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Martin was a dancer in the [https://www.youtube.com/watch?v=YdL8gGDgez4&t=8011 scenes] choreographed by [[Margaret Scott]] in the controversial 1970 documentary [[The Naked Bunyip]].<ref>{{cite web |title=Dame Margaret Scott AC DBE (1922 - 2019) |url=https://liveperformance.com.au/hof-profile/margaret-scott-ac/ |website=Live Performance Australia |accessdate=1 March 2020}}</ref> Martin choreographed the dance for '2 Short Circuits' by [[Carl Vine]], his first work commissioned by the [[West Australian Ballet Company]] <ref>{{cite web |title=Carl Vine :: Composer :: biography |url=http://www.carlvine.com/cgi-bin/index.cgi?cv=bio |website=Carl Vine - Biography |accessdate=1 March 2020}}</ref><ref>{{cite journal |last1=Hocking |first1=Rachel |title=Crafting Connections: original music for the dance in Australia, 1960-2000. |journal=PhD Thesis, University of New South Wales |date=2006 |url=http://unsworks.unsw.edu.au/fapi/datastream/unsworks:1225/SOURCE01 |accessdate=1 March 2020}}</ref><ref>{{cite book |last1=So |first1=Yuson |date=2013 | title=Piano Sonata No. 1 by Carl Vine; a Theoretical and Pianistic Study |url=https://kuscholarworks.ku.edu/bitstream/handle/1808/12986/So_ku_0099D_13125_DATA_1.pdf}}</ref> Also in 1971 Martin joined the [[Australian Dance Theatre]] tour to [[Taipei]], [[Taiwan]].<ref>{{cite web |title=The Australian Live Performance Database |url=https://www.ausstage.edu.au/pages/event/30076 |website=www.ausstage.edu.au |publisher=AusStage}}</ref> |
Martin was a dancer in the [https://www.youtube.com/watch?v=YdL8gGDgez4&t=8011 scenes] choreographed by [[Margaret Scott]] in the controversial 1970 documentary [[The Naked Bunyip]].<ref>{{cite web |title=Dame Margaret Scott AC DBE (1922 - 2019) |url=https://liveperformance.com.au/hof-profile/margaret-scott-ac/ |website=Live Performance Australia |accessdate=1 March 2020}}</ref> Martin choreographed the dance for '2 Short Circuits' by [[Carl Vine]], his first work commissioned by the [[West Australian Ballet Company]] <ref>{{cite web |title=Carl Vine :: Composer :: biography |url=http://www.carlvine.com/cgi-bin/index.cgi?cv=bio |website=Carl Vine - Biography |accessdate=1 March 2020}}</ref><ref>{{cite journal |last1=Hocking |first1=Rachel |title=Crafting Connections: original music for the dance in Australia, 1960-2000. |journal=PhD Thesis, University of New South Wales |date=2006 |url=http://unsworks.unsw.edu.au/fapi/datastream/unsworks:1225/SOURCE01 |accessdate=1 March 2020}}</ref><ref>{{cite book |last1=So |first1=Yuson |date=2013 | title=Piano Sonata No. 1 by Carl Vine; a Theoretical and Pianistic Study |url=https://kuscholarworks.ku.edu/bitstream/handle/1808/12986/So_ku_0099D_13125_DATA_1.pdf}}</ref> Also in 1971 Martin joined the [[Australian Dance Theatre]] tour to [[Taipei]], [[Taiwan]].<ref>{{cite web |title=The Australian Live Performance Database |url=https://www.ausstage.edu.au/pages/event/30076 |website=www.ausstage.edu.au |publisher=AusStage}}</ref> |
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==Personal Life== |
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Martin became an [[Australian]] citizen by naturalization in 1954. She married and divorced twice. First to mental health expert Patrick Marwick (m. 1978, div. 1989), with whom she had two children, and second to lawyer Andrew Lynn (m. 2005, div. 2010). |
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==See also== |
==See also== |
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Revision as of 17:04, 11 October 2020
#openirony refers to scholarly journal articles advocating free access to publications that are only accessible by paying a fee to the journal publisher to read the article[1][2].
This has been noted in many fields, with more than 20 examples appearing since around 2010, including in widely-read journals such as The Lancet, Science and Nature. A Flickr group collected screenshots of examples. In 2012 Duncan Hull proposed the Open Access Irony award to publicly humiliate journals that publish these kinds of papers[3]. Examples of these have been shared and discussed on social media using the hashtag #openirony (e.g. on Twitter).
Typically these discussions are humorous exposures of articles/editorials that are pro-open access, but locked behind paywalls. The main concern that motivates these discussions is that restricted access to public scientific knowledge is slowing scientific progress[4]. The practice has been justified as important for raising awareness of open access[5].
Career
At the age of 12 she danced for the Queen of Thailand in the 1963 Thai-Austalian ballet "Sirikit and Wattle" [6]
She was part of the 1967 intake at the Australian Ballet School[7]. In 1968 she performed in 'The Prime of Miss Jean Brodie' by Jay Presson Allen in Melbourne.[8] Martin was part of the first cohort of the Australian Ballet School's third year class in 1969.[9] Martin was one of the dancers in the inaugural professional ensemble of the West Australian Ballet.[10]
Martin was a dancer in the scenes choreographed by Margaret Scott in the controversial 1970 documentary The Naked Bunyip.[11] Martin choreographed the dance for '2 Short Circuits' by Carl Vine, his first work commissioned by the West Australian Ballet Company [12][13][14] Also in 1971 Martin joined the Australian Dance Theatre tour to Taipei, Taiwan.[15]
See also
References
- ^ Hull, Duncan (15 February 2012). "The Open Access Irony Awards: Naming and shaming them". O'Really?.
- ^ Duncan, Green (7 August 2013). "Whatever happened to the Academic Spring? (Or the irony of hiding papers on transparency and accountability behind a paywall)". From Poverty to Power.
- ^ Schultz, Teresa Auch (2 March 2018). "Practicing What You Preach: Evaluating Access of Open Access Research". The Journal of Electronic Publishing. 21 (1). doi:10.3998/3336451.0021.103.
- ^ Marwick, Ben (15 July 2020). "Open access to publications to expand participation in archaeology". doi:10.31235/osf.io/v9kfy.
{{cite journal}}: Cite journal requires|journal=(help) - ^ Eve, Martin Paul (21 October 2013). "How ironic are the open access irony awards?". Martin Paul Eve.
- ^ "A first year Colombo Plan student at the University of Western Australia, Mr Narongchai Arrashanee, trained Western Australian ballet dancers in the traditional Thai dance movements for a Thai-Australian ballet "Sirikit and Wattle" commemorating the visit to Australia of Their Majesties the King and Queen of Thailand - Narongochai Arrashanee demonstrates traditional hand movements in the Thai classical dance to (from left) Alida Anderson, 12, who played Wattle, the Australian girl in the ballet and Eleanor Martin, 12, who played Queen Sirikit in the ballet [photographic image] / photographer, Richard Woldendorp. 1 photographic negative: b&w, acetate". National Archives of Australia. 1963. Retrieved 1 March 2020.
- ^ "Past Students". The Australian Ballet School.
- ^ "The Australian Live Performance Database". www.ausstage.edu.au. AusStage. Retrieved 1 March 2020.
- ^ Potter, Michelle (2014). Dame Maggie Scott: A Life in Dance. Text Publishing. p. 246. ISBN 978-1-925095-36-4.
- ^ "West Australian Ballet News - Autumn 2010". yumpu.com. West Australian Ballet. Retrieved 1 March 2020.
- ^ "Dame Margaret Scott AC DBE (1922 - 2019)". Live Performance Australia. Retrieved 1 March 2020.
- ^ "Carl Vine :: Composer :: biography". Carl Vine - Biography. Retrieved 1 March 2020.
- ^ Hocking, Rachel (2006). "Crafting Connections: original music for the dance in Australia, 1960-2000". PhD Thesis, University of New South Wales. Retrieved 1 March 2020.
- ^ So, Yuson (2013). Piano Sonata No. 1 by Carl Vine; a Theoretical and Pianistic Study (PDF).
- ^ "The Australian Live Performance Database". www.ausstage.edu.au. AusStage.