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A Nightmare on Elm Street

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For other uses, see A Nightmare on Elm Street (disambiguation).
A Nightmare on Elm Street
Original US theatrical poster
Directed byWes Craven
Written byWes Craven
Produced byRobert Shaye
StarringJohn Saxon
Ronee Blakley
Heather Langenkamp
Amanda Wyss
Nick Corri
Johnny Depp
Charles Fleischer
Joseph Whipp
Lin Shaye
and
Robert Englund
CinematographyJacques Haitkin
Edited byPatrick McMahon
Rick Shaine
Music byCharles Bernstein
Distributed byNew Line Cinema
Release date
November 9, 1984
Running time
91 min.
Country United States
LanguageEnglish
Budget$1.8 million
Box office$25,504,513 (domestically)

A Nightmare on Elm Street is a 1984 American horror film directed and written by Wes Craven, and the first film in the A Nightmare on Elm Street franchise. The film features John Saxon, Heather Langenkamp, Ronee Blakley, Amanda Wyss, Jsu Garcia, Robert Englund and Johnny Depp in his feature film debut. Set in the fictional Midwestern town of Springwood, Ohio, the plot revolves around several teenagers being terrorized in their nightmares by the ghost of a serial child murderer named Freddy Krueger.

Craven produced A Nightmare on Elm Street on an estimated budget of just $1.8 million,[1] a sum the film earned back during its first week.[2] Grossing $25.5 million at the United States box office,[2] A Nightmare on Elm Street has become one of the most popular entries in the horror genre and the film's villain, Freddy Krueger, has become one of the most well recognized villains in cinema history. Both critics and Craven have mentioned that the film owes some of its success to John Carpenter's Halloween (1978), which was hugely influential in spawning a long line of slasher films and originating many clichés found in low-budget horror films of the 1980s and 1990s.[3][4]

The film's premise is the question of where the line between dreams and reality lies. The villain, Fred Krueger, thus exists in the "dream world" yet can kill in the "real world". Sequels to the original would continue to blur the distinction between dream and reality before finally challenging the line between art and reality by showing Heather Langenkamp, playing a fictionalized version of herself, haunted by the villain of a series of films she has starred in. Critics praised the film's ability to rupture "the boundaries between the imaginary and real",[5] toying with audience perceptions.[6] Some movie historians interpreted this overriding theme as a social subtext, "the struggles of adolescents in American society",[7] and their overwhelming need to confront "the harsh realities of life".[8]

Plot

A teenage girl named Tina Gray (Amanda Wyss) has a disturbing nightmare in which she is stalked through a dark boiler room by a figure with distinctive razor-sharp knives attached to the fingers on his right hand. Just as he catches her, however, she wakes up screaming, only to discover four razor cuts in her nightdress identical to the cuts in her dream.

The next day, she finds out that her friend Nancy Thompson (Heather Langenkamp) experienced the same dream. That night, Tina, Nancy and her boyfriend Glen Lantz (Johnny Depp) have a sleep-over to make a distraught Tina feel better. Tina's rebellious boyfriend, Rod Lane (Nick Corri), crashes the party and goes to bed with Tina in her mother's bedroom. However, Tina has another nightmare, and this time the killer catches her and brutally murders her. Rod wakes up to find Tina being cut open by invisible knives and then dragged up the wall and across the ceiling. Rod, being the only other person in the room at the time, is suspected of the killing and is arrested the next day.

Nancy then has three violent nightmares in which she is viciously stalked, then attacked, by the same terrifying figure who attacked Tina. These nightmares lead her to talk to Rod in jail, who tells her what he saw in Tina's mother's bedroom. Much to the dismay of her mother Marge (Ronee Blakley), Nancy becomes increasingly convinced that the figure appearing in her dreams is the person who killed Tina. Nancy and a skeptical Glen rush to the police station late at night to talk to Rod, only to find that he's been strangled by his own bedsheets. To everyone except Nancy, it appears to be a suicide.

Nancy's mother takes her to a Dream Therapy Clinic to ensure she gets some sleep. Once again, she has a horrendous nightmare. This time, her arm is badly cut, but she finds that she has brought something out from her dream: the killer's battered hat. It arouses concern, but also other feelings in Marge, who is clearly hiding a secret. Eventually, Marge, increasingly drink-sodden, reveals to Nancy that the owner of the hat, and the killer, was a man named Fred Krueger (Robert Englund), a child murderer who killed at least twenty children over a decade earlier. Furious, vengeful parents burned him alive in his boiler room hideout when he was released from prison on a technicality. Now, it appears he is manipulating the dreams of their children to exact his revenge from beyond the grave. Nancy's mother, however, reassures Nancy that Krueger can't hurt anyone, pulling Krueger's bladed glove from a hiding place in the furnace as proof.

Nancy and Glen devise a plan to catch Krueger, but when Glen falls asleep that night he is pulled into his bed and regurgitated as a spew of gore and bone. Nancy is left alone with Krueger after pulling him into the real world. She runs around her house and forces him to run into booby traps she had set earlier. Using the lamp to set Krueger on fire Nancy locks him in the basement and finally gets her father (John Saxon) and the rest of the police to help. After discovering that Krueger has escaped and that fiery footsteps lead upstairs, Nancy and Don Thompson, her police lieutenant father, witness Krueger smothering Marge with his flaming body, disappearing to leave her corpse to sink into the bed. After sending her father away, Nancy faces Krueger on her own and succeeds in destroying him by turning her back on him and draining him of all energy.

The scene shifts to the next morning, where it is revealed that everything was a dream as Nancy gets in a car with Glen and the rest of her friends, on their way to school. Nancy realizes that she is still trapped in the dream, as Krueger possesses the car just as she gets in. The car drives away with Nancy screaming for her mother, and Marge being pulled through the door window by Krueger's bladed hand.Then the great hard rock plays to the credits.

Cast

File:Fredkruegermoviefirst.png
Freddy Krueger, played by Robert Englund. The task of creating Krueger's horribly burnt face fell to makeup man David Miller, who based his creation on photos of burn victims he obtained from the UCLA Medical Center.[9]

The cast of A Nightmare on Elm Street included a motley crew of veteran actors such as Robert Englund and John Saxon, as well as several aspiring young actors including Johnny Depp and Heather Langenkamp. The low budget curtailed the ability of the number of big names that Craven could attract, and most of the actors received very little compensation for their roles.

  • Heather Langenkamp as Nancy Thompson: Nancy Thompson is an intelligent teenager that has recently been plagued by eerie, sadomasochistic dreams of a man in a dirty green and red sweater, later revealed to be Freddy Krueger. Craven claimed he wanted someone very "non-Hollywood" for the role of Nancy, and he believed Langenkamp met this quality.[10] Langenkamp, before becoming an actress, worked as a newspaper copy girl, and saw an ad for extras needed on The Outsiders earlier that year, which was being shot in Tulsa. She did not get the part, but it encouraged her to continue acting and she eventually landed the role of Nancy Thompson after an open audition, beating out more than 200 actresses.[11] Langenkamp returned as Nancy in A Nightmare on Elm Street 3: Dream Warriors (1987), which suggests that she truely did defeat Freddy in this film and the ending was merely a regular nightmare of hers. She also played herself in Wes Craven's New Nightmare (1994).
  • Robert Englund as Freddy Krueger: Krueger is a child murderer who killed at least twenty children over a decade before the film takes place. Furious, vengeful parents burned him alive in his boiler room hideout when he was released from prison on a technicality. Now, it appears he is manipulating the dreams of their children to exact his revenge from beyond the grave. According to Craven, Englund was not the first choice for the role of Freddy Krueger; they had initially wanted a stunt man to play the part. Englund, however, was sent a copy of the script, and agreed to star.[12] Englund had previously had minor roles in Big Wednesday (1978) and Bloodbrothers (1978), but was at the time best-known for his role as an alien in the mini-series V and V: The Final Battle (1984).
  • Johnny Depp as Glen Lantz: Glen is Nancy's boyfriend and is also experiencing eerie dreams, although he does not react strongly to them. Depp was another unknown when he was cast; and initially went to accompany a friend so he could audition, yet ended up getting the part of Glen. Johnny Depp made a cameo in the sixth installment, Freddy's Dead: The Final Nightmare (1991).
  • Amanda Wyss as Tina Gray: Tina is Nancy's best friend and is also being traumatized by Krueger in her dreams. Wyss was a stage actress prior to being cast in this role. She had also appeared in the 1985 film Better Off Dead. Wyss, starred in the 1982 cult comedy film Fast Times At Ridgemont High. (Two years, prior to star in this horrific movie)
  • Nick Corri as Rod Lane: Rod is Tina's boyfriend who is charged with her murder, as he was the only one present during her death. Nick Corri also made a cameo appearance in New Nightmare.
  • Ronee Blakley as Marge Thompson: Nancy's alcoholic-but-loving mother.

Production

Development

"It was a series of articles in the LA Times, three small articles about men from South East Asia, who were from immigrant families and who had died in the middle of nightmares—and the paper never correlated them, never said, ‘Hey, we’ve had another story like this."

Wes Craven on the creation of the film[13]

The origin of A Nightmare on Elm Street may lie in director Wes Craven's childhood.[10] The basis of the film was inspired by several newspaper articles printed in the LA Times on a group of Cambodian refugees and their children, who, after fleeing to America from Pol Pot's Khmer Rouge regime, were suffering horrific nightmares, after which they refused to sleep. Acting on medical advice, their parents encouraged them to do so. However, each of the children died in their sleep soon after, following the second dream.[9][10] In addition, one night, a young Craven saw an elderly man walking on the sidepath outside the window of his home. The man stopped to glance at a startled Craven, and then walked off. This served as the inspiration for Freddy Krueger.[10]

Craven also stated that he came up with the overall concept of the film studying eastern religions.[14] Other sources also attribute the inspiration for the movie to be a 1968 student film project made by students of Craven's at Clarkson University. The student film parodied contemporary horror movies, and was filmed along Elm Street in Potsdam, New York[15][16] (the town in the movie was named Madstop -- Potsdam spelled backwards[17]). Also, perhaps coincidentally, Canadian serial killer Peter Woodcock, who was jailed in 1957 for the murder of three young children in Toronto, Ontario, Canada, officially changed his name to David Michael Krueger in 1982.[18] Woodcock was remanded to a mental hospital, where he committed a fourth murder, and is still incarcerated today. Craven, however, has not credited Woodcock with serving any inspiration to Freddy Krueger. By Craven's account, the name had come from Craven's childhood. He had been bullied at school by a child named Fred Krueger, and named his villain accordingly.[9] In addition, Craven had done the same in his earlier film The Last House on the Left (1972), where the rapist's name was shortened to "Krug". He based Krueger's appearance on another childhood experience in which he had been scared by a homeless man with a very distinctive red-and-green sweater; the same colored sweater he chose for his villain. In addition, it has been stated that Craven had read that those were the two hardest colours to visually process together, which is another reason as to why he chose the respective colored sweater.[13] The 1970s pop song "Dream Weaver" by Gary Wright sealed the story for Craven, giving him not only an artistic setting to "jump off" from, but the synthesizer riff from the Elm Street soundtrack.[19] Initially, Freddy Krueger was intended to be a child molester, however the decision was changed to him being a child murderer to avoid being accused of exploiting a spate of highly publicized child molestations that occurred in California around the time of production of the film.[9]

Wes Craven began writing Nightmare on Elm Street's screenplay around 1981, after he had finished production on Swamp Thing (1982). He pitched it to several studios, but all of them rejected it for various different reasons. Interestingly, the first studio to show interest was Walt Disney Productions, although they wanted Craven to tone down the content to make it suitable for children and pre-teens. Craven declined and moved on.[9][13] Another early suitor was Paramount Pictures; however the studios passed on the project due to Nightmare on Elm Street's similarity to Dreamscape (1984), a film they were producing at the time. Finally, the fledgling and independent New Line Cinema corporation—which had up to that point only distributed films, rather than making its own—gave the project the go-ahead.[9] During filming, New Line's distribution deal for the movie fell through and for two weeks it was unable to pay its cast and crew. Although New Line has gone on to make much bigger and more profitable movies, Nightmare holds such an important place in the company's history that the studio is often referred to as "The House That Freddy Built".[20]

Filming

The fictional address of the house is 1428 Elm Street that appears in the film. The actual house is a private home located in Los Angeles, California on 1428 North Genesee Avenue.[21] During production, over 500 gallons of fake blood were used for the special effects production.[22] For the famous blood geyser sequence, the film makers used the same revolving room set that was used for Tina's death. They put the set so that it was upside down and attached the camera so that it looked like the room was right side up, then they poured gallons of red water into the room, due to the fact that the normal movie blood would not make the right effect for the geyser.[12] The scene where Nancy is attacked by Freddy in her bathtub was accomplished with a special bottomless tub. The tub was put in a bathroom set that was built over a swimming pool. During the underwater sequence Heather Langenkamp was replaced with stuntwoman Christina Johnson, who is also married to sound effects man Charles Belardinelli. The "melting staircase" as seen in Nancy's dream was created using pancake mix.[12]

Wes Craven originally planned for the film to have a more evocative ending: Nancy kills Freddy by ceasing to believe in him, then awakes to discover that everything that happened in the movie was an elongated nightmare. However, New Line leader Robert Shaye demanded a twist ending, in which Freddy disappears and the movie all appears to have been a dream, only for the audience to discover that they are watching a dream-within-a-dream-within-a-dream, where Freddy reappears as a car that "kidnaps" Nancy, followed by Freddy reaching through a window on the front door to pull Nancy's mother inside.[12] Both a happy ending and a twist ending were filmed, but the final film used the twist ending. As a result, Craven (who never wanted the film to be an ongoing franchise), dropped out of working on the first sequel, Freddy's Revenge (1985).[12] Production wrapped in July, and was rushed through editing at breakneck speed to get it ready for its November release.


Reception

Commercial

The film performed moderately well commercially with little advertising — relying mostly on word-of-mouth. It first opened in 165 cinemas in the United States on November 9, 1984, grossing USD$1,271,000 during its opening weekend.[23] The film eventually earned a total of $25 million at the American box office.[23] Additionally, it was released in Europe, China, Canada and Australia.[23] In early 1985, the film was released on the home video market by Media Home Entertainment and eventually in a laserdisc format. Sales and rentals were strong, and the film achieved status of a cult classic.[24] It has since been released on DVD, first in 1999 as part of the Nightmare on Elm Street Collection box set (along with the other 6 films), and once again in restored "Infinifilm" special edition in 2006, containing various special features with contributions from Wes Craven, Heather Langenkamp, John Saxon and the director of photography.

Critical

Since its initial release, critics have praised the film's ability to rupture "the boundaries between the imaginary and real,"[25] toying with audience perceptions.[6] Some film historians interpreted this overriding theme as a social subtext, "the struggles of adolescents in American society",[26] and their overwhelming need to confront "the harsh realities of life".[8] Variety said the film was "A highly imaginative horror film that provides the requisite shocks to keep fans of the genre happy."[27]

Since its theatrical debut, Nightmare on Elm Street has been awarded various distinguished honors. In 2003, the American Film Institute awarded the film's villain Freddy Krueger a place at #40 on the list of AFI's 100 Years... 100 Heroes and Villains, a list that ranked culturally significant film heroes, heroines and villains. The film was also ranked at #17 on Bravo's 100 Scariest Movie Moments (2004), a four-hour programme that selected cinema's scariest moments.[28]

References

  1. ^ John Kenneth Muir, "Career Overview" in Wes Craven: The Art of Horror (Jefferson, N.C.: McFarland and Company, 1998), p. 18, ISBN 0786419237.
  2. ^ a b A Nightmare on Elm Street at Box Office Mojo; last accessed August 30, 2006.
  3. ^ Jim Harper, Legacy of Blood: A Comprehensive Guide to Slasher Movies (Manchester, Eng.: Headpress, 2004), p. 126, ISBN 1900486393.
  4. ^ Rick Worland, The Horror Film: A Brief Introduction (Malden, Mass.: Blackwell Publishing, 2007), p. 106, ISBN 1405139021.
  5. ^ Ian Conrich, "Seducing the Subject: Freddy Krueger, Popular Culture and the Nightmare on Elm Street Films" in Trash Aesthetics: Popular Culture and its Audience, ed. Deborah Cartmell, I. Q. Hunter, Heldi Kaye and Imelda Whelehan (London: Pluto Press, 2004), p. 119, ISBN 0745312020.
  6. ^ a b James Berardinelli, review of Nightmare on Elm Street, at ReelViews; last accessed August 30, 2006.
  7. ^ Kelly Bulkeley, Visions of the Night: Dreams, Religion, and Psychology (Albany: State University of New York Press, 1999), p. 108; see also chap. 11: "Dreamily Deconstructing the Dream Factory: The Wizard of Oz and Nightmare on Elm Street," ISBN 0791442837.
  8. ^ a b Channel 4's 'Nightmare on Elm Street' Review at Channel 4; last accessed August 30, 2006.
  9. ^ a b c d e f Rockoff, Adam, Going to Pieces: The Rise and Fall of the Slasher Film, 1978-1986 (McFarland & Company, 2002), p. 151, ISBN 0-786-41227-5.
  10. ^ a b c d A Nightmare on Elm Street DVD (2001, New Line Cinema Entertainment).
  11. ^ Heather Langenkamp interview at The Arrow; last accessed November 23, 2007.
  12. ^ a b c d e Never Sleep Again: The Making of A Nightmare on Elm Street, documentary on the Special Edition 2006 DVD of A Nightmare on Elm Street (2006, New Line Cinema Entertainment), B000GETUDI.
  13. ^ a b c A Nightmare on Elm Street at Hollywood Gothique.com; accessed November 22, 2007. Cite error: The named reference "hollywoodgothique" was defined multiple times with different content (see the help page).
  14. ^ Wes Craven interview at Twitch Film; accessed November 23, 2007.
  15. ^ Mary Konecnik (2008-11-10). "History of Potsdam's A Nightmare on Elm St". Retrieved 2008-12-19. {{cite web}}: Unknown parameter |month= ignored (help)CS1 maint: date and year (link)
  16. ^ Nightmare on Elm Street at Potsdam; accessed November 2, 2007.
  17. ^ "Trivia for A Nightmare On Elm Street". Retrieved 2008-12-19.
  18. ^ Biography of Peter Woodcock at Serial Killer Calendar; accessed November 22, 2007.
  19. ^ Wes Craven. Nightmare on Elm Street DVD audio commentary.
  20. ^ Nightmare on Elm Street at DVD Revire; accessed November 2, 2007.
  21. ^ Site with a picture of the house; Site with the actual address and floor plan and indoor photos
  22. ^ "Frightful Facts" at House of Horrors; last accessed November 22, 207.
  23. ^ a b c A Nightmare on Elm Street business statistics at Internet Movie Database; last accessed December 15, 2007.
  24. ^ Review of A Nightmare on Elm Street musical score at MP3; accessed February 23, 2008.
  25. ^ Ian Conrich, "Seducing the Subject: Freddy Krueger, Popular Culture and the Nightmare on Elm Street Films" in Trash Aesthetics: Popular Culture and its Audience, ed. Deborah Cartmell, I. Q. Hunter, Heldi Kaye and Imelda Whelehan (London: Pluto Press, 2004), p. 119, ISBN 0745312020.
  26. ^ Kelly Bulkeley, Visions of the Night: Dreams, Religion, and Psychology (Albany: State University of New York Press, 1999), p. 108; see also chap. 11: "Dreamily Deconstructing the Dream Factory: The Wizard of Oz and A Nightmare on Elm Street," ISBN 0791442837.
  27. ^ Nightmare on Elm Street review at Variety; accessed December 15, 2007.
  28. ^ Bravo TV's 100 Scariest Movie Moments (2004) at Bravo.com; accessed December 15, 2007.

Further reading

  • Badley, Linda. Film, Horror, and the Body Fantastic. Westport, Conn.: Greenwood Press, 1995. ISBN 0-313-27523-8.
  • Baird, Robert. "The Startle Effect: Implications for Spectator Cognition and Media Theory." Film Quarterly 53 (No. 3, Spring 2000): pp. 12 – 24.
  • Carroll, Noël. "The Nature of Horror." Journal of Aesthetics and Art Criticism 46 (No. 1, Autumn 1987): pp. 51 – 59.
  • Cumbow, Robert C. Order in the Universe: The Films of John Carpenter. 2nd ed., Lanham, Md.: Scarcrow Press, 2000. ISBN 0-8108-3719-6.
  • Johnson, Kenneth. "The Point of View of the Wandering Camera." Cinema Journal 32 (No. 2, Winter 1993): pp. 49 – 56.
  • King, Stephen. Danse Macabre. New York: Berkley Books, 1981. ISBN 0-425-10433-8.
  • Prince, Stephen, ed. The Horror Film. New Brunswick, N.J.: Rutgers University Press, 2004. ISBN 0-8135-3363-5.
  • Schneider, Steven Jay, ed. Horror Film and Psychoanalysis: Freud's Worst Nightmare. Cambridge: Cambridge University Press, 2004. ISBN 0-521-82521-0.
  • Williams, Tony. Hearths of Darkness: The Family in the American Horror Film. Rutherford, N.J.: Fairleigh Dickinson University Press, 1996. ISBN 0-8386-3564-4.

External links

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