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Together with Erika Rokyta and [[Jella Braun-Fernwald]], she went on tour in the mid 1920s. Until 1938 she regularly sang leading roles at the [[Salzburg Festival]], for example in 1931 and 1935 to 1938, Donna Elvira in ''[[Don Giovanni]]'' and Marzelline in Beethoven's ''[[Fidelio]]''. She also assumed the latter role in 1936 on the occasion of the reopening of the rebuilt [[Haus für Mozart|Salzburger Festspielhaus]]. The conductor was [[Arturo Toscanini]], and the director [[Lothar Wallerstein]] in stage designs by [[Clemens Holzmeister]]. The ensemble included [[Lotte Lehmann]] as Leonore, [[Koloman von Pataky]] as Florestan, Carl Bissuti, [[Alfred Jerger]], Anton Baumann and [[Hermann Gallos]].{{Citation needed}}
Together with Erika Rokyta and [[Jella Braun-Fernwald]], she went on tour in the mid 1920s. Until 1938 she regularly sang leading roles at the [[Salzburg Festival]], for example in 1931 and 1935 to 1938, Donna Elvira in ''[[Don Giovanni]]'' and Marzelline in Beethoven's ''[[Fidelio]]''. She also assumed the latter role in 1936 on the occasion of the reopening of the rebuilt [[Haus für Mozart|Salzburger Festspielhaus]]. The conductor was [[Arturo Toscanini]], and the director [[Lothar Wallerstein]] in stage designs by [[Clemens Holzmeister]]. The ensemble included [[Lotte Lehmann]] as Leonore, [[Koloman von Pataky]] as Florestan, Carl Bissuti, [[Alfred Jerger]], Anton Baumann and [[Hermann Gallos]].{{Citation needed}}


Her major contribution to music history was her participation in the first five seasons of the [[Glyndebourne Festival Opera]] in southern England, which was founded in 1934 by [[John Christie (opera manager)|John Christie]] and his wife, the singer [[Audrey Mildmay]], the conductor [[Fritz Busch]] and the director [[Carl Ebert]]. There she was a member of a renowned international ensemble and played leading roles in four Mozart operas. Three of them, the three [[Lorenzo Da Ponte|Da Ponte]]'s operas, were recorded on audio carriers and have been available ever since. They were praised by critics as outstanding and excellent.<ref>Musica: Monatsschrift für alle Gebiete des Musiklebens, Volume 18, {{{p.|102}}</ref><ref>Marcus Felsner: ''Operatica: Approaches to the World of Opera'', Königshausen & Neumann 2008, {{p.|25}}.</ref><ref>[https://www.worldcat.org/title/operatica-annaherungen-an-die-welt-der-oper/oclc/260049678 ''Operatica : Annäherungen an die Welt der Oper''] on WorldCat</ref> In 1934 Helletsgruber made her debut in Glyndebourne as Dorabella and Cherubino, in 1935 she also sang the First Lady in ''[[The Magic Flute]]''. In 1936 she took over Donna Elvira for the first time and continued to sing Cherubino and the First Lady. Even after the [[Anschluss|Annexion of Austria]] in March 1938 she succeeded in participating in the English festival.{{Citation needed}}
Her major contribution to music history was her participation in the first five seasons of the [[Glyndebourne Festival Opera]] in southern England, which was founded in 1934 by [[John Christie (opera manager)|John Christie]] and his wife, the singer [[Audrey Mildmay]], the conductor [[Fritz Busch]] and the director [[Carl Ebert]]. There she was a member of a renowned international ensemble and played leading roles in four Mozart operas. Three of them, the three [[Lorenzo Da Ponte|Da Ponte]]'s operas, were recorded and have been available ever since. They were praised by critics as outstanding and excellent.<ref>Musica: Monatsschrift für alle Gebiete des Musiklebens, Volume 18, {{{p.|102}}</ref><ref>Marcus Felsner: ''Operatica: Approaches to the World of Opera'', Königshausen & Neumann 2008, {{p.|25}}.</ref><ref>[https://www.worldcat.org/title/operatica-annaherungen-an-die-welt-der-oper/oclc/260049678 ''Operatica : Annäherungen an die Welt der Oper''] on WorldCat</ref> In 1934 Helletsgruber made her debut in Glyndebourne as Dorabella and Cherubino, in 1935 she also sang the First Lady in ''[[The Magic Flute]]''. In 1936 she took over Donna Elvira for the first time and continued to sing Cherubino and the First Lady. Even after the [[Anschluss|Annexion of Austria]] in March 1938 she succeeded in participating in the English festival.{{Citation needed}}


Another important sound document by Helletsgruber is Beethoven's ''[[Symphony No. 9 (Beethoven)|Symphony No. 9]]'', a recording with the [[Vienna Philharmonic]] under [[Felix von Weingartner]], recorded in two parts in 1935 and 1938.{{Citation needed}}
Another important sound document by Helletsgruber is Beethoven's ''[[Symphony No. 9 (Beethoven)|Symphony No. 9]]'', a recording with the [[Vienna Philharmonic]] under [[Felix von Weingartner]], recorded in two parts in 1935 and 1938.{{Citation needed}}

Revision as of 03:46, 9 February 2019

Luise Helletsgruber (30 May 1901 – 5 January 1967) was an Austrian opera singer (soprano), who performed at the Vienna State Opera, the Salzburg Festival and the Glyndebourne Festival Opera.

Life and career

Born in Wienerherberg [de], Helletsgruber studied in Vienna and made her debut in 1922 at the Vienna State Opera as the young shepherd in Wagner's Tannhäuser.[1] The singer remained a member of the ensemble of the Haus am Ring until 1942. She quickly developed a broad repertoire, especially as a lyric soprano, with a focus on Mozart roles. She had a lovable and charming stage presence as well as a slender but powerful voice and impressed audiences in Vienna, Salzburg and Glyndebourne as Cherubino in The Marriage of Figaro, as Donna Anna and Donna Elvira in Don Giovanni and as Dorabella in Così fan tutte.{{Citation needed} }Her lyrical roles also included Eva in Wagner's Die Meistersinger von Nürnberg, Micaëla in Bizet's Carmen and Marguerite in Gounod's Faust. Occasionally she also took on more dramatic roles, such as Elsa in Wagner's Lohengrin or Liù in Puccini's Turandot, the latter with Jan Kiepura as Kalaf.[2]

Together with Erika Rokyta and Jella Braun-Fernwald, she went on tour in the mid 1920s. Until 1938 she regularly sang leading roles at the Salzburg Festival, for example in 1931 and 1935 to 1938, Donna Elvira in Don Giovanni and Marzelline in Beethoven's Fidelio. She also assumed the latter role in 1936 on the occasion of the reopening of the rebuilt Salzburger Festspielhaus. The conductor was Arturo Toscanini, and the director Lothar Wallerstein in stage designs by Clemens Holzmeister. The ensemble included Lotte Lehmann as Leonore, Koloman von Pataky as Florestan, Carl Bissuti, Alfred Jerger, Anton Baumann and Hermann Gallos.[citation needed]

Her major contribution to music history was her participation in the first five seasons of the Glyndebourne Festival Opera in southern England, which was founded in 1934 by John Christie and his wife, the singer Audrey Mildmay, the conductor Fritz Busch and the director Carl Ebert. There she was a member of a renowned international ensemble and played leading roles in four Mozart operas. Three of them, the three Da Ponte's operas, were recorded and have been available ever since. They were praised by critics as outstanding and excellent.[3][4][5] In 1934 Helletsgruber made her debut in Glyndebourne as Dorabella and Cherubino, in 1935 she also sang the First Lady in The Magic Flute. In 1936 she took over Donna Elvira for the first time and continued to sing Cherubino and the First Lady. Even after the Annexion of Austria in March 1938 she succeeded in participating in the English festival.[citation needed]

Another important sound document by Helletsgruber is Beethoven's Symphony No. 9, a recording with the Vienna Philharmonic under Felix von Weingartner, recorded in two parts in 1935 and 1938.[citation needed]

Helletsgruber and her husband Karl Friedrich Alois Lehr (1896-1967) died of the consequences of a car accident in Sattledt.[citation needed]

Recordings

References

  1. ^ The singer's date of birth is not guaranteed. Discogs mentions "born 30 May 1901 in Wienerherberg", see [1], AllMusic, Glyndebourne and Naxos give the year 1898.
  2. ^ Luise Helletsgruber on ZWAB.com
  3. ^ Musica: Monatsschrift für alle Gebiete des Musiklebens, Volume 18, {p. 102
  4. ^ Marcus Felsner: Operatica: Approaches to the World of Opera, Königshausen & Neumann 2008, p. 25.
  5. ^ Operatica : Annäherungen an die Welt der Oper on WorldCat
  6. ^ Luise Helletsgruber on Pristine Classical
  7. ^ Luise Helletsgruber on Amazon
  8. ^ Luise Helletsgruber on Archive Music
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