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|name=Alexandru Dabija
|name=Alexandru Dabija
|birth_date= {{Birth date and age|1955|02|13}}
|birth_date= {{Birth date and age|1955|02|13}}
|birth_place= [[Piatra Neamț]], Romania
}}
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'''Alexandru Dabija''' (born February 13, 1955) is a stage director and actor for Romanian scene and film.
'''Alexandru Dabija''' (born February 13, 1955) is a stage director and actor for Romanian scene and film.

Revision as of 21:20, 25 September 2018

Alexandru Dabija
Born (1955-02-13) February 13, 1955 (age 69)
Piatra Neamț, Romania

Alexandru Dabija (born February 13, 1955) is a stage director and actor for Romanian scene and film.

He debuted in 1976 with the show of Philip Massinger's Reflection at the Youth Theater in Piatra Neamt, winning the Best Director of the Year Award.[1][2] He was general manager of the Odeon Theatre between 1991-1994 and 1996-2002[3] .

Directed theater parts

  • Avram Iancu made by Mihai Măniuțiu, (The Casandra Theater Studio, 1978)[4]
  • Taifunul de Cao Yu (The Nottara Theatre, 1988)
  • Burghezul gentilom by Moliere (The Nottara Theatre, 1989)
  • Ospățul lui Balthazar by Benjamin Fondane (The Nottara Theatre, 1990)
  • Lola Blau de Georg Kreisler (Jewish State Theater, 1993)
  • Lungul drum al zilei către noapte by Eugene O'Neill (Nottara Theatre, 1998)
  • Școala femeilor by Moliere (Teatrul Mic, 1998)
  • Jucăria de vorbe, a scenario directed by Al. Dabija, after "Cartea cu jucarii" by Tudor Arghezi (Odeon Theatre, 1998)
  • Gaițele de Alexandru Kirițescu (Teatrul Odeon, 2002)
  • București nicăieri a script directed by Tudor Arghezi & H. R. Patapievici (Act Theatre, 2002)
  • ...escu de Tudor Mușatescu (Teatrul de Comedie, 2002)
  • Aici nu se simte by Lia Bugnar (Teatrul Luni de la Green Hours, 2003)
  • Leonce & Lena de Georg Buchner (Teatrul Odeon, 2004)
  • Trei surori by A.P. Cehov (The Toma Caragiu's Drama Theatre, Ploiesti, 2004)
  • Aventurile lui Habarnam by N. Nosov (Odeon, 2005)
  • Block Bach (Teatrul Odeon, 2007)
  • Camera de hotel, a trilogy by Barry Gifford (Teatrul Odeon, 2008)
  • Un duel by A.P. Cehov (TNB, 2009)
  • Pyramus & Thisbe 4 You after William Shakespeare (Odeon, 2010)
  • Absolut! after Ivan Turbincă by Ion Creangă (Teatrul Act, 2011)
  • O scrisoare pierdută de I.L. Caragiale (Teatrul de Comedie, 2011)
  • C.F.R. — Cometa, Copilul și Cățelul după texte de I.L. Caragiale (Teatrul Odeon, 2012)
  • Două loturi by I.L. Caragiale (TNB, 2012)
  • Titanic Vals, de Tudor Mușatescu (Teatrul Odeon, 2013)
  • Suflete moarte de Gogol (Teatrul Dramatic Toma Caragiu, Ploiești, 2013)
  • Sânziana & Pepelea de Vasile Alecsandri (Teatrul Național din Cluj, 2013)
  • Mein Kampf de George Tabori (Teatrul Național din Cluj, 2014)
  • Contra democrației de Esteve Soler (Sala Studio, 2014)
  • 13 tablouri cu oameni, adaptare după Anton Pavlovici Cehov (Teatrul Elvira Godeanu Tg. Jiu, 2014)
  • Logodnicii din provincie de Georges Feydeau (Teatrul Maghiar de Stat Cluj, 2014)
  • O...ladă, collective creation by Ion Creanga (at Youth Theater in Piatra Neamt, 2014)
  • Vârciorova. Carantina by Vasile Alecsandri & Matei Millo (Bacovia Municipal Theater in Bacau, 2014).

Filmography

  • 2013 — O umbră de nor - short feature - directed by Radu Jude[5]
  • 2015 — Aferim!, regia Radu Jude, the role of boyar Iulian Cîndrescu
  • 2016 — Inimi cicatrizate (english: Scarred Hearts), a scenario directed by Radu Jude, the role of Mr. Lazar B.[6]

Awards

For his performance as boyar Iordache Cîndescu from the Aferim!'s film (by director Radu Jude, released in 2015), Alexandru Dabija rewarded with the Gopo Award for Best Supporting Actor at Gopo Gala 2016.

References snd notes

  1. ^ TNB.ro — Alexandru Dabija
  2. ^ TVR — Iureș, Dabija
  3. ^ Știri Kappa
  4. ^ Alexandru Dabija la 60 de ani (la February 2015)
  5. ^ O umbră de nor selected on Cannes, in Quinzaine des Réalisateurs
  6. ^ Distribuția filmului la IMDB

Further reading

  • Miruna Runcan, Habarnam în orașul teatrului. Universul spectacolelor lui Alexandru Dabija, The Limes / The „Camil Petrescu“ Cultural Foundation, btw. Cluj & Bucharest, 2010, p. 232 - review