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==== ''Background Actors'', Catriona Jeffries Gallery, 2018 ====
==== ''Background Actors'', Catriona Jeffries Gallery, 2018 ====
An installation of video and sculptural elements, exploring perception and the limits of modern science. <ref>{{Cite web|url=https://www.sadmag.ca/blog/2018/8/6/julia-feyrers-background-actors-at-catriona-jeffries|title=Julia Feyrer's Background Actors at Catriona Jeffries|website=SAD Mag|language=en-CA|access-date=2019-03-09}}</ref>

====''Escape Scenes'', Western Front, 2014 ====
An exhibition of 16mm, cyanotype and artist books, related to mediated perception and measurement.<ref>{{Cite web|url=https://front.bc.ca/events/julia-feyrer/|title=Escape Scenes - Western Front|language=en-US|access-date=2019-03-09}}</ref> The 16mm film produced for this exhibition was later exhibited at the Vancouver Art Gallery as part of the exhibition Ambivalent Pleasures (2016). <ref>{{Cite journal|last=Burder|first=John|date=1976-01-20|title=16mm Film Cutting|url=http://dx.doi.org/10.4324/9780080498393|doi=10.4324/9780080498393}}</ref>


==== ''Kitchen'', grunt gallery, 2014 ====
==== ''Kitchen'', grunt gallery, 2014 ====
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Feyrer and Henderson collaborated and were included in the group exhibition Insomnia at Bonniers Konsthall, Stockholm, Sweden. This exhibition "revolved around sleeplessness as a cultural symptom." It brought "together a group of contemporary artists" and "key works by Andy Warhol" amongst other artists. Feyrer and Henderson's works are "manifestations of excursions into different modes of consciousness."
Feyrer and Henderson collaborated and were included in the group exhibition Insomnia at Bonniers Konsthall, Stockholm, Sweden. This exhibition "revolved around sleeplessness as a cultural symptom." It brought "together a group of contemporary artists" and "key works by Andy Warhol" amongst other artists. Feyrer and Henderson's works are "manifestations of excursions into different modes of consciousness."


Feyrer and Henderson have three notable collaborative exhibitions: ''Bottles Under the Influence: Julia Feyrer and Tamara Henderson'' at the [[Walter Phillips Gallery]], [[Banff, Alberta|Banff]] (2013); ''Tamara Henderson and Julia Feyrer: Consider the Belvedere'' at the [[Institute of Contemporary Art, Philadelphia]] (2015); and ''The Last Waves'' at the [[Morris and Helen Belkin Art Gallery]], [[Vancouver]], British Columbia, Canada (2016).<ref>"Eccentric, Polymorphous, Abstract: Vancouver Art and other Mythologies of the Near-Future," by Andrew Witt for The Mainlander, published January 14, 2017, accessed March 23, 2017 http://themainlander.com/2017/01/14/eccentric-polymorphous-abstract-vancouver-art-and-other-mythologies-of-the-near-future/</ref><ref name=":4">{{Cite news|url=https://www.straight.com/arts/780746/julia-feyrer-and-tamara-henderson-plunge-us-world-dream-logic|title=Julia Feyrer and Tamara Henderson plunge us into a world of dream logic|last=Laurence|first=Robin|date=2016-09-14|work=Georgia Straight Vancouver's News & Entertainment Weekly|access-date=2018-03-11|archive-url=|archive-date=|dead-url=|language=en}}</ref> These exhibitions are seen as a three-part project taking place in three different galleries.<ref name="auto3">Prince, Erica. "Julia Feyrer and Tamara Henderson: Consider the Belvedere." ''C Magazine'': Autumn 2015, pp. 61.</ref> [[André Breton|Andre Breton]]’s [[Surrealism|Surrealist]] texts, such as the ''[[Surrealist Manifesto|First Surrealist Manifesto]]'' (1940), are often referenced when discussing the collaborators’ artworks.<ref name="auto3"/> Further, Breton’s ''The Communicating Vessels'' (1939), which connects the nature of Surrealism with everyday objects, serves as a passageway into Feyrer and Henderson’s collaborations, which engage with film, sculpture, installation, performance, and book objects.<ref name="auto3"/> Their exhibition at the [[Morris and Helen Belkin Art Gallery]] was described as being able to "plunge us into a world of dreams"<ref name=":4" /> such as the ones we unconsciously experience during our sleep.<ref name=":4" /> Their collaborative art practice layers a myriad of references to film and literature while simultaneously expressing an interest in the symbolic significance of the materials they use.<ref>{{Cite news|url=http://canadianart.ca/reviews/the-blur-in-between-art-gallery-of-alberta/|title=The Mid-Life Creator & The Blur in Between – Canadian Art|last=Bowling|first=Tim|date=9 February 2016|work=Canadian Art|access-date=2018-03-11|archive-url=|archive-date=|dead-url=|language=en-US}}</ref>
Feyrer and Henderson have three notable collaborative exhibitions: ''Bottles Under the Influence: Julia Feyrer and Tamara Henderson'' at the [[Walter Phillips Gallery]], [[Banff, Alberta|Banff]] (2013); ''Tamara Henderson and Julia Feyrer: Consider the Belvedere'' at the [[Institute of Contemporary Art, Philadelphia]] (2015); and ''The Last Waves'' at the [[Morris and Helen Belkin Art Gallery]], [[Vancouver]], British Columbia, Canada (2016).<ref>"Eccentric, Polymorphous, Abstract: Vancouver Art and other Mythologies of the Near-Future," by Andrew Witt for The Mainlander, published January 14, 2017, accessed March 23, 2017 http://themainlander.com/2017/01/14/eccentric-polymorphous-abstract-vancouver-art-and-other-mythologies-of-the-near-future/</ref><ref name=":4">{{Cite news|url=https://www.straight.com/arts/780746/julia-feyrer-and-tamara-henderson-plunge-us-world-dream-logic|title=Julia Feyrer and Tamara Henderson plunge us into a world of dream logic|last=Laurence|first=Robin|date=2016-09-14|work=Georgia Straight Vancouver's News & Entertainment Weekly|access-date=2018-03-11|archive-url=|archive-date=|dead-url=|language=en}}</ref> These exhibitions are seen as a three-part project taking place in three different galleries.<ref name="auto3">Prince, Erica. "Julia Feyrer and Tamara Henderson: Consider the Belvedere." ''C Magazine'': Autumn 2015, pp. 61.</ref> [[André Breton|Andre Breton]]’s [[Surrealism|Surrealist]] texts, such as the ''[[Surrealist Manifesto|First Surrealist Manifesto]]'' (1940), are often referenced when discussing the collaborators’ artworks.<ref name="auto3"/> Further, Breton’s ''The Communicating Vessels'' (1939), which connects the nature of Surrealism with everyday objects, serves as a passageway into Feyrer and Henderson’s collaborations, which engage with film, sculpture, installation, performance, and book objects.<ref name="auto3"/> Their exhibition at the [[Morris and Helen Belkin Art Gallery]] was described as being able to "plunge us into a world of dreams"<ref name=":4" /> such as the ones we unconsciously experience during our sleep.<ref name=":4" /> Their collaborative art practice layers a myriad of references to film and literature while simultaneously expressing an interest in the symbolic significance of the materials they use.<ref>{{Cite news|url=http://canadianart.ca/reviews/the-blur-in-between-art-gallery-of-alberta/|title=The Mid-Life Creator & The Blur in Between – Canadian Art|last=Bowling|first=Tim|date=9 February 2016|work=Canadian Art|access-date=2018-03-11|archive-url=|archive-date=|dead-url=|language=en-US}}</ref> Their collaborative works were also exhibited as part of The Metamorphosis (2018), at the Vancouver Art Gallery.<ref>{{Cite web|url=https://www.vanartgallery.bc.ca/the_exhibitions/exhibit_metamorphosis.html|title=Vancouver Art Gallery|website=www.vanartgallery.bc.ca|access-date=2019-03-09}}</ref>


Feyrer has also participated with other artists in several group exhibitions at museums and galleries, including [[Jewish Museum (Manhattan)|Jewish Museum]], [[New York City]]; [[Art Gallery of Greater Victoria]], Canada; [[Presentation House Gallery]], [[North Vancouver (city)|North Vancouver]]; and [[:de:Bielefelder Kunstverein|Bielefelder Kunstverein]], [[Bielefeld|Bielefeld, Germany]].<ref>{{Cite web|url=http://icaphila.org/programs/7176/spring-opening-celebration-and-walkthrough|title=ICA - Philadelphia, PA - Spring Opening Celebration and Walkthrough|website=Institute of Contemporary Art - Philadelphia, PA|language=en|access-date=2018-03-11}}</ref>
Feyrer has also participated with other artists in several group exhibitions at museums and galleries, including [[Jewish Museum (Manhattan)|Jewish Museum]], [[New York City]]; [[Art Gallery of Greater Victoria]], Canada; [[Presentation House Gallery]], [[North Vancouver (city)|North Vancouver]]; and [[:de:Bielefelder Kunstverein|Bielefelder Kunstverein]], [[Bielefeld|Bielefeld, Germany]].<ref>{{Cite web|url=http://icaphila.org/programs/7176/spring-opening-celebration-and-walkthrough|title=ICA - Philadelphia, PA - Spring Opening Celebration and Walkthrough|website=Institute of Contemporary Art - Philadelphia, PA|language=en|access-date=2018-03-11}}</ref>

== Awards ==
Mayor's Art Award, City of Vancouver, 2011<ref>{{Cite web|url=http://www.straight.com/arts/mayors-arts-awards-announced|title=Mayor's Arts Awards announced|date=2011-09-29|website=Georgia Straight Vancouver's News & Entertainment Weekly|language=en|access-date=2019-03-09}}</ref>


== Writings ==
== Writings ==

Revision as of 23:27, 9 March 2019

Julia Feyrer
Born1982
Victoria, British Columbia
NationalityCanadian
EducationEmily Carr University of Art and Design
Städelschule, Staatliche Hochschule für Bildende Künste

Julia Feyrer (born 1982) is a Canadian visual artist, performer, and writer based in Vancouver, British Columbia.[1]

Life and education

Feyrer was born in Victoria, British Columbia.[1] She obtained a Bachelor of Media Art at the Emily Carr Institute of Art and Design in 2005 and completed her MA at the Städelschule, Staatliche Hochschule für Bildende Künste in Frankfurt am Main in 2010.[1]

Artistic career

Julia Feyrer’s practice is cross-disciplinary, with a focus on photography, film, and mixed media installations. Her photographic work can be described as continuing to challenge "alchemical transformations of the daguerreotype" of staged settings recorded as historical documents.[2]

Solo exhibitions

Background Actors, Catriona Jeffries Gallery, 2018

An installation of video and sculptural elements, exploring perception and the limits of modern science. [3]

Escape Scenes, Western Front, 2014

An exhibition of 16mm, cyanotype and artist books, related to mediated perception and measurement.[4] The 16mm film produced for this exhibition was later exhibited at the Vancouver Art Gallery as part of the exhibition Ambivalent Pleasures (2016). [5]

Kitchen, grunt gallery, 2014

In her exhibition and residency at grunt gallery, Feyrer transformed the main gallery space into a site-specific environment to engage with materials and documentation she retrieved from the grunt archives.[6]

grunt gallery curator Vanessa Kwan wrote texts over the course of the exhibition and residency which are available for the public at the gallery or through their website.[6]

Alternatives and Opportunities, Catriona Jeffries Gallery, 2012

Alternatives and Opportunities was Feyrer’s first show at Catriona Jeffries Gallery. The show included 16mm film, sculptures, and daguerreotype prints.[7] Among the works included was The Artist’s Studio (2012), a three-part daguerreotype based on Louis Daguerre’s daguerreotype of ‘an artist studio’ taken in 1836. In Little pitchers have ears (2012), Feyrer created a binaural microphone in the shape of a head that recorded her walk around the museum spaces of the Royal BC Museum in Victoria, BC.[7] Her film, Dailies (2012), documents the production of clocks, which are described as being, "each ‘alive’ yet paralyzed in their moment, performing a durational yet non-progressive trick precariously and nervously."[7]

The daguerreotypes of The Artist’s Studio (2012) were acquired by the Morris and Helen Belkin Art Gallery, Vancouver, BC., in 2012.

The Poodle Dog Ornamental Bar, Artspeak, 2010

Feyrer’s first solo exhibition, The Poodle Dog Ornamental Bar (2010) was held at Artspeak in Vancouver.[1] It consisted of a 9-minute film based on an installation that recreated a late 19th century Vancouver bar on the 300-block of West Cordova Street.[8][9] Her interest in the Vancouver bar came about when she encountered an archival photograph of the bar’s vacant interior.[9]

The materials used in Feyrer’s installation were, "cedar bark, vine, maple twigs, moss and fungus."[10] Her voyage to Squamish, B.C. to retrieve materials informs us how, "the city’s economic base has shifted from primary to tertiary industries."[9] What could not be sourced from Squamish was found on Craigslist.[9] Feyrer then used the bar as a social gathering place where she served wine made from the yard’s apples, performed musical and literary performances, and lastly, as a set for her film.[9]

Group and collaborative exhibitions

Feyrer met fellow Canadian artist Tamara Henderson in Frankfurt in 2007 and they have since informed each other’s artistic inquiries, culminating in several collaborative exhibitions. Their first collaborative work was the screening Ett historia den objekt, snö vax skugga, There Ain’t No Cure (2010) screened in Berlin, Germany.[11]

Feyrer and Henderson collaborated and were included in the group exhibition Insomnia at Bonniers Konsthall, Stockholm, Sweden. This exhibition "revolved around sleeplessness as a cultural symptom." It brought "together a group of contemporary artists" and "key works by Andy Warhol" amongst other artists. Feyrer and Henderson's works are "manifestations of excursions into different modes of consciousness."

Feyrer and Henderson have three notable collaborative exhibitions: Bottles Under the Influence: Julia Feyrer and Tamara Henderson at the Walter Phillips Gallery, Banff (2013); Tamara Henderson and Julia Feyrer: Consider the Belvedere at the Institute of Contemporary Art, Philadelphia (2015); and The Last Waves at the Morris and Helen Belkin Art Gallery, Vancouver, British Columbia, Canada (2016).[12][13] These exhibitions are seen as a three-part project taking place in three different galleries.[14] Andre Breton’s Surrealist texts, such as the First Surrealist Manifesto (1940), are often referenced when discussing the collaborators’ artworks.[14] Further, Breton’s The Communicating Vessels (1939), which connects the nature of Surrealism with everyday objects, serves as a passageway into Feyrer and Henderson’s collaborations, which engage with film, sculpture, installation, performance, and book objects.[14] Their exhibition at the Morris and Helen Belkin Art Gallery was described as being able to "plunge us into a world of dreams"[13] such as the ones we unconsciously experience during our sleep.[13] Their collaborative art practice layers a myriad of references to film and literature while simultaneously expressing an interest in the symbolic significance of the materials they use.[15] Their collaborative works were also exhibited as part of The Metamorphosis (2018), at the Vancouver Art Gallery.[16]

Feyrer has also participated with other artists in several group exhibitions at museums and galleries, including Jewish Museum, New York City; Art Gallery of Greater Victoria, Canada; Presentation House Gallery, North Vancouver; and Bielefelder Kunstverein, Bielefeld, Germany.[17]

Awards

Mayor's Art Award, City of Vancouver, 2011[18]

Writings

Julia Feyrer’s Surrealist investigation allows her art practice and writing to inform and intersect one another. Feyrer is the co-editor of the online audiozine Spoox and author of a series of artist books from Perro Verlag Press.[19][20][21]

Publications

  • Feyrer, Julia and Tamara Henderson. Julia Feyrer and Tamara Henderson. Vancouver, BC: Morris and Helen Belkin Art Gallery, 2019.
  • Feyrer, Julia. Script Ruin by Page Turner. Vancouver, BC: Perro Verlag, 2014.
  • Feyrer, Julia and Tamara Henderson. Les Bouitelles de la Table Ronde. Vancouver, BC: Perro Verlag Publishing, 2013.
  • Feyrer, Julia and Erik Lavesson. The Rotting Husk. Frankfurt, Germany: Leonhardi Kultur Projekte, 2012.
  • Feyrer, Julia. The Wandering Art Metropole Publications and Ephemera Archive. Vancouver, BC: Project Space, 2012.
  • Feyrer, Julia. Scrap Book. Vancouver, BC: Perro Verlag Publishing, 2010.
  • Feyrer, Julia. Comedy Tragedy. Vancouver, BC: Perro Verlag Publishing, 2009.
  • Editor, Spoox Audiozine, Issues 1 - 8. 2006 - 2010.
  • Editor, Upsilon Epsilon Magazine, Issues 1 - 3. 2004 - 2006.

References

  1. ^ a b c d "Julia Feyrer · Works — Catriona Jeffries". catrionajeffries.com. Retrieved 2018-03-11.
  2. ^ Fung, Julia. "Julia Feyrer." Review of Alternatives and Opportunities by Julia Feyrer. Art Papers Magazine. May/June, 2012, pp. 25.
  3. ^ "Julia Feyrer's Background Actors at Catriona Jeffries". SAD Mag. Retrieved 2019-03-09.
  4. ^ "Escape Scenes - Western Front". Retrieved 2019-03-09.
  5. ^ Burder, John (1976-01-20). "16mm Film Cutting". doi:10.4324/9780080498393. {{cite journal}}: Cite journal requires |journal= (help)
  6. ^ a b "grunt gallery | Kitchen". grunt.ca. Retrieved 2018-03-11.
  7. ^ a b c "Julia Feyrer "Alternatives and Opportunities" at Catriona Jeffries, Vancouver •Mousse Magazine". moussemagazine.it (in Italian). Retrieved 2018-03-11.
  8. ^ Turner, Michael. "The Poodle Ornamental Bar and Vancouver’s Subtracted Future." Review of The Poodle Ornamental Bar by Julia Feyrer. Artspeak Postscript. 10 December 2010. Accessed March 09, 2017. http://artspeak.ca/the-poodle-dog-ornamental-bar/
  9. ^ a b c d e Turner, Michael. "The Poodle Dog Ornamental Bar | Artspeak". artspeak.ca. Retrieved 2018-03-11. {{cite web}}: Cite has empty unknown parameter: |dead-url= (help)
  10. ^ Birch, Jesse. "Julia Feyrer: The Poodle Dog Ornamental Bar." Hunter & Cook, Issue 8. Winter 2011.
  11. ^ Paolinelli, Nathalee (3 August 2010). "JULIA FEYRER (CA) & TAMARA HENDERSON (CA) | 01 Magazine". zero1magazine.com. Retrieved 2018-03-11. {{cite web}}: Cite has empty unknown parameter: |dead-url= (help)
  12. ^ "Eccentric, Polymorphous, Abstract: Vancouver Art and other Mythologies of the Near-Future," by Andrew Witt for The Mainlander, published January 14, 2017, accessed March 23, 2017 http://themainlander.com/2017/01/14/eccentric-polymorphous-abstract-vancouver-art-and-other-mythologies-of-the-near-future/
  13. ^ a b c Laurence, Robin (2016-09-14). "Julia Feyrer and Tamara Henderson plunge us into a world of dream logic". Georgia Straight Vancouver's News & Entertainment Weekly. Retrieved 2018-03-11. {{cite news}}: Cite has empty unknown parameter: |dead-url= (help)
  14. ^ a b c Prince, Erica. "Julia Feyrer and Tamara Henderson: Consider the Belvedere." C Magazine: Autumn 2015, pp. 61.
  15. ^ Bowling, Tim (9 February 2016). "The Mid-Life Creator & The Blur in Between – Canadian Art". Canadian Art. Retrieved 2018-03-11. {{cite news}}: Cite has empty unknown parameter: |dead-url= (help)
  16. ^ "Vancouver Art Gallery". www.vanartgallery.bc.ca. Retrieved 2019-03-09.
  17. ^ "ICA - Philadelphia, PA - Spring Opening Celebration and Walkthrough". Institute of Contemporary Art - Philadelphia, PA. Retrieved 2018-03-11.
  18. ^ "Mayor's Arts Awards announced". Georgia Straight Vancouver's News & Entertainment Weekly. 2011-09-29. Retrieved 2019-03-09.
  19. ^ "SP**X". spooxaudiozine.org. Retrieved 2017-08-15.
  20. ^ Feyrer, Julia (2009). Comedy tragedy. Vancouver, B.C.: Perro Verlag Books by Artists. ISBN 9781897243572.
  21. ^ Feyrer, Julia (2011). Scraps. ISBN 9781897243763.
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