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Andrea Brady

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Andrea Brady (born in 1974[1] in Philadelphia) is an American poet and lecturer at Queen Mary. She studied at Columbia University and the University of Cambridge[2] Her academic work focuses on contemporary poetry and the early modern period.[3] She is the curator of the Archive of the Now[4] and the co-editor (with Keston Sutherland) of Barque Press.[3]

Publications

Poetry

  • Vacation of a Lifetime (Cambridge: Salt, 2001).
  • Embrace (Glasgow: Object Permanence, 2005).
  • Wildfire: A Verse Essay (San Francisco: Krupskaya, 2010).
  • Mutability: Scripts for Infancy (University of Chicago Press, 2013)
  • Cut from the Rushes (Hastings: Reality Street, 2013).

Criticism

  • English Funerary Elegy in the Seventeenth Century: Laws in Mourning (2006) ISBN 140394105X
  • The Uses of the Future in Early Modern Europe, co-ed. with Emily Butterworth (2009) ISBN 041599540X

References

  1. ^ Ian Hamilton and Jeremy Noel-Tod (eds). The Oxford Companion to Modern Poetry in English, 2nd edition (2013), Oxford University Press, p. 66. ISBN 978-0-19-964025-6
  2. ^ Dr Andrea Brady, Queen Mary University of London
  3. ^ a b Andrea Brady, Queen Mary University of London
  4. ^ Archive of the Now

Further reading

  • Reviews of Vacation of a Lifetime, Publishers Weekly 23/9/02; Keith Elliot, Terrible Work.
  • John Hall, ‘Eluded readings: trying to tell stories about reading some recent poems’, The Gig 15 (Sept. 2003).
  • Tom Jones, ‘Andrea Brady’s Elections’, Litteraria Pragensia (December 2007): 139-147.
  • Stuart Kelly, ‘All lines are busy’, Review of Cold Calling, Poetry Review 94.2 (Summer 2004): 95-7.
  • Nicky Marsh, 'Going Glocal: The Local and the Global in Recent Experimental Women's Poetry', Contemporary Women's Writing 1 (2007): 192-202.
  • Robin Purves, ‘American Change: A Note on Andrea Brady and the Language of Consumption’, Edinburgh Review 114 (2004): 177-185.
  • Simon Perril, ‘Two Slices of Toast: Emptiness and Disappointment in Recent Works by Peter Manson and Andrea Brady’, Symbiosis 11.1 (April 2007): 75-88.
  • Josh Robinson, ‘“Abject Self on Patrol”: Immaterial Labour, Affect, and Subjectivity in Andrea Brady’s Cold Calling’, Litteraria Pragensia (December 2007): 148-157.
  • Keston Sutherland, University of Sussex: ‘Vocal Stupor 2: Notes on Love Poetry’, and Jonathan Clay, Birkbeck, University of London: ‘Andrea Brady’s ‘Saw Fit’: Poetic Innovation and Politics’ (New Readings of British Contemporary Poetry, University of Dundee, 3 June 2006).
  • John Wilkinson, ‘Off the Grid’, Chicago Review 53.1 (Spring 2007): 95-115, reprinted in The Lyric Touch (Cambridge: Salt, 2007).

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