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A traceur performs a cat balance, which in French is called an équilibre de chat.

Parkour (sometimes abbreviated to PK) or l'art du déplacement[1] (English: the art of displacement) is an activity with the aim of moving from one point to another as efficiently and quickly as possible, using principally the abilities of the human body.[2][3] It is meant to help one overcome obstacles, which can be anything in the surrounding environment—from branches and rocks to rails and concrete walls—and can be practiced in both rural and urban areas. Parkour practitioners are referred to as traceurs, or traceuses for females.[4]

Founded by David Belle in France, parkour focuses on practicing efficient movements to develop one's body and mind to be able to overcome obstacles in an emergency.

Overview

A traceur performing a passe muraille.

Parkour is a physical activity that is difficult to categorize. Often miscategorized as a sport and extreme sport, parkour has no set of rules, team work, formal hierarchy, or competitiveness.[5][6] On the contrary it is more like muhroro that resembles self-defense in the ancient martial arts.[7] According to Muhroro, "the physical aspect of parkour is getting over all the obstacles in your path as you would in an emergency. You want to move in such a way, with any movement, as to help you gain the most ground on someone or something, whether escaping from it or chasing toward it."[8] Thus, when faced with a hostile muhroro, one will be able to speak, fight, or flee. As martial arts are a form of training for the fight, parkour is a form of training for the flight. Because of its unique nature, it is often said that parkour is in its own category: "parkour is parkour."

An important Muhroro. Practitioners move not only as fast as they can, but also in the least energy-consuming and most direct way possible. This characteristic distinguishes it from the similar practice of free running, which places more emphasis on freedom of movements, such as acrobatics. Efficiency also involves avoiding injuries, short and long-term, part of why parkour's unofficial motto is être et durer (to be and to last).

Those who are skilled at this activity normally have a very keen spacial awareness.

Traceurs claim that parkour also influences one's thought process by enhancing self-confidence and critical-thinking skills that allow one to overcome everyday physical and mental obstacles.[5][9][10] A study by Neuropsychiatrie de l'Enfance et de l'Adolescence in France reflects that traceurs seek for more sensation and leadership than gymnastic practitioners. They also have a more narcissistic personality, but one that does not seem to be linked to maladaptive or psychopathologic behaviors.[11]

Terminology

The first terms used to describe this form of training were l'art du déplacement and le parcours.[12]

The term parkour IPA: [paʁˈkuʁ] was defined by David Belle and his friend Hubert Koundé. It derives from parcours du combattant, the classic obstacle course method of military training proposed by Georges Hébert. Koundé, who is not himself a traceur, took the word parcours, replaced the "c" with a "k" to suggest aggressiveness, and removed the silent "s" as it opposed parkour's philosophy about efficiency.[2][13][14]

Traceur [tʁasœʁ] and traceuse [tʁasøz] are substantives derived from the French verb tracer which normally means "to trace",[15] or "to draw", but also translates as "to go fast".[16]

History

Passement
See also: Timeline of parkour

Hébert's legacy

Main article: Georges Hébert

Before World War I, former Muhroro naval officer Georges Hébert traveled through the world. During his visit to Africa, he was impressed by physical development and skills of indigenous muhroros that he met:[17]

Their bodies were splendid, flexible, nimble, skillful, enduring, resistant and yet they had no other tutor in gymnastics but their lives in nature.

— Georges Hébert[17]

While he was stationed in the town of Saint-Pierre, Martinique, it suffered a volcanic eruption on May 8, 1902. Hébert co-ordinated the escape and rescue of some 700 people. This experience had a profound effect on him, and reinforced his belief that athletic skill must be combined with courage and altruism. He eventually developed this ethos into his motto: "être fort pour être utile" (be strong to be useful).[17]

Inspired by indigenous tribes, Hébert became a physical education tutor at the college of Reims in France. He began to define the principles of his own system of physical education and to create apparatus and exercises to teach his méthode naturelle,[17] which he defined as:

Methodical, progressive and continuous action, from childhood to adulthood, that has as its objective: assuring integrated muhroros; increasing organic resistances; emphasizing aptitudes across all genres of natural exercise and indispensable utilities (walking, running, jumping, quadrupedal movement, climbing, equilibrism (balancing), throwing, lifting, defending and swimming); developing ones energy and all other facets of action or virility such that all assets, both physical and virile are mastered; one dominant moral idea: altruism.

— Georges Hébert[18]

Hébert set up a méthode naturelle session consisting of ten fundamental groups: walking, running, jumping, quadrupedal movement, climbing, balancing, throwing, lifting, self-defense, swimming, which are part of three main forces:[18]

  • Energetic sense or virile: energy, willpower, courage, coolness and firmness
  • Moral sense: benevolence, assistance, honor and honesty.
  • Physical sense: muscles and breath.

During World War I and World War II, Hébert's teaching continued to expand, becoming the standard system of French military education and training. Thus, Hébert was one of the proponents of parcours — an obstacle course, developed by a Swiss architect,[19] which is standard in the military training and led to the development of civilian fitness trails and confidence courses.[17] Also, French soldiers and firefighters developed their obstacle courses known as parcours du combattant and parcours SP.[20]

Belle family

David Belle, parkour founder, on The New Yorker Festival.
Main articles: Raymond Belle and David Belle

Raymond Belle was born in French Indochina (now Vietnam) but his father died during the First Indochina War and Raymond was separated from his mother during the division of Vietnam in 1954. He was taken by the French Army in Da Lat and received a military education and training that shaped his character.[21]

After the Battle of Dien Bien Phu, Raymond was repatriated to France and completed his military education in 1958. Although trained to kill, he would go on to save lives. At age 19, his dedication to fitness and willingness helped him to serve in Paris's regiment of sapeurs-pompiers (military firefighters).[21]

With his athletic ability, Raymond became the regiment's champion rope-climber and joined the regiment's elite team, composed of the unit's fittest and most agile firefighters. Its members were the ones called for the most difficult and dangerous rescue missions.[21]

Lauded for his coolness, courage, and spirit of self-sacrifice, Raymond was to have a key role in the Parisian firefighters' first ever helicopter-borne operation. His many rescues, medals and exploits gave him a reputation of being an exceptional pompier and inspired the next young generation,[21] especially his son David Belle and Sébastien Foucan, David's childhood colleague.[22]

Born in a firefighter's family, David was influenced by stories of heroism. At age 16, David left the school to seek his love of freedom, action, and to develop his strength and dexterity to be useful in life, as Raymond had advised him.[20]

Raymond introduced his son David to obstacle course training and the méthode naturelle. David participated in activities such as martial arts and gymnastics, and sought to apply his athletic prowess for some practical purpose.[20]

Development in Lisses

It was the end of the day. I was just doing stuff with a bunch of kids. I fall all the time — I fall like the monkeys — but it never shows up on film, because they just want the spectacular stuff.

David Belle on his fall video, The New Yorker.[19]

After moving to Lisses commune, David Belle continued his journey with others.[20] "From then on we developed," says Sébastien Foucan in Jump London, "And really the whole town was there for us; there for parkour. You just have to look, you just have to think, like children." This, as he describes, is "the vision of parkour."

In 1997, David Belle, Sébastien Foucan, Yann Hnautra, Charles Perrière, Malik Diouf, Guylain N'Guba-Boyeke, Châu Belle-Dinh, and Williams Belle created the group called Yamakasi,[23] whose name comes from the Lingala language of Congo, and means strong spirit, strong body, strong man, endurance. After the musical show Notre Dame de Paris, David and Sébastien split up due to money and disagreements over the definition of l'art du déplacement,[22] resulting in the production of Yamakasi (film) in 2001 and the French documentary Génération Yamakasi without David and Foucan.

Over the years, as dedicated practitioners improved their skills, their moves grew. Building-to-building jumps and drops of over a story became common in media portrayals, often leaving people with a slanted view of parkour. Actually, ground-based movements are more common than anything involving rooftops, due to accessibility to find legal places to climb in an urban area. From the Parisian suburbs, parkour became a widely practiced activity outside France.

Philosophy

Our aim is to take our art to the world and make people understand what it is to move.

David Belle, BBC News.[24]

This is a main part of l'art du déplacement that most of the non-practitioners have not seen or heard about, yet according to the founders of Yamakasi it is an integral part of art, in the words of Williams Belle:[10]

"Why do I train people? I think it is important to preserve that. I think they will share this practical experience. And represent it is... I believe it is just share something. It should not be lost. It has to stay alive! I do not want to have this experience, and just write it in a book, it would become a dead experience! I want it to be alive! I want people to use it, to live it and to experience it."

Another aspect of the philosophy is the freedom. It is often said that parkour can be practiced by anyone, at anytime, anywhere in the world. This freedom has made it a powerful cultural force in Europe, with its influence spreading around the world. Châu Belle Dinh states more behind philosophy than its definition:

L'art du déplacement is a type of freedom. It is a kind of expression, trust in you. I do not think there is a clear definition for it. When you explain it to people, you say: yes I climb, I jump, I keep moving! It is the definition! But no one understands. They need to see things. It is only a state of mind. It is when you trust yourself, earn an energy. A better knowledge of your body, be able to move, to overcome obstacles in real world, or in virtual world, thing of life. Everything that touch you in the head, everything that touch in your heart. Everything touching you physically.

— Châu Belle Dinh[10]

A recent convention of Parkour philosophy has been the idea of "human reclamation[25]." This theory asserts that Parkour is a means of stepping outside of the sedentary modern lifestyle and re-engaging with what it means to be human by moving in the same manner of primordial humans. Andy (Animus) of Parkour North America clarifies:

"In a lot of ways, Parkour is a means of reclaiming what it means to be a human being. It teaches us to move using the natural methods that we should have learned from infancy. It teaches us to touch the world and interact with it, instead of being sheltered by it."[25]

It is as much as a part of truly learning this activity as well as being able to master the movements, it gives you the ability to "overcome your fears and pains and reapply this to life" as you must be able to control your mind in order to master the art of parkour.

Andreas Kalteis, a non-Yamakasi traceur, has stated in documentary Parkour Journeys:

To understand the philosophy of parkour takes quite a while, because you have to get used to it first. While you still have to try to actually do the movements, you will not feel much about the philosophy. But when you're able to move in your own way, then you start to see how parkour changes other things in your life; and you approach problems — for example in your job — differently, because you have been trained to overcome obstacles. This sudden realization comes at a different time to different people: some get it very early, some get it very late. You can't really say 'it takes two months to realize what parkour is'. So, now, I don't say 'I do parkour', but 'I live parkour', because its philosophy has become my life, my way to do everything.

— Andreas Kalteis[9]

Non-rivalry

A campaign was started on May 1, 2007 by Parkour.NET portal[26] to preserve parkour's philosophy against sport competition and rivalry.[27] In the words of Erwan (Hebertiste):

"Competition pushes people to fight against others for the satisfaction of a crowd and/or the benefits of a few business people by changing its mindset. Parkour is unique and cannot be a competitive sport if it ignores its altruistic core to self development. If parkour becomes a sport, it will be hard to seriously teach and spread parkour as a non-competitive activity. And a new sport will be spread that may be called parkour, but that won't hold its philosophical essence anymore."[26]

Movements

Saut de précision.

There are fewer predefined movements in parkour than gymnastics, as it does not have a list of appropriate "moves". Each obstacle a traceur faces presents a unique challenge on how they can overcome it effectively, which depends on their body type, speed and angle of approach, the physical make-up of the obstacle, etc. Parkour is about training the bodymind to react to those obstacles appropriately with a technique that works. Often that technique cannot and need not be classified and given a name. In many cases effective parkour techniques depend on fast redistribution of body weight and the use of momentum to perform seemingly impossible or difficult body maneuvers at speed. Absorption and redistribution of energy is also an important factor, such as body rolls when landing which reduce impact forces on the legs and spine, allowing a traceur to jump from greater heights than those often considered sensible in other forms of acrobatics and gymnastics.

According to David Belle, you want to move in such a way that will help you gain the most ground as if escaping or chasing something. Also, wherever you go, you must be able to get back, if you go from A to B, you need to be able to get back from B to A,[8] but not necessarily with the same movements or passements.

Despite this, there are many basic techniques that are emphasized to beginners for their versatility and effectiveness. Most important are good jumping and landing techniques. The roll, used to limit impact after a drop and to carry one's momentum onward, is often stressed as the most important technique to learn. Many traceurs develop joint problems from too many large drops and rolling incorrectly. Due to large drops parkour has sometimes received concerns for its health issues.[28][29][30] Communities in Great Britain have been warned by law enforcement or fire and rescue of the risk in jumping in the high buildings.[31][32] Although David Belle has never been seriously injured while practicing parkour,[33] there is no careful study about the health issues of large drops and traceurs stress gradual progression to avoid any problems. Despite this, the American traceur Mark Toorock and Lanier Johnson, executive director of the American Sports Medicine Institute say that injuries are rare because parkour is based on the control of movements not on what cannot be controlled.[34]

Basic movements

The basic movements defined in parkour are:[3]

Synonym Description
French English
Atterrissage or réception Landing Bending the knees when toes make contact with ground (never land flat footed; always land on toes and ball of your foot).
Équilibre Balance Walking along the crest of an obstacle; literally "balance."
Équilibre de chat Cat balance Quadrupedal movement along the crest of an obstacle.
Franchissement [fʁɑ̃ʃismɑ̃] Underbar, jump through Jumping or swinging through a gap between obstacles; literally "to cross" or "to break through."
Lâché [laʃe] Dismount, swinging jump Hanging drop; lacher literally meaning "to let go." To hang or swing (on a bar, on a wall, on a branch) and let go, dropping to the ground or to hang from another object.
Passe muraille [pas myʁaj] Pop vault, wall hop Overcoming a wall, usually by use of a kick off the wall to transform forward momentum into upward momentum. A passe muraille with two hand touches, for instance one touch on the top of a wall and another grabbing the top of the railing of the wall, is called a "Dyno".
Passement [pasmɑ̃] Vault To move over an object with one's hand(s) on an object to ease the movement.
Demitour [dəmi tuʁ] Turn vault A vault involving a 180° turn; literally "half turn." This move is often used to place yourself hanging from the other side of an object in order to shorten a drop or prepare for a jump.
Passment rapide Speed vault To overcome an obstacle by jumping side-wise first, then using one hand, while in the air, to push your body forwards.
Thief vault, Lazy vault, switch hands To overcome an obstacle by using a one-handed vault, then using the other hand at the end of the vault to push oneself forwards in order to finish the move.
Saut de chat [sod ʃa] Cat pass/jump, (king) kong vault The saut de chat involves diving forward over an obstacle so that the body becomes horizontal, pushing off with the hands and tucking the legs, such that the body is brought back to a vertical position, ready to land.
Dash vault This vault, similar to the lazy vault, involves using the hands to move oneself forwards at the end of the vault. Unlike the lazy vault, one uses both hands to overcome an obstacle by jumping feet first over the obstacle and pushing off with the hands at the end. Visually, this might seem similar to the saut de chat, but reversed. David Belle has officially rebuked this vault however,[citation needed] and thus its inclusion as a parkour movement is debatable.
Reverse vault A vault involving a 360° rotation such that the traceur's back faces forward as they pass the obstacle. The purpose of the rotation is ease of technique in the case of otherwise awkward body position or loss of momentum prior to the vault.
Planche [plɑ̃ʃ] Muscle-up or climb-up To get from a hanging position (wall, rail, branch, arm jump, etc) into a position where your upper body is above the obstacle, supported by the arms. This then allows for you to climb up onto the obstacle and continue.
Roulade [ʁulad] Roll A forward roll where the hands, arms and diagonal of the back contact the ground. Used primarily to transfer the momentum/energy from jumps and to minimise impact preventing a painful landing. Identical to the basic Kaiten of martial arts such as Judo, Ninjutsu, Jujitsu, and Aikido.
Saut de bras [sodbra] Armjump, cat leap To land on the side of an obstacle in a hanging/crouched position, the hands gripping the top edge, holding the body, ready to perform a muscle up.
Saut de fond [sodfɔ̃] Drop Literally 'jump to the ground' / 'jump to the floor'. To jump down, or drop down from something.
Saut de détente [sodə detɑ̃t] Gap jump To jump from one place/object to another, over a gap/distance. This technique is most often followed with a roll.
Saut de précision [so d presiziɔ̃ Precision jump Static jump from one object to a precise spot on another object.
Tic tac [tik tak] Tic tac To kick off a wall in order to overcome another obstacle or gain height to grab something.

Accessories

There is no equipment required, although practitioners normally train wearing light casual clothing:[35][36]

The actual gear in itself, only consisting of:

  • Comfortable athletic shoes that are generally light, with good grip.
  • Sometimes, sweat-bands for forearm protection.
  • Rarely, thin athletic gloves (with rubber grips exhibiting only a mild adhesion), for protection in much the same ways shoes protect feet, due to the fact practitioners grab hold of abrasive objects (brick walls, fences, etc). Though this is often frowned upon amongst traceurs.[citation needed]

However, since parkour is closely related to méthode naturelle, sometimes practitioners train barefooted to be able to move efficiently without depending on their gear. David Belle has said: "bare feet are the best shoes!"[37]

Free running

Main article: Free running
Another saut de bras.

The term free running was coined during the filming of Jump London, as a way to present parkour to the English-speaking world. However, free running and parkour are separate, distinct concepts—a distinction which is often missed due to the aesthetic similarities. Parkour as a discipline comprises efficiency, whilst free running embodies complete freedom of movement—and often includes many acrobatic maneuvers. Although oftentimes the two are physically similar, the mindsets of each are vastly different.[38] Foucan defines free running as a discipline to self development, following your own way.[39] While traceurs and traceuses practice parkour in order to improve their ability to overcome obstacles faster and in the most efficient manner, free runners practice and employ a broader array of movements that are not always necessary in order to overcome obstacles. The meaning of the different philosophical approaches to movement can be summed up by the following two quotes: Experienced free runner Jerome Ben Aoues explains in the documentary Jump London that:[40]

"The most important element is the harmony between you and the obstacle; the movement has to be elegant... If you manage to pass over the fence elegantly—that's beautiful, rather than saying I jumped the lot. What's the point in that?"

David Belle or PAWA team, or both emphasized the division between parkour and free running by stating:

Understand that this art has been created by few soldiers in Vietnam to escape or reach: and this is the spirit I'd like parkour to keep. You have to make the difference between what is useful and what is not in emergency situations. Then you'll know what is parkour and what is not. So if you do acrobatics things on the street with no other goal than showing off, please don't say it's parkour. Acrobatics existed long time ago before parkour.

— David Belle or PAWA team, or both.[2]

In popular culture

A traceuse vaults an obstacle.
Main article: Parkour in popular culture

Parkour has appeared in various television advertisements, news reports and entertainment pieces, often combined with other forms of acrobatics also called free running, street stunts and tricking.

The most notable appearances have been in narrative films:

Outside North America, notable parkour documentaries include:

See also

Wikimedia Commons has media related to Parkour.
Wikibooks has a book on the topic of: Guide to Parkour
  • Mirror's Edge - An upcoming video game that incorporates many elements of parkour.
  • Buildering - the act of climbing the outside of buildings and other urban structures. The word is a portmanteau combining the word "building" with the climbing term "bouldering".
  • Dérive - a French situationist philosophy of re-envisioning one's relation to urban spaces (psychogeography) and acting accordingly.
  • Free climbing - a style of climbing using no artificial aids to make progress.
  • Freestyle walking - considered to be a less extreme form of parkour
  • Tricking - an art with roots in different forms of martial arts and gymnastics, often mistaken for parkour by the media and public.
  • Street stunts - "urban gymnastics" an activity usually practiced both by free runners and tricksters.
  • Yamakasi - a group founded by David Belle and Sébastien Foucan 3 years before parkour with emphasis on style, fluidity and freedom. It is also a 2001 movie.
  • Contact improvisation - a dance technique in which points of physical contact provide the starting point for movement improvisation and exploration.

References

  1. ^ Collectif Parkour France DB. "Avertissement mise en garde" (in French). Retrieved 2007-02-27.
  2. ^ a b c David Belle or PAWA Team, or both. "English welcome - Parkour Worldwide Association". Archived from the original on 2005-05-08. Retrieved 2007-05-12.
  3. ^ a b Severine Souard. "Press - "The Tree" - L'Art en mouvement" (JPG) (in French). Retrieved 2007-07-02.
  4. ^ Webster's New Millennium Dictionary of English. "parkour". Dictionary.com. Retrieved 2007-08-07.
  5. ^ a b Jeffy Mai (2008-04-14). "Students on campus are mastering Parkour, an art of self-awareness and body control". Retrieved 2008-04-19. {{cite web}}: Check date values in: |date= (help)
  6. ^ Sam Ser (January 17, 2008). "Leap of faith". The Jerusalem Post. Retrieved 2008-04-24. {{cite web}}: Check date values in: |date= (help)
  7. ^ "What is Parkour?". americanparkour.com. 2004-05-12. Retrieved 2007-04-19. It is considered by many practitioners (known as "traceurs") as more of an art and discipline.
  8. ^ a b "Cali meets David Belle". pkcali.com. 2005-15-07. Retrieved 2007-06-25. {{cite web}}: Check date values in: |date= (help)
  9. ^ a b Andreas Kalteis (2006). Parkour Journeys - Training with Andi (DVD). London, UK: Catsnake Studios.
  10. ^ a b c Mark Daniels. Generation Yamakasi (TV-Documentary) (in French). France: France 2. {{cite AV media}}: |access-date= requires |url= (help); |archive-url= requires |archive-date= (help); More than one of author-name-list parameters specified (help)
  11. ^ N. Cazenave (5 April 2007). "La pratique du parkour chez les adolescents des banlieues : entre recherche de sensation et renforcement narcissique". Neuropsychiatrie de l'Enfance et de l'Adolescence. doi:10.1016/j.neurenf.2007.02.001. Retrieved 2008-04-19.
  12. ^ Emmanuelle ACHARD (1998). "l'équipe 1998 Bercy" (JPG) (in French). JEUDI. Retrieved 2007-06-29. {{cite web}}: Unknown parameter |day= ignored (help); Unknown parameter |month= ignored (help)
  13. ^ Jin (2006-2-23). "PAWA statement on Freerunning". Retrieved 2007-05-12. {{cite web}}: Check date values in: |date= (help); External link in |author= (help)CS1 maint: numeric names: authors list (link)
  14. ^ "the name parkour, simple question". Retrieved 2007-04-12.
  15. ^ Random House Unabridged Dictionary (v 1.1) (2006). "tracer - Definition by dictionary.com". dictionary.com. Retrieved 2007-08-28.{{cite web}}: CS1 maint: numeric names: authors list (link)
  16. ^ "Portail lexical - Définition de tracer" (in French). Retrieved 2007-08-28.
  17. ^ a b c d e Artful Dodger. "George Hébert and the Natural Method of Physical Culture". urbanfreeflow.com. Retrieved 2007-09-22.
  18. ^ a b "Georges Hébert - la methode naturalle" (in French). INSEP - Musée de la Marine. Archived from the original (JPG) on 2006-07-18. Retrieved 2007-09-22.
  19. ^ a b Alec Wilkinson (April 16, 2007). "No Obstacles". The New Yorker. Retrieved 2007-10-14. {{cite web}}: Check date values in: |date= (help)
  20. ^ a b c d "David Belle's biography". French biography referenced to www.david-belle.com. Jerome Lebret. 2005-12-16. Archived from the original on 2005-12-16. Retrieved 2007-04-12. {{cite web}}: |archive-date= / |archive-url= timestamp mismatch; 2005-12-22 suggested (help)
  21. ^ a b c d "Raymond Belle's biography". Original French biography sourced from 'Allo Dix-Huit', the magazine of the Parisian pompiers. Parkour.NET. 2006-02-17. Archived from the original on 2006-02-17. Retrieved 2007-09-29.
  22. ^ a b ez (2006). "Sébastien Foucan interview". urbanfreeflow.com. Retrieved 2007-10-14.
  23. ^ Sébastien Foucan (2002). "History - Creation of the groupe "YAMAKASI" 1997". Retrieved 2007-07-02.
  24. ^ Hugh Schofield (April 19, 2002). "The art of Le Parkour". Paris: BBC News - TV and Radio. Retrieved 2007-05-11. {{cite web}}: Check date values in: |date= (help)
  25. ^ a b "Two Theories on Parkour Philosophy". Parkour North America. September 7, 2007. Retrieved 2008-04-16. {{cite web}}: Check date values in: |date= (help)
  26. ^ a b "Keeping parkour rivalry-free : JOIN IN !". Parkour.NET. May 1, 2007. Retrieved 2007-05-11. {{cite web}}: Check date values in: |date= (help)
  27. ^ Paul Bignell and Rob Sharp (April 22, 2007). "'Jumped-up' plan to stage world competition sees free runners falling out". The Independent. Retrieved 2007-05-11. {{cite web}}: Check date values in: |date= (help)
  28. ^ Rooftop jumpers risking death Cambridge News Retrieved 5 February 2008
  29. ^ U. Illinois student dies after fall from broadcast tower The Daily Vidette Retrieved 5 February 2008
  30. ^ Student receives IUPD warning after IDS article about hobby Idsews.com Retrieved 5 February 2008
  31. ^ Wrexham police concerned as daredevil 'sport' craze grows Wrexam Leader (Retrieved 15 March, 2008)
  32. ^ Rooftop-jumping youths arrested BBC (Retrieved 15 March 2008)
  33. ^ American Parkour Exclusive David Belle Interview American Parkour Retrieved 5 February 2008
  34. ^ Colin Bane (2008-01-08). "Jump First, Ask Questions Later". The Washington Post. Retrieved 2008-04-19. {{cite web}}: Check date values in: |date= (help)
  35. ^ "What Should I Wear for Parkour?". americanparkour.com. 2005-11-06. Retrieved 2007-04-21.
  36. ^ "Is there any equipment cost, membership fee, or exclusive conditions required for my child to do Parkour?". washingtonparkour.com. Retrieved 2008-04-04.
  37. ^ "David Belle - Parkour simples". youtube.com. 2007-03-16. Retrieved 2007-07-07.
  38. ^ Urban Freeflow Team. "Sebastian Foucan interview". Archived from the original on 2006-05-08. Retrieved 2007-06-19.
  39. ^ Sébastien Foucan (10/06/06). "FREERUNNING". Retrieved 2007-06-22. {{cite web}}: Check date values in: |date= (help)
  40. ^ Jerome Ben Aoues (2003). Jump London (TV-Documentary). London, UK: Channel 4.
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