Works of Herbert Maryon
The works of Herbert Maryon (1874–1965) were made in a variety of mediums. They were intended to be decorative, functional, or commemorative, and were primarily made during the first four decades of the twentieth century, a span that marked the first half of Maryon's career. In addition to being a sculptor and a goldsmith, Maryon was also an archaeologist, conservator, author, and authority on ancient metalwork—he saw his career as an artist carry him through the Second World War; a second career as a conservator at the British Museum brought him note for his work on the finds from the Sutton Hoo ship-burial.[1][2][3][4]
Maryon designed, executed, and exhibited works while an art student, and as an art teacher.[4] In 1899, while still in school—an education that included studies at the Polytechnic (probably Regent Street), The Slade, Saint Martin's School of Art, and the Central School of Arts and Crafts[4]—Maryon used the Arts and Crafts Exhibition Society's event at the New Gallery to exhibit some of his earliest works: a shield of arms with silver cloisonné, and a silver cup that was designed by William Lethaby,[5] who taught Maryon at the Central School.[6] The following year Maryon became the first director of the Arts and Crafts-inspired Keswick School of Industrial Art, and until his departure in 1904 his work primarily consisted of designs and executions for the school.[4][7] Maryon's pieces for the school ranged from individual commissions to utilitarian tableware; particularly with more functional designs, multiple examples were sometimes executed.[8]
Maryon's career became more academic following his departure from Keswick.[4][9][10][11] During his time teaching sculpture and other forms of art, however—from 1907 until 1927 at the University of Reading, and from 1927 until 1939 at Durham University's Armstrong College—he continued taking commissions.[9][10][11] These included the designs for a statue,[12][13] memorial plaques,[14][15] and at least three war memorials:[16][17] including the University of Reading War Memorial, where Maryon worked.[18][19]
Works
The following is a substantially incomplete list of the works of Herbert Maryon.
Image | Title/Description | Date | Dimensions | Location | Comments |
---|---|---|---|---|---|
Metal casket | 1898 | Displayed at the Camden School of Art, where it won a prize for works in wrought metal.[20] Maryon's sister Edith Maryon also won a prize, for a modelled head from life.[20] | |||
Shield of arms with silver cloisonné | 1899 | Displayed at the New Gallery for the 1899 Arts and Crafts Exhibition Society exhibition.[21] | |||
Silver cup | 1899 | Designed by William Lethaby,[22] Maryon's teacher at the Central School of Arts and Crafts.[6] Displayed at the New Gallery for the 1899 Arts and Crafts Exhibition Society exhibition.[22] | |||
Knocker | 1900 | Executed by Jeremiah Richardson.[23][24][25] Displayed in the Royal Albert Hall for the Home Arts and Industries Exhibition, and reviewed in The Studio as "singularly good".[23][24] | |||
Winged Victory | c. 1900 | Private collection | Similar to works by Maryon's teacher Alexander Fisher.[26][27] | ||
Copper casket | 1900 | 36.5 × 21.5 × 10 cm | Designed by Maryon; executed by Thomas Spark; ornamented by Thomas Clark and Maryon.[23][24][25] Displayed in the Royal Albert Hall for the Home Arts and Industries Exhibition, and reviewed in The Studio as "singularly good".[23][24] Auctioned in 2005 by Penrith Farmers’ & Kidd's, with an estimate of £800 to £1,200.[28][29] | ||
Enamelled copper box | 3.5 in diameter | Private collection | Sold on eBay twice, in 2008,[30] and in 2017.[31][32] | ||
Bryony | c. 1900–04 | Tray centre, said by a historian of the Keswick School to be "suggestive of tangled growth," and to be influenced by the wallpapers of William Morris.[33] | |||
Loving cup | 1901 | Exhibited at the 1901 Home Arts and Industries Exhibition.[34] | |||
Memorial to Bernard Gilpin | 1901 | 3 5/12 × 2 ft | St Cuthbert's Church, Kentmere, Cumbria | Bronze on oak.[35][36] Commissioned for £15, executed by Thomas Clark.[37][38] Per Nikolaus Pevsner, "Arts and Crafts, almost Art Nouveau".[38] | |
Silver hot water jug | 1902 | 17 cm high | Private collection | Executed by Robert Temple.[39] Exhibited at the 1902 Home Arts and Industries Exhibition.[40][39] Possibly the same jug pictured on page 71 of Ian Bruce's The Loving Eye and Skilful Hand.[41] | |
Copper hot water jug | c. 1902 | 6 in high; 3.5 cm wide | Private collection | Same design as above silver jug.[42] Executed by Robert Temple.[42] | |
Hot water jug | c. 1902 | 20 cm high | Private collection | Executed by Thomas Clark.[41] | |
Copper tea pot | c. 1902 | 12 cm high | Private collection | [41] | |
Silver cup | c. 1902 | Executed by Robert Temple.[43] | |||
Morse in silver and enamel | c. 1902 | Executed by Thomas Clark.[44] | |||
Copper and pewter work | c. 1902 | Executed by Jeremiah Richardson, Thomas Clark, and Robert Temple.[44] The casket is likely the 1900 design above.[45] | |||
Copper tea caddy | c. 1902 | 4.5 in high | Private collection | Back left in photograph. Executed by Jeremiah Richardson, Thomas Clark, or Robert Temple.[46] One version executed by Thomas Clark sold c. 2017–2024.[47] | |
Copper vase | c. 1902 | 19.5 cm high | Private collection | Back right in photograph. One version auctioned in 2017 for £70.[46] | |
Silver cream jug and sugar bowl | 1902–03 | 6 cm high | Private collection | Executed by Robert Temple.[41] | |
Altar cross | 1902 | Hexham Abbey, Hexham, Northumberland | Designed by Maryon; executed by Jeremiah Richardson.[48] Commissioned for Hexham Abbey in Hexham, and displayed at the 1902 Home Arts and Industries Exhibition.[48][49][50][51] Awarded two blue stars at the Exhibition,[48] signifying excellence in execution.[52] | ||
Oxidised silver casket | 1902 | Presented to Princess Louise upon her 1902 visit to the Keswick School.[53] Designed by Maryon; executed by Jeremiah Richardson, Robert Temple, and Thomas Clark; enamelled by Maryon's sister Mildred Maryon.[54] | |||
Copper hot water jug | 1903 | 18.5 cm high; 10 cm diameter (base) | Manchester School of Art Arts and Crafts Museum | Possibly executed by Thomas Clark, whose last name is inscribed on the base. Exhibited at the 1903 Home Arts and Industries Exhibition, and purchased by the Manchester School of Art for its Arts and Crafts Museum.[55][56][57] Exhibited from 22 October 1994 to 26 March 1995 as part of Inspired by Design: The Arts and Crafts Collection of The Manchester Metropolitan University.[57] | |
Processional cross | 1903 | [58] | |||
Fire-Irons and Stand | 1904 | Designed by Maryon; executed by Matthew Armstrong.[59] Displayed at the Leeds City Art Gallery for the 1904 Arts and Crafts Exhibition Society exhibition, where it was priced at £10 10s.[59] | |||
Silver loving cup | c. 1904 | 1.5 × 1 ft (without plinth) | Commissioned by the Cumberland County Council for presentation to HMS Cumberland.[60][61][62] Presented by Albert Grey, 4th Earl Grey in August 1905.[63] | ||
Processional cross | c. 1904 | Executed by members of the Keswick School.[60][61] Featured in The Studio in December 1905.[60][61] | |||
Silver challenge shield | c. 1904 | Executed by members of the Keswick School.[64][65] Featured in The Studio in December 1905.[64][65] | |||
Victory | 1906 | Bronze Statuette.[66] Displayed at the Leeds City Art Gallery for the 1906 spring exhibition, priced at £7 7s.[67] and in July 1907 at the Coniston Institute as pert of an annual exhibition of arts crafts of the Lake District.[66] Both exhibitions also included other works by Maryon.[68][66][69] | |||
The Mermaid | 1906 | Silver and pearl ring.[69] Displayed at the Leeds City Art Gallery for the 1906 spring exhibition, priced at £5 5s.[68] Also displayed in July 1907 at the Coniston Institute as pert of an annual exhibition of arts crafts of the Lake District.[66][69] | |||
Silver chalice | 1906 | Displayed at the Grafton Galleries for the 1906 Arts and Crafts Exhibition Society exhibition, priced at £5 5s.[70] A "Sicilian Lace Tablecloth" was listed as being displayed by "Mrs. Herbert J. Maryon."[71] Also displayed in July 1907 at the Coniston Institute as pert of an annual exhibition of arts crafts of the Lake District.[66][69] | |||
Silver cup: "St. George" | 1906 | Displayed at the Grafton Galleries for the 1906 Arts and Crafts Exhibition Society exhibition, priced at £12 12s.[70] A "Sicilian Lace Tablecloth" was listed as being displayed by "Mrs. Herbert J. Maryon."[71] | |||
Pewter tray | 1906 | Executed by Matthew Armstrong.[72] Displayed with three other items from the Keswick School at the 1906–07 New Zealand International Exhibition in Christchurch.[72] | |||
Child's bowl with signs of the zodiac in repoussé | 1910 | Displayed at the Grafton Galleries for the 1910 Arts and Crafts Exhibition Society exhibition.[73][74] | |||
Dawn | 1910 | Displayed at a 1910 exhibition of the Arts and Crafts Society in Carlisle.[75] | |||
Duffield Memorial | 1912 | Church of St Mary, Great Baddow, Essex | Bronze.[76][77][78] | ||
Polonius | 1912 | Exhibited at the Reading Corporation Art Gallery in 1912.[79] Described by The Reading Observer as "a fine piece of modelling . . . which shows vigorous handling".[79] | |||
Pan pipes | 1914 | Statuette. Exhibited at the Royal Academy of Arts in 1914.[80] | |||
East Knoyle War Memorial | 1920 | East Knoyle, Wiltshire | Unveiled on 26 September 1920.[17][81] | ||
Mortimer War Memorial | 1921 | Mortimer Common, Berkshire | Unveiled on 9 October 1921.[16] | ||
Chorlton Road Congregational Church war memorial | 1923 | Gilded bronze.[82] Erected in Chorlton Road Congregational Church (later Chorlton Road United Reformed Church; demolished c. 2010–14) in Manchester.[82] Displayed in The Builder in April 1923.[82] | |||
University of Reading War Memorial | 1924 | University of Reading, Reading, Berkshire | Unveiled in June 1924.[18][19] | ||
An Invocation to Isis | 1925 | 49.4 cm high; 12.3 cm wide (plinth) | Laing Art Gallery | Exhibited at Laing Art Gallery and Museum in 1927 for the Twentieth Annual Exhibition of Works by Artists of the Northern Counties, priced at £31 10s.[83] Purchased from Maryon by the Laing Art Gallery in 1929.[84] Exhibited at the Reading Museum & Town Hall from 5 June 1976 to 3 July 1976 as part of the exhibition Art and the University, from 1860, and at the Laing Art Gallery from 27 October 2018 to 3 March 2019 as part of the exhibition Exposed: The Naked Portrait.[85][86] | |
Berkshire County Council medal | c. 1927 | Designed by Maryon.[87] Multiple copies executed. One medal awarded in 1928 to the winner of an egg-laying competing;[88] another awarded in 1929 to the winner of the Annual Farriery Competition, and auctioned by Noonans in 2012 for £45.[89] | |||
National Pig Breeders' Association medal | c. 1927 | Designed by Maryon.[90] Multiple copies executed, one of which is held by the British Museum.[91] | |||
University of Reading medal | c. 1927 | Designed by Maryon.[92] Multiple copies executed. | |||
Merchant Adventurer | 1927 | Exhibited at Laing Art Gallery and Museum in 1927 for the Twentieth Annual Exhibition of Works by Artists of the Northern Counties, priced at £125.[93] | |||
Shepherd | 1927 | Exhibited at Laing Art Gallery and Museum in 1927 for the Twentieth Annual Exhibition of Works by Artists of the Northern Counties, priced at £15 15s.[94] | |||
Nymph | 1927 | Exhibited at Laing Art Gallery and Museum in 1927 for the Twentieth Annual Exhibition of Works by Artists of the Northern Counties, priced at £15 15s.[95] | |||
Garden Figure | 1927 | Exhibited at Laing Art Gallery and Museum in 1927 for the Twentieth Annual Exhibition of Works by Artists of the Northern Counties, priced at £52 10s.[96] | |||
Statue of Industry | 1929 | Made for the 1929 North East Coast Exhibition, a world's fair held at Newcastle upon Tyne.[12][13] Tarred and feathered on the night of 25 October 1929 by several hundred students from Armstrong College.[12][13] | |||
Memorial to George Stephenson | 1929 | George Stephenson's Birthplace, Wylam, Northumberland | Unveiled 8 June 1929.[14][97][98][99][100] A replica of the memorial was cast at the works of Sir Archibald Ross,[101] and unveiled in the headquarters of the Institution of Mechanical Engineers on 20 February 1931.[97] | ||
Memorial to Charles Parsons | 1932 | Discovery Museum, Newcastle upon Tyne | Bronze tablet, cast at the Thames Ditton Foundry, mounted on green marble from Connemara.[102] Unveiled on 2 December 1932 at C. A. Parsons and Company.[103][15][104] Sometime after 2003 the building was demolished and the plaque was donated to the Discovery Museum, where as of 2016 there were plans to place it on display.[104] | ||
Memorial to Henry Ayrton Chaplin | St Michael's church, Woodham Walter, Essex | [105] |
Attributed
Image | Title/Description | Date | Dimensions | Location | Comments |
---|---|---|---|---|---|
Copper lidded jug | c. 1900 | 14 cm high | Auctioned by Mellors & Kirk in 2023 for £110, "the design attributed to Herbert Maryon".[106] As of 2024[update], for sale by Hill House Antiques & Decorative Arts Limited for £650.[107] | ||
Silver and enamel pendant necklace | 4.5 cm high | Stamped "KSIA".[108][109] Sold by Hill House Antiques & Decorative Arts Limited in 2005.[108] Auctioned by Woolley & Wallis in 2023 for £550, "the design attributed to Herbert Maryon, possibly made by Isabel McBean".[109] | |||
Brass vase | 20.5 cm high | Pentagonal case with slightly flared rim.[110] Auctioned by Thompson Roddick Auctioneers & Valuers in 2022, "[a]ttributed to Herbert Maryon."[110] |
References
- ^ Easby, Dudley T. Jr. (July 1966). "Necrology". American Journal of Archaeology. 70 (3). Archaeological Institute of America: 287. doi:10.1086/AJS501899. JSTOR 501899.
- ^ "Maryon, Herbert". Who Was Who. Oxford University Press. April 2014. Archived from the original on 20 February 2023. Retrieved 13 September 2016.
- ^ Bruce-Mitford, Rupert (23 July 1965). "Mr. Herbert Maryon". Obituary. The Times. No. 56381. London. p. 14. Archived from the original on 20 February 2023. Retrieved 25 December 2018.
- ^ a b c d e "Herbert James Maryon". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art. 2011. Archived from the original on 27 December 2021. Retrieved 13 September 2016.
- ^ Arts & Crafts Exhibition Catalogue 1899, pp. 49, 91.
- ^ a b "Art School Notes: Reading". The International Studio. XXXIV (136). New York: John Lane Co.: 342 June 1908. Archived from the original on 23 September 2023. Retrieved 16 December 2018.
- ^ Bruce 2001, pp. 54–76, 95, 137.
- ^ Bruce 2001, pp. 59, 61–62, 65–66, 68–71, 74–77.
- ^ a b The Institution of Mechanical Engineers (1918). "Herbert James Maryon, in To be considered by the Applications Committee on Wednesday, 24th April, and by the Council on Friday, 3rd May 1918.". Proposals for Membership, Etc. London. pp. 337–339. Archived from the original on 27 January 2021. Retrieved 23 October 2016 – via Ancestry.com.
{{cite book}}
: CS1 maint: location missing publisher (link) - ^ a b "Contributors to this Issue: Herbert Maryon". Studies in Conservation. 5 (1). The International Institute for Conservation of Historic and Artistic Works. February 1960. JSTOR 1505065.
- ^ a b "Contributors to this Issue: Herbert Maryon". Studies in Conservation. 5 (2). The International Institute for Conservation of Historic and Artistic Works. May 1960. JSTOR 1504958.
- ^ a b c "Statue Tarred and Feathered: Outrage in Full View of Crowds". The Manchester Guardian. No. 25, 945. Manchester. 26 October 1929. p. 13. Archived from the original on 20 February 2023. Retrieved 25 December 2018.
- ^ a b c "Tarred Statue of Industry: Sculptor's Defence of his Work". The Manchester Guardian. No. 25, 947. Manchester. 29 October 1929. p. 3. Archived from the original on 20 February 2023. Retrieved 25 December 2018.
- ^ a b ""Rocket" Centenary: Tablet on George Stephenson's House". Lake Wakatip Mail. No. 3, 909. Queenstown, New Zealand. 6 August 1929. p. 7. Archived from the original on 12 October 2018. Retrieved 24 December 2018.
- ^ a b "Sir Charles Parsons: Memorial Unveiled at Wallsend". Home News. The Times. No. 46308. London. 5 December 1932. pp. 9, 16. Archived from the original on 20 February 2023. Retrieved 25 November 2016.
- ^ a b "Mortimer War Memorial". War Memorials Register. Imperial War Museums. Archived from the original on 9 October 2018. Retrieved 19 February 2023.
- ^ a b "East Knoyle War Memorial". The Western Gazette. No. 9557. Yeovil. 1 October 1920. p. 8. Archived from the original on 18 October 2023. Retrieved 22 February 2023.
- ^ a b "Reading University". War Memorials Register. Imperial War Museums. Archived from the original on 9 October 2018. Retrieved 9 October 2018.
- ^ a b Historic England. "University of Reading War Memorial (1113620)". National Heritage List for England. Retrieved 11 October 2018.
- ^ a b "Camden School of Art". The Holloway & Hornsey Press. No. 1, 351. Holloway, London. 16 December 1898. p. 5. Retrieved 20 February 2023.
- ^ Arts & Crafts Exhibition Catalogue 1899, p. 49.
- ^ a b Arts & Crafts Exhibition Catalogue 1899, p. 91.
- ^ a b c d Wood 1900a, p. 85.
- ^ a b c d Wood 1900b, p. 85.
- ^ a b Bruce 2001, pp. 55–57.
- ^ Baldry 1900, p. 4.
- ^ "Alexander Fisher a bronze sculpture "Israfel"". Paul Reeves. Archived from the original on 28 September 2020. Retrieved 10 January 2020.
- ^ "Eden and Keswick Links to Antiques and Collectibles". Cumberland & Westmorland Herald. 25 June 2005. Archived from the original on 12 February 2020. Retrieved 18 October 2018.
- ^ "A Fine and Extremely Rare Late Victorian Signed and Documented Keswick School of Industrial Arts (KSIA) Enamelled Copper Casket". The Salesroom. 29 June 2005. Archived from the original on 19 October 2018. Retrieved 18 October 2018.
- ^ "Arts & Crafts Copper/Enamel Trinket Box c. 1910". WorthPoint. 3 August 2008. Retrieved 27 December 2018.
- ^ Delucca, David (8 September 2017). "Herbert James Maryon Hammered Copper & Enamel Oak Tree Box c1900". California Historical Design. Archived from the original on 27 December 2018. Retrieved 27 December 2018.
- ^ "Herbert J. Maryon Hammered Copper & Enamel Oak Tree Box Lot 109". WorthPoint. 4 December 2017. Archived from the original on 27 December 2018. Retrieved 27 December 2018.
- ^ Bruce 2001, pp. 65, 69.
- ^ Gregory 1901, p. 139.
- ^ Northern Counties Magazine 1901, p. 55.
- ^ Bruce 2001, pp. 65, 70.
- ^ Northern Counties Magazine 1901, pp. 54–55.
- ^ a b Pevsner 1967, p. 259.
- ^ a b Bruce 2001, pp. 66, 71.
- ^ Wood 1902, pp. 131–132.
- ^ a b c d Bruce 2001, p. 71.
- ^ a b Marshall, David. "Keswick School of Industrial Arts copper "Temple" jug". Hammer and Hand. Archived from the original on 30 April 2024. Retrieved 30 April 2024.
- ^ The International Studio 1903, p. 211.
- ^ a b The International Studio 1903, p. 212.
- ^ Bruce 2001, p. 57.
- ^ a b "A Keswick School of Industrial Arts hammered copper vase designed by Thomas [sic] Maryon". Woolley & Wallis. 21 June 2017. Archived from the original on 30 April 2024. Retrieved 30 April 2024.
- ^ "Keswick School Of Industrial Arts KSIA Copper Arts And Crafts Tea Caddy For The 1900 HAIA Exhibition J Clark". KSIA. Archived from the original on 30 April 2024. Retrieved 30 April 2024.
- ^ a b c "Keswick School of Industrial Arts". Local News. The English Lakes Visitor and Keswick Guardian. Vol. XXVI, no. 1, 305. 7 June 1902. p. 4.
- ^ Bruce 2001, pp. 59, 61–62, 74.
- ^ "High Altar Cross". Hexham Abbey Heritage. Archived from the original on 30 January 2020. Retrieved 29 January 2020.
- ^ "The Gift of a Cross to Hexham Abbey". The Newcastle Daily Journal. Vol. CXIII, no. 14, 405. Newcastle-upon-Tyne. 5 April 1902. p. 8.
- ^ "Keswick School of Industrial Arts". The English Lakes Visitor and Keswick Guardian. Vol. XXVI, no. 1, 304. 31 May 1902. p. 4.
- ^ Bruce 2001, pp. 71, 74–75.
- ^ The Magazine of Art 1903, pp. 155–156.
- ^ Bruce 2001, pp. 61, 67.
- ^ "MANMU : 1896.5 - hot water jug and cover". Special Collections Museum Catalogue. Manchester Metropolitan University. Retrieved 26 April 2024.
- ^ a b Shrigley 1994, p. 49.
- ^ The Art Workers' Quarterly 1903, p. 25.
- ^ a b "Fire-Irons and Stand". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art. 2011. Archived from the original on 7 June 2020. Retrieved 17 February 2020.
- ^ a b c The Studio 1905, p. 263.
- ^ a b c International Studio 1906, p. 263.
- ^ Bruce 2001, pp. 74, 76–77.
- ^ Curtis 1907, pp. 25–26.
- ^ a b The Studio 1905, pp. 263–264.
- ^ a b International Studio 1906, pp. 263–264.
- ^ a b c d e "Arts and Crafts at Coniston". The Stockton & Thornaby Herald. No. 2, 663. Stockton-on-Tees. 27 June 1907. p. 4. Retrieved 19 February 2023.
- ^ "Victory". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art. 2011. Archived from the original on 21 June 2019. Retrieved 17 February 2020.
- ^ a b "Mermaid Ring". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art. 2011. Archived from the original on 8 June 2020. Retrieved 17 February 2020.
- ^ a b c d "Successful Exhibition at Coniston". The Lakes Herald. No. 1, 407. Ambleside, Cumbria. 26 July 1907. p. 5. Retrieved 20 February 2023.
- ^ a b Arts & Crafts Exhibition Catalogue 1906, p. 110.
- ^ a b Arts & Crafts Exhibition Catalogue 1906, p. 68.
- ^ a b New Zealand International Exhibition Catalogue 1906, p. 86.
- ^ "Maryon, Herbert". "The Studio" Year Book of Decorative Art. London: The Studio. 1909. p. 148. Archived from the original on 18 October 2023. Retrieved 28 July 2019.
- ^ Arts & Crafts Exhibition Catalogue 1910, p. 83.
- ^ "Local Exhibits at Carlisle". The English Lakes Visitor and Keswick Guardian. Vol. XXXIV, no. 1, 724. Keswick, Cumbria. 18 June 1910. p. 5. Retrieved 19 February 2023.
- ^ "The Late Mr. and Mrs. W. W. Duffield". District News: Chelmsford. The Essex County Chronicle. No. 7, 727. Chelmsford. 25 October 1912. p. 8. Archived from the original on 23 September 2023. Retrieved 16 February 2023.
- ^ "The Late Mr. and Mrs. W. W. Duffield". Chelmsford. The Essex Newsman. No. 2, 233. Chelmsford. 26 October 1912. p. 4. Retrieved 20 February 2023.
- ^ Historic England. "Duffield Memorial (1481229)". National Heritage List for England. Retrieved 16 February 2023.
- ^ a b "Corporation Art Gallery: Exhibition of Modern Paintings, Water Colours, and Black and White Drawings". The Reading Observer. Vol. XXXIV, no. 3, 491. Reading, Berkshire. 27 January 1912. p. 3. Retrieved 19 February 2023.
- ^ Royal Academy of Arts 1914, p. 64.
- ^ Historic England. "East Knoyle War Memorial (1438366)". National Heritage List for England. Retrieved 11 October 2018.
- ^ a b c "War Memorial in Gilded Bronze, Erected in Chorlton Road Congregational Church, Manchester". The Builder. CXXIV (4185): 664. 20 April 1923. Archived from the original on 27 January 2021. Retrieved 16 March 2020.
- ^ "An Invocation to Isis". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art. 2011. Archived from the original on 6 June 2020. Retrieved 17 February 2020.
- ^ "An Invocation to Isis". Art UK. Retrieved 23 April 2024.
- ^ Art and the University from 1860 1976, No. 14.
- ^ "An Invocation to Isis". Tyne & Wear Archives & Museums. Retrieved 25 April 2024.
- ^ "Medal - Berkshire County Council". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art. 2011. Archived from the original on 2 February 2019. Retrieved 1 February 2019.
- ^ "1928–29 UK Berkshire County Council Egg Laying Competition Medal". OmniCoin. 15 May 2013. Archived from the original on 22 February 2023. Retrieved 9 January 2020.
- ^ "British Medals from the Collection of James Spencer, Lot 96". Dix Noonan Webb. 30 May 2012. Archived from the original on 18 October 2023. Retrieved 9 January 2020.
- ^ "Medal - National Pig Breeders' Association". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art. 2011. Archived from the original on 2 February 2019. Retrieved 1 February 2019.
- ^ "medal (2014,4001.22)". British Museum. Archived from the original on 21 January 2023. Retrieved 21 January 2023.
- ^ "Medal - University of Reading". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art. 2011. Archived from the original on 2 February 2019. Retrieved 1 February 2019.
- ^ "Merchant Adventurer". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art. 2011. Archived from the original on 8 June 2020. Retrieved 17 February 2020.
- ^ "Shepherd". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art. 2011. Archived from the original on 8 June 2020. Retrieved 17 February 2020.
- ^ "Nymph". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art. 2011. Archived from the original on 8 June 2020. Retrieved 17 February 2020.
- ^ "Garden Figure". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art. 2011. Archived from the original on 7 June 2020. Retrieved 17 February 2020.
- ^ a b Institution of Mechanical Engineers 1931, pp. 249–250.
- ^ "George Stephenson Memorial at Wylan". The Locomotive Magazine and Railway Carriage and Wagon Review. XXXV (442): 202. 15 June 1929. Archived from the original on 21 February 2020. Retrieved 18 February 2020.
- ^ "George Stephenson's Birthplace". The Locomotive Magazine and Railway Carriage and Wagon Review. XXXV (443): 235. 15 July 1929. Archived from the original on 21 February 2020. Retrieved 18 February 2020.
- ^ "Stephenson's Birthplace: Tablet Unveiled at Humble Cottage". The Sunday Sun. No. 515. Newcastle upon Tyne. 9 June 1929. p. 9. Archived from the original on 18 October 2023. Retrieved 23 May 2023.
- ^ "George Stephenson Memorial". The Telegraph. No. 18, 205. Brisbane. 13 April 1931. p. 9. Archived from the original on 17 February 2020. Retrieved 17 February 2020.
- ^ "Late Sir Charles Parsons: Memorial Unveiled". The Telegraph. Brisbane. 28 January 1933. p. 14. Archived from the original on 17 February 2020. Retrieved 17 February 2020.
- ^ "Inventor of Turbine: Memorial to Sir Charles Parsons Unveiled". The Gazette. No. 51. Montreal. 1 March 1933. p. CLXII. Archived from the original on 18 October 2023. Retrieved 24 December 2018.
- ^ a b "Sir Charles Parsons Memorial Plaque". Friends of Discovery Museum. 30 October 2016. Archived from the original on 15 June 2019. Retrieved 11 October 2018.
- ^ Knott, Simon (12 April 2017). "Take up the White Man's Burden - Henry Chaplin Memorial by Herbert Maryon". Flickr. Archived from the original on 18 October 2023. Retrieved 15 October 2018.
- ^ "An Arts & Crafts copper lidded jug, Keswick School of Industrial Arts, c1900". Mellors & Kirk. 20 June 2023. Archived from the original on 8 June 2024. Retrieved 8 June 2024.
- ^ "Arts & Crafts Keswick School of Industrial Arts copper lidded jug". Hill House. Archived from the original on 8 June 2024. Retrieved 8 June 2024.
- ^ a b "Rare Keswick pendant". Hill House. Archived from the original on 8 June 2024. Retrieved 8 June 2024.
- ^ a b "A rare Keswick School of Industrial Arts silver and enamel pendant necklace". Woolley & Wallis. 21 June 2023. Archived from the original on 8 June 2024. Retrieved 8 June 2024.
- ^ a b "Keswick School of Industrial Arts, Arts & Crafts brass pentagonal vase with slightly flared rim". The Salesroom. 22 February 2022. Archived from the original on 8 June 2024. Retrieved 8 June 2024.
Bibliography
- Art and the University from 1860. Reading: Reading Museum and Art Gallery. 1976. OCLC 2947934.
- "Arts and Crafts". New Zealand International Exhibition, 1906–7: Fine Art Section, Official Catalogue (PDF). Christchurch: Christchurch Press Company Limited. 1906. pp. 58–90.
- Baldry, Alfred Lys (June 1900). "The Art of 1900". The Studio. XX (87): 3–36.
- "The Bernard Gilpin Memorial in Kentmere Church". The Northern Counties Magazine. II (7): 2, 54–55. April 1901.
- Bruce, Ian (2001). The Loving Eye and Skilful Hand: The Keswick School of Industrial Arts. Carlisle: Bookcase.
- Catalogue of the Sixth Exhibition. London: Arts & Crafts Exhibition Society. 1899.
- Catalogue of the Eighth Exhibition. London: Arts & Crafts Exhibition Society. 1906.
- Catalogue of the Ninth Exhibition. London: Arts & Crafts Exhibition Society. 1910.
- "Chronicle of Art—January". The Magazine of Art. 1: 153–156. 1903.
- Curtis, W. D. (1907). The Log of H.M.S. 'Cumberland'. The Log Series. London: The Westminster Press.
- The Exhibition of the Royal Academy of Arts. Vol. 146. London: Royal Academy of Arts. 1914.
- Gregory, Edward W. (June–September 1901). "Home Arts and Industries". The Artist: An Illustrated Monthly Record of Arts Crafts and Industries. XXXI (259). New York: Truslove, Hanson & Comba: 135–140. doi:10.2307/25581626. JSTOR 25581626.
- "Illustrations of Memorial, Birds, Woven hangings, Wood Work, Book Covers, Silver Work, Jewellery, Gesso Work, etc". The Art Workers' Quarterly. II (5): 17–28. January 1903.
- The Institution of Mechanical Engineers (June 1931). "Unveiling of Replica of Tablet Affixed to George Stephenson's Cottage at Wylam-on-Tyne". Proceedings of the Institution of Mechanical Engineers. 120: iv, 249–251. doi:10.1243/PIME_PROC_1931_120_012_02.
- Pevsner, Nikolaus (1967). Cumberland and Westmoreland. The Buildings of England. New Haven: Yale University Press. ISBN 0-300-09590-2.
- Shrigley, Ruth, ed. (1994). Inspired by Design: The Arts and Crafts Collection of The Manchester Metropolitan University. Manchester: Manchester City Art Galleries. ISBN 0-901673-48-X.
- "Studio Talk: Keswick". The Studio. XVIII (71): 210–212. January 1903.
- "Studio Talk: Keswick". The Studio. XXXVI (153): 263–264. December 1905.
- "Studio Talk: Keswick". The Studio. XXVII (107): 263–264. January 1906.
- Wood, Esther (June 1900a). "The Home Arts and Industries Exhibition at the Albert Hall". The Studio. XX (87): 78–88.
- Wood, Esther (July 1900b). "The Home Arts and Industries Exhibition at the Albert Hall". The International Studio. XI (41). New York: John Lane Co.: 78–88.
- Wood, Esther (July 1902). "The Home Arts and Industries Association". The Studio. XXVI (112): 129–134.