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One day, Lalit disappears without explanation, and from then on, the lives of the abandoned mother and daughter go steadily downward. Apsara is forced to leave school through her erstwhile in-laws' machinations; with no income, their landlord is forced to let them go, and they have to move to a [[Shanty town|hutment]] colony, Geeta begins work as a maidservant in order to earn a living and support her daughter. One of the poignant themes in the movie is Apsara's relationship with her father, to whose illusory love she hangs on with a childlike and, in the end, horribly unjustified faith. |
One day, Lalit disappears without explanation, and from then on, the lives of the abandoned mother and daughter go steadily downward. Apsara is forced to leave school through her erstwhile in-laws' machinations; with no income, their landlord is forced to let them go, and they have to move to a [[Shanty town|hutment]] colony, Geeta begins work as a maidservant in order to earn a living and support her daughter. One of the poignant themes in the movie is Apsara's relationship with her father, to whose illusory love she hangs on with a childlike and, in the end, horribly unjustified faith. |
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Learning that Lalit is now a successful politician, Apsara persuades her mother to travel to New Delhi to meet him as she is sure her father will rescue them from their terrible condition. Rejected, the mother returns, and having lost all hope and faith in human goodness, takes to |
Learning that Lalit is now a successful politician, Apsara persuades her mother to travel to New Delhi to meet him as she is sure her father will rescue them from their terrible condition. Rejected, the mother returns, and having lost all hope and faith in human goodness, takes to alcohol. Soon after, she dies leaving her daughter aged 16 all alone. |
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The daughter takes up her mother's job as maidservant in the house of a widower ([[Om Puri]]) of 15 years. He seems genuinely concerned for the welfare of the girl and slowly gains her trust and finally asks her to come live with him despite the age gap. After some initial reluctance, the girl finally accepts and starts living with Om Puri, and briefly the young girl is restored to a secure life free of want. Her protector then dies of a heart attack. His relatives accuse the girl of murder and she is taken into custody and questioned by the police. After a few months, she is released for lack of evidence. Left to her own devices, she works for a time as a prostitute |
The daughter takes up her mother's job as maidservant in the house of a widower ([[Om Puri]]) of 15 years. He seems genuinely concerned for the welfare of the girl and slowly gains her trust and finally asks her to come live with him despite the age gap. After some initial reluctance, the girl finally accepts and starts living with Om Puri, and briefly the young girl is restored to a secure life free of want. Her protector then dies of a heart attack. His relatives accuse the girl of murder and she is taken into custody and questioned by the police. After a few months, she is released for lack of evidence. Left to her own devices, she works for a time as a prostitute. |
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In Mumbai, she lives in the railway station with three other street children, even acquiring a status of leadership among them. One day, she learns that her father is coming to the city from Delhi and will be giving a conference. She decides to attend and during the conference, she gets up and starts shouting to her father that she is his daughter. Lalit ignores her calls and she is |
In Mumbai, she lives in the railway station with three other street children, even acquiring a status of leadership among them. One day, she learns that her father is coming to the city from Delhi and will be giving a conference. She decides to attend and during the conference, she gets up and starts shouting to her father that she is his daughter. Lalit ignores her calls and she is escorted out by the police and left a few miles down the road. |
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She then realizes that her mother was right and that her father had really abandoned them to their fate. Faced with the |
She then realizes that her mother was right and that her father had really abandoned them to their fate. Faced with the cruelty that life can show, she is walking along, loudly lamenting her fate and reviling life, when one of her father's henchmen slips up behind her, and brutally kills. The movie ends with her dying on the grass. |
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The movie ends with her lying dead on the grass. |
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== References == |
== References == |
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Revision as of 03:58, 6 July 2020
| Woh Chokri | |
|---|---|
| Directed by | Subhankar Ghosh |
| Written by | Atul Tiwari |
| Produced by | Ravi Malik |
| Starring | Pallavi Joshi Neena Gupta Paresh Rawal Om Puri Yogita Chheda Swapnil Diwan Tushar Mohile |
| Cinematography | Moloy Dasgupta |
| Edited by | Deepak Kapoor |
| Music by | Sapan Jagmohan |
Release date | 1994 |
Running time | 150 Mins |
| Country | India |
| Language | Hindi |
Woh Chokri (English: That Chick) is a 1994 Indian movie directed by Subhankar Ghosh, starring Pallavi Joshi, Neena Gupta, Paresh Rawal and Om Puri. The film won 3 awards in National Film Awards – 1993. Pallavi Joshi won National Film Award – Special Jury Award, whereas Paresh Rawal won the National Film Award for Best Supporting Actor and Neena Gupta that of the National Film Award for Best Supporting Actress for this movie.[1][2]
Plot
Geeta Devi (Neena Gupta) is one of the daughters-in-law of a prominent and wealthy family, who is unfortunately widowed. Still youthful and attractive, she gives in to the wiles of one of the men in the neighbourhood, Lalit Ramji (Paresh Rawal), and starts living with him. She has a daughter, Apsara (Pallavi Joshi) by him, and the three are portrayed as a happy family.
One day, Lalit disappears without explanation, and from then on, the lives of the abandoned mother and daughter go steadily downward. Apsara is forced to leave school through her erstwhile in-laws' machinations; with no income, their landlord is forced to let them go, and they have to move to a hutment colony, Geeta begins work as a maidservant in order to earn a living and support her daughter. One of the poignant themes in the movie is Apsara's relationship with her father, to whose illusory love she hangs on with a childlike and, in the end, horribly unjustified faith.
Learning that Lalit is now a successful politician, Apsara persuades her mother to travel to New Delhi to meet him as she is sure her father will rescue them from their terrible condition. Rejected, the mother returns, and having lost all hope and faith in human goodness, takes to alcohol. Soon after, she dies leaving her daughter aged 16 all alone.
The daughter takes up her mother's job as maidservant in the house of a widower (Om Puri) of 15 years. He seems genuinely concerned for the welfare of the girl and slowly gains her trust and finally asks her to come live with him despite the age gap. After some initial reluctance, the girl finally accepts and starts living with Om Puri, and briefly the young girl is restored to a secure life free of want. Her protector then dies of a heart attack. His relatives accuse the girl of murder and she is taken into custody and questioned by the police. After a few months, she is released for lack of evidence. Left to her own devices, she works for a time as a prostitute.
In Mumbai, she lives in the railway station with three other street children, even acquiring a status of leadership among them. One day, she learns that her father is coming to the city from Delhi and will be giving a conference. She decides to attend and during the conference, she gets up and starts shouting to her father that she is his daughter. Lalit ignores her calls and she is escorted out by the police and left a few miles down the road.
She then realizes that her mother was right and that her father had really abandoned them to their fate. Faced with the cruelty that life can show, she is walking along, loudly lamenting her fate and reviling life, when one of her father's henchmen slips up behind her, and brutally kills. The movie ends with her dying on the grass.
References
- ^ "41st National Film Awards". International Film Festival of India. Retrieved 3 March 2012.
- ^ "41st National Film Awards (PDF)" (PDF). Directorate of Film Festivals. Retrieved 3 March 2012.
External links
- Woh Chokri at IMDb
- 1994 films
- Indian films
- Films set in Delhi
- 1990s Hindi-language films
- Films about women in India
- Films featuring a Best Supporting Actor National Film Award-winning performance
- Films featuring a Best Supporting Actress National Film Award-winning performance
- Films scored by Sapan-Jagmohan
- Doordarshan television films