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Clean, Shaven

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Clean, Shaven
Directed byLodge Kerrigan
Written byLodge Kerrigan
Produced byLodge Kerrigan
StarringPeter Greene
Alice Levitt
Megan Owen
Jennifer MacDonald
CinematographyTeodoro Maniaci
Music byHahn Rowe
Distributed byStrand Releasing
Release dates
USA January, 1994
Running time
79 min.
LanguageEnglish

Clean, Shaven is a 1994 film directed by Lodge Kerrigan.

In this raw and disturbing film, Peter Winter (played by Peter Greene) is a schizophrenic man desperately trying to get his daughter back from her adoptive mother. The film is an auditory nightmare and one which tries to objectively view schizophrenia and those who are affected by it.

It is a piece attempting to allow the audience to explore their own reservations and prejudices about people with mental illness.

Plot Summary

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The film begins with abstract images and sounds, much like any person with schizophrenia would be accustomed to. Peter Winter (Peter Greene) has recently been released from a mental institution and upon his release, he must try to experience and understand a world that is all but foreign to him.

Beginning the search for his daughter Nicole (Jennifer MacDonald), Peter's car is hit by a soccer ball. A young girl looks from beyond his windshield at him, and he gets out of the car. No actual images of the girl are shown after Peter exits his car, but the screams of a young girl are heard as if Peter is beating her. He carries a large orange bag into his trunk, again, as the audience is meant to presume that Peter killed this little girl.

This brings him on his journey home, where sounds invade his very being, and he is a man never completely at rest. He believes that there is a transmitter beneath the skin on his head and he proceeds to remove it. Peter is also disturbed by mirrors, and typically covers up any mirrors that he has control over.

The car that Peter drives becomes encased in newspaper, and he isolates himself from the outside world. Peter comes back home to find his mother Mrs. Winter (Megan Owen) still very disturbed about Peter's schizophrenia. She still treats Peter as a child, and does not want him to find his daughter.

Peter, through his travels, becomes wrapped up in the investigation of the murder of another young girl. Jack McNally (Robert Albert), the detective on the case, will stop at nothing to try to find the killer. Unfortunately for him, there is almost no evidence at the scene of the crime. Peter becomes a suspect in the case, but nothing found at the crime scene or in Peter's hotel room near the crime scene can link him to the murder.

That does not stop the detective from following Peter after he kidnaps his daughter from her adoptive mother. Just as Peter begins to reconcile himself with his daughter, McNally shows up, desperate to take Peter in as the murderer. Peter foolishly takes out a gun and aims it at the police officer to try protect his daughter from McNally. McNally, believing that what he is seeing is the dead body of Peter's daughter, opens fire on Peter, killing him.

He finds the girl to be safe and after exploring Peter's trunk for proof of some wrongdoing, finds nothing incriminating in the car. He fires Peter's gun in the air, so that he would not take any heat for shooting a man unnecessarily.

Lodge Kerrigan On The Film

Lodge Kerrigan: "I really tried to examine the subjective reality of someone who suffered from schizophrenia, to try to put the audience in that position to experience how I imagined the symptoms to be: auditory hallucinations, heightened paranoia, dissociative feelings, anxiety."

"I set it up that Peter, who suffers fromschizophrenia, could be the killer, leading the audience down that path, but I withhold proof. There's no conclusive evidence that he is and if people feel that he's guilty, I hope that the picture holds them responsible for drawing that conclusion." [1]

Trivia

The film took about two years to completely finish shooting because Lodge Kerrigan, the director, was constantly running out of money.

References

1. http://www.filmfreakcentral.net/notes/lkerriganinterview.htm

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