Jump to content

A Colour Symphony

From Wikipedia, the free encyclopedia

This is the current revision of this page, as edited by InternetArchiveBot (talk | contribs) at 05:17, 27 July 2023 (Rescuing 1 sources and tagging 0 as dead.) #IABot (v2.0.9.5). The present address (URL) is a permanent link to this version.

(diff) ← Previous revision | Latest revision (diff) | Newer revision → (diff)

A Colour Symphony, Op. 24, F. 106, was written by Arthur Bliss in 1921–22.[1] It was his first major work for orchestra,[2] and is today one of his best-known compositions.

Orchestration

[edit]

The symphony is scored for 3 flutes (one doubling on piccolo), 2 oboes, cor anglais, 2 clarinets, bass clarinet, 2 bassoons, double bassoon, 4 horns, 3 trumpets, 3 trombones, tuba, 2 tympanists, cymbals, 2 harps and strings.

History

[edit]

A Colour Symphony was written to be performed at the Three Choirs Festival, held in 1922 in Gloucester,[3] at the invitation of Sir Edward Elgar, who also invited Herbert Howells and Eugene Goossens to write a piece each.[4] Howells wrote Sine Nomine for wordless chorus,[5] which was not given its second performance until his centenary year 70 years later, in 1992.[6] Goossens wrote a piece called Silence for chorus and orchestra.[5] Elgar's own contribution was his orchestration of Johann Sebastian Bach's Fantasia and Fugue in C minor.

Bliss decided to write a symphony, but was at first undecided what the theme or character of the work would be. He could not get started for some weeks. One day, by chance, he came across a book on heraldry in which he read of the symbolic meanings attached to certain colours; this gave him the notion of writing a work about colours. He attempted to give each movement a character corresponding to these meanings, but without attempting to depict the colours themselves.[7] Bliss dedicated the symphony to the conductor Adrian Boult.[2]

The first performance, with the London Symphony Orchestra, in Gloucester Cathedral on 7 September 1922, was conducted by the composer. It was not well received at first, due to poor preparation. The work uses a large orchestra, but the platform was so taken up with the chorus required for other works also being performed, that several instruments had to be omitted.[8] Elgar attended, but found it "disconcertingly modern".[2] It nevertheless entered the repertoire and has been recorded various times, although it is now an infrequent visitor to concert platforms.

Analysis

[edit]

The four movements are:

Purple Andante maestoso slow and majestic in pace and ceremonial in character
The colour of Amethysts, Pageantry, Royalty and Death
Red Allegro vivace a glittering, spiky and percussive scherzo, reminiscent of Stravinsky.[citation needed]
The colour of Rubies, Wine, Revelry, Furnaces, Courage and Magic
Blue Gently flowing slow, with chords used to depict the lapping of water against a moored boat or a pier
The colour of Sapphires, Deep Water, Skies, Loyalty and Melancholy
Green Moderato a double fugue (which has been described as "Schoenbergian"[9]) on violas, strings, clarinets and woodwinds, leading to a triumphant climax
The colour of Emeralds, Hope, Youth, Joy, Spring and Victory

A theme from towards the end of the Red movement was used as the signature tune of the televised "Royal Institution Christmas Lectures".[10]

Revision

[edit]

In 1932, Bliss revised the codas of the first two movements.[1] He conducted the revised work himself in a recording with the London Symphony Orchestra in 1955.[11]

The last movement, "Green", was separately published as Pyonepsion.

Other uses

[edit]

In 1977, a ballet called Royal Offering was created, with music based on A Colour Symphony.

A short extract from the 'Red' movement was used as the opening music to BBC TV coverage of The Proms until 2011.[12]

The British artist Kevin Laycock created a visual piece called Four Movements in Colour, in which he attempted to portray, in colour, the sounds created by Arthur Bliss.[13] In 2004, Laycock created a series of paintings called Tectonics as a direct response to Bliss's A Colour Symphony using parallel compositional structures.[14]

Select discography

[edit]

References

[edit]
  1. ^ a b Randel, Don Michael (2003). The Harvard dictionary of music. Harvard University Press. p. 191. ISBN 978-0-674-01163-2.
  2. ^ a b c Classical Archives
  3. ^ Bourne, Joyce; Michael Kennedy (2004). The concise Oxford dictionary of music. Oxford University Press US. p. 153. ISBN 978-0-19-860884-4.
  4. ^ "Bliss: Colour Symphony". Archived from the original on 26 October 2016. Retrieved 31 March 2009.
  5. ^ a b Culot, Hubert (2003). "Review: British Choral Music". MusicWeb International.
  6. ^ Romanticism in Retrospect
  7. ^ The eMusic Dozen: British Composers
  8. ^ Greene's Biographical Encyclopedia of Composers
  9. ^ Barnett, Rob (2007). "Review: Bliss - Orchestral Works (EMI)". MusicWeb International.
  10. ^ Serotsky, Paul (2017). "Programme Notes: Bliss - A Colour Symphony". MusicWeb International.
  11. ^ "derkeiler.com". Archived from the original on 14 February 2012. Retrieved 31 March 2009.
  12. ^ BBC Proms 2010 Archived April 2, 2011, at the Wayback Machine
  13. ^ Four Movements in Colour: Recent Paintings by Kevin Laycock Archived September 30, 2006, at the Wayback Machine
  14. ^ Uncertain Harmonies

Sources

[edit]

Further reading

[edit]
  • Hull, Robert H. (July 1, 1931). "Bliss's 'Colour' Symphony Reconsidered." The Monthly Musical Record, vol. 61, no. 727, p. 200.