Invisible Cities
 Cover of first English edition (hardcover) | |
| Author | Italo Calvino |
|---|---|
| Original title | Le città invisibili |
| Translator | William Weaver |
| Language | Italian |
| Genre | novel |
| Publisher | Harcourt Brace Jovanovich (first English edition) |
Publication date | 1972 (Italian) 1974 (English) |
| Publication place | Italy |
| Media type | Print (Hardcover & Paperback) |
| Pages | 165 pp (first English edition) |
| ISBN | ISBN 0-151-45290-3 (first English edition) Parameter error in {{ISBNT}}: invalid character |
Invisible Cities (Italian: Le città invisibili) is a novel by Italian writer Italo Calvino. It was published in Italy in 1972 by Giulio Einaudi Editore.
The book explores imagination and the imaginable through the descriptions of cities by the narrator, Marco Polo. The book is framed as a conversation between the aging and busy emperor Kublai Khan, who constantly has merchants coming to describe the state of his empire, and Polo. The majority of the book consists of Polo's descriptions (1-3 pages each) of 55 cities. Short dialogues between the two characters are interspersed every five to ten cities and are used to discuss various ideas presented by the cities on a wide range of topics including linguistics and human nature. Not only is the book structured around an interlocking pattern of numbered sections, but the length of each section's title graphically outlines a continuously oscillating sine wave, or perhaps a city skyline. The interludes between Khan and Polo, are no less poetically constructed than the cities, but form a framing device, a story with a story, that plays with the natural complexity of language and stories. Other postmodern writer's such as John Barth, who also uses multiple framing devices, cites in interviews precedents such as Scheherazade in the Arabian Nights.[1]
The book is probably based on The Travels of Marco Polo, his travelogue of the Mongol Empire written in the 13th century, which shares with Invisible Cities the brief, often fantastic accounts of the cities he visits, accompanied by descriptions of the city's inhabitants, notable imports and exports, and whatever interesting tales Polo had heard about the region.
One of Calvino's masterpieces, the novel does not fall under the aegis' of either magical realism, science fiction, or speculative fiction, and in fact is closer to poetry than classic novel writing. In the end, the book creates its own universe, neither that of a futuristic world or one based on classic fantasy fiction (pagan myths, Christian folklore, etc.) nor does it obey E.M. Forster's classic model for the story, but creates a new form, a new model, and for this it can be easily considered not only unique but revolutionary.
The book, because of it's approach to the imaginative potentialities of cities has oft been used by architects and artists to visualize how cities can be[2], their secret folds, where the human imagination is not necessarily limited by the laws of physics or the banality of modern urban theory. It offers a beautiful alternative approach to thinking about cities, how they're formed, and how they function.
The book was nominated for the Nebula Award for Best Novel in 1975.
Contents
1.
- (.....)
- Cities and memory 1: Diomira
- Cities and memory 2: Isidora
- Cities and desire 1: Dorotea
- Cities and memory 3: Zaira
- Cities and desire 2: Anastasia
- Cities and signs 1: Tamara
- Cities and memory 4: Zora
- Cities and desire 3: Despina
- Cities and signs 2: Zirma
- Thin cities 1: Isaura
- (.....)
2.
- (.....)
- Cities and memory 5: Maurilia
- Cities and desire 4: Fedora
- Cities and signs 3: Zoe
- Thin cities 2: Zenobia
- Trading cities 1: Eufemia
- (.....)
3.
- (.....)
- Cities and desire 5: Zobeide
- Cities and signs 4: Ipazia
- Thin cities 3: Armilla
- Trading cities 2: Cloe
- Cities and eyes 1: Valdrada
- (.....)
4.
- (.....)
- Cities and signs 5: Olivia
- Thin cities 4: Sofronia
- Trading cities 3: Eutropia
- Cities and eyes 2: Zemrude
- Cities and names 1: Aglaura
- (.....)
5.
- (.....)
- Thin cities 5: Ottavia
- Trading cities 4: Ersilia
- Cities and eyes 3: Bauci
- Cities and names 2: Leandra
- Cities and the dead 1: Melania
- (.....)
6.
- (.....)
- Trading cities 5: Smeraldina
- Cities and eyes 4: Fillide
- Cities and names 3: Pirra
- Cities and the dead 2: Adelma
- Cities and the sky 1: Eudossia
- (.....)
7.
- (.....)
- Cities and eyes 5: Moriana
- Cities and names 4: Clarice
- Cities and the dead 3: Eusapia
- Cities and the sky 2: Bersabea
- Continuous cities 1: Leonia
- (.....)
8.
- (.....)
- Cities and names 5: Irene
- Cities and the dead 4: Argia
- Cities and the sky 3: Tecla
- Continuous cities 2: Trude
- Hidden cities 1: Olinda
- (.....)
9.
- (.....)
- Cities and the dead 5: Laudomia
- Cities and the sky 4: Perinzia
- Continuous cities 3: Procopia
- Hidden cities 2: Raissa
- Cities and the sky 5: Andria
- Continuous cities 4: Cecilia
- Hidden cities 3: Marozia
- Continuous cities 5: Pentesilea
- Hidden cities 4: Teodora
- Hidden cites 5: Berenice
- (.....)
See also
External links
- Review by Tal Cohen
- Review by Jeannette Winterson
- Fällt | Invisible Cities - Portraits of the world's cities painted with sound.
- Italo Calvino sparks obsessions
- ^ ttp://www.kcrw.com/sitesearch?dosearch=1&SearchableText=John+Barth&program_id=bw&dates_radio=range&fmonth=01&fday=01&fyear=1990&tmonth=05&tday=12&tyear=2008&submit.x=0&submit.y=0
- ^ http://rodcorp.typepad.com/rodcorp/2003/09/illustrated_inv.html