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Thomas Kovachevich

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Thomas Kovachevich (born 1942, Detroit, MI) is an American contemporary visual artist and physician. Kovachevich’s art practice is multi-faceted; exhibitions of paintings, sculptures, installations and performances have represented the lexicon of this distinctive artist.

Kovachevich earned a B.A. in Social Science at Michigan State University and received his medical diploma and board certification in Family Medicine at the Chicago Osteopathic School of Medicine where he became inspired by ordinary medical materials and began making small sculptures with tape, cotton balls, suture thread, gauze, glass microscope slides, tissue, etc.

In 1971, Kovachevich began his medical practice in Chicago. For the next thirty years medicine and art enhanced and intertwined both practices.

Kovachevich has lived and worked in NYC since 1983.

Early Work 1960's-70’s

The small sculptures were shown in 1969 at the Detroit Institute of Arts in an exhibition curated by Sam Wagstaff. In 1970 an exhibition of cardboard boxes and screens made of foam core were exhibited at the Museum of Modern Art in the Penthouse Gallery, curated by Pierre Apraxine.

At the 1972 Documenta 5 [1], curated by Harald Szeemann, the small sculptures were packed into a vintage hat box and exhibited in the Individual Mythology in Kassel, Germany. The Hat Box traveled to the 1973 Biennale de Paris[2]and the Musee de peinture et de Sculpture[3] in Grenoble. In 1975 the curator A. James Speyer showed the sculptures in the Small Scale in Contemporary Art exhibition at the Art Institute of Chicago.

During this time Kovachevich became colleagues with artists Thomas Shannon, Balthasar Burkhard, Markus Raetz, Richard Tuttle, Walter De Maria and James Lee Byars.

Kovachevich painted shadows in his first solo museum exhibition at the MCA Chicago in 1973, titled ‘’Rooms and Shadows.’’ In 1976, paper cut-outs and gels attached to medical light boxes were exhibited in the Abstract Art in Chicago exhibition at the MCA Chicago[4]. Paper wall installations realized from paper packaging tape made their debut to Kovachevich’s ouvre. The paper tape reacted in constant movement, opening and closing according to the given moisture in the air.

Performance art made a large impact on Kovachevich’s practice after developing and receiving a patent, ‘Method to effect a continuous movement of a fibrous material,’ fueled by the power of evaporation. Kovachevich coined the term K - Motion, meaning constant motion. With water, paper and a fabric, the movement of cut paper shapes acted out a “story.” As the costume, set and lighting designer, Kovachevich also considered himself an observer like the audience. In 1977 Kovachevich developed a book and table top theater, K - Motion: Paper Comes Alive with an introduction by Peter Schjeldahl[5].

Exhibitions/Performances:

Artist residency at Art Park, in Lewiston, NY, daily performance in a silo,1976 A six week performance series at the Drawing Center, NY, 1977. First solo exhibition in NY involving both performance and sculpture, at Droll/ Kolbert Gallery in1978. Notre Dame University, Hyde Park Art Center, Daley’s Tomb, Name Gallery, 1977[6], A View of the Decade, MCA, Chicago, 1977[7], Beyond Object, Aspen Center for the Visual Arts, 1977

1980’s

In 1980, Kovachevich had his first solo gallery exhibition in Bern, Switzerland at the Toni Gerber Gallery. Four performance paintings that were made at the opening are in the collection of the Kunstmuseum Bern. Betsy Rosenfield Gallery in Chicago exhibited performance paintings in a solo exhibition in 1981[8][9][10].

In 1983 Kovachevich moved to New York and had exhibitions and performances at the Kunstmuseum Bern, Kunstmuseum Basel, and Hotel Wolfers/Herman Daled in Brussels. An artist residency in 1985 at the Vera and Albert List Art Center at MIT [11] produced a four week series of collaborative performances with eminent scientists and professors and an exhibition of paintings. In 1988 Kovachevich spent a year in France and Switzerland at the invitation of the Musee d’art et Histoire in Geneva, and the CIRVA (Center for Investigation and Research of Glass) in Marseille[12], where a series of glass sculptures were produced and exhibited at the Centre de la Vielle Charite, 1988[13]. Museums in France and Asia have exhibited the glass.

Kovachevich exhibited in solo and group exhibitions and performances at Farideh Cadot Galerie, NY/ Paris, Dart Gallery, Chicago, Baskerville Watson, NY, MCA Chicago, Museum Art’d Historie, Geneva.[14]

1990’s

Performances and solo exhibitions: Francesca Pia Gallery, 1996, Bern[15], Curt Marcus Gallery, 1991-2-4, NY, The Corcoran Gallery of Art, 1991, Washington DC, [16],the French Embassy, 1999, NY, and Galerie Berggruen, 1994, Paris[17] showing paper tape installations and poplar wood sculptures made in 89-90. In 1997 the Musee d’art Contemporain de Marseille exhibited Kovachevich’s glass sculptures in the New Acquisitions show.

Kovachevich realized an ambitious nation-wide project in 1990 titled ‘’Doctors’s By Phone’’, based on a term Kovachevich coined ‘conceptual realism.’ In an interview with Terri Sultan in 1991, for the catalogue of the exhibition, ‘’Thomas Kovachevich: Seeing Invisible Things’’ at the Corcoran Gallery of Art, Kovachevich said, “Conceptual realism refers to ideas as solutions to real problems, rather than to what we know as the conceptual art that developed in the 70’s, which was centered in pure idea.”[18] Doctor's By Phone provided a way for doctors to be available for consultation 24 hours a day by phone. A full page in the Corcoran catalogue for the exhibition was a reprint from a full page ad in the New York Times for ‘’Doctor’s By Phone’’. The project received national press and media coverage, including interviews on national news.

2000's to Present

In 2002, painted vacuumed-formed plastics were exhibited in a solo exhibition, Paper/Plastic/Paint at the Santa Monica Museum of Contemporary Art[19]. Kovachevich exhibited painted Images of the plastics at Lightbox, LA in 2007[20].

In 2008 at the Zentrum Paul Klee in Bern, Kovachevich installed Self Portrait, a paper installation of his own DNA in a group show, Genesis[21]. Kovachevich originally exhibited Self Portrait in 1992 at the Curt Marcus Gallery in NY.

In 2010 Kovachevich performed at midnight in ‘’Inchoative Listening + Centerless Portrayal’’, a day of performances curated by Jay Sanders at The Sculpture Center, Long Island City.

A solo show in 2012, Alpenglow, at Showroom[22] exhibited Kovachevich’s paper gels on paper and a large scale paper tape ribbon installation. The gels are in the collection of the Hammer Museum, LA where they were exhibited in 2013.

A group of cardboard and corrugated plastic sculptures were exhibited in 2014 at Showroom Gowanus and Callicoon Fine Arts NY[23][24], Lime Juice at Galerie de France in 2014, Paris, and Define at Tif Sigfrids in LA, 2016[25].

In 2016 an innovative projection video of Delancey Street was shown at Callicoon Fine Arts, NY, in a solo exhibition, January to February 2016. Later that year, Kovachevich exhibited a group of 12 x 12 inch paintings in Dark Star, a group show curated by Raymond Foye at Planthouse, NY. Planthouse, NY in 2016[26]. Other 12 x 12 paintings have been consistently exhibited at Callicoon Fine Arts, NY since 2014.

Thomas Kovachevich has been represented by Callicoon Fine Arts, NY since 2011.


References

  1. ^ Documenta 5, Kassel, Germany, illustrated, pp. 16/189/190 (catalog)
  2. ^ 8e Biennale de Paris, Musee d’Art Modern de la Ville de Paris, Musee National d’Art Modern, Paris, France, illustrated (catalog).
  3. ^ Musee de Peinture et de Scupture, Grenoble, France, illustrated (catalog).
  4. ^ Morrison, C.L., Abstract Art In Chicago, Artforum; April, 1977, Vol. 15 Issue 8, p. 70-73, 4p, 5 Black and White Photographs Museum of Contemporary Art, Chicago, IL, illustrated, catalogue
  5. ^ Schjeldahl, Peter, Introduction, Paper Comes Alive, Thomas Kovachevich, K Motion Corporation, Paper Comes Alive at Midway Studios, Chicago Journal, January 26, 1977
  6. ^ Artner, Alan G., Daley’s Tomb: Name Gallery, Chicago Tribune, March, 1977, illustrated
  7. ^ Friedman, Martin, Pincus-Winton, Robert; Gay, Peter, A View of a Decade, Museum of Contemporary Art, Chicago, IL, 1977, illustrated, p. 19, (catalogue)
  8. ^ Sakane, Itsua, Thomas Kovachevich Performance at Betsy Rosenfield, The Asahi Shimbun, Tokyo, Japan, March 1, (illustrated) p. 17
  9. ^ Kirshner, Judith Russi, Thomas Kovachevich at Betsy Rosenfield Gallery, Artforum; Apr82, Vol. 20 Issue 8, p84-85, 2p, 2 Black and White Photographs Chicago, IL
  10. ^ Sakane, Itsua, Thomas Kovachevich Performance at Betsy Rosenfield, The Asahi Shimbun, Tokyo, Japan, March 1, (illustrated) p. 17
  11. ^ Russell, John, Art Breathes Freely at MIT's New Center, The New York Times, April 28.
  12. ^ Grundbacher, Francois & Berreby, Patricia, Thomas Kovachevich au CIRVA, Cahier du CIRVA No.2, Musee de Marseille, Centre de la Vielle Charite, Marseille, France, catalogue
  13. ^ Grundbacher, Francois & Berreby, Patricia, Thomas Kovachevich au CIRVA, Cahier du CIRVA No.2, Musee de Marseille, Centre de la Vielle Charite, Marseille, France, catalogue
  14. ^ Teicher, Hendel, Artist’s Flags, Musee d’art et d’histoire, Geneva, Switzerland, (illustrated) catalogue
  15. ^ Der Bund. Thomas Kovachevich Papier personen, Galerie Francesca Pia, August, 6, Bern, Switzerland
  16. ^ Sultan, Terri, Thomas Kovachevich, Seeing Invisible Things, The Corcoran Gallery of Art, Washington DC, (catalogue)
  17. ^ Fitzhugh, William. Thomas Kovachevich at Berggruen & Cie Gallery, Where, Paris, France, June, 1994 illustrated, p. 9 (catalog).
  18. ^ Sultan, Terri, Thomas Kovachevich, Seeing Invisible Things, The Corcoran Gallery of Art, Washington DC, (catalogue)
  19. ^ Hoblock, Richard, From the Inside Out, Paper/Plastic/Paint, Santa Monica Museum of Art, Santa Monica, CA (catalog)
  20. ^ Dannatt, Adrian, The Art Newspaper. No. 180, May, New York Diary, Thomas Kovachevich New Paintings, Light Box/Kim Light Gallery, Los Angeles, CA, illustrated.
  21. ^ Eggelhofer, Fabienne. Genesis - Die Kunst der Schopfung - The Art of Creation, Zentrum Paul Klee, Bern, Switzerland (catalog)
  22. ^ >Smith, Roberta. Thomas Kovachevich, “Alpenglow”. New York Times. March 23, p.C25.
  23. ^ Heinrich, Will. ‘Thomas Kovachevich: 2013’ at Callicoon Fine Arts and Show Room, Gallerist, March 12, online.
  24. ^ http://www.artinamericamagazine.com/reviews/thomas-kovachevich/
  25. ^ Indrisek, Scott. 5 Must-See Shows in Los Angeles, Blouin ArtInfo, February 3, online.
  26. ^ Yau, John. The Wild Children of William Blake, HyperAllergic, April 17, online.
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