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'''''Debris documentar''''' (English: ''Debris Documentation'') is a 75-minute 2012 German-Greek German-language experimental independent dramatic art film directed by [[Marian Dora]]. The film, released on DVD in 2014 as part of a boxset also containitng ''[[Melancholie der Engel]]'' (2009) and ''Reise nach Agatis'' (2010),<ref>{{cite AV media|url=https://web.archive.org/20180613063101/http://www.zenopictures.be/en/catalog-14/all-titles/the-world-of-marian-dora|script-title=The World of Marian Dora|people=Dora Botulino, Marian|location=Breda|publisher=BUT (B-Movies, Underground, and Trash) Film Festival|language=Dutch|accessdate=13 January 2019|format=DVD|isbn=9789081779869|date=2014}} Archived 13 June 2018.</ref> was shot in 2003, during the time Dora was [[Ulli Lommel]]’s assistant,<ref>{{ill|Höltgen, Prof. Dr. Stefan|de|Stefan Höltgen}}. {{cite web|url=https://www.heise.de/-3403734|script-title=Hat nicht so gut geschmeckt|date=4 December 2005|website=[[Telepolis]]|publisher=Hanover: [[Heinz Heise]]|access-date=1 February 2019|language=German|trans-title=It Tasted Not So Good}}</ref> and is meant to provide insights into the pre-production of ''Melancholie der Engel''.<ref>{{cite AV media|url=http://blacklava.at/index.php/revisiting-melancholie-der-engel-slipcase.html|script-title=''Revisiting Melancholie der Engel''|people=Blomdahl, Magnus|location=Vorchdorf|publisher=Black Lava Entertainment|language=German|accessdate=5 February 2019|format=DVD|date=March 2017}}</ref><ref>Keesey, Prof. Dr. Douglas. ''[http://www.kamerabooks.co.uk/index1.php?imprint=3&isbn=9781843449058 Twenty First Century Horror Films: A Guide to the Best Contemporary Horror Movies]''. Harpenden: Oldcastle Books’s Kamera Books, March 2017, pp. 211–213, {{ISBN|9781843449065}}, {{OCLC|988756769}}. Retrieved 5 February 2019.</ref><ref>{{cite book|last=Aston|first=Dr. James|date=August 2018|script-title=''Hardcore Horror Cinema in the 21st Century: Production, Marketing and Consumption''|url=https://www.mcfarlandbooks.com/hardcore-horror-cinema-in-the-21st-century|location=Jefferson, North Carolina|publisher=[[McFarland & Company]]|pages=16, 55, and 74–76|isbn=9781476668888|oclc=1020455458|accessdate=5 February 2019}}</ref>
'''''Debris documentar''''' (English: ''Debris Documentation'') is a 75-minute 2012 German-Greek German-language experimental independent dramatic art film directed by [[Marian Dora]]. The film, released on DVD in 2014 as part of a boxset also containitng ''[[Melancholie der Engel]]'' (2009) and ''Reise nach Agatis'' (2010),<ref>{{cite AV media|url=https://web.archive.org/20180613063101/http://www.zenopictures.be/en/catalog-14/all-titles/the-world-of-marian-dora|script-title=The World of Marian Dora|people=Dora Botulino, Marian|location=Breda|publisher=BUT (B-Movies, Underground, and Trash) Film Festival|language=Dutch|accessdate=13 January 2019|format=DVD|isbn=9789081779869|date=2014}} Archived 13 June 2018.</ref> was shot in 2003, during the time Dora was [[Ulli Lommel]]’s assistant,<ref>{{ill|Höltgen, Prof. Dr. Stefan|de|Stefan Höltgen}}. {{cite web|url=https://www.heise.de/-3403734|script-title=Hat nicht so gut geschmeckt|date=4 December 2005|website=[[Telepolis]]|publisher=Hanover: [[Heinz Heise]]|access-date=1 February 2019|language=German|trans-title=It Tasted Not So Good}}</ref> and is meant to provide insights into the pre-production of ''Melancholie der Engel''.<ref>{{cite AV media|url=http://blacklava.at/index.php/revisiting-melancholie-der-engel-slipcase.html|script-title=''Revisiting Melancholie der Engel''|people=Blomdahl, Magnus|location=Vorchdorf|publisher=Black Lava Entertainment|language=German|accessdate=5 February 2019|format=DVD|date=March 2017}}</ref><ref>Keesey, Prof. Dr. Douglas. ''[http://www.kamerabooks.co.uk/index1.php?imprint=3&isbn=9781843449058 Twenty First Century Horror Films: A Guide to the Best Contemporary Horror Movies]''. Harpenden: Oldcastle Books’s Kamera Books, March 2017, pp. 211–213, {{ISBN|9781843449065}}, {{OCLC|988756769}}. Retrieved 5 February 2019.</ref><ref>{{cite book|last=Aston|first=Dr. James|date=August 2018|script-title=''Hardcore Horror Cinema in the 21st Century: Production, Marketing and Consumption''|url=https://www.mcfarlandbooks.com/hardcore-horror-cinema-in-the-21st-century|location=Jefferson, North Carolina|publisher=[[McFarland & Company]]|pages=16, 55, and 74–76|isbn=9781476668888|oclc=1020455458|accessdate=5 February 2019}}</ref><ref>{{cite book|last=Bordage|first=Tinam|script-title=''Les dossiers Sadique-master: Dissection du cinéma underground extrême''|trans-title=The Sadique-Master Files: A Dissection of Extreme Underground Cinema|url=http://www.camionnoir.com/detail-livre-les-dossiers-sadique-master-dissection-du-cinema-underground-extreme-390.php|location=Rosières-en-Haye|publisher={{ill|Éditions du Camion blanc|fr}}’s Camion noir, mars 2017|isbn=9782357799370|language=French|accessdate=13 January 2019|oclc=1035828127}}</ref><ref>{{cite book|last=Blomdahl|first=Magnus|script-title=''Äkta skräck 2''|trans-title=Genuine Horror 2|url=http://www.vertigo.se/akta-skrack-2|location=Malmö|publisher={{ill|Vertigo förlag|sv|Vertigo (bokförlag)}}, Maj 2017|isbn=9789186567781|language=Swedish|accessdate=13 January 2019}}</ref>


==Synopsis==
==Synopsis==
The film deals with the everyday life of a man, Carsten ({{ill|Carsten Frank|de}}), who works on the set of the 2004 Ulli Lommel film ''[[Zombie Nation (film)|Zombie Nation]]''. At the same time, he is planning to realize his own film, a task he finds extremely difficult. First, he tries to place casting ads in a supermarket. During his daily work on the film set, the man seems frustrated. Also, he is isolated in his private life, and spends his time by watching and masturbating to his opulent VHS film collection of homosexual rape pornography and films such as [[Cesare Canevari]]’s 1977 ''[[Gestapo's Last Orgy|Gestapo’s Last Orgy]]'', Dennis Donnelly’s 1978 ''[[The Toolbox Murders]]'', [[Peter Schamoni]]’s 1976 ''{{ill|Potato Fritz|de|Potato Fritz (Film)}}'', and [[Rino Di Silvestro]]’s 1976 ''[[Werewolf Woman]]'', and tinkering with props for his own planned film. He also likes to read [[Astrid Proll]]’s works about [[Andreas Baader]] and [[Ulrike Meinhof]] and the poetry of [[Eduard Mörike]]. In his spare time, he shoots photos of animal cadavers while playing with them, also partly collecting them to take home with him, as he seems to have sexual attraction to them, and rapes women (Martina Adora, Stefanie Müller, and Carina Palmer) in the woods while they urinate. He indulges in several disturbing sexual fetishes including defecating, urinating, necrophilia, bestiality, anal fisting, rape, murder, nose-picking, and other unspeakable acts. He is in regular contact with a prostitute, Patrizia (Patrizia Johann), who puts an enema into her anus and defecates into a bucket while placing the man onto a table, shoving her fist into his anus and pulling feces out of there while he is putting the bucket to his face. By telephone, he also stays in contact with [[Jesús Franco]], {{ill|Katja Bienert|de|Katja Bienert|fr|Katja Bienert|ru|Бинерт, Катя}}, [[Peter Martell]], and [[David Hess]] (who composed most of this film’s score). After a while, he actually contacted a woman, Franziska (Alexandra Dumas), who read his advertisement in the supermarket. They arrange a meeting in the man’s house. When he tells her what he is supposed to do in his film, the woman gets scared and wants to leave the house. Then, Carsten overwhelms her and kills her by strangling her with a telephone cord and beating her head. Afterwards, he films himself as he is sexually aroused by her corpse. He cuts her nipples off in graphic detail and uses his scalpel to cut the dead woman’s clitoris off. He then takes the scalpel and peels the skin off one of her fingers and eats the pieces of dismembered skin. The film ends with a scene showing Carsten burning the same woman’s body and going jogging, as in the first shot of this film.<ref>{{cite book|last=Bordage|first=Tinam|script-title=''Les dossiers Sadique-master: Dissection du cinéma underground extrême''|trans-title=The Sadique-Master Files: A Dissection of Extreme Underground Cinema|url=http://www.camionnoir.com/detail-livre-les-dossiers-sadique-master-dissection-du-cinema-underground-extreme-390.php|location=Rosières-en-Haye|publisher={{ill|Éditions du Camion blanc|fr}}’s Camion noir, mars 2017|isbn=9782357799370|language=French|accessdate=13 January 2019|oclc=1035828127}}</ref><ref>{{cite book|last=Blomdahl|first=Magnus|script-title=''Äkta skräck 2''|trans-title=Genuine Horror 2|url=http://www.vertigo.se/akta-skrack-2|location=Malmö|publisher={{ill|Vertigo förlag|sv|Vertigo (bokförlag)}}, Maj 2017|isbn=9789186567781|language=Swedish|accessdate=13 January 2019}}</ref>
The film deals with the everyday life of a man, Carsten ({{ill|Carsten Frank|de}}), who works on the set of the 2004 Ulli Lommel film ''[[Zombie Nation (film)|Zombie Nation]]''. At the same time, he is planning to realize his own film, a task he finds extremely difficult. First, he tries to place casting ads in a supermarket. During his daily work on the film set, the man seems frustrated. Also, he is isolated in his private life, and spends his time by watching and masturbating to his opulent VHS film collection of homosexual rape pornography and films such as [[Cesare Canevari]]’s 1977 ''[[Gestapo's Last Orgy|Gestapo’s Last Orgy]]'', Dennis Donnelly’s 1978 ''[[The Toolbox Murders]]'', [[Peter Schamoni]]’s 1976 ''{{ill|Potato Fritz|de|Potato Fritz (Film)}}'', and [[Rino Di Silvestro]]’s 1976 ''[[Werewolf Woman]]'', and tinkering with props for his own planned film. He also likes to read [[Astrid Proll]]’s works about [[Andreas Baader]] and [[Ulrike Meinhof]] and the poetry of [[Eduard Mörike]]. In his spare time, he shoots photos of animal cadavers while playing with them, also partly collecting them to take home with him, as he seems to have sexual attraction to them, and rapes women (Martina Adora, Stefanie Müller, and Carina Palmer) in the woods while they urinate. He indulges in several disturbing sexual fetishes including defecating, urinating, necrophilia, bestiality, anal fisting, rape, murder, nose-picking, and other unspeakable acts. He is in regular contact with a prostitute, Patrizia (Patrizia Johann), who puts an enema into her anus and defecates into a bucket while placing the man onto a table, shoving her fist into his anus and pulling feces out of there while he is putting the bucket to his face. By telephone, he also stays in contact with [[Jesús Franco]], {{ill|Katja Bienert|de|Katja Bienert|fr|Katja Bienert|ru|Бинерт, Катя}}, [[Peter Martell]], and [[David Hess]] (who composed most of this film’s score). After a while, he actually contacted a woman, Franziska (Alexandra Dumas), who read his advertisement in the supermarket. They arrange a meeting in the man’s house. When he tells her what he is supposed to do in his film, the woman gets scared and wants to leave the house. Then, Carsten overwhelms her and kills her by strangling her with a telephone cord and beating her head. Afterwards, he films himself as he is sexually aroused by her corpse. He cuts her nipples off in graphic detail and uses his scalpel to cut the dead woman’s clitoris off. He then takes the scalpel and peels the skin off one of her fingers and eats the pieces of dismembered skin. The film ends with a scene showing Carsten burning the same woman’s body and going jogging, as in the first shot of this film.


==References==
==References==

Revision as of 15:41, 10 February 2019

  • Comment: Please ensure you include more than just a plot summary. SITH (talk) 13:21, 10 February 2019 (UTC)

Debris documentar (English: Debris Documentation) is a 75-minute 2012 German-Greek German-language experimental independent dramatic art film directed by Marian Dora. The film, released on DVD in 2014 as part of a boxset also containitng Melancholie der Engel (2009) and Reise nach Agatis (2010),[1] was shot in 2003, during the time Dora was Ulli Lommel’s assistant,[2] and is meant to provide insights into the pre-production of Melancholie der Engel.[3][4][5][6][7]

Synopsis

The film deals with the everyday life of a man, Carsten (Carsten Frank [de]), who works on the set of the 2004 Ulli Lommel film Zombie Nation. At the same time, he is planning to realize his own film, a task he finds extremely difficult. First, he tries to place casting ads in a supermarket. During his daily work on the film set, the man seems frustrated. Also, he is isolated in his private life, and spends his time by watching and masturbating to his opulent VHS film collection of homosexual rape pornography and films such as Cesare Canevari’s 1977 Gestapo’s Last Orgy, Dennis Donnelly’s 1978 The Toolbox Murders, Peter Schamoni’s 1976 Potato Fritz [de], and Rino Di Silvestro’s 1976 Werewolf Woman, and tinkering with props for his own planned film. He also likes to read Astrid Proll’s works about Andreas Baader and Ulrike Meinhof and the poetry of Eduard Mörike. In his spare time, he shoots photos of animal cadavers while playing with them, also partly collecting them to take home with him, as he seems to have sexual attraction to them, and rapes women (Martina Adora, Stefanie Müller, and Carina Palmer) in the woods while they urinate. He indulges in several disturbing sexual fetishes including defecating, urinating, necrophilia, bestiality, anal fisting, rape, murder, nose-picking, and other unspeakable acts. He is in regular contact with a prostitute, Patrizia (Patrizia Johann), who puts an enema into her anus and defecates into a bucket while placing the man onto a table, shoving her fist into his anus and pulling feces out of there while he is putting the bucket to his face. By telephone, he also stays in contact with Jesús Franco, Katja Bienert [de; fr; ru], Peter Martell, and David Hess (who composed most of this film’s score). After a while, he actually contacted a woman, Franziska (Alexandra Dumas), who read his advertisement in the supermarket. They arrange a meeting in the man’s house. When he tells her what he is supposed to do in his film, the woman gets scared and wants to leave the house. Then, Carsten overwhelms her and kills her by strangling her with a telephone cord and beating her head. Afterwards, he films himself as he is sexually aroused by her corpse. He cuts her nipples off in graphic detail and uses his scalpel to cut the dead woman’s clitoris off. He then takes the scalpel and peels the skin off one of her fingers and eats the pieces of dismembered skin. The film ends with a scene showing Carsten burning the same woman’s body and going jogging, as in the first shot of this film.

References

  1. ^ Dora Botulino, Marian (2014). The World of Marian Dora (DVD) (in Dutch). Breda: BUT (B-Movies, Underground, and Trash) Film Festival. ISBN 9789081779869. Retrieved 13 January 2019. {{cite AV media}}: Invalid |script-title=: missing prefix (help) Archived 13 June 2018.
  2. ^ Höltgen, Prof. Dr. Stefan [de]. Hat nicht so gut geschmeckt [It Tasted Not So Good]. Telepolis (in German). Hanover: Heinz Heise. 4 December 2005. Retrieved 1 February 2019. {{cite web}}: Invalid |script-title=: missing prefix (help)
  3. ^ Blomdahl, Magnus (March 2017). Revisiting Melancholie der Engel (DVD) (in German). Vorchdorf: Black Lava Entertainment. Retrieved 5 February 2019. {{cite AV media}}: Invalid |script-title=: missing prefix (help)
  4. ^ Keesey, Prof. Dr. Douglas. Twenty First Century Horror Films: A Guide to the Best Contemporary Horror Movies. Harpenden: Oldcastle Books’s Kamera Books, March 2017, pp. 211–213, ISBN 9781843449065, OCLC 988756769. Retrieved 5 February 2019.
  5. ^ Aston, Dr. James (August 2018). Hardcore Horror Cinema in the 21st Century: Production, Marketing and Consumption. Jefferson, North Carolina: McFarland & Company. pp. 16, 55, and 74–76. ISBN 9781476668888. OCLC 1020455458. Retrieved 5 February 2019. {{cite book}}: Invalid |script-title=: missing prefix (help)
  6. ^ Bordage, Tinam. Les dossiers Sadique-master: Dissection du cinéma underground extrême [The Sadique-Master Files: A Dissection of Extreme Underground Cinema] (in French). Rosières-en-Haye: Éditions du Camion blanc [fr]’s Camion noir, mars 2017. ISBN 9782357799370. OCLC 1035828127. Retrieved 13 January 2019. {{cite book}}: Invalid |script-title=: missing prefix (help)
  7. ^ Blomdahl, Magnus. Äkta skräck 2 [Genuine Horror 2] (in Swedish). Malmö: Vertigo förlag [sv], Maj 2017. ISBN 9789186567781. Retrieved 13 January 2019. {{cite book}}: Invalid |script-title=: missing prefix (help)

Category:2010s avant-garde and experimental films Category:2010s drama films Category:2010s independent films Category:2010s LGBT-related films Category:2012 films Category:Art films Category:Cannibalism in fiction Category:Films about gay male pornography Category:Films about murderers Category:Films about prostitution in Germany Category:Films about rape Category:Films about violence against women Category:Films directed by Marian Dora Category:Films set in department stores Category:Films set in forests Category:Films set in Germany Category:Films shot in Germany Category:German drama films Category:German films Category:German independent films Category:German-language films Category:German LGBT-related films Category:Greek avant-garde and experimental films Category:Greek drama films Category:Greek LGBT-related films Category:LGBT-related drama films Category:Masturbation in fiction Category:Necrophilia in fiction Category:Women and death Category:Zoophilia in culture

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