16/sandbox: Difference between revisions
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''Prince Achmed'' boasts backgrounds by Walter Türck, special effects by Walter Ruttmann and Berthold Bartosch.<ref name=":0" /> (edits to current article, plus citation) |
''Prince Achmed'' boasts backgrounds by Walter Türck, special effects by Walter Ruttmann and Berthold Bartosch.<ref name=":0" /> (edits to current article, plus citation) |
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<ref>{{Cite journal|last=Moritz|first=William|date=Animation Journal 5:1 (Fall 1996). 40-51.|title=Some Critical Perspectives on Lotte Reiniger|url=|journal=Animation Journal|volume=5:1|pages=40-51|via=}}</ref>(Additional citation for her leftist politics) |
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Died in Dettenhause, Germany, 1981.<ref name=":0" /> (added citation here) |
Died in Dettenhause, Germany, 1981.<ref name=":0" /> (added citation here) |
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Kaes, Anton. (2016). ''The promise of cinema : German film theory, 1907-1933.'' Oakland, California : University of California Press. <nowiki>ISBN 0-520-96243-5</nowiki> |
Kaes, Anton. (2016). ''The promise of cinema : German film theory, 1907-1933.'' Oakland, California : University of California Press. <nowiki>ISBN 0-520-96243-5</nowiki> |
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Moritz, William. “Some Critical Perspectives on Lotte Reiniger.” ''Animation Journal'' 5:1 (Fall 1996). 40-51. |
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Reiniger, Lotte. ''Shadow puppets, shadow theatres, and shadow films.'' Boston : Plays, inc., 1975 |
Reiniger, Lotte. ''Shadow puppets, shadow theatres, and shadow films.'' Boston : Plays, inc., 1975 |
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Revision as of 00:49, 31 March 2018
Hey people grading me! The things I'm adding to the Lotte Reiniger article start BELOW THIS LINE!!
Biography
Reiniger wrote instructions on how to construct her "trick-table" in her book, Shadow puppets, shadow theatres, and shadow films. [1]
Prince Achmed boasts backgrounds by Walter Türck, special effects by Walter Ruttmann and Berthold Bartosch.[2] (edits to current article, plus citation)
[3](Additional citation for her leftist politics)
Died in Dettenhause, Germany, 1981.[2] (added citation here)
Art Style
The Adventures of Prince Achmed specifically adapts fantastic elements to take advantage of animation to show things that could not be shown in reality.[2] Reiniger considered animation's separation from the laws of the material plane to be one of the greatest strengths of the medium.[4][5]
Reiniger's work bears distinct aesthetic similarities that of German expressionists, such as Wegener, Wiene, and Murnau.[4]
Filmography
- 1934 -- Das ghestohlene Herz (German name for The Stolen Heart)
- 1935 -- Die Jagd nach dem Glück (Hunt for Luck)
- 1935 -- Der scheintote Chinese (The Seemingly Dead Chinese) (corrected year)[6]
References
- ^ Lotte., Reiniger, (1975, ©1970). Shadow puppets, shadow theatres, and shadow films. Boston: Plays, Inc. ISBN 0823801985. OCLC 1934547.
{{cite book}}: Check date values in:|date=(help)CS1 maint: extra punctuation (link) CS1 maint: multiple names: authors list (link) - ^ a b c Practicing modernity : female creativity in the Weimar Republic. Schönfeld, Christiane., Finnan, Carmel, 1958-. Würzburg: Königshausen & Neumann. 2006. ISBN 3826032411. OCLC 71336738.
{{cite book}}: CS1 maint: others (link) - ^ Moritz, William (Animation Journal 5:1 (Fall 1996). 40-51.). "Some Critical Perspectives on Lotte Reiniger". Animation Journal. 5:1: 40–51.
{{cite journal}}: Check date values in:|date=(help) - ^ a b Donald., Crafton, (1993). Before Mickey : the animated film, 1898-1928 (University of Chicago Press ed ed.). Chicago: University of Chicago Press. ISBN 0226116670. OCLC 28547443.
{{cite book}}:|edition=has extra text (help)CS1 maint: extra punctuation (link) CS1 maint: multiple names: authors list (link) - ^ The promise of cinema : German film theory, 1907--1933. Kaes, Anton,, Baer, Nicholas, 1985-, Cowan, Michael J., 1971-. Oakland. ISBN 0520962435. OCLC 938890898.
{{cite book}}: CS1 maint: others (link) - ^ Giesen, Rolf (2012). Animation Under the Swastika. Jefferson, NC: McFarland & Company, Inc. p. 200. ISBN 978-0-7864-4640-7.
Bibliography
Crafton, Donald. Before Mickey : the animated film, 1898-1928. Cambridge, Mass. : MIT Press, 1982. ISBN 0262030837
Giesen, Rolf (2012). Animation Under the Swastika. Jefferson, NC: McFarland & Company, Inc. p. 200. ISBN 978-0-7864-4640-7.
Kaes, Anton. (2016). The promise of cinema : German film theory, 1907-1933. Oakland, California : University of California Press. ISBN 0-520-96243-5
Moritz, William. “Some Critical Perspectives on Lotte Reiniger.” Animation Journal 5:1 (Fall 1996). 40-51.
Reiniger, Lotte. Shadow puppets, shadow theatres, and shadow films. Boston : Plays, inc., 1975
Schönfeld, Christiane. (2006). Practicing modernity : female creativity in the Weimar Republic. Würzburg : Königshausen & Neumann. ISBN 3826032411
Hey people grading me! Things I'm adding to the Lotte Reiniger article END HERE. This does not include this line.
Everything below here is reference for myself or some other stuff. Don't worry about it!
Bless up and have a great day.
~hlqu16
Cavalier, Steven. The world history of animation // Animation. Berkeley : University of California Press, 2011.
Furniss, Maureen. (2009). Animation Art and Industry. Bloomington, IN : John Libbey Publishing.
Strobel, Christel & Hans. Lotte Reininger: Materialien zu ihren Marchen und Musikfilmen. Atlas Film + AV, 1988