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Charles Eisenmann

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Charles Eisenmann
Born
Charles Eisenmann

(1855-10-05)October 5, 1855
Died1927
NationalityAmerican
EducationW.W Washburn in New Orleans
Known forPhotography


Charles Eisenmann was a New York photographer during the late 1880s,who worked in the Bowery district.[1] The address was 229 Bowery, which now is the home of a ministry and recently underwent a 3 million dollar renovation.[2] At the time the Bowery district was an eccleptic mix of artists, transient people and even prostitutes.[3] The depiction of this area in the movie Gangs of New York is fairly accurate.[4] The fallout of the New York City draft riots, would have made for an era in New York that was somewhat unbridled and experimental. An ideal setting for photography that was unusual and cutting edge.

Eisenmann's photography was in the form of "Cabinet card"s , popular in this era, available to the middle class. Eisenmann also supplied Duke Tobacco company with cheesecake photography to stuff in their tobacco cans. The book Victorian Cartes-de-Visite credits Eisenmann with being the most prolific and well known photographer when it comes to Cabinet cards. File:PT Barnum by Eisenmann, 1885.jpg His work was the subject of a book Monsters of the Gilden Age[5], focusing on his work on human oddities from the Barnum and Bailey circus, with a notable widely circulated picture of Jojo the Dog-faced Boy[6] Although a number of his photographs were obviously gaffs[7]

Wild Women of New York

In the book "Secrets of the Side show" by Joe Nickell, it is pointed out that Eisenmann used a number of notable gaffs , included subjects called "Circassian beauties" , women who were wild in appearance with teased, large hairdos who were said to have escaped from Turkish harems, but in reality were local girls from the Bronx with hair styles made frizzy and wild by washing in beer, who made a few dollars off of this hoax.

NY Victorian Society and Circus Freaks

Eisenmann's work appears to juxtapose the "upper crust" conservative Manhattan society in Victorian clothing, as a number of these existing cabinet cards show, to the human oddities that worked at Ringling Bros. and Barnum & Bailey Circus and Dime museums. In New York city these kinds of oddities were quite well received. One of Eisenmann's subjects, Charles Stratton AKA Major Tom Thumb was quite well known, and his wedding was quite the affair. "The couple’s elaborate wedding took place in Grace Episcopal Church in New York City. The Astors and the Vanderbilts were said to have attended as Barnum sold tickets for $75."[8]

Other prestigious clients included Mark Twain, and Annie Oakley In some ways he can be considered a kind of Annie Leibowitz of the Victorian Bowery district. Eisenmann appeared to have an affection for photographing subjects with big hair styles.[9] His career suffered a downturn with the introduction of Gelatin silver process photography[10] which made photographs more inexpensive and available for mass consumption. Also, Vaudeville overtook circuses in popularity at this time as well. Eisenmann appeared to disappear for a number of years at this time, some believing he went to Germany, he came back and worked as the head of the photography department for Dupont A rather large collection of his photographs were recently auctioned off through Sothebys[11]

In Popular Culture

A number of Eisenmann's favorite subjects can be seen in Humbug (The X-Files) namely Jo Jo the dog-faced boy, and Chang and Eng.

Contribution to Medicine

A number of Eisenmann's pictures have been catalogued for their depiction of a number of mutations and abnormalities. [12]

References

Further reading

  • Eisemann, Charles; Mitchell, Mike (1979). Monsters of the Gilded Age: The Photographs of Charles Eisenmann. Toronto: Gage Pub. ISBN 0-7715-9521-2.{{cite book}}: CS1 maint: multiple names: authors list (link)

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