Blade of the Phantom Master
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Blade of the Phantom Master (新暗行御史, Shin Angyō Onshi, 신암행어사 Sinamhaengeosa), translated as New Royal Secret Commissioner, is a serial comic and animated film created and by Youn In-Wan and illustrated by Yang Kyung-Il. The series takes place in a futuristic world reminiscent of ancient Korea, and follows the Korean-folktale-inspired adventures of Munsu, one of the few remaining guardians against corruption and tyranny, as he seeks to find those responsible for the destruction of his country.[1] It was serialized roughly concurrently in South Korea (as Sinamhaengeosa)[citation needed] and Japan (as Shin Angyō Onshi) as a Japanese manga in the monthly magazine, Sunday GX, from 2001 to 2007, and was adapted into an animated theatrical-release film in 2004 in a first-of-its-kind collaboration between Japan and South Korea.[2] In 2007, an English-language version of the film was released in the United States by ADV Films under the title, Blade of the Phantom Master.[3]
Plot
Blade of the Phantom Master takes place in the fictional land of Jushin, modeled after feudal Korea. In Jushin, there once lived secret government agents called the angyō onshi, who traveled the countryside in disguise. They were charged by the king with finding and punishing corrupt government officials, and bringing justice to the country's citizens.
At the start of the series, Jushin has been destroyed, fractured into numerous fiefdoms and kingdoms, many of which are ruled by corrupt and tyrannical warlords. Blade of the Phantom Master follows the adventures of one of the remaining angyō onshi, Munsu, as he continues to wander the countryside and deals with the chaos caused by Jushin's fall.
Though initially episodic in nature, it becomes apparent as the series progresses that Munsu's travels are not random. In truth, Munsu is searching for the man responsible for assassinating his best friend, the king of Jushin, an act that led to the fall of the country.
But as Munsu grows closer to reaching his goal, he encounters old friends and comrades from his past, some who have since switched their allegiance to his enemy. Through them, it is revealed that Munsu was not always an angyō onshi and is himself partly responsible for the king's death and subsequent fall of Jushin.
In addition to the overarching plotline, the series also uses the exploits of Munsu and his companions to retell various Korean folk stories.
Angyō onshi
In Blade of the Phantom Master, angyō onshi bear bronze medallions, given to them by the king and emblazoned with between one and three horses. The greater the number of horses, the higher the rank of the angyō onshi. Angyō onshi of first mahai rank have one horse emblazoned onto their medallions, which allows them to wield basic magic to fight ordinary soldiers. The most powerful medallions feature three horses, and allow the bearers, third mahai, to perform summonings and regenerate injuries. Two medallions may also be used in concert to further increase a qualified user's abilities.
Despite being made for use by angyō onshi, the mahai medallions will also work for normal people, so long as their convictions and willpower in executing justice are sufficiently strong. Hong Gildong, for example, successfully wielded a fourth mahai medallion. After the fall of Jushin, both first and second mahai medallions were rendered useless; only third and fourth mahai medallions still functioned.
Angyō onshi are also prohibited from having families, but they are allowed a single travel partner called a 'Sando', who doubles as a bodyguard. Sando tend to be individuals of great fighting prowess or intelligent beasts.
Characters
- Munsu (文秀/문수)
- Voiced by: Keiji Fujiwara
The anti-heroic protagonist of the series and a third mahai angyō onshi from the fallen kingdom of Jushin. Despite the common perception held by Jushin's former citizens that angyō onshi are virtuous and bearers of justice, Munsu usually comes across as somewhat amoral and does not believe in helping people who refuse to help themselves. When he does help others, his methods almost always involve excessive bloodshed, lying, torture, and other questionable acts.
Munsu suffers from a curse that resembles asthma, which can only be alleviated by the inhaler-like charm he wears around his neck. This curse originates from during the Jushin period, where he convinced Aji Tae to switch the curse which was originally suffered by his lover Kye Wol Hyang unto him in hopes of relieving her pain. However, this was ineffective; not only did she die in the end while he retained the curse, Munsu actually fell directly into Aji Tae's scheme. In volume 11, Munsu confessed to Wonsul that despite claims that he was her killer, the truth was that Kye Wol Hyang killed herself by running into his sword while he was holding it right into her heart. He blames himself for her death and believes that he is her killer. When asked by Hong Gildong, he refused to deny that he was her sister's killer although his life was at stake. He went against the entire Hwalbindang after consuming a special drug that removed his asthma for a period of time, and managed to kill most of them. However, the drug had negative side effects when it wore off, and conveniently Aji Tae appeared while Munsu was at his most weak and wounded moment. Seeing his sworn enemy, his condition worsened and he started vomiting more blood, falling into a more critical state. Munsu swears that he will not die despite reality and that he find Aji Tae in the end.
Before passing out, he asks Bang Ja to use an acupuncture needle in his pocket in order to prevent his death, but as soon as Bang Ja did it, Munsu's heart stopped beating. Everyone lost hope and believed that he was dead; however, after a few days despite the humid weather, Munsu's body did not decay. Later it was discovered that the needle contained mandrake extract and Munsu was affected with the infamous hallucinogen, allowing him to escape death. But being effected by the mandrake's poison means he will forever live in a fake world of his most desired dreams. Volume 11 shows the most treasured moments in Munsu's life and more about his past.
- Sando / Chun Hyang (山道/春香/산도/춘향)
- Voiced by: Sanae Kobayashi
A beautiful woman with prodigious fighting skill. She acts as Munsu's 'Sando', or bodyguard. When she was kidnapped by a corrupt lord who wanted to make her his personal bodyguard, her lover embarked on a futile quest to become an angyō onshi. He died in the process, but not before making Munsu aware of her plight. After Munsu frees her, she decides to become his bodyguard in memory of her dead lover, and takes the title "Sando" as her new name.
Despite her fearsome natural fighting ability, Sando is quiet and shy, with a high moral stance. As a result, she is often in conflict with the amoral Munsu over his questionable methods. She has made it clear that if he ever becomes truly evil, she will no longer protect him. She also has a great fear of heights, and will refuse to cross bridges set over deep mountain gorges or valleys. Munsu finds this extremely peculiar, seeing as to how she often leaps several stories into the air during combat.
Later in the series, she is defeated in combat and leaves Munsu in shame to pursue greater strength. She learns the power of using her 'ki' from a friend of Aji Tae, attaining the strength she desires. She is last seen on Aji Tae's side, having become his latest bodyguard. In the final volume of the manga, it is revealed that Sando is not a human.
- Bang Ja (房子/방자)
Munsu's unwanted but good-intentioned servant. Once the servant and apprentice of a first mahai onshi, his former master released him from service after Jushin's destruction. When his master and his sando were later killed in a rebel uprising against a corrupt lord, Bang Ja began roaming the country as a thief. He believes that angyō onshi should be virtuous and heroic, which is why Munsu's behavior often shocks him.
He is a third-rate Magician who summons animals to do his bidding, and he deeply takes his role as a Bang Ja seriously. This often leads to his being manipulated and bullied by Munsu, who often beats him or sends him on inane/impossible errands.
He was responsible for the main death of Won Hyo. After Sando left the group and Munsu almost died, Bang Ja used Yuui Tae's acupuncture needle on Munsu so that he lives. Bang Ja finds it difficult that Munsu is in a coma state situation that he is a lifeless body. After Yeongsil received the false information about the Mandrake cure, Bang Ja and Yeongsil traveled together to an icy mountain encountering Sando. Having joined Aji Tae, Sando attacked Bang Ja and Yeongsil.
- Gye Wol Hyang (桂月香/계월향)
Is Munsu's deceased lover and sister of Hong Gildong. She is Munsu and Hae Mo Su's childhood friend. She has an illness that resembles asthma, which can only be alleviated by the inhaler-like charm he wears around his neck. Munsu couldn't stand and watch Kye Wol Hyang suffer so he asked Aji Tae to perform a ritual to pass Kye Wol Hyang's illness to Munsu. Later it is known that Kye Wol Hyang committed suicide but Munsu still blames himself for her death even when Hong Gildong asks for the truth.
- Wonsul (元述/원술)
A master swordsman from Jushin, who was once a subordinate of Munsu. However, when Jushin fell he began serving Aji Tae, growing Yang Gwi Bi, a plant with narcotic properties, to ship to the west in exchange for weaponry. His weapon, Saruhyondo, is a sword with a blade forged from his killing 'ki', or killing intent. Aside from being impossibly sharp and hard, the blade is also extremely mallaeble, re-shaping itself into any killing form Wonsul can imagine. As it is made of pure killing ki, the blade is also invisible to the naked eye. Wonsul can manifest the blade so long as he has something to act as a hilt, such as a stick or his signature dragon's head sword hilt. While working for Aji Tae, Wonsul was defeated and killed by Sando, despite her being unable to see his sword. His death, however, proved temporary, as he was later resurrected by Aji Tae. Now effectively a zombie of sorts, Wonsul retained his mind and skill, but his body was like a living corpse, continuing to decay. Furthermore, his re-animated form proved extremely hard to kill, since it was already technically dead - even when decapitated, he still remained conscious and fully aware. He when on to serve as Munsu's sando in Chun Hyang's stead. When Munsu went against the Hwalbindang, Wonsul remained by his side. As their battle with the Hwalbindang comes, Aji Tae made his appearance, upon which Wonsul requested that the former end his state of living death. At first Aji Tae appears to oblige, disintegrating Wonsul's body. However, Aji Tae then states that so long as even part of his body remains intact, he wants Wonsul to remain alive, and "see everything through to the end". At this, Wonsul's head, the only remaining part of his body, begins to cry.
Later, when Munsu recovers from his mandrake-induced coma and prepares for a final battle with Aji Tae, Wonsul is dispatched to attack. Despite having been turned into an immense, grotesque mass of flesh (he is initially mistaken for one of Kaidaiten's demons), Munsu recognises his old friend and grants Wonsul his wish, exploding a nearby ammunition dump and engulfing the monstrosity in the blast. Back in his fortress, Aji Tae comments that Wonsul is finally dead.
- Aji Tae (阿志泰/아지태)
A former scholar from Jushin and the man Munsu holds responsible for the destruction of the country. Many of Munsu's former allies and comrades have since switched their loyalties to Aji Tae, having been coerced by his power or duped by his charisma. His motives and purpose, as of yet, remain unknown. He possesses a large range of magical abilities, among them the ability to resurrect the dead, explode people with a mere glance, shapeshifting, and teleportation.
During the Junshin period, Aji Tae was General Munsu's second-in-command. At that time, he was smaller in size and sported short black hair and glasses. Despite his innocent exterior, however, the Jushin Aji Tae was already convinced of the inferiority and unworthiness of mankind, and was already plotting his conquest of Jushin.
As of volume 15, he has succeeded in conquering most of the former Jushin territories, having gathered together a formidable force of supernatural allies. This includes the resurrected Kaidaiten and its demon brood, an army of undead, black magic practitioners from the West, and Munsu's former bodyguard Sando.
Series origins
Much of the premise for and characters of Blade of the Phantom Master were drawn from the classic Korean tale, The Legend of Chun Hyang. Youn said many Korean readers of the comic did not like his dark portrayal of the light-hearted classic tale, and he was sometimes told he had "bad taste." He explained that Blade of the Phantom Mask used the original, lesser-known version of The Legend of Chun Hyang, which is far more tragic, as its basis. He sought to not only draw on the beauty of the original novel, but also to arrange its message to fit modern times.[4] Youn also drew upon other classic Korean stories, such as Amhaengeosa (Secret Royal Commissioner), and historical figures like Heo Jun for inspiration.[5]
The model for Munsu was the historical figure Park Mun-su, from Korea's Joseon Dynasty period. According to Youn, he was originally a military officer in charge of training the army, and was active as an angyō onshi for only one year. However, his legacy was considerable, including not only seeking and punishing corrupt officials, but also stopping the invasion of the Korean peninsula by foreigners and saving the king from a coup d’état.[6] Sando is based largely on Ju Non-gae, a figure from the Japanese-Korean Seven-Year War. Following the capture of Hanyang (now Seoul) by Toyotomi Hideyoshi's troops in 1592, Non-gae avenged the death of her lover, a soldier, by willingly giving up her life to cause the death of a Japanese general. The holiday Uiambeolje commemorates her spirit of patriotic self-sacrifice.[7]
When developing the idea of using a story about angyō onshi, Youn said he worried that Japanese readers might find the idea too foreign. He later learned that Japan had similar people, called mito koumon, in its history, and eventually found that many places around the world had individuals of similar positions in their own histories. He felt this universality of such heroes who seek out and report corrupt government officials showed that good and evil don't differentiate between countries, races, or cultures.[8] Youn admits to being influenced his portrayal of angyō onshi by Richō Angyōki (李朝暗行記), a Japanese manga by Natsuki Sumeragi. While a bit embarrassed at being so affected by a foreigner's portrayal of Korean history, he was impressed and surprised by the manga's historical accuracy.[9]
Media
Comic
The Blade of the Phantom Master comic was serialized from 2001 to 2007 as manga in Japan's Monthly Sunday Gene-X and as manhwa in South Korea's Young Champ. The work was collected into 17 graphic novel volumes, which were published by Shogakukan in Japan and Daiwon C.I. in South Korea.[5] As of 2005, these collections have sold over 2 million copies between the two countries.[10] Translation of the comic from Korean to Japanese was provided by Manabu Okazaki.[11] Many chapters included special author's notes to give background on Korean folktales and historical figures referenced in the story, and to explain instances in which the author chose to deviate from generally accepted fact in his portrayals. For instance, in volume 4, Youn provided information on Hwanung, a sage from the Korean legend, Dangun Shinhwa. He feared his portrayal of Hwanung as a summoned creature dressed in S&M gear might cause misunderstandings among readers of the comic, and explained that his development of the character in the comic was influenced by interesting but unsupported statements from the internet, whereas the Hwanung of legend holds a very high status in Korea, on a par with "that of Jesus Christ in Western society."[12]
Japanese editions of the comic volumes also included omake-style humorous shorts detailing a variety of Youn and Yang's cross cultural and comic writing adventures, entitled "From Korea - Hello!!" Youn and Yang maintained their residences in Incheon, South Korea throughout most of the writing and publication of the series,[13] often requiring the services of translators for dealings with their Japanese editor, Akinobu Natsume, especially early on, and necessitating multiple business trips to Japan.[14] Youn studied Japanese and his proficiency improved as the comic progressed. He admitted, however, that it "took two hours while staring at a dictionary" to read his first Japanese-language fan letter.[15]
Japanese editions of volume 8 of the comic were packaged with a bonus booklet entitled Osa-logy. It contained a short side story by the series authors, plus humorous comic shorts by guest authors and artists. Contributors included Airi Kawauchi (河内愛里 Kawauchi Airi), Minoru Murao, Itō Shin (真伊東 Shin Itō), and Kazuhiko Shimamoto. Also included were interviews between author Youn and actress Yoon Son-ha, and between Youn and the manga authors CLAMP (creators of The Legend of Chun Hyang, among other titles). A guidebook entitled Amenosa, This Reality and Mission (アメンオサ、その真実と使命 Amenosa, sono shinjitsu to shimei) was also published in 2004, containing color art galleries by artist Yang, plus story summaries and character data. In 2007, a volume of two side stories, Gaiden (外伝) was also released for sale.[16][17]
Since its original releases in South Korea and Japan, the comic has been licensed and published in France as Le Nouvel Angyo Onshi by Pika Édition, in Hungary by Mangafan, in Germany as Shin Angyo Onshi by Carlsen Comics, in Indonesia by Level Comics, in Thailand by Vibulkij, in Hong Kong by Jonesky, and in Taiwan by Sharp Point. No English-language adaptations have been published or announced as licensed.
Animated film
In 2004, Japanese studio Oriental Light and Magic and Korean studio Character Plan collaborated to create an animated film adaptation of the comic, entitled Phantom Master: Dark Hero from the Ruined Empire. The project represented the first time Korean and Japanese creators had ever collaborated on an animated film, and funding was shared by sources from both nations.[2] It was distributed by The Klockworx in Japan and Cinema Service in Korea. The film was co-directed by Ahn Tae-gun and Jōji Shimura, and produced by Yang Jae-hye, Lee Sang-don, Bunsho Kajiya, Lee Don-ki, and Shukuchi Kanda.[18] It featured a musical score from composer Kō Ōtani and theme songs performed by BoA.[5] Vocal tracks were recorded in both Korean and Japanese, though Korean actor Ji Sung's narration was retained in its original language for the Japanese release and augmented with native subtitles.[5] Character Plan president Yang Jee-hye said his company was able to learn new skills and technologies, both of which have been maintained during Japan's long history of film-making, from Oriental Light and Magic, who completed about 70% of the work on the film.[19]
Phantom Master: Dark Hero from the Ruined Empire was shown at the Sixth Bucheon International Animation Festival, 2004 November 6-9, in Bucheon, South Korea, at which it served as the opening film.[20] It was released into theaters simultaneously in Japan and Korea on 2004 November 26,[5][21] and had an encore run at the Seoul Ani Cinema for three weeks beginning 2005 February 17.[10] Its North American debut was at the Fantasia Festival in Montreal, Canada on 2005 July 15, where it was shown in Korean with English subtitles.[2] ADV Films released the movie to DVD in North America in 2007, with a choice of Japanese or English audio and optional English subtitles. The movie has also been locally released in Poland by Vision Film Distributors and in Russia by MC Entertainment.
The film is an adaptation of early comic chapters, covering the stories of Munsu's desert encounter with Mong Ryong, his subsequent quest to free Sando, and one of the pair's early adventures together.
References
- ^ Kim, Tae-jong (2004-11-24). "Animations heat up local screens". Han Cinema: The Korean Movie and Drama Database (archived from the Korea Times). Retrieved 2008-06-10.
- ^ a b c Doyle, Jonathan (2005). "Phantom Master: Dark Hero From Ruined Empire". Fantasia Fest Official Website. Retrieved 2008-06-10.
- ^ "ADV Films announces Venus vs. Virus, Blade of the Phantom Master for Nov. 13". Press Release. ADV Films. 2007-09-14. Retrieved 2008-06-10.
- ^ Youn, In-wan (2001-07-18). Shin angyō onshi (in Japanese). Vol. 1. Shogakukan. p. 137. ISBN 4091570011.
{{cite book}}
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(help) - ^ a b c d e Yoon, Hyun-ok (2004-11-02). "Simultaneous screening of New Secret Royal Commissioner in Korea and Japan". Han Cinema: The Korean Movie and Drama Database (archived from Korean Film Council). Retrieved 2008-06-10.
- ^ Youn, In-wan (2001-12-17). Shin angyō onshi (in Japanese). Vol. 2. Shogakukan. p. 104. ISBN 409157002X.
{{cite book}}
:|access-date=
requires|url=
(help) - ^ Youn, In-wan (2001-12-17). Shin angyō onshi (in Japanese). Vol. 2. Shogakukan. p. 52. ISBN 409157002X.
{{cite book}}
:|access-date=
requires|url=
(help) - ^ Youn, In-wan (2001-07-18). Shin angyō onshi (in Japanese). Vol. 1. Shogakukan. p. 60. ISBN 4091570011.
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:|access-date=
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(help) - ^ Youn, In-wan (2003-04-19). Shin angyō onshi (in Japanese). Vol. 5. Shogakukan. p. 119. ISBN 4091570054.
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:|access-date=
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(help) - ^ a b "The Seoul Ani Cinema releases "New Royal Secret Commissioner" again". Korea Culture & Content Agency. 2005-02-14. Retrieved 2008-06-12.
- ^ Youn, In-wan (2001-12-17). Shin angyō onshi (in Japanese). Vol. 2. Shogakukan. p. 222. ISBN 409157002X.
{{cite book}}
:|access-date=
requires|url=
(help) - ^ Youn, In-wan (2002-10-19). Shin angyō onshi (in Japanese). Vol. 4. Shogakukan. p. 119. ISBN 4091570046.
{{cite book}}
:|access-date=
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(help) - ^ Youn, In-wan (2002-04-19). Shin angyō onshi (in Japanese). Vol. 3. Shogakukan. pp. 209–211. ISBN 4091570038.
{{cite book}}
:|access-date=
requires|url=
(help) - ^ Youn, In-wan (2001-07-18). Shin angyō onshi (in Japanese). Vol. 1. Shogakukan. pp. 190–193. ISBN 4091570011.
{{cite book}}
:|access-date=
requires|url=
(help) - ^ Youn, In-wan (2001-12-17). Shin angyō onshi (in Japanese). Vol. 2. Shogakukan. pp. 220–221. ISBN 409157002X.
{{cite book}}
:|access-date=
requires|url=
(help) - ^ "Official Website" (in Japanese). Shogakukan Inc. Retrieved 2008-06-13.
- ^ "Official Website" (in Korean). Daiwon, C.I. Retrieved 2008-06-13.
- ^ "Phantom Master~Dark Hero from the Ruined Empire (Shin_am_hang_eo_sa)". Korean Film Council. 2004. Retrieved 2008-06-10.
- ^ Kim, Tae-jong. "Co-productions open doors to overseas markets". Han Cinema: The Korean Movie and Drama Database (archived from Korea Times). Retrieved 2008-06-10.
- ^ Suh Jung-bo (2004-11-02). "The Phantom Master opens the PISAF 2004". Han Cinema: The Korean Movie and Drama Database (archived from donga.com). Retrieved 2008-06-12.
- ^ Paquet, Darcy. "Commercial releases in 2004". Retrieved 2008-06-12.